{"title":"Writing","description":"","products":[{"product_id":"copy-of-lawrence-abu-hamdan-live-audio-essays-1","title":"Various Artists, A Something Else Reader","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cem\u003eA Something Else Reader\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis a previously-unpublished anthology edited by Dick Higgins in 1972 to celebrate Something Else Press, the publishing house he founded in 1963 to showcase Fluxus and other experimental artistic and literary forms.\u003c\/p\u003e\n\u003cp\u003eThe publication features selections from Claes Oldenburg’s\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eStore Days\u003c\/i\u003e, John Cage’s\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eNotations\u003c\/i\u003e,\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eAn Anthology of Concrete Poetry\u003c\/i\u003e,\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eBreakthrough Fictioneers\u003c\/i\u003e, Jackson Mac Low’s\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eStanzas for Iris Lezak\u003c\/i\u003e, Gertrude Stein’s \u003ci\u003eMatisse Picasso and Gertrude Stein\u003c\/i\u003e, Bern Porter’s\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eI’ve Left\u003c\/i\u003e, Wolf Vostell’s\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eDé-coll\/age Happenings\u003c\/i\u003e, Al Hansen’s\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eA Primer of Happenings \u0026amp; Time\/Space Art, \u003c\/i\u003eand other projects for the page by Robert Filliou, Alison Knowles, Nam June Paik, Philip Corner, Daniel Spoerri, André Thomkins, and Richard Meltzer, among others. An annotated checklist assembled by Hugh Fox and Higgins’s unpublished introduction are also included.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003ePerhaps no other publisher in the 60s influenced artists’ books more than Something Else Press. Higgins had a firm vision that radical art could be housed in book form and distributed throughout the world and he worked endlessly to cultivate new works that challenged conventional notions of both contemporary art and books. While other presses created extraordinary publications, none were able to achieve the breadth of titles and artists like Higgins, who successfully ran Something Else Press until 1974 in a manner that resembled a more traditional paperback publisher.\u003c\/p\u003e\n\u003cp\u003eOddly, Higgins hadn’t intended to publish\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eA Something Else Reader \u003c\/em\u003ehimself. Instead, in 1972, he assembled the table of contents and an introduction into a proposal that he then pitched to Random House. They eventually rejected the title and encouraged Higgins to publish it, but before he could do that, Something Else Press went out of business, and the dreams of the anthology evaporated. From there, the proposal went into Higgins’s archive, where it was found by scholar and curator Alice Centamore, who compiled the works and assembled\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eA Something Else Reader\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp\u003eEleanor Antin, George Brecht, Pol Bury, Augusto de Campos, Clark Coolidge, Philip Corner, William Brisbane Dick, Robert Filliou, Albert M. Fine, Ian Hamilton Finlay, Hugh Fox, Buckminster Fuller, Eugen Gomringer, Brion Gysin, Richard Hamilton, Al Hansen, Jan J. Herman, Dick Higgins, Åke Hodell, Ray Johnson, Allan Kaprow, Kitasono Katue, Bengt af Klintberg, Alison Knowles, Richard Kostelanetz, Ruth Krauss, Jackson Mac Low, Robert K. Macadam, Toby MacLennan, Hansjörg Mayer, Charles McIlvaine, Richard Meltzer, Manfred Mohr, Claes Oldenburg, Pauline Oliveros, Nam June Paik, Benjamin Patterson, Charles Platt, Bern Porter, Dieter Roth, Aram Saroyan, Tomas Schmit, Carolee Schneemann, Mary Ellen Solt, Daniel Spoerri, Gertrude Stein, André Thomkins, Wolf Vostell, and Emmett Williams are all included in\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eA Something Else Reader\u003c\/i\u003e.\u003c\/p\u003e\n\u003cp\u003eDick Higgins was an American artist, composer, theorist, poet, and publisher, as well as a co-founder of Fluxus. After attending Yale and Columbia Universities and receiving a BA in English, he graduated from the Manhattan School of Printing. He studied music composition with Henry Cowell, attended John Cage’s course in experimental music at The New School, and participated in the inaugural Fluxus activities in Europe from Fall 1962 to Summer 1963. He founded Something Else Press in 1963 and in 1972, he founded Unpublished Editions (later renamed Published Editions). Over the course of his life, Higgins wrote and edited forty-seven books.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Primary Information","offers":[{"title":"Default Title","offer_id":47408179839311,"sku":"PK0153","price":27.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_20230116.jpg?v=1695635611"},{"product_id":"copy-of-lawrence-abu-hamdan-live-audio-essays-4","title":"Steffani Jemison, A Rock, A River, A Street","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003eIn her experimental debut novella,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eA Rock, A River, A Street\u003c\/em\u003e, artist Steffani Jemison moves deftly across narrative genres and styles as she interrogates the boundedness of the self, the possibilities of plurality, and the limits of performance. Titled after Maya Angelou’s poem “On the Pulse of Morning,” the book is punctuated by gestural drawings that point to questions of repetition and difference.\u003c\/p\u003e\n\u003cp\u003eWhere does your body end and the world begin? How do you locate the limit between yourself and others?\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eA Rock, A River, A Street\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003efollows a young Black woman who lives at the hazy border between Brooklyn and Queens in the not-so-distant present. As she rides the subway, walks around her neighborhood, visits the doctor, watches movies, attends dance class, and tries to heal her body, she recalls formative experiences from her childhood and absorbs the world around her; in the process, we are brought into her conflicted relationship with language. Acutely conscious of the soft, responsive nature of her physical self, and pushed and pulled by forces she cannot control, the narrator is vulnerable, terrifyingly open. Everything and everyone leaves an impression.\u003c\/p\u003e\n\u003cp\u003eSteffani Jemison was born in Berkeley, California and raised in Cincinnati, Ohio. Her work has been the subject of solo exhibitions and special projects at JOAN, Los Angeles; Contemporary Art Center, Cincinnati; Stedelijk Museum, Amsterdam; Nottingham Contemporary; Jeu de Paume, Paris; CAPC Bordeaux; Museum of Modern Art, New York; RISD Museum, Providence; and LAXART, Los Angeles, among others. Collaborative and group presentations have taken place at the Guggenheim Museum; MoMA PS1’s 2021 Greater New York; the 2019 Whitney Biennial, New York; the Museum of Contemporary Art, Chicago; the Institute of Contemporary Art, Philadelphia; the Brooklyn Museum; the Studio Museum in Harlem; the New Museum, and elsewhere. Jemison is a 2020 Guggenheim Fellow and an Associate Professor at Rutgers University – Mason Gross School of the Arts.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Primary Information","offers":[{"title":"Default Title","offer_id":47408267034959,"sku":"PK0155","price":14.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_20230125.jpg?v=1695635449"},{"product_id":"copy-of-lawrence-abu-hamdan-live-audio-essays-5","title":"Constance DeJong, Reader","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem\u003eReader \u003c\/em\u003eis the first anthology to gather Constance DeJong’s diverse body of writing. Spanning from the 1980s to the present, the publication features eighteen works by DeJong, including out-of-print and previously unpublished fiction, as well as texts emanating from her new media sculptures, sound works, video works, and public art commissions.\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cspan\u003eAn influential figure of the 1970s and ’80s downtown New York writing and performance scene, Constance DeJong has channeled time and language as mediums in her work for the last four decades, expanding the possibilities of narrative form and literary genre. From the earliest work collected here—a manuscript of DeJong’s 1982 prose text \u003c\/span\u003e\u003cem\u003eI.T.I.L.O.E.\u003c\/em\u003e\u003cspan\u003e—to the digital project \u003c\/span\u003e\u003cem\u003eNightwriters\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e(2017-18),\u003c\/span\u003e\u003cem\u003e\u003cspan\u003e \u003c\/span\u003eReader\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003eassembles a range of experimental texts by the artist. The volume includes such works as the 2013 publication and performance, \u003c\/span\u003e\u003cem\u003eSpeakChamber\u003c\/em\u003e\u003cspan\u003e and the script for \u003c\/span\u003e\u003cem\u003eRelatives\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e(1988)\u003c\/span\u003e\u003cem\u003e,\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003ea duet between a television and a performer made in collaboration with artist Tony Oursler. Never-before-published works including texts created for re-engineered vintage radios, aphorisms commissioned for a Times Square digital billboard, and transcripts for sound works originally installed along the Thames and Hudson rivers are also featured in the book.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTaken together, these works showcase how DeJong has helped define and push the boundaries of language in the visual and performing arts. The artist’s sustained exploration of language blurs the lines between many fields, and DeJong’s work has also had a long life in the literary world. In the late 1970s, she self-published the critically acclaimed novel \u003c\/span\u003e\u003cem\u003eModern Love\u003c\/em\u003e\u003cspan\u003e on her short-lived Standard Editions imprint. On the 40\u003c\/span\u003e\u003csup\u003eth\u003c\/sup\u003e\u003cspan\u003e anniversary of the novel’s original publication, the book was published in facsimile form by Primary Information and Ugly Duckling Presse, and has gone on to sell over 10,000 copies since its release in 2017.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eConstance DeJong is a New York-based artist who has exhibited and performed internationally. Her work has been presented at the Renaissance Society, Chicago; the Walker Art Center, Minneapolis; the Wexner Center for the Arts, Columbus; the Philadelphia Museum of Art; and in New York at the Dia Art Foundation; The Kitchen, Thread Waxing Space, and the Whitney Museum of American Art. In 1983 she composed the libretto for \u003c\/span\u003e\u003cem\u003eSatyagraha\u003c\/em\u003e\u003cspan\u003e, the Philip Glass opera, which has been staged at opera houses worldwide, including the Metropolitan Opera, New York; the Netherlands National Opera, Rotterdam; and the Brooklyn Academy of Music, New York. She has permanent audio-text installations in Beacon, New York; London; and Seattle. DeJong has published several books of fiction, including her celebrated \u003c\/span\u003e\u003cem\u003eModern Love\u003c\/em\u003e\u003cspan\u003e (Standard Editions, 1977; Primary Information\/Ugly Duckling Presse, 2017), \u003c\/span\u003e\u003cem\u003eI.T.I.L.O.E.\u003c\/em\u003e\u003cspan\u003e (\u003c\/span\u003e\u003cem\u003eTop Stories\u003c\/em\u003e\u003cspan\u003e, 1983), and \u003c\/span\u003e\u003cem\u003eSpeakChamber\u003c\/em\u003e\u003cspan\u003e (Bureau, 2013), and her work is included in the anthologies \u003c\/span\u003e\u003cem\u003eUp is Up, But So is Down: New York’s Downtown Literary Science, 1974-1991\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e(NYU Press, 2006); \u003c\/span\u003e\u003cem\u003eBlasted Allegories\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e(New Museum\/MIT, 1987), and \u003c\/span\u003e\u003cem\u003eWild History\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e(Tanam Press, 1985).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eEdition of 3500\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Primary Information","offers":[{"title":"Default Title","offer_id":47408481796431,"sku":"PK0156","price":15.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_20230121.jpg?v=1695635502"},{"product_id":"copy-of-constance-dejong-reader","title":"William Wegman, Writing by Artist","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem\u003eWriting by Artist\u003c\/em\u003e is the first collection to focus on William Wegman’s lengthy and deeply funny relationship to language and is filled with previously unknown and wildly entertaining texts, drawings, and early photographs spanning the early 1970s to the present.\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003eNot your standard book of essays, the publication was meticulously edited by Andrew Lampert to feature works incorporating words in one form or another. In some instances, the text is simply a caption or a few hand-written words, but all of the selected works hinge conceptually and pictorially on writing and language.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWriting by Artist \u003c\/em\u003eoffers a wide range of entry points into the artist’s universe. There are early photographic works, which may be familiar, but from there, things delightfully unravel with absurd non-sequiturs typed on Princess Cruises stationary, imagined restaurant reviews, witty annotations to a curator’s essay, musings on ancient footwear, deliberate mistranslations, reworked greeting cards, fictional advertisements for real life products, and other surprising prose forms.\u003c\/p\u003e\n\u003cp\u003eUltimately,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eWriting by Artists \u003c\/em\u003ealters the logic and pushes the boundaries of what artist writing can be—shedding new light for those only familiar with Wegman’s later work, while serving as a welcome reminder of the artist’s madcap inventiveness for the already enlightened. In short, what you do or don’t know about William Wegman now conveniently fits into this strangely beguiling collection.\u003c\/p\u003e\n\u003cp\u003eWilliam Wegman was born in 1943 in Holyoke, Massachusetts. His work has been exhibited at museums and galleries internationally including retrospectives at the Whitney Museum of American Art, the Walker Art Center, the Wexner Center for the Arts, and the Centre Pompidou. Recent exhibitions include\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eBefore\/On\/After: William Wegman and California Conceptualism \u003c\/em\u003eat the Metropolitan Museum of Art. Wegman has also created film and video works for\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eSaturday Night Live\u003c\/em\u003e, Nickelodeon, and\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eSesame Street \u003c\/em\u003eand appeared on \u003cem\u003eThe Tonight Show, The \u003c\/em\u003e\u003cem\u003eDavid Letterman Show\u003c\/em\u003e, and\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Colbert Report\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp\u003eAndrew Lampert is a New York-based artist, writer, archivist, and primary in the firm Chen \u0026amp; Lampert. His works have been internationally exhibited at venues including the Whitney Museum of American Art, New York Film Festival, Getty Museum, Toronto International Film Festival, and the International Film Festival Rotterdam, among many other venues. He has edited books on Tony Conrad, Manuel De Landa, George Kuchar, and Harry Smith. Lampert was formerly Curator of Collections at Anthology Film Archives, where he preserved hundreds of films and videos and co-programmed public screenings. His videos are distributed by Electronic Arts Intermix.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Primary Information","offers":[{"title":"Default Title","offer_id":47408562209103,"sku":"PK0159","price":22.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_20230204.jpg?v=1695634616"},{"product_id":"copy-of-deforrest-brown-jr-assembling-a-black-counter-culture-1","title":"Howie Chen, Godzilla: Asian American Arts Network 1990-2001","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem\u003eGodzilla: Asian American Arts Network 1990–2001\u003c\/em\u003e is a comprehensive anthology of writings, art projects, publications, correspondence, organizational documents, and other archival ephemera from the trailblazing Asian artist collective. Edited by curator Howie Chen, this publication includes full essays and contextual material detailing the critical genealogies embodied by the group as well as its wide-ranging activities.\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003eThe collective known as Godzilla: Asian American Art Network was formed in 1990 to support the production of critical discourse around Asian American art and increase the visibility of Asian American artists, curators, and writers, who were negotiating a historically exclusionary society and art world. Founded by Ken Chu, Bing Lee, and Margo Machida, Godzilla produced exhibitions, publications, and community collaborations that sought to stimulate social change through art and advocacy. For more than a decade, the diasporic group, having grown from a local organization into a nationwide network, confronted institutional racism, Western imperialism, anti-Asian violence, the AIDS crisis, and representations of Asian sexuality and gender, among other urgent issues.\u003c\/p\u003e\n\u003cp\u003eGodzilla created a social space for diasporic Asian artists and art professionals, including members Tomie Arai, Karin Higa, Byron Kim, Paul Pfeiffer, Eugenie Tsai, Alice Yang, Lynne Yamamoto, among others.  Envisioning a lateral and porous network, Godzilla was independently run by successive steering committees that included Diyan Achjadi, Tomie Arai, Todd Ayoung, Monica Chau, Debi-Ray Chaudhuri, China Blue, Allan deSouza, Skowmon Hastanan, Arlan Huang, Michi Itami, Jenni Kim, Franky Kong, Jeanette Louie, Yong Soon Min, Helen Oji, Sanda Zan Oo, Athena Robles, Carol Sun, Eugenie Tsai, Lynne Yamamoto, Rubina Yeh, and Charles Yuen.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Primary Information","offers":[{"title":"Default Title","offer_id":47408570597711,"sku":"PK0161","price":22.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_20230179.jpg?v=1695634832"},{"product_id":"copy-of-steffani-jemison-a-rock-a-river-a-street","title":"Michael Asher, Writings 1973–1983 on Works 1969–1979","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem\u003eWritings 1973–1983 on Works 1969–1979 \u003c\/em\u003eis an essential document of a decade of formative work by Michael Asher. Originally published in 1983, the book presents 34 works through the artist’s writings, photographic documentation, architectural floor plans, exhibition announcements, and other ephemera.\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003eAsher did not create traditional art objects; instead, he chose to alter the existing institutional apparatus through which art is presented, creating work dependent on the architectural, social, or economic systems that undergird how art is produced and experienced. For example, in 1974, he removed the partition wall dividing the office and gallery space of the Claire Copley Gallery in Los Angeles. In another work from 1978, Asher had a bronze replica of a nineteenth-century sculpture of George Washington moved from the exterior of the Art Institute of Chicago to a room in the museum that housed eighteenth-century art, changing its location, but also its function from a public monument to an indoor sculpture, as it was originally intended.\u003c\/p\u003e\n\u003cp\u003eDue to its site specificity and immateriality, Asher’s work ceased to exist after an exhibition, which makes this highly sought-after book the definitive mode through which one can gain insight into the work he made during this period. As the artist states in the introduction: “This book as a finished product will have a material permanence that contradicts the actual impermanence of the art-work, yet paradoxically functions as a testimony to that impermanence of my production.”\u003c\/p\u003e\n\u003cp\u003eInitiated by Kasper König, \u003ci\u003eWritings 1973-1983 on Works 1969-1979 \u003c\/i\u003ewas originally co-published by the Press of the Nova Scotia College of Art and Design and the Museum of Contemporary Art, Los Angeles, and was largely shaped by Asher’s close collaboration with art historian Benjamin H.D. Buchloh, who succeeded König as editor of the press.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Primary Information","offers":[{"title":"Default Title","offer_id":47408651731279,"sku":"PK0163","price":29.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_20230165.jpg?v=1695634980"},{"product_id":"copy-of-constance-dejong-reader-3","title":"Dara Birnbaum, Note(s): Work(ing) Process(es) Re: Concerns (That Take On \/ Deal With)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cp\u003eThis limited edition of Dara Birnbaum’s\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eNote(s): Work(ing) Process(es) Re: Concerns (That Take On \/ Deal With)\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis published in an edition of 100 and includes a new dust jacket signed and numbered by the artist. The front and back covers of the dust jacket each feature a unique black-and-white photograph that extends onto the jacket’s inner flaps. Taken by the artist in 1975, these images are from her first installation,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eBack Piece\u003c\/em\u003e, which is also featured in the publication.\u003c\/p\u003e\n\u003cp\u003eOriginally created in 1977 as a single handmade copy, Dara Birnbaum’s \u003cem\u003eNote(s): Work(ing) Process(es) Re: Concerns (That Take On \/ Deal With) \u003c\/em\u003egathers writings, working drawings, photographic documentation, and ephemera from the artist’s earliest video and installation works. The publication was originally produced by Birnbaum and exhibited in \u003cem\u003eNotebooks, Workbooks, Scripts, and Scores \u003c\/em\u003eat Franklin Furnace in 1977. The book’s vinyl cover and section dividers, hand-folded pages, and color images have all been reproduced, and Alex Kitnick provides a new introduction.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eNote(s) \u003c\/em\u003eprovides a rare look into Birnbaum’s early investigations of video art and its relationship to television. Her work of this period orchestrates a complex circuit of viewership and representation, in which her interest in psychoanalytic concepts—projective identification, regression, resistance, and intersubjectivity—are analyzed in tandem with the formal and interpersonal politics of image making. These investigations lay the groundwork for the artist’s breakthrough works, such as \u003cem\u003eTechnology\/Transformation: Wonder Woman\u003c\/em\u003e and \u003cem\u003eKiss the Girls: Make Them Cry\u003c\/em\u003e, in which she appropriates popular television programs to critique the language and images of networked television.\u003c\/p\u003e\n\u003cp\u003eFeatured works include \u003cem\u003eBack Piece \u003c\/em\u003e(1975), \u003cem\u003eAttack Piece \u003c\/em\u003e(1975), \u003cem\u003eMirroring \u003c\/em\u003e(1975), \u003cem\u003eLiberty: A Dozen or So Views \u003c\/em\u003e(1976), \u003cem\u003eRelationship Perspectives: Perspective Relationships \u003c\/em\u003e(1976–77), \u003cem\u003eAmerica: Land of Contrasts (A Day of Awakening) (A Shot in the Dark) \u003c\/em\u003e(1976–77), \u003cem\u003ePivot: Turning Around Suppositions \u003c\/em\u003e(1976), and \u003cem\u003eLesson Plans to Keep the Revolution Alive \u003c\/em\u003e(1977).\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDara Birnbaum was born in New York City in 1946, and studied architecture at Carnegie Mellon University and painting at the San Francisco Art Institute. Recognized as one of the first artists to manipulate television footage to “talk back to the media,” Birnbaum enlists video technology and mass media images to deconstruct and redefine cultural, personal, and historical mythologies. Drawing from critical theory, literature, and feminist thought, Birnbaum matrixes film techniques such as dramatic wipes and layered images onto works that are deeply introspective and experiential. Her work has been widely exhibited, including at MoMA PS1, New York (2019); National Portrait Gallery, London (2018); the Cleveland Museum of Art, Ohio (2018); the Museum of Modern Art, New York (2008); and the Kunsthalle Wien, Vienna, Austria (2006).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eEdition of 100\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Primary Information","offers":[{"title":"Default Title","offer_id":47408748134735,"sku":"PK0166","price":31.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_20230194.jpg?v=1695634761"},{"product_id":"copy-of-dan-graham-theatre","title":"Norman H. Pritchard, The Matrix Poems: 1960-1970","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cem\u003eThe Matrix\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eby Norman H. Pritchard (1939–1996)\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003egathers a selection of the Concrete and Black Arts poet’s work from 1960 to 1970. The seventy-one poems collected here might be regarded, as Charles Bernstein has written, as “sound” poems, being tethered not only to the literature of the Black Arts Movement but also to jazz culture and urban life in New York. Drawing as much from the visual arts and concrete poetry as from sound-based experimentation and music, Pritchard utilized the simple tools of spacing and typography to create syncopations, vibrations, and musical rhythms. What emerges is nothing less than a self-contained system of mimetic codes that challenge modernist modes of perception and representation. Formally innovative and anticipating what Michael Riffaterre would come to call the semiotics of “ungrammaticalities,” the book is a syntactical and visual experience in repetition, stutters, and structure. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBorn and based in New York City, Pritchard was trained in visual arts and art history at New York University and Columbia University. As \u003c\/span\u003e\u003cspan\u003ea member of the Umbra group (1962–65)—a collective of young Black writers that included Steve Cannon, Thomas C. Dent, David Henderson, Calvin Hernton, and Lorenzo Thomas—he met with fellow members in Manhattan’s Lower East Side to read and discuss writing and politics. They channeled their sense of urgency in developing and promoting Black culture into the literary magazine \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eUmbra\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e. Following the group’s dissolution, Pritchard continued to be involved in New York’s art, music, and film worlds in the late 1960s. \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eThe Matrix\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e was published by Doubleday in 1970, marking one of only a handful of books on concrete poetry to be published by a major American publishing house. His second and final book \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eEecchhooeess \u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003ewas released by New York University Press in 1971. \u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIf Pritchard’s work testifies to the Black poetics of “broken witnessing,” it is also deeply philosophical and spiritual. “I feel that there’s only one reality, and that reality is God,” says Pritchard in an unpublished video from 1981. “Everything else is actual—or what I call ‘transreal.’ In other words, everything is transreal except God. Trans meaning through, across, within, into within.” In a 1969 letter to fellow Umbra member Ishmael Reed, Pritchard writes: “\u003c\/span\u003e\u003cspan\u003eTransreal is a word which visited me in the fall of 1967 while making initial probes into a book which I call Origins: A Contribution to the Monophysiticy of Form. \u003c\/span\u003e\u003cspan\u003eMy ‘definition’ is: Transrealism = O.”\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWhile leaving it open to interpretation, “transrealism” was a vector through which Pritchard organized a host of collaborations—in March 1972, for instance, the poet hosted an event in New York called “The End of Intelligent Writing: A Transreal Awakening,” which featured artists such as Vito Acconci, W. Bliem Kern, and Richard Kostelanetz. Describing Pritchard’s work in terms of “ironic materiality,” Reed has remarked: “At the limit, Pritchard’s self-undermining poems ask us whether poetry needs words at all.” Indeed,\u003c\/span\u003e\u003cspan\u003e his is a poetics of both anti-transcendence and revelation.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eNorman Henry Pritchard was born in New York City in 1939 and studied at New York University and Columbia University. His work has been published in two collections: \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eThe Matrix Poems: 1960–1970 \u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e(1970) and \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eEecchhooeess \u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e(1971). His poetry was featured in the journals \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eUmbra\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e and \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eThe East Village Other\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e,\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eperformed on the jazz poetry compilation \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eNew Jazz Poets\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e (1967), and anthologized in \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eThe New Black Poetry\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e (1969) and \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eIn a Time of Revolution: Poems from Our Third World\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e (1969). Pritchard taught poetry at the New School for Social Research and was a poet-in-residence at Friends Seminary. He died in eastern Pennsylvania on February 8, 1996.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Primary Information","offers":[{"title":"Default Title","offer_id":47408771596623,"sku":"PK0167","price":15.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_20230137.jpg?v=1695635224"},{"product_id":"copy-of-steffani-jemison-a-rock-a-river-a-street-1","title":"Renée Green, Camino Road","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eUK\/EUROPE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003eFirst published in 1994,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eCamino Road \u003c\/em\u003eis artist Renée Green’s debut novel—a short, ruminative work infused with semantic ambiguity and the dreamy poetry of the quotidian. Republished here in a facsimile edition, the book ostensibly traces its protagonist Lyn’s journeys to Mexico and her return to attend art school in 1980s New York, but what emerges is more an intertextual assemblage of the moments between drives, dreams, and consciousness. Lyn does her Spanish homework and makes note to read Anna Kavan and Cortázar; she watches Fellini; she dreams about the Mediterranean Sea. Much like Green’s multimedia installations encompassing the sonic, spatial, and visual,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eCamino Road \u003c\/em\u003eis richly layered—part intellectual genealogy, part fictional personal memory, and part cultural criticism.\u003c\/p\u003e\n\u003cp\u003eGreen has described the book as a “self-conscious homage to or parody of the ‘road novel,’ ‘bohemia,’ and artist-rebels.” “I’d been thinking about the beat generation, figures like Jack Kerouac, Burroughs, etc.—the mythic construction of the artist personality as rebel and how females, and myself in particular, entered into that,” she said. “These ‘beat’ sources seemed to form a typical American introduction to the idea of bohemia and of being an artist.”\u003c\/p\u003e\n\u003cp\u003eOriginally created as part of Green’s contribution for the group exhibition\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eCocido y crudo\/The Cooked and the Raw\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eat the Museo Nacional Centro de Arte Reina Sofía, Madrid, the text is written in both English and Spanish, and accompanied by an appendix of photographs and ephemera tracing Madrid’s La Movida, a Spanish countercultural moment from the 1980s. The book was published through Green’s production company, Free Agent Media (FAM), which since 1994 has been circulating and exhibiting media, printed matter, and time-based projects.\u003c\/p\u003e\n\u003cp\u003eA unique treatise on the circuits of exchange in gender, politics, and art,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eCamino Road \u003c\/em\u003ecan also be read as a variation on the classic\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eBildungsroman\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003egenre. “I don’t feel developed in any area,” thinks Lyn at one point. “It’s very difficult being young and incomplete.” Importantly, she also muses, “I want to be swallowed by another language.”\u003c\/p\u003e\n\u003cp\u003eRenée Green is an artist, filmmaker, and writer. Via films, essays and writings, installations, digital media, architecture, sound-related works, film series and events, her work investigates historical circuits of relation and exchange, the gaps and shifts in what survives in public and private memory, both remembered and invented. Her exhibitions, videos, and films have been seen throughout the world in museums, biennales, and festivals. Major surveys of her work have been staged at the Musée Cantonal des Beaux-Arts, Lausanne, Switzerland, and the Yerba Buena Center for the Arts, San Francisco, and her writing has been published in journals including\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eOctober\u003c\/em\u003e, \u003cem\u003eFrieze\u003c\/em\u003e,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eSpex\u003c\/em\u003e,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eSarai Reader\u003c\/em\u003e, and\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eCollapse\u003c\/em\u003e. A collection of her writings from 1981 to 2010,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eOther Planes of There: Selected Writings\u003c\/em\u003e, was published by Duke University Press in 2014. Green is also a Professor at MIT’s Program in Art, Culture, and Technology, School of Architecture and Planning.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Primary Information","offers":[{"title":"Default Title","offer_id":47408824254799,"sku":"PK0168","price":12.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_20230464.jpg?v=1695648017"},{"product_id":"copy-of-constance-dejong-modern-love-3","title":"Alex Hubbard, Dan Mains, Removal Technician","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAlex Hubbard and Dan Mains’ \u003cem\u003eRemoval Technician\u003c\/em\u003e, a compilation of the late-nineties zine of the same name that details their afterschool job at an Oregon funeral home.\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cem\u003eRemoval Technician\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003efeatures Hubbard and Mains’ writings, drawings, and photographs along with appropriated advertisements, illustrations, and instructions from this hidden industry. While the overall effect is raw, the writing is insightful and adds levity to the difficult reality of people reduced to material remains.\u003c\/p\u003e\n\u003cp\u003eAlex Hubbard is an artist based in Los Angeles. His work has been the subject of solo shows at the Hammer Museum, Kunsthalle Berlin, The Kitchen, and St. Louis Museum of Contemporary Art. He is represented by Maccarone Gallery, Simon Lee Gallery, Eva Presenhuber, and Standard Oslo.\u003c\/p\u003e\n\u003cp\u003eDan Mains is an author and anthropologist.\u003c\/p\u003e\n\u003cp\u003eEdition 1000\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Primary Information","offers":[{"title":"Default Title","offer_id":47409450811727,"sku":"PK0187","price":10.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_20231385.jpg?v=1698413222"},{"product_id":"copy-of-alex-hubbard-removal-technician-1","title":"Various Artists, Top Stories","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cem\u003eTop Stories\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ewas a prose periodical published from 1978 to 1991 by the artist Anne Turyn in Buffalo, New York, and New York City. Over the course of twenty-nine issues, it served as a pivotal platform for experimental fiction and art through single-artist issues and two anthologies. The entire run of\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eTop Stories\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis collected and reproduced here across two volumes.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTop Stories\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003eprimarily featured female artists, though in Turyn’s words a few men “crept in as collaborators.” Although primarily “a prose periodical” (as its byline often stated), the issues varied in form and aesthetics, pushing the boundaries of what prose could be and, from time to time, escaping the genre altogether. In fact, the only parameters required for participants were that the periodical’s logo and issue list be included on the front and back covers, respectively.\u003c\/p\u003e\n\u003cp\u003eA great deal of the works are short stories by the likes of Pati Hill, Tama Janowitz, and Kathy Acker, whose Pushcart Prize–winning “New York City in 1979” appeared for the first time in book form as part of the series. Constance DeJong contributes “I.T.I.L.O.E.,” a widely unavailable work that features the artist’s trademark prose and is sure to please fans of her novel,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eModern Love\u003c\/em\u003e. The largest issue of the periodical is undoubtedly Cookie Mueller’s\u003cspan\u003e \u003c\/span\u003e\u003cem\u003e“\u003c\/em\u003eHow to Get Rid of Pimples,” which consists of a series of character studies of friends interspersed with photographs by David Armstrong, Nan Goldin, and Peter Hujar altered with freshly drawn blemishes.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTop Stories\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ealso celebrates less conventional literary forms. Issues by Lisa Bloomfield, Linda Neaman, and Anne Turyn take the form of artists’ books, juxtaposing image and text to construct tightly wound, interdependent narratives. Jenny Holzer and Peter Nadin present a collaborative work in copper ink comprised of truisms by Holzer on corporeal and emotional states and drawings of abstract bodies by Nadin. Janet Stein contributes a comic, while Ursule Molinaro provides a thorough index of daily life (and the contempt it produces) consisting of entries that were written just prior to lighting a cigarette.\u003c\/p\u003e\n\u003cp\u003ePrimary contributors include Kathy Acker, Laurie Anderson, Sheila Ascher, Douglas Blau, Lisa Bloomfield, Linda L. Cathcart, Cheryl Clarke, Susan Daitch, Constance DeJong, Jane Dickson, Judith Doyle, Lee Eiferman, Robert Fiengo, Joe Gibbons, Pati Hill, Jenny Holzer, Gary Indiana, Tama Janowitz, Suzanne Jackson, Suzanne Johnson, Caryl Jones-Sylvester, Mary Kelly, Judy Linn, Micki McGee, Ursule Molinaro, Cookie Mueller, Peter Nadin, Linda Neaman, Glenn O’Brien, Romaine Perin, Richard Prince, Lou Robinson, Janet Stein, Dennis Straus, Sekou Sundiata, Leslie Thornton, Kirsten Thorup, Lynne Tillman, Anne Turyn, Gail Vachon, Brian Wallis, Jane Warrick, and Donna Wyszomierski.\u003c\/p\u003e\n\u003cp\u003eDavid Armstrong, Nan Goldin, JT Hryvniak, Peter Hujar, Nancy Linn, Trish McAdams, Linda Neaman, Marcia Resnick, Michael Sticht, and Aja Thorup all make appearances as well, contributing artwork for the covers or as illustrations.\u003c\/p\u003e\n\u003cp\u003eAnne Turyn is a photographer based in New York. Turyn’s work has been exhibited at the Museum of Modern Art, the Metropolitan Museum of Art, Kunsthalle Bern, Denver Art Museum, Walker Art Center, and Los Angeles County Museum of Art.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Primary Information","offers":[{"title":"Default Title","offer_id":47409594073423,"sku":"PK0160","price":23.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_20231367.jpg?v=1698411211"},{"product_id":"copy-of-alex-hubbard-removal-technician-4","title":"Tony Conrad, Writings","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eI want art to stand strong, to display how it manipulates its audience. I want it to take up their expectations, their sense of the world, their predispositions toward the way they think or use their language, and then to use these things perversely, politically, colorfully, “expressively.”\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003e—Tony Conrad, \u003cem\u003e“Dolomite: Having No Trust in Readers”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWritings \u003c\/em\u003eis the first collection to widely survey this singular polymath’s prolific activity as a writer. Edited by artists Constance DeJong and Andrew Lampert, the book spans the years 1961 – 2012 and includes fifty-seven pieces: essays originally published in small press magazines, exhibition catalogs, anthologies, and album liner notes, along with other previously unpublished texts. Conrad writes about his own work, with substantial contributions on\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Flicker\u003c\/em\u003e, \u003cem\u003eLoose Connection\u003c\/em\u003e, \u003cem\u003eFour Violins\u003c\/em\u003e, \u003cem\u003eArticulation of Boolean Algebra for Film Opticals\u003c\/em\u003e, \u003cem\u003eEarly Minimalism\u003c\/em\u003e, \u003cem\u003eYellow Movies\u003c\/em\u003e,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eSlapping Pythagoras\u003c\/em\u003e, and \u003cem\u003eMusic and the Mind of the World\u003c\/em\u003e, as well as that of his peers: Tony Oursler, Jack Smith, Rhys Chatham, and Henry Flynt, among others. He devotes critical essays both to grand subjects—horology, neurolinguistics, and the historical development of Western music—and more quotidian topics, such as television advertising and camouflage. He also writes on media activism, network communications, censorship, and the political and cultural implications of corporate and global media. No matter the topic or theme, Conrad always approaches his subjects with erudition, precision, and a healthy twist of humor.\u003c\/p\u003e\n\u003cp\u003eTony Conrad (1940–2016) was a multidisciplinary artist known for his groundbreaking art, music, films, and videos, although his work doesn’t fit comfortably within any of these disciplines. He eschewed categorization and actively sought to challenge the constraints of media forms, their modes of production, and the relationships of power embedded within them, \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Primary Information","offers":[{"title":"Default Title","offer_id":47409776263503,"sku":"PK0172","price":20.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_20230112.jpg?v=1695635661"},{"product_id":"copy-of-constance-dejong-reader-10","title":"Solitary Pleasure: Selected Poems, Journals and Ephemera of John Wieners","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cem\u003eSolitary Pleasure\u003c\/em\u003e is a new collection of poetry, journal entries, letters and ephemera by the American poet John Wieners, edited by \u003c\/span\u003eRichard Porter with an introduction by Nat Raha.\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cdiv\u003eJohn Wieners (1934-2002) was a poet, a Black Mountain College alumnus and an antiwar, gay rights \u0026amp; mental health activist. \u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e‘John Wieners has been described as both ‘the greatest poet of emotion’ (by Robert Creeley) and ‘the poet laureate of gay liberation’ (within the Gay Liberation press). \u003cem\u003eSolitary Pleasure\u003c\/em\u003e delivers us this poet raw with mid-century queer feelings. Here, we encounter a writer preoccupied with the power and magic of poetics to profoundly render love, loss and survival in the face of destruction.’\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e— Nat Raha, from the introduction\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e'\u003cem\u003eSolitary Pleasure \u003c\/em\u003eis a selected collection of Wieners’ poems, appended with letters and journal entries. An introduction, written by contemporary poet Nat Raha, makes a powerful case for reading Wieners’ work as art born from “the heart of struggle”. The poems themselves are offhand and diaristic. Sometimes, they deploy childlike rhymes that purposely steer close to nonsense, successfully generating a sense of wonder (“If I had a canoe \/ I’d fill it with you \/ Then what would you do”). The Wieners of \u003cem\u003eSolitary Pleasure\u003c\/em\u003e is a poet eager to vocalise queer desire. “The beauty of men never disappears,” he writes, later portraying desire as something that must be “choked” out of him. Occupying nearly a third of \u003cem\u003eSolitary Pleasure\u003c\/em\u003e are his “Asylum Poems”, which Wieners wrote in 1969 – the summer of the Stonewall riots – while in a psychiatric institution. These poems spotlight the connection between art and affliction, but challenge us to consider creative expression as a very real mode of survival and salvation, and not merely, as current wellness discourses suggest, a potential curative or preventive to mental ill-health.'\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e— Ralf Webb for The Guardian\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e'Any \"selected poems\" is going to reveal the tastes of its editor, especially when those poems are selected from among an extensive body of work like the one John Wieners left us. Richard Porter's taste is exquisite, and his selection covers great ground, from the torch song poems of Wieners' early career to the rich, tessellated works of his beautiful and anguished late-sixties period. If I wanted a friend to fall in love with John Wieners, I'd give them this book.'\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e— Michael Seth Stewart, editor of \u003cem\u003eStars Seen in Person: Selected Journals of John Wieners\u003c\/em\u003e (City Lights)\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e'This book is a great love held on paper, groaning out of Black Mountain and Boston. You are hit accurately by the poet flying around you as a reincarnated bow and arrow cherub. John Wieners is a fever dream where the poems forever maintain their mystery, releasing a flood of spontaneity in the reader's imagination. Let's get in the magic with both feet; let's do it now!'\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e— CAConrad, author of \u003cem\u003eAmanda Paradise\u003c\/em\u003e and \u003cem\u003eWhile Standing in Line for Death\u003c\/em\u003e (Wave Books)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eCover photograph: John Wieners by Leni Sinclair \u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Pilot Press","offers":[{"title":"Default Title","offer_id":47421398778191,"sku":"PK0050","price":12.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_20231289.jpg?v=1698139530"},{"product_id":"copy-of-solitary-pleasure-selected-poems-journals-and-ephemera-of-john-wieners","title":"Kate Morgan, Ingress","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cem\u003eIngress\u003c\/em\u003e is an unwieldy body of writing that attends to intimacies between selves and others, objects and sites, considering how a difference of position, pronoun and voice might render these in unique ways. \u003c\/span\u003eIn doing so, Morgan's work speaks to a particular state of being in the world, of materiality, of loss, of gendered experience, of cultivation and of the act of writing itself. An experiment in form as argument, \u003cem\u003eIngress \u003c\/em\u003ewas written over the course of two years from a tenement flat with a garden in Glasgow.\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e‘I loved this strange, accomplished book and its account of porosity and seepage on many planes. It’s tender, sexy, sly and dextrous, moving relentlessly along deep channels, emerging unexpectedly into sweet air, alert to language at every step.’\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e— Olivia Laing, author of \u003cem\u003eEverybody: A Book About Freedom\u003c\/em\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e‘Kate Morgan’s \u003cem\u003eIngress\u003c\/em\u003e is a startling, many-headed meditation on language, art, and the natural world, opening you up to sensations and collapsing interior and exterior. A garden becomes a text becomes a body. The personal and the analytic mingle and slyly astonish. Morgan is one of those magicians who suspends reality through precision and excavation, digging deeper into experience, and also one of those metaphysicians who finds meaning at-hand in the daily and then disperses it all to be gathered again. This result is potent, moving, and mysterious.’\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e— Nate Lippens, author of \u003cem\u003eMy Dead Book: A Novel \u003c\/em\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e‘It doesn't matter what genre this book is (essay, personal diary, notebook), nor what its subject matter is (a garden, a sculpture, the plumbing system underlying a house, love), because in some mysterious way, it manages to transform the material part of the world into poetic intensity and affect whoever holds it in their hands, as if it were a flood, overwhelming and reassuring at the same time. In this sense, the omnipresent water in this truly lyrical exploration of reality seems to take over the words and transform this text into an organism with a life of its own.’\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan face=\"Sabon_Roman\"\u003e— Cecilia \u003c\/span\u003e\u003cspan face=\"Sabon_Roman\"\u003ePavòn, author of \u003cem\u003eLittle Joy: Selected Stories \u003c\/em\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan face=\"Sabon_Roman\"\u003e‘\u003cem\u003eIngress \u003c\/em\u003eis a text that enacts its own name, a shining thing seeping into the reader––which is the same \u003c\/span\u003eact as the drawing out of relation, the intimacy of attention paid at the shifting edges of things. Morgan’s writing is softly piercing, unpeeling sameness to separate out the difference of different things, but where difference is always just the slight refraction of the other. \u003cem\u003eIngress\u003c\/em\u003e is both the container and the fluid contained, the brim and its brimming–– the fact of a boundary makes possible its breach.’\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e— Evelyn Wh-ell, author of \u003cem\u003eMemoirs of a Child Plot Hole\u003c\/em\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan face=\"Sabon_Roman\"\u003eKate Morgan is a writer and artist from London, living in Glasgow. \u003c\/span\u003eTheir writing has been published by Sticky Fingers, Nothing Personal, MAP, Worms, and in anthologies by Pilot Press.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Pilot Press","offers":[{"title":"Default Title","offer_id":47421523067215,"sku":"PK0051","price":12.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_20230658.jpg?v=1695888528"},{"product_id":"copy-of-kate-morgan-ingress","title":"Jack Spicer, A Book of Music (1958)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eA new edition of the posthumously published collection\u003cem\u003e 'A Book of Music'\u003c\/em\u003e by the American poet Jack Spicer (1925-1965).\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eWhile little known outside a circle of friends and poets in his lifetime, Spicer is widely considered one of the major figures of twentieth century American poetry. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eAfter being removed from a teaching position at Berkeley in 1950 for refusing to pledge allegiance to the United States, he became a founder of the radical and counter-cultural San Francisco Renaissance movement of poets in an age when homosexuality was illegal. \u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan face=\"Sabon_Roman\"\u003eHe believed that the poet was a “radio” able to collect transmissions from an “invisible world,” as opposed to the idea that poetry was driven by a poet’s voice and will. In \u003c\/span\u003ethis sense he believed that his poems were dictated from a spirit world and saw poetry as a form of magic, most potent when spoken aloud. \u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan face=\"Sabon_Roman\"\u003eHe died at the age of 40 in the poverty ward of San Francisco General Hospital, from acute alcohol poisoning. \u003c\/span\u003eOne of his last coherent sentences was, “My vocabulary did this to me.”\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eThis new edition of \u003cem\u003eA Book of Music,\u003c\/em\u003e published 65 years after its original was composed, is risograph printed on Munken Lynx paper and saddle-stitched by Earthbound Press. \u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Pilot Press","offers":[{"title":"Default Title","offer_id":47421565862223,"sku":"PK0052","price":8.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_20231253.jpg?v=1698139757"},{"product_id":"copy-of-copy-of-jack-spicer-a-book-of-music-1958","title":"Various, Responses to Untitled (eye with comet) (c.1985) by Paul Thek","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003eFor this volume, responses were sought to the painting \u003cem\u003eUntitled (eye with comet)\u003c\/em\u003e by Paul Thek. The work was found in his storage after his death from AIDS in 1988. \u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan face=\"Sabon_Roman\"\u003eList of contributors \u003c\/span\u003e\u003cspan face=\"Sabon_Roman\"\u003ei\u003c\/span\u003en order of appearance:\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eE.R. De Siqueira\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eBen Estes\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eJoão Motta Guedes\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eLucy Swan\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eJon Rainford\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eLouis Shankar\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eAmy Evans Bauer\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eHattie Morrison\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eSammy Paloma\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eAN Grace\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eJames Horton\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eNick Wood\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eSophie Paul\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eJae Vail\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eElizabeth Zvonar\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eLars Meijer\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eClay AD\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eMichel Kessler\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003ePablo Miguel Martínez\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eEmma Harris\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eDylan McNulty-Holmes\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eKitya Mark\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eKatherine Franco\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eAinslie Templeton\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eAlistair McCartney\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eJohn Brooks\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eJesse Howarth\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003ejimmy cooper\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eFelix Pilgrim\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eNicholas Chittenden Morgan\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eMurphy O’Neir\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eRachel Cattle\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eIsabel Nolan\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eSusan Finlay\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eTed Simonds\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eBrooke Palmieri\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eKate Morgan\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eAshleigh A. Allen\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eDiogo Gama\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eJP Seabright\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eHugo Hagger\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eAmanda Kraley\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eBrendan Cook\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eMatt Bailey\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eCharlotte Flint\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eRodney Schreiner\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eLucy Price\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eMorgan Melhuish\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eJordan Weitzman\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eJaakko Pallasvuo\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eAlex Fiorentino\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eHarald Smart\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eMarguerite Carson\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eloll jung\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eRichard Porter\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eNicholas Kalinoski\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eHedi El Kholti\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eEdmund Francis English\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eTed Bonin\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Pilot Press","offers":[{"title":"Default Title","offer_id":47421578248527,"sku":"PK0053","price":15.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_20231279.jpg?v=1698230918"},{"product_id":"copy-of-jack-spicer-a-book-of-music-1959","title":"Joshua Jones, Diametric Fist Tender","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem\u003eDiametric Fist Tender\u003c\/em\u003e is a collection of linked but distinct lyric poems exploring themes such as ghosts, gender, desire, hope, despair, time, tenderness and riots.\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e'I feel like, more successfully than I could ever hope to achieve, \u003cem\u003eDiametric Fist Tender\u003c\/em\u003e expresses and configures the contradictions between an abstract hope which is somewhere else, somebody else, in the future, and the constraint of messy embodied life.' \u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e— Laurel Uziell\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eJoshua Jones studies and teaches literature at the University of California, Santa Cruz. They currently live in Portland. \u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eCover artwork by Johann Lester\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Pilot Press","offers":[{"title":"Default Title","offer_id":47421635232079,"sku":"PK0054","price":6.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_20230641.jpg?v=1695887854"},{"product_id":"copy-of-jack-spicer-a-book-of-music-1960","title":"Aaron Fagan, Pretty Soon","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e‘Aaron Fagan's colloquial voice--by turns mordant, enlightening, despairing, but always witty--not only describes a deeply compelling, interior emotional atmosphere, but a world we've made together, and how best to live in it. An astonishing collection.’\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e— Hilton Als\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan face=\"Sabon_Roman\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e‘Tight, heady, and beautiful: Aaron Fagan’s sonnets obey an invisible procedure that lends his lines a sculptural, haunted equilibrium. Reading these finely wrought poems, I felt like I was being massaged inside a hall of mirrors, and the masseurs, many-handed, were legendary poets of the past. Pretty Soon is wisdom literature, comfort food, night school, Socratic candy, and high-wire elegance.’\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e— Wayne Koestenbaum \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e‘What most distinguishes Aaron Fagan's poetry is its range and capacity for surprise, as well as its velocity. From careening, free-form meditations, to homage, to Algren-esque realism, sometimes a blending of all of the above, it makes for invigorating reading. A highly individual American voice.’\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e— August Kleinzahler\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e‘The sonnets in Pretty Soon dance in beauty like the light: compression, abstraction, impossible ideas lucidly expressed, political and personal truths lucidly slipped out as if in somebody else’s dream, woven through the even-seeming but subliminally jagged surface of the words. Reflections reflect metamorphic awareness, words slide into different words, phrases arouse recollections of other voices. All gathered in, turned to ethical account. Measured and forceful, ‘casual but final’, these poems stand by their words, and in them.’\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e— Ian Patterson\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eAaron Fagan was born in Rochester, New York, in 1973, and is the author of Garage (Salt, 2007), Echo Train (Salt, 2010), and A Better Place Is Hard to Find (The Song Cave, 2020).\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eCover artwork: ‘Fieldnote 2’ (gouache and pencil on paper, 2021) by Richard Porter\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Pilot Press","offers":[{"title":"Default Title","offer_id":47421658988879,"sku":"PK0055","price":8.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_20230645.jpg?v=1695887906"},{"product_id":"copy-of-aaron-fagan-pretty-soon","title":"Misha Honcharenko, Skin of Nocturnal Apple","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e‘Love, longing, desire, and death. Misha Honcharenko wraps these eternal subjects around a raw nerve, delivering poems so visceral, anguished, honest, and imaginatively rich, each work possesses its own atmosphere. Although these poems were written before the invasion of Ukraine, they rush into the blank spaces in our minds between front-line updates and casualty reports. Rarely is a poetry collection so hungry for life.’ \u003c\/p\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e— Christopher Bollen\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e‘The worlds that unfold in Misha Honcharenko's poems are at once tender and brutal, precise and capacious, exquisitely sensual even in the face of desolation. Such tonal shifts signal the book's pre-eminent quality, which is an insistence on freedom—freedom of thought, of image, of movement. This is a collection of uncommon urgency and beauty.’\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e— Jason McBride\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e‘There is an ecstasy in these poems, a turning toward the sublime even when they grow dark, a beautiful pulsing. Reading them, I felt like I was walking in a garden, the plants shining in the moonlight.’  \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e— Amina Cain\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e‘As the days of the Russian invasion of Ukraine continue, which at the time of this writing is ongoing, Misha Honcharenko has mindfully and meaningfully arranged a span of years preceding the war that are struck like tinder: elegiac odes to lusts of everyday beauty in its transience. I feel fortunate for the witness he has been.’ \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e— Douglas A. Martin\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e‘Opening the pages of Misha Honcharenko’s book is instantly satisfying. A calm sets in. My eyes dive into the words. And then he puts his finger on something in a way I can recognise like no picture can do.’  \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e— Wolfgang Tillmans\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cem\u003eSkin of Nocturnal Apple\u003c\/em\u003e is the debut collection of Ukrainian artist and poet Misha Honcharenko. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan face=\"Sabon_Roman\"\u003eWritten in the years prior to Russia's invasion in 2022, \u003c\/span\u003e\u003cem\u003eSkin of Nocturnal Apple\u003c\/em\u003e offers a window into the life of a young queer man living and working in the future war-ravaged country. \u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eThe collection is accompanied with an afterword by psychoanalyst and writer Nick Blackburn (\u003cem\u003eThe Reactor\u003c\/em\u003e, Faber 2022)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eCover artwork by the author\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Pilot Press","offers":[{"title":"Default Title","offer_id":47421748314447,"sku":"PK0056","price":12.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_20230638.jpg?v=1695887946"},{"product_id":"copy-of-misha-honcharenko-skin-of-nocturnal-apple","title":"Various, Consciousness Energy Grid","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eA pocket-sized zine containing the CIA's entire '\u003cem\u003eGateway Process\u003c\/em\u003e' document, a report written in 1983, and declassified in 2003, about using a series of exercises to produce states of expanded human consciousness such as astral projection, outer body experiments, and other altered states of mind.\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Pilot Press","offers":[{"title":"Default Title","offer_id":47421756637519,"sku":"PK0057","price":5.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_20230654.jpg?v=1695887976"},{"product_id":"copy-of-various-responses-to-untitled-eye-with-comet-c-1985-by-paul-thek","title":"Various, Responses to Love's Work (1995) by Gillian Rose","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cem\u003eResponses to Love's Work by Gillian Rose\u003c\/em\u003e is the fourth publication in a series of anthologies that seek responses to works of art made during the AIDS crisis.\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan face=\"Sabon_Roman\"\u003e \u003c\/span\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eIn this fourth iteration, responses were sought to the 1995 philosophical memoir \u003cem\u003eLove's Work\u003c\/em\u003e by Gillian Rose.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eContributors\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eIn order of appearance\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eCookie Mueller\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eIan Patterson\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eDodie Bellamy\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eKatherine Franco\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eJames McDermott\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eLotte Crawford\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eMoss Pepe\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eJames Main\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eNick Blackburn\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eThea Petrou\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eJosiah Moktar \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eRoelof Bakker\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eChristopher Madden\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eKashif Sharma-Patel\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eMadeleine Pulman-Jones\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eLucy Swan\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eLou Collins\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eTed Simonds\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eMolly Gough\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eEdward Thomasson\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eRichard Porter\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eAlexandra Symons Sutcliffe\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eCecilia Pavón\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eKate Morgan\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eOlivia Laing\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eAshleigh A. Allen\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eReverend Joyce McDonald\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Pilot Press","offers":[{"title":"Default Title","offer_id":47421785178447,"sku":"PK0060","price":15.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_20230677.jpg?v=1695888047"},{"product_id":"copy-of-various-responses-to-loves-work-1995-by-gillian-rose","title":"Various, Responses to Derek Jarman's Blue (1993)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eResponses to Derek Jarman's \u003cem\u003eBlue\u003c\/em\u003e is the third publication in a series of anthologies from Pilot Press seeking contemporary responses to works of art made during the AIDS crisis.\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cspan face=\"Sabon_Roman\"\u003e \u003c\/span\u003e\u003cspan face=\"Sabon_Roman\"\u003eIn this third iteration, responses were sought to the 1993 film \u003cem\u003eBlue\u003c\/em\u003e by the multidisciplinary artist Derek Jarman.  \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eContributors\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eIn order of appearance \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eRoelof Bakker\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eJared Davis\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eBecca Albee\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eLinda Kemp \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eAshleigh A. Allen\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eDavid Nash\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eSam Moore\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eAnton Stuebner\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eGonçalo Lamas\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eOlivia Laing\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eNate Lippens\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eJason Lipeles \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eJP Seabright\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eAndrew Cummings\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eSig Olson\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eMaria Sledmere\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eCleo Henry\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eJessie McClaughlin\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eLars Meijer\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eScott Treleaven \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eDeclan Wiffen\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eCaitlin Merrett King\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eHarry Agius\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eAntónio Manso Preto\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eAdriana Lazarova\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eBrooke Palmieri \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eD Mortimer\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eMary Manning\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eAaron James Murphy\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Pilot Press","offers":[{"title":"Default Title","offer_id":47421850812751,"sku":"PK0064","price":15.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_20230698.jpg?v=1695888185"},{"product_id":"copy-of-aaron-fagan-pretty-soon-1","title":"Nate Lippens (Ed.), Truant","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem\u003eTruant \u003c\/em\u003efeatures writing and art that addresses queer self-exile: the stories of dropouts, throwaways and runaways; 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One for our immuno-suppressed comrades, shit theorists, pink salt throwers, and their lovers and friends, that is, I hope, everyone.' \u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e— Isabel Waidner, author of \u003cem\u003eSterling Karat Gold\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e'Clay AD’s poetry is for arseholes… \u0026amp; kneecaps, for belly buttons and sweaty crotches, for perforated ear drums and rubbish immune systems. This book is a vessel with feelings for vessels with feelings, transcribed into a trans crip language that I have been waiting for.'\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e— D Mortimer, author of \u003cem\u003eLast Night a Beef Jerk Saved My Life\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eClay AD is a somatic bodyworker, artist and writer living in Glasgow.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eCover artwork and original drawings by Clay AD\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Pilot Press","offers":[{"title":"Default Title","offer_id":47421925818703,"sku":"PK0061","price":12.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_20230681.jpg?v=1695888078"},{"product_id":"copy-of-clay-ad-holy-bodies","title":"Jason Lipeles, Letters to M.","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e'\u003cem\u003eLetters to M.\u003c\/em\u003e reveals the tender truth that all letters to lovers are written first to ourselves. Lipeles’ elegant and urgent prose brilliantly collapses the space between literary and romantic longing, luxuriating in the knowledge that there is no desire without projection. This imagistic slideshow of a book saturates us with the devouring gaze of youthful passion and maturity’s cool stare—a uniquely compelling double consciousness, and one rarely encountered. \u003cem\u003eLetters to M.\u003c\/em\u003e is a moving testament to both the eros of influence and the intellect of desire. A poignant reminder that when traversing the forest of others in search of love, we continually and unexpectedly encounter the self.' - Nicholas Muellner \u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eIn Lipeles's \u003cem\u003eLetters to M.\u003c\/em\u003e, the narrator writes letters addressed to an ex-partner, M. The letters begin as a way to process the disintegration of the relationship and grow into a series of lyric essays, poems, and photographs, which bring his love for M. into conversation with writers' and photographers’ work he admires. The narrator slips between his feelings for M. and his love for writers and photographers such as David Wojnarowicz, Renee Gladman, Frank O'Hara and Carrie Mae Weems in order to foreground intimacy and to begin to close the gap between reader and writer, lover and critic.  \u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eJason Lipeles is a Los-Angeles-based writer and artist. His first chapbook, \u003cem\u003eLetters to M\u003c\/em\u003e., was a finalist for the inaugural Chautauqua Janus Prize. His work has appeared in the Black Warrior Review Online, Yalobusha Review, and the first issue of The Racial Imaginary Institute. He is an alumnus of the AJU Institute for Jewish Creativity's Inquiry Fellowship and Asylum Arts' Reciprocity Artist Retreat. He graduated with a Master of Fine Arts in Image + Text from Ithaca College in 2018.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Pilot Press","offers":[{"title":"Default Title","offer_id":47421933322575,"sku":"PK0062","price":12.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_20230691.jpg?v=1695888114"},{"product_id":"copy-of-jason-lipeles-letters-to-m","title":"Nate Lippens, My Dead Book: A Novel","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eShortlisted for the Republic of Consciousness Prize 2023\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cem\u003eMy Dead Book\u003c\/em\u003e is a novel composed of nonlinear vignettes and fragments about a queer man approaching his fiftieth birthday who is haunted by insomnia and his past. In the dead of night, he remembers his friends who died in the late 1980s and 1990s, his years as a teenage throwaway and sex worker, and ruminates on working class survival, queer aging, AIDS, and whether he has outlived his place in the world.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e“What a blistering book—with \u003cem\u003eMy Dead Book\u003c\/em\u003e, Nate Lippens has created something truly fucking great. It's as if the storied stars of Lou Reed's 'Walk on the Wild Side' overshot Manhattan and wound up in Wisconsin, broke and blue with cold and depressed beyond belief by the thought that this nowhere is now home. It's a bitter pill, but I love bitterness, and who doesn't love pills?”\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e— Derek McCormack, author of \u003cem\u003eCastle Faggot\u003c\/em\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e“There’s no doubt to this book. You’d think that was a flaw but it’s been burned away. \u003cem\u003eMy Dead Book\u003c\/em\u003e is not short though it is brief. It’s loving, bittersweet, and actually courageous because it tells a story that is slightly unbearable because it’s all secret, awful hard bad secrets and funny as hell. Nate’s balancing act works because the heart of it (this novel) is true even though it’s often heartless. It’s simple. He knows what things are worth. When you need the sea or a bird they’re there like they never were before.”\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e— Eileen Myles, author of \u003cem\u003eAfterglow\u003c\/em\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e“This book by Nate Lippens is really moving and beautifully written. Not one superfluous sentence. It’s razor tight. The phantom limbs of what has been excised remains. But still there is so much love and sadness and all the randomness of what makes a life, and who you meet along the way. My ghosts are summoned by his ghosts.” \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e— Hedi El Kholti, editor at Semiotext(e)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e“\u003cem\u003eMy Dead Book\u003c\/em\u003e by Nate Lippens is the most electrifying thing I’ve read in a long time, a poetic, compressed novella about queer loss and addiction that reminded me of Gary Indiana and William Burroughs.”\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e — Olivia Laing, author of \u003cem\u003eCrudo \u003c\/em\u003eand \u003cem\u003eThe Lonely City\u003c\/em\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan face=\"Sabon_Roman\"\u003eCover image by Jimmy DeSana, courtesy Jimmy DeSana Trust\u003c\/span\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Pilot Press","offers":[{"title":"Default Title","offer_id":47421943808335,"sku":"PK0063","price":14.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_20230648.jpg?v=1695888145"},{"product_id":"copy-of-nate-lippens-my-dead-book-a-novel","title":"Derek McCormack, Judy Blame's Obituary: Writings on Fashion and Death","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eDerek McCormack is the author of fashion-inflected novels that cast luminaries such as Elsa Schiaparelli and Balenciaga as characters. This collection brings together for the first time McCormack's fashion journalism. He writes about and interviews fashion figures that fascinate him, tracing the ways they inspire and inhabit his novels. The result is a sort of memoir in essays: as he writes, \"My tribute to [Judy] Blame is about him and about me—there are lots of my own tales woven in with the topics I touch on. The writing here is a sort of autobiography, a life seen through a scrim, or a life as a scrim—my moire mémoire.\"\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cem\u003eJudy Blame's Obituary\u003c\/em\u003e contains twenty years' worth of reminiscences, reviews of fashion shows and books, interviews with writers about fashion, and interviews with fashion designers about writing. He talks to Nicolas Ghesquière about perfume, and to Edmund White about which perfume he wore as a young fag in New York City. He inspects the clothes that Kathy Acker left behind when she died, and he summons the spirit of Margiela in a literary seance. He traces the history of sequins, then recounts the cursed story of Vera West, the costume designer who dressed the Bride of Frankenstein. These pieces were all previously published, some in Artforum, some in The Believer, and some in underground publications like Werewolf Express—what binds them together is a sense that though fashion victimizes us, this victimization is sometimes a sort of salvation.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eAbout the author\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eDerek McCormack is a Canadian writer. His most recent novels are \u003cem\u003eThe Well-Dressed Wound \u003c\/em\u003eand \u003cem\u003eCastle Faggot\u003c\/em\u003e, both published by Semiotext(e). Of \u003cem\u003eCastle Faggot\u003c\/em\u003e, Dennis Cooper said: \"It is really just one of the best books ever, and maybe the greatest novel ever written.\"\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003ePraise for \u003cem\u003eJudy Blame's Obituary\u003c\/em\u003e:\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e‘Derek McCormack, Canada's most famous author as yet unsullied by Nobel Prize or television adaptation, hides in plain sight as a fashion journalist. Parallel to his writing incantatory, scatological fiction, he has reviewed collections and interviewed the great and good of “la mode”. His divagations are often darkly hilarious and always exquisitely tailored. The sublime and the ridiculous coexist in his prose, as they do in life. Fashion victims, ignore his insights at your peril.' — William E. Jones\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan face=\"Sabon_Roman\"\u003e'Derek McCormack is one of my first and most enduring literary heroes. He only writes about what he loves, and has the lover’s rare gift of giving every stray object a proper home. You couldn’t mistake his aesthetic for anyone else’s—even if you were standing as far away as the moon.' \u003c\/span\u003e— Sheila Heti\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan face=\"Sabon_Roman\"\u003e'I am charmed, amused and somewhat obsessed by ‘\u003cem\u003eJudy Blame's Obituary\u003c\/em\u003e’. Derek McCormack observes fashion and art and all its quirks with a sense of factual fabularity and camp mundanity. Stories captured like falling stars and written down like fan facts.’ \u003c\/span\u003e— Princess Julia\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Pilot Press","offers":[{"title":"Default Title","offer_id":47422002364751,"sku":"PK0065","price":15.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_202306661.jpg?v=1695888217"},{"product_id":"copy-of-aaron-fagan-pretty-soon-2","title":"D Mortimer, Last Night A Beef Jerk Saved My Life","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e'Mortimer is one of the most talented writers of our generation and their debut collection proves this. Part essay, part poem, part memoir and part SOS, \u003cem\u003eLast Night a Beef Jerk Saved My Life\u003c\/em\u003e navigates its thematic scope—ranging from transness, queerness and naming to loving and losing—with sensitivity, insight, humour and bravado. Best thing I read this year.' \u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e- Isabel Waidner\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e'Last Night a Beef Jerk Saved My Life is a wonderful and thoughtful reflection on love and beauty and bodies and music and memories, and on the constellations of small things that make up modern queer life.' \u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e- Huw Lemmey\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eD Mortimer is a writer from London focussed on trans crip narratives. Their work (essays, poetry, prose, creative-criticism) has appeared in Granta and been performed at the Institute of Contemporary Art in London (Queers Read This, The Kathy Acker Reading Group). Their short story \u003cem\u003e‘Supermarket Revelations’\u003c\/em\u003e was published in \u003cem\u003eLiberating the Canon: An Anthology of Innovative Fiction\u003c\/em\u003e (ed. Waidner, Dostoyevsky Wannabe: 2018) and a poem-essay, '\u003cem\u003eHow To Draw Hands\u003c\/em\u003e', was published by Warm Yourself by My Trash Fire in 2020. \u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Pilot Press","offers":[{"title":"Default Title","offer_id":47422011736399,"sku":"PK0068","price":12.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_20230685.jpg?v=1695888274"},{"product_id":"copy-of-d-mortimer-last-night-a-beef-jerk-saved-my-life","title":"Sam Moore, All my teachers died of AIDS","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e'Sam Moore addresses what it feels like growing up queer and British in the 1990s when most of your teachers are either dead, and-or American. An important and evocative personal essay on archival absences and erasures, and, in Moore's own words, refusing to die of ignorance even though that's what so many wanted.' \u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e- Isabel Waidner\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eMoving through time and across oceans, writer Sam Moore takes us on a poetic journey of self-discovery through queer history, pop culture and (auto)biography in this deeply personal encounter with queer identity a generation after the AIDS crisis. \u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eExamining the violent political legacy of right-wing governments, the search for liberation through art and the endless quest for self-discovery, \u003cem\u003eAll My Teachers Died of AIDS\u003c\/em\u003e serves as both eulogy and rallying cry, asking us to mourn the dead while lighting a torch to help guide us through grief towards a brighter queer future. \u003cspan\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Pilot Press","offers":[{"title":"Default Title","offer_id":47422027727183,"sku":"PK0069","price":6.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_20230695.jpg?v=1695888303"},{"product_id":"copy-of-copy-of-d-mortimer-last-night-a-beef-jerk-saved-my-life","title":"Various, a queer anthology of wilderness","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eContributions by \u003cbr\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eHarry Agius\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNick Blackburn\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003ePatrick Carew \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eHamish Chapman\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eSimon Costin\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eThe Estate of Jimmy DeSana\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eJames St Findlay \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eClare Fisher\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eDaniel Givens \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eChristopher Hartmann\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eAlex Howe\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eEleanor Jenyns \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003ePrincess Julia\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eKaren Kenst \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eOlivia Laing\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eZoe Leonard\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eSiobhan Liddell\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eAnt M Lobo \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eMary Manning\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eJade Mars\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eLinden Katherine McMahon\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eRebekah Morgan \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eJulia Morgan \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eThe Museum of Witchcraft and Magic\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eEileen Myles\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eJoseph Noonan-Galley\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eRichard Porter\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eLux Pyre\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eGuy Rugeroni \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003ePeter Scalpello\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eOlivia Scott-Berry\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eKelsey Sucena\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eTimothy Thornton\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eUrara Tsuchiya\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNathan Walker\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eFrances Whorrall-Campbell\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003eCover artwork by Tabboo!\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Pilot Press","offers":[{"title":"Default Title","offer_id":47422080778575,"sku":"PK0071","price":15.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_20230704.jpg?v=1695888367"},{"product_id":"copy-of-various-a-queer-anthology-of-wilderness","title":"Various, a queer anthology of healing","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e‘Richard Porter’s Queer Anthology of Healing is a subtle, devastating mix of cuteness and embarrassment, beauty and confession, magic tricks and pain. The artworks and writings in this collection suggest that healing can be achieved through revelation, invocation, observation and disclosure. It’s a much-needed gift right now.’ \u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e— Chris Kraus (author of \u003ci\u003eI Love Dick\u003c\/i\u003e \/ \u003ci\u003eAfter Kathy Acker\u003c\/i\u003e) \u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eContributions by \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"lh-1 font-size-16\"\u003eClay AD\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"lh-1 font-size-16\"\u003eHarry Agius\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"lh-1 font-size-16\"\u003eBarney Ashton-Bullock\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"lh-1 font-size-16\"\u003eDodie Bellamy\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"lh-1 font-size-16\"\u003eJack Bigglestone\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"lh-1 font-size-16\"\u003eNick Blackburn\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"lh-1 font-size-16\"\u003eHelen Cammock\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"lh-1 font-size-16\"\u003eCharity Coleman\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"lh-1 font-size-16\"\u003eSwithun Cooper\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"lh-1 font-size-16\"\u003ePaul Gabrielli\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"lh-1 font-size-16\"\u003eEvan Garza\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"lh-1 font-size-16\"\u003eErica Gillingham\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"lh-1 font-size-16\"\u003eDaniel Givens\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"lh-1 font-size-16\"\u003ePete Hammond\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"lh-1 font-size-16\"\u003eBenedict Hawkins\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"lh-1 font-size-16\"\u003eGeorgie Henley\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"lh-1 font-size-16\"\u003eLubaina Himid\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"lh-1 font-size-16\"\u003eFanny Howe\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"lh-1 font-size-16\"\u003eJasmine Johnson\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"lh-1 font-size-16\"\u003eG.B. Jones\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"lh-1 font-size-16\"\u003eKevin Killian\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"lh-1 font-size-16\"\u003eWayne Koestenbaum\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"lh-1 font-size-16\"\u003eNic Lachance\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"lh-1 font-size-16\"\u003eOlivia Laing\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"lh-1 font-size-16\"\u003eBenedict Leader\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"lh-1 font-size-16\"\u003ePaul Lee\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"lh-1 font-size-16\"\u003eMary Manning\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"lh-1 font-size-16\"\u003eBen Miller\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"lh-1 font-size-16\"\u003eD. Mortimer\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"lh-1 font-size-16\"\u003eMonique Mouton\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"lh-1 font-size-16\"\u003eAnnie Murrells\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"lh-1 font-size-16\"\u003eChuck Nanney\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"lh-1 font-size-16\"\u003eDavid Nash\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"lh-1 font-size-16\"\u003e\u003cspan\u003eIsobel \u003c\/span\u003e\u003cspan\u003eNeviazsky\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"lh-1 font-size-16\"\u003ePaul P. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"lh-1 font-size-16\"\u003eRichard Porter\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"lh-1 font-size-16\"\u003ePeter Scalpello\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"lh-1 font-size-16\"\u003e\u003cspan\u003eHyacinth \u003c\/span\u003e\u003cspan\u003eSchuss\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"lh-1 font-size-16\"\u003eRyan Skelton\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"lh-1 font-size-16\"\u003eVerity Spott\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"lh-1 font-size-16\"\u003eEdward Thomasson\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"lh-1 font-size-16\"\u003eTimothy Thornton\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"lh-1 font-size-16\"\u003eDeclan Wiffen\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"lh-1 font-size-16\"\u003eIan Wooldridge\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003eCover artwork by Richard Porter\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Pilot Press","offers":[{"title":"Default Title","offer_id":47422115086671,"sku":"PK0070","price":15.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_20231121.jpg?v=1698231030"},{"product_id":"copy-of-various-responses-to-derek-jarmans-blue-1993","title":"Various, The Moon and The Echo: Responses to The Moon and The Melodies (1986) by Harold Budd and Cocteau Twins","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cem\u003eThe Moon and The Echo \u003c\/em\u003eis the first in a new series of anthologies from London-based publisher Pilot Press seeking contemporary responses to works of art made during the AIDS crisis.\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"font-size-14 lh-1\"\u003e\u003cspan class=\"font-size-16 lh-1\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"font-size-14 lh-1\"\u003e\u003cspan class=\"font-size-16 lh-1\"\u003eIn the first iteration, responses were sought to the 1986 collaborative studio album\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eThe Moon and The Melodies\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eby the late composer Harold Budd (1936-2020) and the Scottish dream pop band Cocteau Twins. \u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"font-size-16 lh-1\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"font-size-16 lh-1\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cspan class=\"font-size-16 lh-1\"\u003eContributors \u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cspan class=\"font-size-16 lh-1\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cspan class=\"font-size-16 lh-1\"\u003e\u003ci\u003eIn order of appearance\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cspan class=\"font-size-16 lh-1\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cspan class=\"font-size-16 lh-1\"\u003eMichelle Hannah\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cspan class=\"font-size-16 lh-1\"\u003eDavid Nash\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cspan class=\"font-size-16 lh-1\"\u003eEllen Dillon\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cspan class=\"font-size-16 lh-1\"\u003eGabriel Ross\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cspan class=\"font-size-16 lh-1\"\u003eMaria Sledmere\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cspan class=\"font-size-16 lh-1\"\u003eJack Jacques\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cspan class=\"font-size-16 lh-1\"\u003eNick Blackburn\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cspan class=\"font-size-16 lh-1\"\u003eHarry Agius\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cspan class=\"font-size-16 lh-1\"\u003eLauren de Sá Naylor\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cspan class=\"font-size-16 lh-1\"\u003eFemke Zwiep\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cspan class=\"font-size-16 lh-1\"\u003eOndo Fudd\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cspan class=\"font-size-16 lh-1\"\u003eRichard Porter\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cspan class=\"font-size-16 lh-1\"\u003eFreya Johnson Ross\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cspan class=\"font-size-16 lh-1\"\u003ePaul Lee\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cspan class=\"font-size-16 lh-1\"\u003eNina Ines Ward\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cspan class=\"font-size-16 lh-1\"\u003eJames Dearlove\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cspan class=\"font-size-16 lh-1\"\u003eJames Rance\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cspan class=\"font-size-16 lh-1\"\u003eFred Carter\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cspan class=\"font-size-16 lh-1\"\u003eJane Cope\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cspan class=\"font-size-16 lh-1\"\u003eTom Benford\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cspan class=\"font-size-16 lh-1\"\u003eMary Manning\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cspan class=\"font-size-16 lh-1\"\u003eSimon Moretti\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cspan class=\"font-size-16 lh-1\"\u003eRosa Jones\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cspan class=\"font-size-16 lh-1\"\u003eIshika Ball\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cspan class=\"font-size-16 lh-1\"\u003eOliver Ridings\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cspan class=\"font-size-16 lh-1\"\u003eNat Raha\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cspan class=\"font-size-16 lh-1\"\u003eKevin McAleese\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br 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Title","offer_id":47422143660367,"sku":"PK0067","price":12.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_20230678.jpg?v=1695888246"},{"product_id":"copy-of-oliver-vodeb-and-jason-grant-what-is-post-branding-how-to-counter-fundamentalist-marketplace-semiotics","title":"Seulbin Roh, To Live As An Asian Woman","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e‘As an Asian woman, born in Germany and living in Europe since, I have encountered and witnessed racist sexual objectification. Each time I speak up, most people stand in solitary with me, however, some react aggressively; they either scoff or denounce me. Thus, as an Asian female artist, I feel a strong sense of responsibility to address racial discrimination through my work.\u003c\/p\u003e\n\u003cp\u003eThe racist and sexist comments collected in this book are based on what I have actually heard myself. It allows the reader to take account of this very sad, aggressive rejection of the human dignity of Asian women happening every day.’\u003c\/p\u003e\n\u003cp\u003e– Seulbin Roh\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Set Margins'","offers":[{"title":"Default Title","offer_id":47422652875087,"sku":"PK0079","price":15.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_2023050011.jpg?v=1705313057"},{"product_id":"copy-of-freek-lomme-50-anniversaries-from-the-private-collection-of-freek-lomme","title":"Johanna Drucker, Diagrammatic Writing","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem\u003eDiagrammatic Writing\u003c\/em\u003e is a poetic demonstration of the capacity of format to produce meaning. The articulation of the codex, as a space of semantically generative relations, has rarely (if ever) been subject to so highly focused and detailed a study. The text and graphical presentation are fully integrated, co-dependent, and mutually self-reflexive.\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"comp-lbuwu0ut MazNVa rYiAuL\" id=\"comp-lbuwu0ut\"\u003e\n\u003cdiv data-testid=\"linkElement\" class=\"j7pOnl\"\u003e\n\u003cp class=\"font_8\"\u003eThis small book work should be of interest to writers, bibliographers, designers, conceptual artists, and anyone interested in the meta-language of diagrammatic thought in graphic form.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Set Margins'","offers":[{"title":"Default Title","offer_id":47422852530511,"sku":"PK0087","price":7.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_20230725.jpg?v=1695902170"},{"product_id":"remi-graves-with-your-chest","title":"Remi Graves, with your chest","description":"\u003cp class=\"\"\u003e\u003cem\u003ePulling at the cords of gender's curtains, watchful of the slippages of our performative masks, With Your Chest is a luminously generous and vulnerable debut from Remi Graves. Their poems do justice to the failures and violences of category and yet — thirsting for more than this — are courageous enough to refuse to rest there. In a spirit of playfulness, of childhood, of starlings, Graves' poems glance towards the edges from which we leap, attentive not to where we might land, but to how we might take flight.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003eVictoria Adukwei Bulley\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eReading With Your Chest, I'm most dazzled by Remi Graves's restless, inventive imagination. Through linguistic and formal transformations, we follow a speaker wrestling with the mind's capacity for harm and consolation. Graves understands the pleasure and power of fantasizing, summoning boxers and cockapoos, Spiderman and Lisa Bonet in these meditations on desire, race, and the body. Pick up this pamphlet, you too will feel the fantasy.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003eDerrick Austin\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e‘where do you go \/ to write a body’ sets forth the speaker at the beginning of Remi Graves’ beautifully crafted series of poems. What follows is a mesmeric exploration of betweenness and queer longing; a candid mode of pondering upon the embodied experience of trans navigation with the world, of conditioned adaptation to the threat of existing – ‘I hear them ask almost through gritted teeth \/ are we men?’ A facet of what makes Graves’ lines so impactful is their kaleidoscopic observation towards the potential of an actualised self; of the speaker, the animals and individuals they witness; and its limitations in practice – ‘but you don’t \/ know not to look at a ghost \/ unless you can see it’. I really related to and loved this pamphlet, which so assuredly announced Graves as a vital voice in poetry. Their astute reflections on gender, race and the attractions that move us will stay with me.\u003c\/p\u003e\n\u003cp class=\"\"\u003ePeter Scalpello\u003c\/p\u003e\n\u003cp class=\"\"\u003eThe hotly anticipated debut pamphlet from Remi Graves will be landing on September 26th and you can pre-order now!\u003c\/p\u003e\n\u003cp class=\"\"\u003eRemi’s collection of poems looks at race, gender, childhood and relationships. There’s poems about bodies, sex, injustice and love. We can’t wait for you to fall in love with them.\u003c\/p\u003e\n\u003cp class=\"\"\u003eRemi Graves has been published in our anthology (Unwritten opened Issue 4).\u003c\/p\u003e\n\u003cp class=\"\"\u003eA former Barbican Young Poet, Remi’s work has been featured on BBC Radio 4, at St Paul’s Cathedral and elsewhere. Recent commissions include ‘\u003cem\u003edon’t text me, i’m dreaming\u003c\/em\u003e’ for Apples and Snakes and \u003cem\u003e‘On Breathing’\u003c\/em\u003e for Barbican Centre. Remi has taught courses at The Poetry School and delivers workshops in schools and libraries across London and UK. Remi was a 2017 National Poetry Day Ambassador and has performed at Cheltenham Literature Festival, Tate Modern and more.\u003c\/p\u003e","brand":"Fourteen Poems","offers":[{"title":"Default Title","offer_id":47449315737935,"sku":"PK0254","price":8.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_20230590.jpg?v=1695728462"},{"product_id":"david-nash-the-islands-of-chile","title":"David Nash, The Islands of Chile","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003e\u003cem\u003eMelancholia and tangible absence are threaded through these absorbing and delicate poems in which the Chilean islands are lovingly catalogued and characterised by Nash and even given voice – a voice which erupts from the haunted shorelines and archipelagos with a deft and surprising lyric power.\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003eRichard Scott\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003e\u003cem\u003eIn The Islands of Chile, David Nash offers up an entirely new way of relating to the world through a poetry whose aim is ‘not to confine you to words but to write you back into yourself.’\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003e\u003cem\u003eNash riffs on the variousness of Chile’s islands to articulate shifting relations between self, world and other, as we labour under the ‘henpeck we call “breath”’.\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\" id=\"yui_3_17_2_1_1695386869570_325\"\u003e\u003cspan id=\"yui_3_17_2_1_1695386869570_324\"\u003e\u003cem id=\"yui_3_17_2_1_1695386869570_323\"\u003eThis is ecologically minded work, exquisitely tuned to the world’s conditional fragility and ablaze with its own truths and a fierce eros in which ‘to be touched \/ is to be proven.’\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003e\u003cem\u003eAlways aware of the fallibilities and slippage of language where ‘you are not quite your name’ these poems are singular, tender and often breathtaking. Nash wrests with the stuff of language, and lets the reader in on the act, seeking lived truths, stalking love, capturing the strangeness and beauty of sentience.\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003e\u003cstrong\u003eThe Islands of Chile\u003c\/strong\u003e\u003cem\u003e is a dazzling, curious and indefinably brilliant debut. Read it and come alive.\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eSarah Westcott\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003e\u003cem\u003eUsing a variety of experimental approaches and with a singular originality, David Nash constructs a compelling debut publication that grows in power through each section.\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003e\u003cem\u003ePlace, the naming of place and the author’s relationship with it, the natural world, addresses to loved ones and a consideration of the self, all are seamlessly braided together, occasionally seasoned by an awareness of broader culture and more demotic notes. The undercurrent throughout is queer love, presented here with original flair, the eroticism often surfacing from surprising angles.\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003e\u003cem\u003eThe narrative arc develops and grows in intensity, culminating in a final section powerfully focused on mortality and presented in prose form. It is as if the poetry itself has broken into islands, an effect lightly presaged in the prologue which is a slender poem with barely any lines or words.\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003e\u003cem\u003eNash doesn’t merely inhabit the islands of Chile; they inhabit him. This pamphlet is more than ‘promising’, conveying the accomplishment of a first book. More please.\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eEva Salzman\u003c\/p\u003e\n\u003cp class=\"\"\u003e \u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eWe’re thrilled to publish \u003cem\u003eThe Islands of Chile,\u003c\/em\u003e a pamphlet of poems from Irish-born, Chile-based poet David Nash.\u003c\/p\u003e\n\u003cp class=\"\"\u003eThe pamphlet is a collection of poems that try to reimagine islands in the context of queer love, each poem\/island singing to the mainland as they track the course of a relationship. These islands watch and long for connection, their isolation forming deep wells of emotion within them, as they often catalogue their given names and location.\u003c\/p\u003e\n\u003cp class=\"\"\u003eDavid has been published in Issue 5 of our anthology with his poem \u003cem\u003eBlueballs\u003c\/em\u003e, as well as The White Review, Pilot Press’s Queer Poetry anthology, The Stinging Fly and the Dedalus Press anthology \u003cem\u003eLocal Wonders\u003c\/em\u003e.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Fourteen Poems","offers":[{"title":"Default Title","offer_id":47450299105615,"sku":"PK0255","price":8.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_20230580.jpg?v=1695728538"},{"product_id":"micheal-mccann-keeper","title":"Mícheál McCann, Keeper","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem\u003eThe poems in Keeper are by turns sunlit and rain-drenched, tender and elemental, bracing and embracing. Each poem sparkles on the flood of time, blissing in sudden spiritual moments, worked with a playful vision of beauty. Mícheál McCann is a poet of wise, exalting attention: his is a fresh and refreshing new voice in queer poetry.\u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp class=\"\"\u003eSeán Hewitt, author of \u003cem\u003eTongues of Fire and All Down Darkness Wide\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eMícheál McCann writes some of the most beautiful imagery I have come across in poetry. I was bowled over by the generosity of these poems, felt a physical response towards McCann’s poetics of longing, acceptance, and ultimately of safety in Keeper’s act of both individual humanity and togetherness. These poems are slyly laced with humour and sexuality, beckoning you to wade into them, smiling. The occasion of new work from Mícheál McCann is naturally a cause for celebration, and Keeper is exactly that – poems to carry inside you.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003ePeter Scalpello, author of \u003cem\u003eLimbic\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eI felt the charm and magic of Keeper, its gentle enquiry, its tenderness. Felt every line. Full of admiration for Mícheál McCann’s quietly life-affirming work.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eNiven Govinden, \u003cem\u003eauthor of Diary of a Film\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eMcCann is a tender, observant rememberer in whose work togetherness tangles with distance. Togetherness wins. From outset to ouch, this gentle, well-wrought book accompanies us through little things; yet has the courage to come face to face with the sudden immensities that stripe the everyday with surreality. A muddy field gasps with eroticism. A father is helpless foreseeing pain he cannot prevent. Sleep is close to death, but also to lovers and neighbours. The wordcraft of these strong, amused, and tender poems will hold you the way an otter holds its favourite pebble to its heart, lying on its furred and musky back, and playing as if the stream of the present were forever, playing hard while loss whisks just around the corner.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eVahni Anthony Capildeo\u003cem\u003e, author of Like a Tree, Walking\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eWe’re so excited to release Mícheál McCann’s new pamphlet. Keeper is a collection of poems to treasure; loss, love, longing thread through as he tackles the big issues of queerness, family, grief and relationships.\u003c\/p\u003e\n\u003cp class=\"\"\u003eMícheál McCann is from Derry, Northern Ireland and the author of the poetry pamphlet Safe Home (Green Bottle Press, 2020).\u003c\/p\u003e\n\u003cp class=\"\"\u003eHis poems have appeared or are forthcoming in\u003cspan\u003e \u003c\/span\u003ePoetry Ireland Review, Queering the Green, The Manchester Review, Banshee Lit, Ambit, The Tangerine,\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe New Frontier: Contemporary Writing From \u0026amp; About the Irish Border.​\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eMícheál was also featured in Issue 2 of our fourteen poems anthology.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Fourteen Poems","offers":[{"title":"Default Title","offer_id":47450315391311,"sku":"PK0256","price":8.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_20230596.jpg?v=1695728361"},{"product_id":"cleo-henry-the-last-lesbian-bar-in-the-midlands","title":"Cleo Henry, The Last Lesbian Bar in the Midlands","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAn arresting cinema of a book. Vivid, playful and adventurous, The Last Lesbian Bar in the Midlands is a moment, an idea, a sense of future that binds us to the best of each other. Brilliant.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eJoelle Taylor, author of \u003cem\u003eC+nto\u003c\/em\u003e \u0026amp; \u003cem\u003eOthered Poems\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eCleo Henry’s The Last Lesbian Bar in the Midlands opens the door between the body and the landscape of myth: they locate the worlds of ancestry in pissing on Hampstead Health, in Helen of Troy and Cynthia Nixon, in “your hard dyke hands blurring inside a ribcage”, and in the “pit with all of New York”. Cleo has written a remarkable pamphlet.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eTom Bland, author of \u003cem\u003eThe Death of a Clown\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eIntelligent and academic without showing off, discover Cleo Henry and watch them burn a litany of visual-invocations of being sexy without falling on lazy tropes.\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e\u003cem\u003eBite into this collection immediately - and taste it burst.\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eKirsty Allison, editor of Ambit\u003c\/p\u003e\n\u003cp class=\"\"\u003eWe’re launching our 2022 pamphlet season with the thrilling debut pamphlet from Cleo Henry. \u003cem\u003eThe Last Lesbian Bar in the Midlands\u003c\/em\u003e fuses the classics with lesbian culture, fizzing with excitement and wordplay.\u003c\/p\u003e\n\u003cp class=\"\"\u003eWith references to Achilles, Lea De Laria, Carson McCullers, Helen of Troy and Cynthia Nixon, the poems in this pamphlet mesh pop cultural references with mythology while delving into love, sex and modern queer communities.\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Fourteen Poems","offers":[{"title":"Default Title","offer_id":47450376110415,"sku":"PK0257","price":8.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_20230600.jpg?v=1695728310"},{"product_id":"fourteen-poems-issue-7","title":"Fourteen Poems Issue 7","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"\"\u003eIssue 7 is here and we can’t wait for you to read our latest batch of poets.\u003c\/p\u003e\n\u003cp class=\"\"\u003eThis issue covers so much LGBTQ+ ground. Whether it’s toxic masculinity, sex, playing with gender identities or trying to distract yourself from your ex, we hope there’s something for everyone.\u003c\/p\u003e\n\u003cp class=\"\"\u003eAnd our poets are as diverse as ever, from award-winning household names to never-before-published new writers. We hope you fall in love with all of their work.\u003c\/p\u003e\n\u003cp class=\"\"\u003eSo drumroll for your next 14 (or actually 15….)\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eLengths \u003c\/em\u003eby Andrew McMillan\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eLittle Animals\u003c\/em\u003e by lisa luxx\/Ollie O’Neill\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003edysphoria\u003c\/em\u003e by kevanté a c cash\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eObject \u003c\/em\u003eby Helen Bowell\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eUpon Seeing a Pack of Shirtless Men Run Past Me at Golden Hour\u003c\/em\u003e by Joshua Garcia\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eBowl\u003c\/em\u003e by Theophina Gabriel\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eBended\u003c\/em\u003e by Keith Jarrett\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eCremation\u003c\/em\u003e by Brian Sonia-Wallace\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003edrips in a bucket\u003c\/em\u003e by Kat Dixon\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003efissure\u003c\/em\u003e by Day Mattar\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eArgelés-sur-Mer\u003c\/em\u003e by Jim Whiteside\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eBloom\u003c\/em\u003e by Caleb Nichols\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eElegy for Your Southern Twang\u003c\/em\u003e by Steven Sanchez\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eOde to the Drift Glass Necklace My Friend Gave Me\u003c\/em\u003e by Kelly Weber\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Fourteen Poems","offers":[{"title":"Default Title","offer_id":47450383941967,"sku":"PK0258","price":8.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_20231269.jpg?v=1698232144"},{"product_id":"fourteen-poems-issue-8","title":"Fourteen Poems Issue 8","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"\"\u003eIssue 8 is here!\u003c\/p\u003e\n\u003cp class=\"\"\u003eThis hot pink stunner is here and we can’t wait for you to fall in love with these fourteen poems. This time around, we’ve got poets from the UK, US, Ireland, Trinidad, India, Germany and Mexico covering everything from gender, love, legacy, HIV discrimination, sex and more.\u003c\/p\u003e\n\u003cp class=\"\"\u003eAs always, some of our poets are award winning while others are brand new, never-before been published. There’s experimental work alongside more traditional forms; poems written about lived experience matched with more imagined moments. Of course, all fourteen deal with different aspects of modern queer life. We hope you love them all.\u003c\/p\u003e\n\u003cp class=\"\"\u003eDrum roll please - here’s your fourteen poems:\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eman\u003c\/em\u003e by Sanah Ahsan\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eNé\u003c\/em\u003e by James Davis\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003ePoem for Rotting Fruit\u003c\/em\u003e by Umang Kalra\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eDesire Path\u003c\/em\u003e by Jack Cooper\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eI Still Sleep with the Man Who Asks if I’m Clean\u003c\/em\u003e by Dare Williams\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eTusk\u003c\/em\u003e by Joseph Monaghan\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eIs My Body Mine\u003c\/em\u003e by Piero Toto\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eGem\u003c\/em\u003e by Kathryn O’Driscoll\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003elocal\u003c\/em\u003e by Deborah Finding\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eincision\u003c\/em\u003e by Raphael Koranda\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003enotes from (just over) the edge\u003c\/em\u003e by Elizabeth Train-Brown\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eWhy I Will Not Get Out of Bed\u003c\/em\u003e by Andrés N Ordorica\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003ein which the closet is the shell\u003c\/em\u003e by Tonya Johnson\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eDictionary For Love\u003c\/em\u003e by Ashish Kumar Singh\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Fourteen Poems","offers":[{"title":"Default Title","offer_id":47450417693007,"sku":"PK0259","price":8.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_20230614.jpg?v=1695728043"},{"product_id":"fourteen-poems-issue-9","title":"Fourteen Poems Issue 10","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"\"\u003e\u003cmeta charset=\"utf-8\"\u003eTen issues!?! Mind blowing. And we’re just as excited by this one as every single one before.\u003c\/p\u003e\n\u003cp class=\"\"\u003efourteen exciting poets. fourteen different stories. fourteen queer poems.\u003c\/p\u003e\n\u003cp class=\"\"\u003eOur poems from this issue come from The Netherlands, Nigeria, Ireland, the USA, Egypt and, of course, our home right here in London.\u003c\/p\u003e\n\u003cp class=\"\"\u003eThese poems look at gender, love, longing, using a urinal for the first time and sex as self care, among other things. Love is a leather jacket, Beyoncé singing Crazy in Love, defining yourself, horror films, waking up spooning, or your kid dancing in a graveyard.\u003c\/p\u003e\n\u003cp class=\"\"\u003eHere’s your fourteen poem titles.\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003e\u003cem\u003eI Want the Assertiveness of\u003c\/em\u003e by Luke Worthy\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003e\u003cem\u003eUrinals in the Club\u003c\/em\u003e by Jaime Lock\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003e\u003cem\u003etypes of woman i could have been\u003c\/em\u003e by P Hodges Adams\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003e\u003cem\u003eThe Bath Salts\u003c\/em\u003e by David McGovern\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003e\u003cem\u003e50\u003c\/em\u003e by Niven Govinden\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003e\u003cem\u003eAubade\u003c\/em\u003e by Michael McKimm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003e\u003cem\u003ewatching men walk from the library window, thinking about love\u003c\/em\u003e by Jesse Ogbeide\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003e\u003cem\u003eThe Hug\u003c\/em\u003e by SK Grout\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003e\u003cem\u003eMichael Jacket\u003c\/em\u003e by Nour Kamel\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003e\u003cem\u003ePortrait of My Lover as a Leather Jacket\u003c\/em\u003e by Lara Mae Simpson\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003e\u003cem\u003eDance on my Grave\u003c\/em\u003e by Amy Acre\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003e\u003cem\u003esplit\/ting\u003c\/em\u003e by JP Seabright\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003e\u003cem\u003eBaby’s Rosemary\u003c\/em\u003e by Toby Buckley\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003e\u003cem\u003eLucifer\u003c\/em\u003e by Tom Bland\u003c\/span\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Fourteen Poems","offers":[{"title":"Default Title","offer_id":47450452721999,"sku":"PK0260","price":8.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_20230609.jpg?v=1695728092"},{"product_id":"fourteen-poems-issue-11","title":"Fourteen Poems Issue 11","description":"\u003cdiv class=\"product-excerpt\" data-content-field=\"excerpt\" id=\"yui_3_17_2_1_1695388316684_122\"\u003e\n\u003cp class=\"\"\u003eWe’re so thrilled to reveal the cover and line-up for Issue 11, in all its burnt orange glory!\u003c\/p\u003e\n\u003cp class=\"\"\u003eFourteen queer contemporary poets, from Europe, Asia, North and South America and, hilariously, round the corner from our HQ in east London.\u003c\/p\u003e\n\u003cp class=\"\"\u003eAs always, we want each issue to reflect a diversity of ideas and experiences within the LGBTQ+ community and we hope these fourteen do that for you all.\u003c\/p\u003e\n\u003cp class=\"\"\u003eThere’s poems about queer childhood (“\u003cem\u003emango drawing\u003c\/em\u003e” by Gayathiri Kamalakanthan) and urging to push against the boundaries in that childhood (“\u003cem\u003eRed Jumper\u003c\/em\u003e” by Annie Brechin). There’s also Gustav Parker Hibbett’s “\u003cem\u003eHigh Jump as Icarus Story\u003c\/em\u003e”,which packs so many ideas in but at its core is perhaps a look at why queer kids push themselves so hard (spoiler: we all want to be loved).\u003c\/p\u003e\n\u003cp class=\"\"\u003eAnd speaking of love, there’s heartbreak (“\u003cem\u003eBroken\u003c\/em\u003e” by Nathan Evans) and how poetry can be used to vocalise that ache (“\u003cem\u003eStacks\u003c\/em\u003e” by Sarah Donley) – but also a celebration of everyday relationships, whether that be home-haircuts in “\u003cem\u003eA Latin American Sonnet CXXVII\u003c\/em\u003e” by Leo Boix or the safety of co-habiting with your love in A. Shaikh’s “\u003cem\u003eDomesticity\u003c\/em\u003e”.\u003c\/p\u003e\n\u003cp class=\"\"\u003ePoems in Issue 11\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eIf Polari was a kind of Birdsong\u003c\/em\u003e by Kym Deyn\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eRed Jumper\u003c\/em\u003e by Annie Brechin\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003emango drawing\u003c\/em\u003e by\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eGayathiri Kamalakanthan\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003e\u003cem\u003eA Latin American Sonnet CXXVII\u003c\/em\u003e by Leo Boix\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003e\u003cem\u003eStack\u003c\/em\u003e by Sarah Donley\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003e\u003cem\u003eChaturanga\u003c\/em\u003e by Shaun Hill\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003e\u003cem\u003eHigh Jump as Icarus Story\u003c\/em\u003e by Gustav Parker Hibbett\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003e\u003cem\u003eBroken\u003c\/em\u003e by Nathan Evans\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003e\u003cem\u003eDomesticity\u003c\/em\u003e by A. Shaikh\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003e\u003cem\u003eFugue\u003c\/em\u003e by Nico Amador\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003eAlighting at the Beginning and End of the Line by Minying Huang\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003e\u003cem\u003eButter\u003c\/em\u003e by Alex Mepham\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003e\u003cem\u003eSong in Three Voices\u003c\/em\u003e by Freya Jackson\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003e\u003cem\u003eFinal Boy Finding a Husband\u003c\/em\u003e by Stephen S. Mills\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Fourteen Poems","offers":[{"title":"Default Title","offer_id":47450470187343,"sku":"PK0261","price":8.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_20230604.jpg?v=1695728152"},{"product_id":"gustave-kahn-the-solar-circus","title":"Gustave Kahn, The Solar Circus","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e“Have I understood the philosophy of\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Solar Circus\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ecorrectly? One must savor life in a few fevered grasps, as one might squeeze all of the juice and all of the beauty from a fruit, before casting aside its useless skin.” — Albert Mockel\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e“Henceforth,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Solar Circus\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eshall be one of the two or three novels that I savor during the quiet hours of dream and melancholy, when the soul surrenders to the painful nostalgia of infinity and the beyond.” — Filippo Tommaso Marinetti\u003c\/p\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cem data-mce-fragment=\"1\"\u003eThe Solar Circus \u003c\/em\u003eis the great forgotten masterpiece of French Symbolist literature. Written by Gustave Kahn—the man whom Stéphane Mallarmé and Jules Laforgue credited as inventing free verse poetry—the novel drips in decadent images of pastoral vistas, exotic gemstones, merfolk, and a phantasmagoric menagerie. Inverting day for night and reality for a dazzling dream, \u003cem data-mce-fragment=\"1\"\u003eThe Solar Circus\u003c\/em\u003e tells the story of a solipsistic, isolated Bavarian count who falls in love with the star of a traveling circus. Their relationship, in both love and jealousy, dramatizes that great tension between the inner life of contemplation and the dynamic beauty of the external world. And as they set out from the count’s castle, the couple examines this duality while encountering a world in transformation: peasants in rebellion, the bright lights of London’s Orpheum theater, and even an ether-swilling Jack the Ripper who analyzes humanity through a fog of opium.\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003eBest known as a poet and member of the Symbolist movement,\u003cspan\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eThe Solar Circus\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eshowcases Kahn’s talents as a narrative writer and bears the hallmarks of many of the poetic endeavors unique to late 19th century. Indeed, in the same way that the novel’s circus coaxes the count out of oppressive isolation, so too does Kahn’s prose lead the reader in new and fantastic directions.\u003cspan\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eThe Solar Circus\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003eis a text unlike any other, one that vacillates effortlessly between imagistic poetry and obliquely philosophical prose, prefiguring those seminal 20th century works of Modernist literature which would appear more than two decades later.\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003eThis publication marks not only the novel’s first appearance in English but also its first independent reissue since it was published in 1898.\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Solar Circus\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ehas been newly translated by Sam Kunkel, a scholar of 19th century Symbolist literature. Kunkel has also provided translations for the First To Knock collection \u003cem data-mce-fragment=\"1\"\u003eEchoes of a Natural World—Tales of the Strange \u0026amp; Estranged\u003c\/em\u003e (2020) as well as \u003cem data-mce-fragment=\"1\"\u003eA Beam of Sunlight in the Deep Forest—Mystical Prose Works by Édouard Schuré\u003c\/em\u003e (2021).\u003c\/div\u003e\n\u003cp\u003e“It is a tale that is lucid, transparent, crystalline, but also enveloped in, and thick with, legend and dream. Is it an adventure or a daydream?... [A] blend of novel and legend, of poetry and prose: this transient world, dotted with figures who are painted with disarming clarity and soft style give to\u003cspan\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eThe Solar Circus\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eits enigmatic and persistent charm. This novel is a true dream, drained and exhausted by the vigor of logic and thought.” — Léon Blum\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e“[With\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Solar Circus\u003c\/em\u003e,] Kahn is perhaps the only Symbolist to have successfully composed a novel free from the Naturalist mindset still perceptible in\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eAgainst Nature\u003c\/em\u003e.” — Sophie Basch, professor of 19th century French literature at the Sorbonne\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"First To Knock","offers":[{"title":"Default Title","offer_id":47451189707087,"sku":"PK0024","price":15.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_2023059511.jpg?v=1705663116"},{"product_id":"edouard-schure-a-beam-of-sunlight-in-the-deep-forest-mystical-prose-works","title":"Reagan M. Sova, Wildcat Dreams in the Death Light","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"pagingInfo\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e“…[a] beautiful multi-colored, multi-vocal, multi-sentimented tapestry… This is a very, very special book… It’s incredible that any human was able to pull off something like this in 2022. Do not deprive yourself of the experience of\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eWildcat Dreams in the Death Light\u003c\/em\u003e.” —\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eLeaf by Leaf\u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cem\u003eWildcat Dreams in the Death Light\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis an incantatory work of narrative poetry. Infused with hobo melancholy, Jewish lore, bloodshed, and hilarity, this epic poem is nothing short of a contemporary masterpiece.\u003c\/div\u003e\n\u003cdiv\u003eSet in 1910s America,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eWildcat Dreams in the Death Light\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003etraces young Mort Sloman’s odyssey to honor his jockey uncle—the only dead man ever to have won a horse race. But before Mort can organize a worthy funeral, he must acquire “the Locksmith keys”—a form of esoteric knowledge beyond the understanding of even graybeard rabbis.\u003c\/div\u003e\n\u003cdiv\u003eUndeterred, Mort sets out across the United States with a tree knife and a guitar in order to uncover this mystical secret. In the process, he joins a circus and falls in love with an acrobat. He navigates the dream-world. He witnesses the birth of cinema and the outbreak of World War I. He hops trains and dodges con men. With the help of Big Bill Haywood and the Wobblies, Mort unionizes his adopted family against an oppressive ringleader and his private detectives. And he sings his way out of danger more than once—always holding on to the promise of revelation and peace.\u003c\/div\u003e\n\u003cdiv\u003eRelentless in its pace and cornpone in its sensibility,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eWildcat Dreams in the Death Light\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003edepicts the complexity of America with a passion only possible through poetry. This is a work that begs regular rereadings and years of contemplation.\u003c\/div\u003e\n\u003cdiv\u003e“\u003cem\u003eWildcat Dreams\u003c\/em\u003e\u003cem\u003e in the Death Light\u003c\/em\u003e is a magical romp around a tumbledown version of America. Sova’s imagination twirls and furls boisterous tales triggered by a ride on a stallion nicknamed 'Sweet Kiss of Death.' [This poem] is not made for the faint of heart.” —Bob Nastanovich, Pavement and Silver Jews\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e“Epic, strange, wildly creative, and masterfully told.” — John Yohe, author of \u003cem data-mce-fragment=\"1\"\u003eCafé Schilling\u003c\/em\u003e and \u003cem data-mce-fragment=\"1\"\u003eWhat Nothing Reveals\u003c\/em\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cem data-mce-fragment=\"1\"\u003e\u003c\/em\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003eAbout the Poet:\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003eReagan M. Sova is an American living in Belgium. His writing career began when he was orphaned at the age of 16. At that time, Sova developed an idiosyncratic gambling method in the casinos of northern Michigan. These bets financed a flight to Paris where, at 20, he first discovered the power of literature. Since then, Sova has produced poetry and prose that have been featured in Ghost City Review, Common Dreams, and Expat Press. He also authored Tiger Island (Harvard Square Press, 2017), an alternate history novel about water privatization, soccer, anarchosyndicalism, and WikiLeaks. In addition to writing poetry and fiction, Sova serves as a writer and editor at The European Institute for Animal Law \u0026amp; Policy, a Brussels-based think tank that seeks to advance the interests of animals in European law and policy.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"First To Knock","offers":[{"title":"Default Title","offer_id":47451378876751,"sku":"PK0028","price":14.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/PK0028_Wildcat_Dreams.jpg?v=1695897708"},{"product_id":"bobby-bluejacket-the-tribe-the-joint-the-tulsa-underworld","title":"Michael P. Daley, Bobby BlueJacket: The Tribe, The Joint, The Tulsa Underworld","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e“Insightful, angry, straightforward, reminiscent of the subterranean classic, \u003cem\u003eYou Can’t Win\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eby Jack Black—Daley’s\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eBlueJacket\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003epulls no punches describing a long life as fascinating as it is heartbreaking in its details.”—Jack Womack, \u003cem\u003eRandom Acts of Senseless Violence\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cspan data-mce-fragment=\"1\" class=\"readable\" id=\"reviewTextContainer3516490340\"\u003e\u003cspan data-mce-fragment=\"1\" id=\"freeText13338382151294355339\"\u003eBrilliant book...\u003cspan data-mce-fragment=\"1\" id=\"freeText1641636906969043259\"\u003e\u003cspan\u003e \u003c\/span\u003ea book of history that suggests that in the right hands anyone could be plucked from the crowd and in the proper hands and mind written into an iconic figure in a wide-ranging book of history and sociology, and, inevitably psychology.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\"—Rick Harsch,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Manifold Destiny of Eddie Vegas\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/strong\u003e“This book is not only a fascinating and richly detailed biography of a wily child of the Great Depression who at an early age drifted into a life of serious crime and serious punishment, it is also an intimate portrait of his complex emotional and intellectual life. Bobby BlueJacket. The story is as good as the sound of his beautiful name.”—Ron Padgett, \u003cem\u003eBean Spasms\u003c\/em\u003e and \u003cem\u003eOklahoma Tough: My Father, King of the Tulsa Bootleggers\u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cem\u003eBobby BlueJacket\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eilluminates a neglected history of American crime, identity, and politics in the 20th century. This is the extraordinary true story of a man who went from career thief and convicted killer to celebrated prison journalist\u003cspan\u003e—\u003c\/span\u003eultimately becoming a respected Eastern Shawnee activist and orator. \u003ci\u003eBobby BlueJacket\u003c\/i\u003e draws upon 5 years of interviews with the subject, long-buried law enforcement and trial records, prison archives, news accounts, and interviews with others such as photographer Larry Clark and veteran reporters of Tulsa's crime beat.\u003c\/div\u003e\n\u003cdiv\u003eBorn in 1930, BlueJacket came of age as a Native American in white Oklahoma—passing through teenage rumbles, scheming pool halls, and Midwest safecracker crews. While incarcerated, he remade himself as a prison journalist. By the 1970s, he would act as a political impresario, used tire salesman, prison rodeo emcee, and later as a venerable tribal elder. At each turn, BlueJacket sought out success and self-definition by any means necessary. More than just an underworld tale—\u003cem\u003eBobby BlueJacket\u003c\/em\u003e is an in-depth exploration of one man’s experience in a brutal post-war world.\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cem\u003eBobby BlueJacket\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ehas been featured in Los Angeles Review of Books, Tulsa World, Weird History, Bustle, This Land Press, and Public Radio Tulsa\/NPR. The book was nominated for best non-fiction work for the 30th annual Oklahoma Book Awards.\u003c\/div\u003e\n\u003cp\u003e“It’s a compelling read, full of violence and heart.”—Joshua Kline, \u003cem\u003eThis Land Press\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“An amazing cultural history as much as it is a story of Bobby BlueJacket.”—Rich Fisher, Public Radio Tulsa\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"First To Knock","offers":[{"title":"Default Title","offer_id":47481894142287,"sku":"PK0025","price":15.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/PK0025_Bobby_Blue.jpg?v=1695897413"},{"product_id":"edouard-schure-a-beam-of-sunlight-in-the-deep-forest-mystical-prose-works-1","title":"Édouard Schuré, A Beam of Sunlight in the Deep Forest—Mystical Prose Works","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e“[Schuré is], in our time, the sole man of persuasion for whom the few Mysteries which haunt some of us are natural and part of a magnificent birthright.” — Stéphane Mallarmé\u003c\/p\u003e\n\u003cdiv title=\"Page 1\" data-mce-fragment=\"1\"\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eÉdouard Schuré was a 19th century French author and occultist who spent his life attempting to translate the ineffable realm of spiritual knowledge into literature. Prolific and enigmatic, Schuré navigated many of the seminal movements of his time, developing friendships with prominent figures such as Friedrich Nietzsche, Stéphane Mallarmé, and Richard Wagner. Yet, despite these affinities, Schuré refused to adhere to any one group or dogma. Perhaps due to his singular persona, he has since lived in a netherworld of historical neglect.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eA Beam of Sunlight in the Deep Forest\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis a landmark collection of Schuré’s prose works, offering a robust introduction to the forgotten figure. Among the texts included are the never-before-translated\u003cspan\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eProses mystiques\u003c\/em\u003e, short pieces invoking disembodied voices, philosophical anguish, and dark woods haunted by a virgin cloaked in a panther pelt. Central to the collection is\u003cspan\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eThe Angel and the Sphinx\u003c\/em\u003e, Schuré’s hallucinatory novel of sexual possession and spiritual longing set against a Germany of fog‐enshrouded mountaintops infused with black magic. Also included is \"Aeolian Harps,\" a never-before-translated reminiscence of a boyhood mystical experience at the Baden spa, as well as an examination of notable correspondence with Nietzsche, Mallarmé, and Wagner. Taken together, these texts offer truths about the artistic process and the spiritual development of humanity in the face of an ever more industrialized, and secularized, world.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAll texts in\u003cspan\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eA Beam of Sunlight in the Deep Forest\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eare newly translated and presented with an introduction by Sam Kunkel, a scholar of 19th century religious literature. Kunkel has also provided translations for the First To Knock collection\u003cspan\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eEchoes of a Natural World—Tales of the Strange \u0026amp; Estranged\u003c\/em\u003e.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"First To Knock","offers":[{"title":"Default Title","offer_id":47481906561359,"sku":"PK0026","price":15.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_202304711.jpg?v=1705311868"},{"product_id":"kevin-killian-argento-series","title":"Kevin Killian, Argento Series","description":"\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eReprinted for the first time in over twenty years, Kevin Killian’s first book of poetry is an audacious, operatic dive into the darkest recesses of the AIDS crisis. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eIn 1991, Killian reported he was “frozen, unable to think of a way to write about AIDS crisis”. A year later, his friend Kathy Acker suggested the “films of Dario Argento as a prism through which to take apart horror of living and dying in AIDS era”. The result is \u003cem\u003eArgento Series\u003c\/em\u003e, framing Killian’s real-life experience of losing his friends and lovers to the disease through the camera lens of Italian horror filmmaker, Dario Argento. Here, AIDS is cast as the horror film monster, wreaking cold, unfeeling chaos and destruction wherever it finds itself. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eBlending a chilling, impersonal observation of death with Killian's typical high camp, tenderness and O'Hara-like wit, the poems use unflinching honesty and gallows humour to devastating effect. In \u003cem\u003eArgento Series\u003c\/em\u003e, Killian finds expression for a crisis, and moment in history, that changed everything, forever.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eKevin Killian (1952-2019) was a San Francisco-based poet, novelist, playwright, and art writer. Recent books include Fascination: Memoirs and the poetry collections Tony Greene Era and Tweaky Village. He is the coauthor of Poet Be Like God: Jack Spicer and the San Francisco Renaissance, the first biography of the important US poet. With Dodie Bellamy, he coedited \u003cem\u003eWriters Who Love Too Much: New Narrative Writing, 1977–1997\u003c\/em\u003e. He died in 2019. \u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003ePraise for \u003cem\u003eArgento Series\u003c\/em\u003e:\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e'Here is Kevin Killian, pounding with bloodied fists on Poetry’s door. My heart swells with pride as I claim his masterpiece for our beleaguered city. \u003cem\u003eArgento Series\u003c\/em\u003e is Kevin’s Lament for the Makers, a monument reaching half-way to the stars for our fallen stars and every big dream of the world lost to AIDS.’ \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e— Robert Glück, author of \u003cem\u003eMargery Kempe\u003c\/em\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e‘Lush, tossed off and incisive, there's no other American poet who lived more vividly on the page of his time and its culture—center, edges all of it. Kevin's \u003cem\u003eArgento Series\u003c\/em\u003e is a treat and a complete fact. Grab this volume, fast.’\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e— Eileen Myles, author of \u003cem\u003eChelsea Girls\u003c\/em\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e‘High weirdness, thorny beauty, cruel loss – it's all here, in Kevin's voice, and always will be. We will never stop needing this book.’\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e— Anne Boyer, author of \u003cem\u003eThe Undying\u003c\/em\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e'At once tender and terrifying, \u003cem\u003eArgento Series\u003c\/em\u003e is a dispatch from the end of the world. Moving through Italian horror, memories of lost friends, and the long shadow of the AIDS crisis, Killian finds a language for the impossible. This collection is as urgent and vital as ever, seeing the light of day after being unobtainable for far too long.'\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e— Sam Moore, author of \u003cem\u003eAll My Teachers Died of AIDS \u003c\/em\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e'What Jackson Pollock said of himself, I will say of Kevin Killian: he is nature. \u003cem\u003eArgento Series\u003c\/em\u003e takes its title and frame from the Italian horror film maker Dario Argento but the effect is 100% Killian. Which is nature itself. Argento Series was written out of the carnage of the AIDS crisis. The poems are haunting, somnambulant, aggressive, plaintive, uncompromising, sullen, hilarious, brilliant, and outraged, creating a dynamic theatre of true horror. \u003cem\u003eArgento Series\u003c\/em\u003e now takes its place alongside the other queer masterworks of San Francisco poetry, including: Robert Duncan’s \u003cem\u003eThe Opening of the Field,\u003c\/em\u003e John Wiener’s \u003cem\u003eThe Hotel Wentley Poems\u003c\/em\u003e, and Jack Spicer’s \u003cem\u003eLanguage.\u003c\/em\u003e It’s important we have this title available again for new readers.'\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e— Peter Gizzi, author of \u003cem\u003eSky Burial\u003c\/em\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e'Through the fake horror of Dario Argento’s giallo movies, legendary writer and editor Kevin Killian captures the true horror of living through the AIDS crisis. ‘The poetry was in the gore,’ Killian writes, and these poems are unsane, trembling, lesioned, possessed; horrorcore whimsy, rotting camp. With all the mordant, adrenal wit of a slasher movie’s final girl, his \u003cem\u003eArgento Series\u003c\/em\u003e is a survivor’s story, vividly retold.’\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e— Diarmuid Hester, author of\u003cem\u003e Nothing Ever Just Disappears\u003c\/em\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eForeword by Derek McCormack\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eCover artwork by Hedi El Kholti\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Pilot Press","offers":[{"title":"Default Title","offer_id":47482194035023,"sku":"PK0276","price":12.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_20231248.jpg?v=1698232237"},{"product_id":"helen-bowell-ed-bi-lines-an-anthology-of-contemporary-bi-poetry","title":"kevanté ac cash, o f f e r i n g s","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\" class=\"\"\u003eWhat people are saying about “o f f e r i n g s”\u003cbr\u003e\u003cbr\u003ePress your ear to the queer conch shell of kevanté ac cash’s “o f f e r i n g s” to hear the Caribbean future. In poems that audaciously, exquisitely trample the rigidities of a sexual binary, cash strives to show speakers in possession of their full, fragmented selves: agonized by familial and societal trauma, yet cleaving to what makes them whole: found community spaces; the vivid beauty of the Bahamian landscape; the molten balm of Black women’s erotic love.\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThis work not only invites your witness; it demands it. These poems are spatial acrobats, creating urgent defiances across the blank page. They take up room, confront your gaze, saying, “we deserve all the world can give us, and love, too”.\u003c\/em\u003e\u003cbr\u003eShivanee Ramlochan\u003cbr\u003e\u003cbr\u003e\u003cem\u003eLiving at the crossroads of lovers, lineage aan (chosen) family, “o f f e r i n g s” is remedy on the page. here, each of kevanté’s poems are a sacrifice. of fear. shame. aan ego. a giving up which brings us as readers what we all long for - connection.\u003c\/em\u003e\u003cbr\u003eTanicia Pratt\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThis is a collection of poems with a strong sense of spirit and honesty - to us and to self -as we move through the trinity of ‘for love’, ‘for self’, and ‘for community’. cash deals with their themes with a style that blends gentleness with tenacity. With Bahamian Creole English accompanying us through it all, we are carried through a conversation around place, identity, and tenderness. It’s beautiful. We become better from reading this.\u003c\/em\u003e\u003cbr\u003eMadelaine Kinsella\u003cbr\u003e\u003cbr\u003ekevanté ac cash’s “o f f e r i n g s” is the debut pamphlet from one of the most exciting contemporary poets around. It’s also the first of our new batch of pamphlets for 2023\/24.\u003cbr\u003e\u003cbr\u003eA collection of poems looking at communities and how vital they are to the queer experience, “o f f e r i n g s” is an example of kevanté’s vivid and exciting poetry. The book comes in three parts: For Love, For Self, and For Community, with poems looking at sex, gender, family and legacies.\u003cbr\u003e\u003cbr\u003eThese poems are radical in their approach to form, with the poems playing with a sense of space on the page. In terms of content, they’re also radical - celebrating self love, confronting colonial repercussions head on, addressing the complexities of a religious upbringing, as well as what it is to be Black, non-binary and queer.\u003cbr\u003e\u003cbr\u003eNew to kevanté’s work? They’re a Bahamaian poet, essayist and bibliophile, who believes in priortising pleasure as an act of resistance. Based in Nassau, they spent time in Manchester, UK where they undertook their MFA in poetry at the Manchester Metropolitan University.\u003cbr\u003e\u003cbr\u003eYou can watch kevanté talk about their work and read “dysphoria”, featured in Issue 7 of fourteen poems.\u003c\/p\u003e","brand":"Fourteen Poems","offers":[{"title":"Default Title","offer_id":47482400014671,"sku":"PK0348","price":8.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_20231024.jpg?v=1697466293"},{"product_id":"helen-bowell-ed-bi-lines-an-anthology-of-contemporary-bi-poetry-1","title":"Helen Bowell (ed.), Bi+ Lines: an anthology of contemporary Bi+ poets","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp data-mce-fragment=\"1\" class=\"\"\u003eThe first-ever anthology of poems written by those who identify under the bi+ umbrella, Bi+ Lines is an engrossing, exciting, and often moving title gathering bi+ poets from across the globe.\u003cbr\u003e\u003cbr\u003eEdited by award winning poet Helen Bowell, the anthology collects new poems by more than 40 poets, ranging from those well-known to brand new voices.\u003cbr\u003e\u003cbr\u003eThemed around the idea of in-betweenness, these poems look at love and acceptance, at biphobia and belonging, at families and trust, and at how we can use poetry to express our desires, fears, and hopes. With new work from poets including Troy Cabida, Jen Campbell, Golnoosh Nourpanah, Shivanee Ramlochan, Jake Wild Hall and more, Bi+ Lines offers an insight into diverse stories that are often erased.\u003cbr\u003e\u003cbr\u003eYour Bi+ Lines poets are:\u003cbr\u003e\u003cbr\u003eFreya Bantiff, Davina Bacon, Jake Wild Hall, Suyin Du Bois, Rory O’Sullivan, Adriano Nobl, Ben Dalitz, Jen Campbell, Yves Olade, Chloe Henney, Nasim Rebecca Asl, Gayathiri Kamalakanthan, Jennifer Wong, Viv Kemp, Grae Tower, Lenni Sanders, Rona Jia Luo, Imogen Wade, Paul S Ukrainets, Fadairo Tesleem, Ilisha Thiru Purcell, Astra Papachristodoulou, Eoin Kelly, Kyla Jamieson, Hetty Cliss, Isaac Ginsberg Miller, Adegboyega Kayowa, Maria Ilona Moore, George Parker, Bebe Ashley, Noah Gower-Jones, Shivanee Ramlochan, Beth Harrison, Troy Cabida, Imogen Osborne, Dan Fitt-Palmer, Fee Griffin, Nnamdi Ndiolo, Carmina Masoliver, Mish Green, Len Lukowski, Ruth Yates, Golnoosh Nour, Holly Moberley, Jane Flett.\u003c\/p\u003e","brand":"Fourteen Poems","offers":[{"title":"Default Title","offer_id":47482422657359,"sku":"PK0349","price":9.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_20231018.jpg?v=1697466337"},{"product_id":"1000-words-writer-conversations","title":"1000 Words, Writer Conversations","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem\u003eWriter Conversations \u003c\/em\u003eoffers a lively and engaging analysis of the practice of writing on photography. Composed as interviews with highly distinctive writers at the forefront of discourses and debates around visual culture, it provides sustained exploration into the processes and motivations that have given rise to an array of critical commentary and intellectual histories shaping the understanding, appreciation and study of photography today.\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003eFormed of knowledge from culturally diverse worlds, viewpoints and approaches, the book brings together a range of voices from authors such as Tina M. Campt, David Campany and David Levi Strauss to Christopher Pinney, Joanna Zylinska, and Simon Njami. Drawing on relevant historical and contemporary examples, it grapples with bonds between looking and writing, seeing and “entering” images, qualities admired in other writers, professional demands and the frameworks of criticality. The writers also attend to inclusive and representative strategies, white supremacy and structures of inequality and complicity, autobiography and lived experience, synthesising social and environmental justice, and connecting readers to new emotional and critical perspectives beyond dominant and historically established narratives. \u003cem\u003eWriter Conversations\u003c\/em\u003e sets out models for imagining ways of writing on the currency and status of the photographic image amidst radical global transformations and a medium departing in new directions.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeaturing \u003c\/strong\u003eTaco Hidde Bakker, Daniel C. Blight, David Campany, Tina M. Campt, Taous R. Dahmani, Horacio Fernández, Max Houghton, Tanvi Mishra, Simon Njami, Christopher Pinney, Zoé Samudzi, Olga Smith, David Levi Strauss, Deborah Willis, Wu Hung, Joanna Zylinska \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEditors\u003c\/strong\u003e Duncan Wooldridge and Lucy Soutter\u003cbr\u003e\u003cstrong\u003eSeries Editor\u003c\/strong\u003e Tim Clark\u003cbr\u003e\u003cstrong\u003eCopy Editor\u003c\/strong\u003e Alex Merola\u003cbr\u003e\u003cstrong\u003eArt Direction \u0026amp; Design\u003c\/strong\u003e Sarah Boris\u003cbr\u003e\u003cstrong\u003ePrinted and bound\u003c\/strong\u003e in Great Britain\u003cbr\u003eby Clays Ltd, Elcograf S.p.A\u003c\/p\u003e\n\u003cp\u003eDuncan Wooldridge is an artist, writer and curator. He is Course Director for MA Fine Art Photography at Camberwell College of Arts, University of the Arts London, and is the author of \u003cem\u003eJohn Hilliard: Not Black and White\u003c\/em\u003e (Ridinghouse, 2014) and \u003cem\u003eTo Be Determined: Photography and the Future\u003c\/em\u003e (SPBH Editions, 2021).\u003c\/p\u003e\n\u003cp\u003eLucy Soutter is an artist, critic and art historian. 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