BRICKS FROM THE KILN #4, Natalie Ferris, Bryony Quinn, Matthew Stuart (Eds.), Bricks from the Kiln, 2020, 17 × 22.4 cm, 228 pages + insert, PB , ISBN: 9780995683525
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GREENING

Helen Marten

(front / back flaps)

JOY & HAPPINESS, FIDELITY

& INTIMACY IN TRANSLATION

Sophie Collins

(pp.4–13)

PLANETARY TRANSLATION

Don Mee Choi

(pp.15–19)

TRANSLATION AND A LIPOGRAM:

OR, ON FORMS OF AGAIN-WRITING

AND NO- (OR NOT THAT-) WRITING

Kate Briggs

(pp.23–33)

UNHOMING (1 of 4):

FOLLOWING HÖLDERLIN’S ‘HEIMAT’

Phil Baber

(pp.35–47)

SNOW WHITE AND THE WHITE

OF THE HUMAN EYEBALLS

Joyce Dixon

(pp.51–62)

ALTAMIRALTAMIRALTAMIRA

Florian Roithmayr

(pp.65–116)

LEVEL UP, LEVEL DOWN

Jen Calleja

(pp.119–124)

TRANS.MISSION [A.DIALOGUE]:

A JAVASCRIPT FOR THREE VOICES

J.R. Carpenter

(pp.127–134)

THE MECHANISATION OF ART

Edgar Wind

(glosses / annotations / insertions by

Natalie Ferris & Bryony Quinn)

(pp.137–144)

UNHOMING (2 of 4)

Phil Baber

(p.147)

COMMISSION FOR A NOIR MOVIE

B IN THE BAY OF BISCAY

Rebecca Collins

(pp.151–157)

UNHOMING (3 of 4)

Phil Baber

(pp.150–162)

EVERY CONTACT LEAVES A TRACE;

TRANSCRIBING OSTEON

Naomi Pearce

(pp.165–170)

HOW DOES A WORK END?

Karen Di Franco

(pp.173–193)

METONYMY Op.1 & Op.2

James Bulley

(pp.197–201)

AFRIKAN ALPHABETS EXTENDED

Saki Mafundikwa

(pp.204–207)

SUSAN HILLER: 1983

Natalie Ferris

(pp.209–217)

EVERY TELLING HAS A TALING /

EVERY STORY HAS AN ENDING

Matthew Stuart

(pp.220–233)

GRAPHIC PROPRIOCEPTION

James Langdon

(pp.235–254)

UNHOMING (4 of 4)

Phil Baber

(pp.257–263)

TUNNELLING AND AGGREGATING

FOR DESIGN RESEARCH

Bryony Quinn (text) &

Peter Nencini (images)

(pp.265–272)

LET IT PERCOLATE:

A MANIFESTO FOR READING

Sophie Seita

(pp.275–280)

VIA: 48 DANTE VARIATIONS

(2000–2020) — A NEW INFERNO

Caroline Bergvall

(pp.284–287 & pp.1, 2, 3, 14, 20, 21, 22, 34, 48, 49, 50, 63, 64, 117, 118, 125, 126, 135, 136, 145, 146, 148, 149, 150, 158, 163, 164, 171, 172, 194, 195, 196, 202, 203, 208, 218, 219, 232, 233, 234, 255, 256, 264, 274, 281, 282, 283, 288)

MARIST: A NOTE ON THE TYPE

Seb McLauchlan

(insert)

TO SEE AND KNOW MORE

Maria Fusco

(insert & pp.6, 14, 32, 40, 50, 60, 80, 92, 106, 120, 134, 146, 156, 162, 174, 190, 196, 210, 216, 226, 232, 246, 268, 276)

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