{"title":"Poetry","description":"","products":[{"product_id":"copy-of-dan-graham-theatre","title":"Norman H. Pritchard, The Matrix Poems: 1960-1970","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cem\u003eThe Matrix\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eby Norman H. Pritchard (1939–1996)\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003egathers a selection of the Concrete and Black Arts poet’s work from 1960 to 1970. The seventy-one poems collected here might be regarded, as Charles Bernstein has written, as “sound” poems, being tethered not only to the literature of the Black Arts Movement but also to jazz culture and urban life in New York. Drawing as much from the visual arts and concrete poetry as from sound-based experimentation and music, Pritchard utilized the simple tools of spacing and typography to create syncopations, vibrations, and musical rhythms. What emerges is nothing less than a self-contained system of mimetic codes that challenge modernist modes of perception and representation. Formally innovative and anticipating what Michael Riffaterre would come to call the semiotics of “ungrammaticalities,” the book is a syntactical and visual experience in repetition, stutters, and structure. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBorn and based in New York City, Pritchard was trained in visual arts and art history at New York University and Columbia University. As \u003c\/span\u003e\u003cspan\u003ea member of the Umbra group (1962–65)—a collective of young Black writers that included Steve Cannon, Thomas C. Dent, David Henderson, Calvin Hernton, and Lorenzo Thomas—he met with fellow members in Manhattan’s Lower East Side to read and discuss writing and politics. They channeled their sense of urgency in developing and promoting Black culture into the literary magazine \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eUmbra\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e. Following the group’s dissolution, Pritchard continued to be involved in New York’s art, music, and film worlds in the late 1960s. \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eThe Matrix\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e was published by Doubleday in 1970, marking one of only a handful of books on concrete poetry to be published by a major American publishing house. His second and final book \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eEecchhooeess \u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003ewas released by New York University Press in 1971. \u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIf Pritchard’s work testifies to the Black poetics of “broken witnessing,” it is also deeply philosophical and spiritual. “I feel that there’s only one reality, and that reality is God,” says Pritchard in an unpublished video from 1981. “Everything else is actual—or what I call ‘transreal.’ In other words, everything is transreal except God. Trans meaning through, across, within, into within.” In a 1969 letter to fellow Umbra member Ishmael Reed, Pritchard writes: “\u003c\/span\u003e\u003cspan\u003eTransreal is a word which visited me in the fall of 1967 while making initial probes into a book which I call Origins: A Contribution to the Monophysiticy of Form. \u003c\/span\u003e\u003cspan\u003eMy ‘definition’ is: Transrealism = O.”\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWhile leaving it open to interpretation, “transrealism” was a vector through which Pritchard organized a host of collaborations—in March 1972, for instance, the poet hosted an event in New York called “The End of Intelligent Writing: A Transreal Awakening,” which featured artists such as Vito Acconci, W. Bliem Kern, and Richard Kostelanetz. Describing Pritchard’s work in terms of “ironic materiality,” Reed has remarked: “At the limit, Pritchard’s self-undermining poems ask us whether poetry needs words at all.” Indeed,\u003c\/span\u003e\u003cspan\u003e his is a poetics of both anti-transcendence and revelation.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eNorman Henry Pritchard was born in New York City in 1939 and studied at New York University and Columbia University. His work has been published in two collections: \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eThe Matrix Poems: 1960–1970 \u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e(1970) and \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eEecchhooeess \u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e(1971). His poetry was featured in the journals \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eUmbra\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e and \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eThe East Village Other\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e,\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eperformed on the jazz poetry compilation \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eNew Jazz Poets\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e (1967), and anthologized in \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eThe New Black Poetry\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e (1969) and \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eIn a Time of Revolution: Poems from Our Third World\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e (1969). Pritchard taught poetry at the New School for Social Research and was a poet-in-residence at Friends Seminary. He died in eastern Pennsylvania on February 8, 1996.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Primary Information","offers":[{"title":"Default Title","offer_id":47408771596623,"sku":"PK0167","price":15.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_20230137.jpg?v=1695635224"},{"product_id":"copy-of-steffani-jemison-a-rock-a-river-a-street-1","title":"Renée Green, Camino Road","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eUK\/EUROPE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003eFirst published in 1994,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eCamino Road \u003c\/em\u003eis artist Renée Green’s debut novel—a short, ruminative work infused with semantic ambiguity and the dreamy poetry of the quotidian. Republished here in a facsimile edition, the book ostensibly traces its protagonist Lyn’s journeys to Mexico and her return to attend art school in 1980s New York, but what emerges is more an intertextual assemblage of the moments between drives, dreams, and consciousness. Lyn does her Spanish homework and makes note to read Anna Kavan and Cortázar; she watches Fellini; she dreams about the Mediterranean Sea. Much like Green’s multimedia installations encompassing the sonic, spatial, and visual,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eCamino Road \u003c\/em\u003eis richly layered—part intellectual genealogy, part fictional personal memory, and part cultural criticism.\u003c\/p\u003e\n\u003cp\u003eGreen has described the book as a “self-conscious homage to or parody of the ‘road novel,’ ‘bohemia,’ and artist-rebels.” “I’d been thinking about the beat generation, figures like Jack Kerouac, Burroughs, etc.—the mythic construction of the artist personality as rebel and how females, and myself in particular, entered into that,” she said. “These ‘beat’ sources seemed to form a typical American introduction to the idea of bohemia and of being an artist.”\u003c\/p\u003e\n\u003cp\u003eOriginally created as part of Green’s contribution for the group exhibition\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eCocido y crudo\/The Cooked and the Raw\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eat the Museo Nacional Centro de Arte Reina Sofía, Madrid, the text is written in both English and Spanish, and accompanied by an appendix of photographs and ephemera tracing Madrid’s La Movida, a Spanish countercultural moment from the 1980s. The book was published through Green’s production company, Free Agent Media (FAM), which since 1994 has been circulating and exhibiting media, printed matter, and time-based projects.\u003c\/p\u003e\n\u003cp\u003eA unique treatise on the circuits of exchange in gender, politics, and art,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eCamino Road \u003c\/em\u003ecan also be read as a variation on the classic\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eBildungsroman\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003egenre. “I don’t feel developed in any area,” thinks Lyn at one point. “It’s very difficult being young and incomplete.” Importantly, she also muses, “I want to be swallowed by another language.”\u003c\/p\u003e\n\u003cp\u003eRenée Green is an artist, filmmaker, and writer. Via films, essays and writings, installations, digital media, architecture, sound-related works, film series and events, her work investigates historical circuits of relation and exchange, the gaps and shifts in what survives in public and private memory, both remembered and invented. Her exhibitions, videos, and films have been seen throughout the world in museums, biennales, and festivals. Major surveys of her work have been staged at the Musée Cantonal des Beaux-Arts, Lausanne, Switzerland, and the Yerba Buena Center for the Arts, San Francisco, and her writing has been published in journals including\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eOctober\u003c\/em\u003e, \u003cem\u003eFrieze\u003c\/em\u003e,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eSpex\u003c\/em\u003e,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eSarai Reader\u003c\/em\u003e, and\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eCollapse\u003c\/em\u003e. A collection of her writings from 1981 to 2010,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eOther Planes of There: Selected Writings\u003c\/em\u003e, was published by Duke University Press in 2014. Green is also a Professor at MIT’s Program in Art, Culture, and Technology, School of Architecture and Planning.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Primary Information","offers":[{"title":"Default Title","offer_id":47408824254799,"sku":"PK0168","price":12.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_20230464.jpg?v=1695648017"},{"product_id":"copy-of-constance-dejong-reader-10","title":"Solitary Pleasure: Selected Poems, Journals and Ephemera of John Wieners","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cem\u003eSolitary Pleasure\u003c\/em\u003e is a new collection of poetry, journal entries, letters and ephemera by the American poet John Wieners, edited by \u003c\/span\u003eRichard Porter with an introduction by Nat Raha.\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cdiv\u003eJohn Wieners (1934-2002) was a poet, a Black Mountain College alumnus and an antiwar, gay rights \u0026amp; mental health activist. \u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e‘John Wieners has been described as both ‘the greatest poet of emotion’ (by Robert Creeley) and ‘the poet laureate of gay liberation’ (within the Gay Liberation press). \u003cem\u003eSolitary Pleasure\u003c\/em\u003e delivers us this poet raw with mid-century queer feelings. Here, we encounter a writer preoccupied with the power and magic of poetics to profoundly render love, loss and survival in the face of destruction.’\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e— Nat Raha, from the introduction\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e'\u003cem\u003eSolitary Pleasure \u003c\/em\u003eis a selected collection of Wieners’ poems, appended with letters and journal entries. An introduction, written by contemporary poet Nat Raha, makes a powerful case for reading Wieners’ work as art born from “the heart of struggle”. The poems themselves are offhand and diaristic. Sometimes, they deploy childlike rhymes that purposely steer close to nonsense, successfully generating a sense of wonder (“If I had a canoe \/ I’d fill it with you \/ Then what would you do”). The Wieners of \u003cem\u003eSolitary Pleasure\u003c\/em\u003e is a poet eager to vocalise queer desire. “The beauty of men never disappears,” he writes, later portraying desire as something that must be “choked” out of him. Occupying nearly a third of \u003cem\u003eSolitary Pleasure\u003c\/em\u003e are his “Asylum Poems”, which Wieners wrote in 1969 – the summer of the Stonewall riots – while in a psychiatric institution. These poems spotlight the connection between art and affliction, but challenge us to consider creative expression as a very real mode of survival and salvation, and not merely, as current wellness discourses suggest, a potential curative or preventive to mental ill-health.'\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e— Ralf Webb for The Guardian\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e'Any \"selected poems\" is going to reveal the tastes of its editor, especially when those poems are selected from among an extensive body of work like the one John Wieners left us. Richard Porter's taste is exquisite, and his selection covers great ground, from the torch song poems of Wieners' early career to the rich, tessellated works of his beautiful and anguished late-sixties period. If I wanted a friend to fall in love with John Wieners, I'd give them this book.'\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e— Michael Seth Stewart, editor of \u003cem\u003eStars Seen in Person: Selected Journals of John Wieners\u003c\/em\u003e (City Lights)\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e'This book is a great love held on paper, groaning out of Black Mountain and Boston. You are hit accurately by the poet flying around you as a reincarnated bow and arrow cherub. John Wieners is a fever dream where the poems forever maintain their mystery, releasing a flood of spontaneity in the reader's imagination. Let's get in the magic with both feet; let's do it now!'\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e— CAConrad, author of \u003cem\u003eAmanda Paradise\u003c\/em\u003e and \u003cem\u003eWhile Standing in Line for Death\u003c\/em\u003e (Wave Books)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eCover photograph: John Wieners by Leni Sinclair \u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Pilot Press","offers":[{"title":"Default Title","offer_id":47421398778191,"sku":"PK0050","price":12.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_20231289.jpg?v=1698139530"},{"product_id":"copy-of-solitary-pleasure-selected-poems-journals-and-ephemera-of-john-wieners","title":"Kate Morgan, Ingress","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cem\u003eIngress\u003c\/em\u003e is an unwieldy body of writing that attends to intimacies between selves and others, objects and sites, considering how a difference of position, pronoun and voice might render these in unique ways. \u003c\/span\u003eIn doing so, Morgan's work speaks to a particular state of being in the world, of materiality, of loss, of gendered experience, of cultivation and of the act of writing itself. An experiment in form as argument, \u003cem\u003eIngress \u003c\/em\u003ewas written over the course of two years from a tenement flat with a garden in Glasgow.\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e‘I loved this strange, accomplished book and its account of porosity and seepage on many planes. It’s tender, sexy, sly and dextrous, moving relentlessly along deep channels, emerging unexpectedly into sweet air, alert to language at every step.’\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e— Olivia Laing, author of \u003cem\u003eEverybody: A Book About Freedom\u003c\/em\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e‘Kate Morgan’s \u003cem\u003eIngress\u003c\/em\u003e is a startling, many-headed meditation on language, art, and the natural world, opening you up to sensations and collapsing interior and exterior. A garden becomes a text becomes a body. The personal and the analytic mingle and slyly astonish. Morgan is one of those magicians who suspends reality through precision and excavation, digging deeper into experience, and also one of those metaphysicians who finds meaning at-hand in the daily and then disperses it all to be gathered again. This result is potent, moving, and mysterious.’\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e— Nate Lippens, author of \u003cem\u003eMy Dead Book: A Novel \u003c\/em\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e‘It doesn't matter what genre this book is (essay, personal diary, notebook), nor what its subject matter is (a garden, a sculpture, the plumbing system underlying a house, love), because in some mysterious way, it manages to transform the material part of the world into poetic intensity and affect whoever holds it in their hands, as if it were a flood, overwhelming and reassuring at the same time. In this sense, the omnipresent water in this truly lyrical exploration of reality seems to take over the words and transform this text into an organism with a life of its own.’\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan face=\"Sabon_Roman\"\u003e— Cecilia \u003c\/span\u003e\u003cspan face=\"Sabon_Roman\"\u003ePavòn, author of \u003cem\u003eLittle Joy: Selected Stories \u003c\/em\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan face=\"Sabon_Roman\"\u003e‘\u003cem\u003eIngress \u003c\/em\u003eis a text that enacts its own name, a shining thing seeping into the reader––which is the same \u003c\/span\u003eact as the drawing out of relation, the intimacy of attention paid at the shifting edges of things. Morgan’s writing is softly piercing, unpeeling sameness to separate out the difference of different things, but where difference is always just the slight refraction of the other. \u003cem\u003eIngress\u003c\/em\u003e is both the container and the fluid contained, the brim and its brimming–– the fact of a boundary makes possible its breach.’\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e— Evelyn Wh-ell, author of \u003cem\u003eMemoirs of a Child Plot Hole\u003c\/em\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan face=\"Sabon_Roman\"\u003eKate Morgan is a writer and artist from London, living in Glasgow. \u003c\/span\u003eTheir writing has been published by Sticky Fingers, Nothing Personal, MAP, Worms, and in anthologies by Pilot Press.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Pilot Press","offers":[{"title":"Default Title","offer_id":47421523067215,"sku":"PK0051","price":12.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_20230658.jpg?v=1695888528"},{"product_id":"copy-of-kate-morgan-ingress","title":"Jack Spicer, A Book of Music (1958)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eA new edition of the posthumously published collection\u003cem\u003e 'A Book of Music'\u003c\/em\u003e by the American poet Jack Spicer (1925-1965).\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eWhile little known outside a circle of friends and poets in his lifetime, Spicer is widely considered one of the major figures of twentieth century American poetry. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eAfter being removed from a teaching position at Berkeley in 1950 for refusing to pledge allegiance to the United States, he became a founder of the radical and counter-cultural San Francisco Renaissance movement of poets in an age when homosexuality was illegal. \u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan face=\"Sabon_Roman\"\u003eHe believed that the poet was a “radio” able to collect transmissions from an “invisible world,” as opposed to the idea that poetry was driven by a poet’s voice and will. In \u003c\/span\u003ethis sense he believed that his poems were dictated from a spirit world and saw poetry as a form of magic, most potent when spoken aloud. \u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan face=\"Sabon_Roman\"\u003eHe died at the age of 40 in the poverty ward of San Francisco General Hospital, from acute alcohol poisoning. \u003c\/span\u003eOne of his last coherent sentences was, “My vocabulary did this to me.”\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eThis new edition of \u003cem\u003eA Book of Music,\u003c\/em\u003e published 65 years after its original was composed, is risograph printed on Munken Lynx paper and saddle-stitched by Earthbound Press. \u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Pilot Press","offers":[{"title":"Default Title","offer_id":47421565862223,"sku":"PK0052","price":8.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_20231253.jpg?v=1698139757"},{"product_id":"copy-of-copy-of-jack-spicer-a-book-of-music-1958","title":"Various, Responses to Untitled (eye with comet) (c.1985) by Paul Thek","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003eFor this volume, responses were sought to the painting \u003cem\u003eUntitled (eye with comet)\u003c\/em\u003e by Paul Thek. The work was found in his storage after his death from AIDS in 1988. \u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan face=\"Sabon_Roman\"\u003eList of contributors \u003c\/span\u003e\u003cspan face=\"Sabon_Roman\"\u003ei\u003c\/span\u003en order of appearance:\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eE.R. De Siqueira\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eBen Estes\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eJoão Motta Guedes\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eLucy Swan\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eJon Rainford\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eLouis Shankar\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eAmy Evans Bauer\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eHattie Morrison\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eSammy Paloma\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eAN Grace\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eJames Horton\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eNick Wood\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eSophie Paul\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eJae Vail\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eElizabeth Zvonar\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eLars Meijer\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eClay AD\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eMichel Kessler\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003ePablo Miguel Martínez\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eEmma Harris\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eDylan McNulty-Holmes\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eKitya Mark\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eKatherine Franco\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eAinslie Templeton\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eAlistair McCartney\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eJohn Brooks\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eJesse Howarth\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003ejimmy cooper\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eFelix Pilgrim\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eNicholas Chittenden Morgan\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eMurphy O’Neir\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eRachel Cattle\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eIsabel Nolan\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eSusan Finlay\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eTed Simonds\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eBrooke Palmieri\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eKate Morgan\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eAshleigh A. Allen\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eDiogo Gama\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eJP Seabright\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eHugo Hagger\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eAmanda Kraley\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eBrendan Cook\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eMatt Bailey\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eCharlotte Flint\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eRodney Schreiner\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eLucy Price\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eMorgan Melhuish\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eJordan Weitzman\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eJaakko Pallasvuo\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eAlex Fiorentino\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eHarald Smart\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eMarguerite Carson\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eloll jung\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eRichard Porter\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eNicholas Kalinoski\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eHedi El Kholti\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eEdmund Francis English\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eTed Bonin\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Pilot Press","offers":[{"title":"Default Title","offer_id":47421578248527,"sku":"PK0053","price":15.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_20231279.jpg?v=1698230918"},{"product_id":"copy-of-jack-spicer-a-book-of-music-1959","title":"Joshua Jones, Diametric Fist Tender","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem\u003eDiametric Fist Tender\u003c\/em\u003e is a collection of linked but distinct lyric poems exploring themes such as ghosts, gender, desire, hope, despair, time, tenderness and riots.\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e'I feel like, more successfully than I could ever hope to achieve, \u003cem\u003eDiametric Fist Tender\u003c\/em\u003e expresses and configures the contradictions between an abstract hope which is somewhere else, somebody else, in the future, and the constraint of messy embodied life.' \u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e— Laurel Uziell\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eJoshua Jones studies and teaches literature at the University of California, Santa Cruz. They currently live in Portland. \u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eCover artwork by Johann Lester\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Pilot Press","offers":[{"title":"Default Title","offer_id":47421635232079,"sku":"PK0054","price":6.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_20230641.jpg?v=1695887854"},{"product_id":"copy-of-jack-spicer-a-book-of-music-1960","title":"Aaron Fagan, Pretty Soon","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e‘Aaron Fagan's colloquial voice--by turns mordant, enlightening, despairing, but always witty--not only describes a deeply compelling, interior emotional atmosphere, but a world we've made together, and how best to live in it. An astonishing collection.’\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e— Hilton Als\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan face=\"Sabon_Roman\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e‘Tight, heady, and beautiful: Aaron Fagan’s sonnets obey an invisible procedure that lends his lines a sculptural, haunted equilibrium. Reading these finely wrought poems, I felt like I was being massaged inside a hall of mirrors, and the masseurs, many-handed, were legendary poets of the past. Pretty Soon is wisdom literature, comfort food, night school, Socratic candy, and high-wire elegance.’\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e— Wayne Koestenbaum \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e‘What most distinguishes Aaron Fagan's poetry is its range and capacity for surprise, as well as its velocity. From careening, free-form meditations, to homage, to Algren-esque realism, sometimes a blending of all of the above, it makes for invigorating reading. A highly individual American voice.’\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e— August Kleinzahler\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e‘The sonnets in Pretty Soon dance in beauty like the light: compression, abstraction, impossible ideas lucidly expressed, political and personal truths lucidly slipped out as if in somebody else’s dream, woven through the even-seeming but subliminally jagged surface of the words. Reflections reflect metamorphic awareness, words slide into different words, phrases arouse recollections of other voices. All gathered in, turned to ethical account. Measured and forceful, ‘casual but final’, these poems stand by their words, and in them.’\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e— Ian Patterson\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eAaron Fagan was born in Rochester, New York, in 1973, and is the author of Garage (Salt, 2007), Echo Train (Salt, 2010), and A Better Place Is Hard to Find (The Song Cave, 2020).\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eCover artwork: ‘Fieldnote 2’ (gouache and pencil on paper, 2021) by Richard Porter\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Pilot Press","offers":[{"title":"Default Title","offer_id":47421658988879,"sku":"PK0055","price":8.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_20230645.jpg?v=1695887906"},{"product_id":"copy-of-aaron-fagan-pretty-soon","title":"Misha Honcharenko, Skin of Nocturnal Apple","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e‘Love, longing, desire, and death. Misha Honcharenko wraps these eternal subjects around a raw nerve, delivering poems so visceral, anguished, honest, and imaginatively rich, each work possesses its own atmosphere. Although these poems were written before the invasion of Ukraine, they rush into the blank spaces in our minds between front-line updates and casualty reports. Rarely is a poetry collection so hungry for life.’ \u003c\/p\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e— Christopher Bollen\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e‘The worlds that unfold in Misha Honcharenko's poems are at once tender and brutal, precise and capacious, exquisitely sensual even in the face of desolation. Such tonal shifts signal the book's pre-eminent quality, which is an insistence on freedom—freedom of thought, of image, of movement. This is a collection of uncommon urgency and beauty.’\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e— Jason McBride\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e‘There is an ecstasy in these poems, a turning toward the sublime even when they grow dark, a beautiful pulsing. Reading them, I felt like I was walking in a garden, the plants shining in the moonlight.’  \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e— Amina Cain\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e‘As the days of the Russian invasion of Ukraine continue, which at the time of this writing is ongoing, Misha Honcharenko has mindfully and meaningfully arranged a span of years preceding the war that are struck like tinder: elegiac odes to lusts of everyday beauty in its transience. I feel fortunate for the witness he has been.’ \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e— Douglas A. Martin\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e‘Opening the pages of Misha Honcharenko’s book is instantly satisfying. A calm sets in. My eyes dive into the words. And then he puts his finger on something in a way I can recognise like no picture can do.’  \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e— Wolfgang Tillmans\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cem\u003eSkin of Nocturnal Apple\u003c\/em\u003e is the debut collection of Ukrainian artist and poet Misha Honcharenko. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan face=\"Sabon_Roman\"\u003eWritten in the years prior to Russia's invasion in 2022, \u003c\/span\u003e\u003cem\u003eSkin of Nocturnal Apple\u003c\/em\u003e offers a window into the life of a young queer man living and working in the future war-ravaged country. \u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eThe collection is accompanied with an afterword by psychoanalyst and writer Nick Blackburn (\u003cem\u003eThe Reactor\u003c\/em\u003e, Faber 2022)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eCover artwork by the author\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Pilot Press","offers":[{"title":"Default Title","offer_id":47421748314447,"sku":"PK0056","price":12.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_20230638.jpg?v=1695887946"},{"product_id":"copy-of-various-responses-to-untitled-eye-with-comet-c-1985-by-paul-thek","title":"Various, Responses to Love's Work (1995) by Gillian Rose","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cem\u003eResponses to Love's Work by Gillian Rose\u003c\/em\u003e is the fourth publication in a series of anthologies that seek responses to works of art made during the AIDS crisis.\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan face=\"Sabon_Roman\"\u003e \u003c\/span\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eIn this fourth iteration, responses were sought to the 1995 philosophical memoir \u003cem\u003eLove's Work\u003c\/em\u003e by Gillian Rose.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eContributors\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eIn order of appearance\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eCookie Mueller\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eIan Patterson\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eDodie Bellamy\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eKatherine Franco\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eJames McDermott\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eLotte Crawford\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eMoss Pepe\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eJames Main\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eNick Blackburn\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eThea Petrou\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eJosiah Moktar \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eRoelof Bakker\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eChristopher Madden\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eKashif Sharma-Patel\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eMadeleine Pulman-Jones\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eLucy Swan\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eLou Collins\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eTed Simonds\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eMolly Gough\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eEdward Thomasson\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eRichard Porter\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eAlexandra Symons Sutcliffe\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eCecilia Pavón\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eKate Morgan\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eOlivia Laing\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eAshleigh A. Allen\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eReverend Joyce McDonald\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Pilot Press","offers":[{"title":"Default Title","offer_id":47421785178447,"sku":"PK0060","price":15.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_20230677.jpg?v=1695888047"},{"product_id":"copy-of-various-responses-to-loves-work-1995-by-gillian-rose","title":"Various, Responses to Derek Jarman's Blue (1993)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eResponses to Derek Jarman's \u003cem\u003eBlue\u003c\/em\u003e is the third publication in a series of anthologies from Pilot Press seeking contemporary responses to works of art made during the AIDS crisis.\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cspan face=\"Sabon_Roman\"\u003e \u003c\/span\u003e\u003cspan face=\"Sabon_Roman\"\u003eIn this third iteration, responses were sought to the 1993 film \u003cem\u003eBlue\u003c\/em\u003e by the multidisciplinary artist Derek Jarman.  \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eContributors\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eIn order of appearance \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eRoelof Bakker\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eJared Davis\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eBecca Albee\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eLinda Kemp \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eAshleigh A. 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how withdrawal can be a matter of survival, refusal and renewal;  what we will not do, allow or accept, personally, politically and artistically; and the power of absence as presence.\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eContributors \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003ejimmy cooper\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eNeil Davies\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eMatthew Gallaway\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eZach Grear\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eJason Haaf\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eMatthew Kinlin\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eKatie Kurtz\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eLindsay Lerman\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eNate Lippens\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eFisher Main\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eErik Moore\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eEileen Myles\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eElle Nash\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eGolnoosh Nour\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eMatthew Stadler\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eRanee Zaporski\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eCover image by Erik Moore\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Pilot Press","offers":[{"title":"Default Title","offer_id":47421868441935,"sku":"PK0059","price":6.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_20230651.jpg?v=1695888017"},{"product_id":"copy-of-nate-lippens-ed-truant","title":"Clay AD, Holy Bodies","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cem\u003eHoly Bodies\u003c\/em\u003e is a collection of writing and drawings by the artist Clay AD which together work as a series of small proposals that exalt the freedoms of body, mind and spirit through care, sex, jokes, destruction and transformation. \u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e'Clay AD knows at an ancient and prescient level that, to quote from their book, 'shit is all life', but also that life is the shit, and the sunset, and the endgame. One for our immuno-suppressed comrades, shit theorists, pink salt throwers, and their lovers and friends, that is, I hope, everyone.' \u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e— Isabel Waidner, author of \u003cem\u003eSterling Karat Gold\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e'Clay AD’s poetry is for arseholes… \u0026amp; kneecaps, for belly buttons and sweaty crotches, for perforated ear drums and rubbish immune systems. This book is a vessel with feelings for vessels with feelings, transcribed into a trans crip language that I have been waiting for.'\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e— D Mortimer, author of \u003cem\u003eLast Night a Beef Jerk Saved My Life\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eClay AD is a somatic bodyworker, artist and writer living in Glasgow.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eCover artwork and original drawings by Clay AD\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Pilot Press","offers":[{"title":"Default Title","offer_id":47421925818703,"sku":"PK0061","price":12.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_20230681.jpg?v=1695888078"},{"product_id":"copy-of-clay-ad-holy-bodies","title":"Jason Lipeles, Letters to M.","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e'\u003cem\u003eLetters to M.\u003c\/em\u003e reveals the tender truth that all letters to lovers are written first to ourselves. Lipeles’ elegant and urgent prose brilliantly collapses the space between literary and romantic longing, luxuriating in the knowledge that there is no desire without projection. This imagistic slideshow of a book saturates us with the devouring gaze of youthful passion and maturity’s cool stare—a uniquely compelling double consciousness, and one rarely encountered. \u003cem\u003eLetters to M.\u003c\/em\u003e is a moving testament to both the eros of influence and the intellect of desire. A poignant reminder that when traversing the forest of others in search of love, we continually and unexpectedly encounter the self.' - Nicholas Muellner \u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eIn Lipeles's \u003cem\u003eLetters to M.\u003c\/em\u003e, the narrator writes letters addressed to an ex-partner, M. The letters begin as a way to process the disintegration of the relationship and grow into a series of lyric essays, poems, and photographs, which bring his love for M. into conversation with writers' and photographers’ work he admires. The narrator slips between his feelings for M. and his love for writers and photographers such as David Wojnarowicz, Renee Gladman, Frank O'Hara and Carrie Mae Weems in order to foreground intimacy and to begin to close the gap between reader and writer, lover and critic.  \u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eJason Lipeles is a Los-Angeles-based writer and artist. His first chapbook, \u003cem\u003eLetters to M\u003c\/em\u003e., was a finalist for the inaugural Chautauqua Janus Prize. His work has appeared in the Black Warrior Review Online, Yalobusha Review, and the first issue of The Racial Imaginary Institute. He is an alumnus of the AJU Institute for Jewish Creativity's Inquiry Fellowship and Asylum Arts' Reciprocity Artist Retreat. He graduated with a Master of Fine Arts in Image + Text from Ithaca College in 2018.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Pilot Press","offers":[{"title":"Default Title","offer_id":47421933322575,"sku":"PK0062","price":12.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_20230691.jpg?v=1695888114"},{"product_id":"copy-of-aaron-fagan-pretty-soon-2","title":"D Mortimer, Last Night A Beef Jerk Saved My Life","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e'Mortimer is one of the most talented writers of our generation and their debut collection proves this. Part essay, part poem, part memoir and part SOS, \u003cem\u003eLast Night a Beef Jerk Saved My Life\u003c\/em\u003e navigates its thematic scope—ranging from transness, queerness and naming to loving and losing—with sensitivity, insight, humour and bravado. Best thing I read this year.' \u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e- Isabel Waidner\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e'Last Night a Beef Jerk Saved My Life is a wonderful and thoughtful reflection on love and beauty and bodies and music and memories, and on the constellations of small things that make up modern queer life.' \u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e- Huw Lemmey\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eD Mortimer is a writer from London focussed on trans crip narratives. Their work (essays, poetry, prose, creative-criticism) has appeared in Granta and been performed at the Institute of Contemporary Art in London (Queers Read This, The Kathy Acker Reading Group). Their short story \u003cem\u003e‘Supermarket Revelations’\u003c\/em\u003e was published in \u003cem\u003eLiberating the Canon: An Anthology of Innovative Fiction\u003c\/em\u003e (ed. Waidner, Dostoyevsky Wannabe: 2018) and a poem-essay, '\u003cem\u003eHow To Draw Hands\u003c\/em\u003e', was published by Warm Yourself by My Trash Fire in 2020. \u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Pilot Press","offers":[{"title":"Default Title","offer_id":47422011736399,"sku":"PK0068","price":12.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_20230685.jpg?v=1695888274"},{"product_id":"copy-of-copy-of-d-mortimer-last-night-a-beef-jerk-saved-my-life","title":"Various, a queer anthology of wilderness","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eContributions by \u003cbr\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eHarry Agius\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNick Blackburn\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003ePatrick Carew \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eHamish Chapman\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eSimon Costin\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eThe Estate of Jimmy DeSana\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eJames St Findlay \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eClare Fisher\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eDaniel Givens \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eChristopher Hartmann\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eAlex Howe\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eEleanor Jenyns \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003ePrincess Julia\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eKaren Kenst \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eOlivia Laing\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eZoe Leonard\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eSiobhan Liddell\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eAnt M Lobo \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eMary Manning\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eJade Mars\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eLinden Katherine McMahon\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eRebekah Morgan \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eJulia Morgan \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eThe Museum of Witchcraft and Magic\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eEileen Myles\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eJoseph Noonan-Galley\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eRichard Porter\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eLux Pyre\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eGuy Rugeroni \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003ePeter Scalpello\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eOlivia Scott-Berry\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eKelsey Sucena\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eTimothy Thornton\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eUrara Tsuchiya\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNathan Walker\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eFrances Whorrall-Campbell\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003eCover artwork by Tabboo!\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Pilot Press","offers":[{"title":"Default Title","offer_id":47422080778575,"sku":"PK0071","price":15.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_20230704.jpg?v=1695888367"},{"product_id":"copy-of-various-a-queer-anthology-of-wilderness","title":"Various, a queer anthology of healing","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e‘Richard Porter’s Queer Anthology of Healing is a subtle, devastating mix of cuteness and embarrassment, beauty and confession, magic tricks and pain. The artworks and writings in this collection suggest that healing can be achieved through revelation, invocation, observation and disclosure. It’s a much-needed gift right now.’ \u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e— Chris Kraus (author of \u003ci\u003eI Love Dick\u003c\/i\u003e \/ \u003ci\u003eAfter Kathy Acker\u003c\/i\u003e) \u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eContributions by \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"lh-1 font-size-16\"\u003eClay AD\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"lh-1 font-size-16\"\u003eHarry Agius\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"lh-1 font-size-16\"\u003eBarney Ashton-Bullock\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"lh-1 font-size-16\"\u003eDodie Bellamy\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"lh-1 font-size-16\"\u003eJack Bigglestone\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"lh-1 font-size-16\"\u003eNick Blackburn\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"lh-1 font-size-16\"\u003eHelen Cammock\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"lh-1 font-size-16\"\u003eCharity Coleman\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"lh-1 font-size-16\"\u003eSwithun Cooper\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"lh-1 font-size-16\"\u003ePaul Gabrielli\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"lh-1 font-size-16\"\u003eEvan Garza\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"lh-1 font-size-16\"\u003eErica Gillingham\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"lh-1 font-size-16\"\u003eDaniel Givens\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"lh-1 font-size-16\"\u003ePete Hammond\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"lh-1 font-size-16\"\u003eBenedict Hawkins\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"lh-1 font-size-16\"\u003eGeorgie Henley\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"lh-1 font-size-16\"\u003eLubaina Himid\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"lh-1 font-size-16\"\u003eFanny Howe\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"lh-1 font-size-16\"\u003eJasmine Johnson\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"lh-1 font-size-16\"\u003eG.B. Jones\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"lh-1 font-size-16\"\u003eKevin Killian\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"lh-1 font-size-16\"\u003eWayne Koestenbaum\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"lh-1 font-size-16\"\u003eNic Lachance\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"lh-1 font-size-16\"\u003eOlivia Laing\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"lh-1 font-size-16\"\u003eBenedict Leader\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"lh-1 font-size-16\"\u003ePaul Lee\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"lh-1 font-size-16\"\u003eMary Manning\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"lh-1 font-size-16\"\u003eBen Miller\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"lh-1 font-size-16\"\u003eD. Mortimer\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"lh-1 font-size-16\"\u003eMonique Mouton\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"lh-1 font-size-16\"\u003eAnnie Murrells\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"lh-1 font-size-16\"\u003eChuck Nanney\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"lh-1 font-size-16\"\u003eDavid Nash\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"lh-1 font-size-16\"\u003e\u003cspan\u003eIsobel \u003c\/span\u003e\u003cspan\u003eNeviazsky\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"lh-1 font-size-16\"\u003ePaul P. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"lh-1 font-size-16\"\u003eRichard Porter\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"lh-1 font-size-16\"\u003ePeter Scalpello\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"lh-1 font-size-16\"\u003e\u003cspan\u003eHyacinth \u003c\/span\u003e\u003cspan\u003eSchuss\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"lh-1 font-size-16\"\u003eRyan Skelton\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"lh-1 font-size-16\"\u003eVerity Spott\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"lh-1 font-size-16\"\u003eEdward Thomasson\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"lh-1 font-size-16\"\u003eTimothy Thornton\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"lh-1 font-size-16\"\u003eDeclan Wiffen\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"lh-1 font-size-16\"\u003eIan Wooldridge\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003eCover artwork by Richard Porter\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Pilot Press","offers":[{"title":"Default Title","offer_id":47422115086671,"sku":"PK0070","price":15.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_20231121.jpg?v=1698231030"},{"product_id":"copy-of-various-responses-to-derek-jarmans-blue-1993","title":"Various, The Moon and The Echo: Responses to The Moon and The Melodies (1986) by Harold Budd and Cocteau Twins","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cem\u003eThe Moon and The Echo \u003c\/em\u003eis the first in a new series of anthologies from London-based publisher Pilot Press seeking contemporary responses to works of art made during the AIDS crisis.\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"font-size-14 lh-1\"\u003e\u003cspan class=\"font-size-16 lh-1\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"font-size-14 lh-1\"\u003e\u003cspan class=\"font-size-16 lh-1\"\u003eIn the first iteration, responses were sought to the 1986 collaborative studio album\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eThe Moon and The Melodies\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eby the late composer Harold Budd (1936-2020) and the Scottish dream pop band Cocteau Twins. \u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"font-size-16 lh-1\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"font-size-16 lh-1\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cspan class=\"font-size-16 lh-1\"\u003eContributors \u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cspan class=\"font-size-16 lh-1\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cspan class=\"font-size-16 lh-1\"\u003e\u003ci\u003eIn order of appearance\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cspan class=\"font-size-16 lh-1\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cspan class=\"font-size-16 lh-1\"\u003eMichelle Hannah\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cspan class=\"font-size-16 lh-1\"\u003eDavid Nash\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cspan class=\"font-size-16 lh-1\"\u003eEllen Dillon\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cspan class=\"font-size-16 lh-1\"\u003eGabriel Ross\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cspan class=\"font-size-16 lh-1\"\u003eMaria Sledmere\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cspan class=\"font-size-16 lh-1\"\u003eJack Jacques\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cspan class=\"font-size-16 lh-1\"\u003eNick Blackburn\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cspan class=\"font-size-16 lh-1\"\u003eHarry Agius\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cspan class=\"font-size-16 lh-1\"\u003eLauren de Sá Naylor\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cspan class=\"font-size-16 lh-1\"\u003eFemke Zwiep\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cspan class=\"font-size-16 lh-1\"\u003eOndo Fudd\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cspan class=\"font-size-16 lh-1\"\u003eRichard Porter\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cspan class=\"font-size-16 lh-1\"\u003eFreya Johnson Ross\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cspan class=\"font-size-16 lh-1\"\u003ePaul Lee\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cspan class=\"font-size-16 lh-1\"\u003eNina Ines Ward\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cspan class=\"font-size-16 lh-1\"\u003eJames Dearlove\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cspan class=\"font-size-16 lh-1\"\u003eJames Rance\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cspan class=\"font-size-16 lh-1\"\u003eFred Carter\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cspan class=\"font-size-16 lh-1\"\u003eJane Cope\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cspan class=\"font-size-16 lh-1\"\u003eTom Benford\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cspan class=\"font-size-16 lh-1\"\u003eMary Manning\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cspan class=\"font-size-16 lh-1\"\u003eSimon Moretti\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cspan class=\"font-size-16 lh-1\"\u003eRosa Jones\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cspan class=\"font-size-16 lh-1\"\u003eIshika Ball\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cspan class=\"font-size-16 lh-1\"\u003eOliver Ridings\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cspan class=\"font-size-16 lh-1\"\u003eNat Raha\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cspan class=\"font-size-16 lh-1\"\u003eKevin McAleese\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Pilot Press","offers":[{"title":"Default Title","offer_id":47422143660367,"sku":"PK0067","price":12.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_20230678.jpg?v=1695888246"},{"product_id":"copy-of-julia-kahl-lars-harmsen-posters-can-help-1","title":"Gavin Wade and Paul Conneally, Is this the way the universe works? (555 Verses \/ 77 Verses)","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis is a performative book containing performative tanrenga poems to be read out loud. A tanrenga poem looks like a tanka, a five lined Japanese poetry form but it isn’t. It’s a conversation between a three line haiku like poem and a two line poem written by another writer in response, in this case British artist-curator Gavin Wade and poet Paul Conneally.\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cem\u003e77 Verses (Is this the way the universe works?)\u003c\/em\u003e is a collection of such conversations written in and of and out of the woods in Drenthe.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e(555 Verses)\u003c\/em\u003e is a collection of such conversations written in and out of Twitter from 2017–2023.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e555 Verses: of plants from Triangle Garden, Birmingham.\u003c\/em\u003e\u003cbr\u003eThe plants are outstanding examples of adaptation strategies in response to changes in environmental conditions including many cacti and succulents and bananas.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e77 Verses: of plants and rocks from the wood in Bronneger (NL).\u003c\/em\u003e\u003cbr\u003eThese include pines and oaks and hunabeds (prehistoric megalithic funerary monuments).\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTry reading each verse out loud twice, and listen for the rhythms and cuts. Hear them and connect with the wood, the people that wrote them. Their lives. The past and the present. The future too.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Set Margins'","offers":[{"title":"Default Title","offer_id":47422294360399,"sku":"PK0075","price":18.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/PK0075_Is_this_the_way.jpg?v=1695907398"},{"product_id":"remi-graves-with-your-chest","title":"Remi Graves, with your chest","description":"\u003cp class=\"\"\u003e\u003cem\u003ePulling at the cords of gender's curtains, watchful of the slippages of our performative masks, With Your Chest is a luminously generous and vulnerable debut from Remi Graves. Their poems do justice to the failures and violences of category and yet — thirsting for more than this — are courageous enough to refuse to rest there. In a spirit of playfulness, of childhood, of starlings, Graves' poems glance towards the edges from which we leap, attentive not to where we might land, but to how we might take flight.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003eVictoria Adukwei Bulley\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eReading With Your Chest, I'm most dazzled by Remi Graves's restless, inventive imagination. Through linguistic and formal transformations, we follow a speaker wrestling with the mind's capacity for harm and consolation. Graves understands the pleasure and power of fantasizing, summoning boxers and cockapoos, Spiderman and Lisa Bonet in these meditations on desire, race, and the body. Pick up this pamphlet, you too will feel the fantasy.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003eDerrick Austin\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e‘where do you go \/ to write a body’ sets forth the speaker at the beginning of Remi Graves’ beautifully crafted series of poems. What follows is a mesmeric exploration of betweenness and queer longing; a candid mode of pondering upon the embodied experience of trans navigation with the world, of conditioned adaptation to the threat of existing – ‘I hear them ask almost through gritted teeth \/ are we men?’ A facet of what makes Graves’ lines so impactful is their kaleidoscopic observation towards the potential of an actualised self; of the speaker, the animals and individuals they witness; and its limitations in practice – ‘but you don’t \/ know not to look at a ghost \/ unless you can see it’. I really related to and loved this pamphlet, which so assuredly announced Graves as a vital voice in poetry. Their astute reflections on gender, race and the attractions that move us will stay with me.\u003c\/p\u003e\n\u003cp class=\"\"\u003ePeter Scalpello\u003c\/p\u003e\n\u003cp class=\"\"\u003eThe hotly anticipated debut pamphlet from Remi Graves will be landing on September 26th and you can pre-order now!\u003c\/p\u003e\n\u003cp class=\"\"\u003eRemi’s collection of poems looks at race, gender, childhood and relationships. There’s poems about bodies, sex, injustice and love. We can’t wait for you to fall in love with them.\u003c\/p\u003e\n\u003cp class=\"\"\u003eRemi Graves has been published in our anthology (Unwritten opened Issue 4).\u003c\/p\u003e\n\u003cp class=\"\"\u003eA former Barbican Young Poet, Remi’s work has been featured on BBC Radio 4, at St Paul’s Cathedral and elsewhere. Recent commissions include ‘\u003cem\u003edon’t text me, i’m dreaming\u003c\/em\u003e’ for Apples and Snakes and \u003cem\u003e‘On Breathing’\u003c\/em\u003e for Barbican Centre. Remi has taught courses at The Poetry School and delivers workshops in schools and libraries across London and UK. Remi was a 2017 National Poetry Day Ambassador and has performed at Cheltenham Literature Festival, Tate Modern and more.\u003c\/p\u003e","brand":"Fourteen Poems","offers":[{"title":"Default Title","offer_id":47449315737935,"sku":"PK0254","price":8.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_20230590.jpg?v=1695728462"},{"product_id":"david-nash-the-islands-of-chile","title":"David Nash, The Islands of Chile","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003e\u003cem\u003eMelancholia and tangible absence are threaded through these absorbing and delicate poems in which the Chilean islands are lovingly catalogued and characterised by Nash and even given voice – a voice which erupts from the haunted shorelines and archipelagos with a deft and surprising lyric power.\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003eRichard Scott\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003e\u003cem\u003eIn The Islands of Chile, David Nash offers up an entirely new way of relating to the world through a poetry whose aim is ‘not to confine you to words but to write you back into yourself.’\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003e\u003cem\u003eNash riffs on the variousness of Chile’s islands to articulate shifting relations between self, world and other, as we labour under the ‘henpeck we call “breath”’.\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\" id=\"yui_3_17_2_1_1695386869570_325\"\u003e\u003cspan id=\"yui_3_17_2_1_1695386869570_324\"\u003e\u003cem id=\"yui_3_17_2_1_1695386869570_323\"\u003eThis is ecologically minded work, exquisitely tuned to the world’s conditional fragility and ablaze with its own truths and a fierce eros in which ‘to be touched \/ is to be proven.’\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003e\u003cem\u003eAlways aware of the fallibilities and slippage of language where ‘you are not quite your name’ these poems are singular, tender and often breathtaking. Nash wrests with the stuff of language, and lets the reader in on the act, seeking lived truths, stalking love, capturing the strangeness and beauty of sentience.\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003e\u003cstrong\u003eThe Islands of Chile\u003c\/strong\u003e\u003cem\u003e is a dazzling, curious and indefinably brilliant debut. Read it and come alive.\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eSarah Westcott\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003e\u003cem\u003eUsing a variety of experimental approaches and with a singular originality, David Nash constructs a compelling debut publication that grows in power through each section.\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003e\u003cem\u003ePlace, the naming of place and the author’s relationship with it, the natural world, addresses to loved ones and a consideration of the self, all are seamlessly braided together, occasionally seasoned by an awareness of broader culture and more demotic notes. The undercurrent throughout is queer love, presented here with original flair, the eroticism often surfacing from surprising angles.\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003e\u003cem\u003eThe narrative arc develops and grows in intensity, culminating in a final section powerfully focused on mortality and presented in prose form. It is as if the poetry itself has broken into islands, an effect lightly presaged in the prologue which is a slender poem with barely any lines or words.\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003e\u003cem\u003eNash doesn’t merely inhabit the islands of Chile; they inhabit him. This pamphlet is more than ‘promising’, conveying the accomplishment of a first book. More please.\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eEva Salzman\u003c\/p\u003e\n\u003cp class=\"\"\u003e \u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eWe’re thrilled to publish \u003cem\u003eThe Islands of Chile,\u003c\/em\u003e a pamphlet of poems from Irish-born, Chile-based poet David Nash.\u003c\/p\u003e\n\u003cp class=\"\"\u003eThe pamphlet is a collection of poems that try to reimagine islands in the context of queer love, each poem\/island singing to the mainland as they track the course of a relationship. These islands watch and long for connection, their isolation forming deep wells of emotion within them, as they often catalogue their given names and location.\u003c\/p\u003e\n\u003cp class=\"\"\u003eDavid has been published in Issue 5 of our anthology with his poem \u003cem\u003eBlueballs\u003c\/em\u003e, as well as The White Review, Pilot Press’s Queer Poetry anthology, The Stinging Fly and the Dedalus Press anthology \u003cem\u003eLocal Wonders\u003c\/em\u003e.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Fourteen Poems","offers":[{"title":"Default Title","offer_id":47450299105615,"sku":"PK0255","price":8.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_20230580.jpg?v=1695728538"},{"product_id":"micheal-mccann-keeper","title":"Mícheál McCann, Keeper","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem\u003eThe poems in Keeper are by turns sunlit and rain-drenched, tender and elemental, bracing and embracing. Each poem sparkles on the flood of time, blissing in sudden spiritual moments, worked with a playful vision of beauty. Mícheál McCann is a poet of wise, exalting attention: his is a fresh and refreshing new voice in queer poetry.\u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp class=\"\"\u003eSeán Hewitt, author of \u003cem\u003eTongues of Fire and All Down Darkness Wide\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eMícheál McCann writes some of the most beautiful imagery I have come across in poetry. I was bowled over by the generosity of these poems, felt a physical response towards McCann’s poetics of longing, acceptance, and ultimately of safety in Keeper’s act of both individual humanity and togetherness. These poems are slyly laced with humour and sexuality, beckoning you to wade into them, smiling. The occasion of new work from Mícheál McCann is naturally a cause for celebration, and Keeper is exactly that – poems to carry inside you.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003ePeter Scalpello, author of \u003cem\u003eLimbic\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eI felt the charm and magic of Keeper, its gentle enquiry, its tenderness. Felt every line. Full of admiration for Mícheál McCann’s quietly life-affirming work.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eNiven Govinden, \u003cem\u003eauthor of Diary of a Film\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eMcCann is a tender, observant rememberer in whose work togetherness tangles with distance. Togetherness wins. From outset to ouch, this gentle, well-wrought book accompanies us through little things; yet has the courage to come face to face with the sudden immensities that stripe the everyday with surreality. A muddy field gasps with eroticism. A father is helpless foreseeing pain he cannot prevent. Sleep is close to death, but also to lovers and neighbours. The wordcraft of these strong, amused, and tender poems will hold you the way an otter holds its favourite pebble to its heart, lying on its furred and musky back, and playing as if the stream of the present were forever, playing hard while loss whisks just around the corner.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eVahni Anthony Capildeo\u003cem\u003e, author of Like a Tree, Walking\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eWe’re so excited to release Mícheál McCann’s new pamphlet. Keeper is a collection of poems to treasure; loss, love, longing thread through as he tackles the big issues of queerness, family, grief and relationships.\u003c\/p\u003e\n\u003cp class=\"\"\u003eMícheál McCann is from Derry, Northern Ireland and the author of the poetry pamphlet Safe Home (Green Bottle Press, 2020).\u003c\/p\u003e\n\u003cp class=\"\"\u003eHis poems have appeared or are forthcoming in\u003cspan\u003e \u003c\/span\u003ePoetry Ireland Review, Queering the Green, The Manchester Review, Banshee Lit, Ambit, The Tangerine,\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe New Frontier: Contemporary Writing From \u0026amp; About the Irish Border.​\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eMícheál was also featured in Issue 2 of our fourteen poems anthology.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Fourteen Poems","offers":[{"title":"Default Title","offer_id":47450315391311,"sku":"PK0256","price":8.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_20230596.jpg?v=1695728361"},{"product_id":"cleo-henry-the-last-lesbian-bar-in-the-midlands","title":"Cleo Henry, The Last Lesbian Bar in the Midlands","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAn arresting cinema of a book. Vivid, playful and adventurous, The Last Lesbian Bar in the Midlands is a moment, an idea, a sense of future that binds us to the best of each other. Brilliant.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eJoelle Taylor, author of \u003cem\u003eC+nto\u003c\/em\u003e \u0026amp; \u003cem\u003eOthered Poems\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eCleo Henry’s The Last Lesbian Bar in the Midlands opens the door between the body and the landscape of myth: they locate the worlds of ancestry in pissing on Hampstead Health, in Helen of Troy and Cynthia Nixon, in “your hard dyke hands blurring inside a ribcage”, and in the “pit with all of New York”. Cleo has written a remarkable pamphlet.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eTom Bland, author of \u003cem\u003eThe Death of a Clown\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eIntelligent and academic without showing off, discover Cleo Henry and watch them burn a litany of visual-invocations of being sexy without falling on lazy tropes.\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e\u003cem\u003eBite into this collection immediately - and taste it burst.\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eKirsty Allison, editor of Ambit\u003c\/p\u003e\n\u003cp class=\"\"\u003eWe’re launching our 2022 pamphlet season with the thrilling debut pamphlet from Cleo Henry. \u003cem\u003eThe Last Lesbian Bar in the Midlands\u003c\/em\u003e fuses the classics with lesbian culture, fizzing with excitement and wordplay.\u003c\/p\u003e\n\u003cp class=\"\"\u003eWith references to Achilles, Lea De Laria, Carson McCullers, Helen of Troy and Cynthia Nixon, the poems in this pamphlet mesh pop cultural references with mythology while delving into love, sex and modern queer communities.\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Fourteen Poems","offers":[{"title":"Default Title","offer_id":47450376110415,"sku":"PK0257","price":8.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_20230600.jpg?v=1695728310"},{"product_id":"fourteen-poems-issue-7","title":"Fourteen Poems Issue 7","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"\"\u003eIssue 7 is here and we can’t wait for you to read our latest batch of poets.\u003c\/p\u003e\n\u003cp class=\"\"\u003eThis issue covers so much LGBTQ+ ground. Whether it’s toxic masculinity, sex, playing with gender identities or trying to distract yourself from your ex, we hope there’s something for everyone.\u003c\/p\u003e\n\u003cp class=\"\"\u003eAnd our poets are as diverse as ever, from award-winning household names to never-before-published new writers. We hope you fall in love with all of their work.\u003c\/p\u003e\n\u003cp class=\"\"\u003eSo drumroll for your next 14 (or actually 15….)\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eLengths \u003c\/em\u003eby Andrew McMillan\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eLittle Animals\u003c\/em\u003e by lisa luxx\/Ollie O’Neill\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003edysphoria\u003c\/em\u003e by kevanté a c cash\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eObject \u003c\/em\u003eby Helen Bowell\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eUpon Seeing a Pack of Shirtless Men Run Past Me at Golden Hour\u003c\/em\u003e by Joshua Garcia\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eBowl\u003c\/em\u003e by Theophina Gabriel\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eBended\u003c\/em\u003e by Keith Jarrett\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eCremation\u003c\/em\u003e by Brian Sonia-Wallace\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003edrips in a bucket\u003c\/em\u003e by Kat Dixon\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003efissure\u003c\/em\u003e by Day Mattar\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eArgelés-sur-Mer\u003c\/em\u003e by Jim Whiteside\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eBloom\u003c\/em\u003e by Caleb Nichols\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eElegy for Your Southern Twang\u003c\/em\u003e by Steven Sanchez\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eOde to the Drift Glass Necklace My Friend Gave Me\u003c\/em\u003e by Kelly Weber\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Fourteen Poems","offers":[{"title":"Default Title","offer_id":47450383941967,"sku":"PK0258","price":8.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_20231269.jpg?v=1698232144"},{"product_id":"fourteen-poems-issue-8","title":"Fourteen Poems Issue 8","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"\"\u003eIssue 8 is here!\u003c\/p\u003e\n\u003cp class=\"\"\u003eThis hot pink stunner is here and we can’t wait for you to fall in love with these fourteen poems. This time around, we’ve got poets from the UK, US, Ireland, Trinidad, India, Germany and Mexico covering everything from gender, love, legacy, HIV discrimination, sex and more.\u003c\/p\u003e\n\u003cp class=\"\"\u003eAs always, some of our poets are award winning while others are brand new, never-before been published. There’s experimental work alongside more traditional forms; poems written about lived experience matched with more imagined moments. Of course, all fourteen deal with different aspects of modern queer life. We hope you love them all.\u003c\/p\u003e\n\u003cp class=\"\"\u003eDrum roll please - here’s your fourteen poems:\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eman\u003c\/em\u003e by Sanah Ahsan\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eNé\u003c\/em\u003e by James Davis\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003ePoem for Rotting Fruit\u003c\/em\u003e by Umang Kalra\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eDesire Path\u003c\/em\u003e by Jack Cooper\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eI Still Sleep with the Man Who Asks if I’m Clean\u003c\/em\u003e by Dare Williams\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eTusk\u003c\/em\u003e by Joseph Monaghan\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eIs My Body Mine\u003c\/em\u003e by Piero Toto\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eGem\u003c\/em\u003e by Kathryn O’Driscoll\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003elocal\u003c\/em\u003e by Deborah Finding\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eincision\u003c\/em\u003e by Raphael Koranda\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003enotes from (just over) the edge\u003c\/em\u003e by Elizabeth Train-Brown\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eWhy I Will Not Get Out of Bed\u003c\/em\u003e by Andrés N Ordorica\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003ein which the closet is the shell\u003c\/em\u003e by Tonya Johnson\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eDictionary For Love\u003c\/em\u003e by Ashish Kumar Singh\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Fourteen Poems","offers":[{"title":"Default Title","offer_id":47450417693007,"sku":"PK0259","price":8.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_20230614.jpg?v=1695728043"},{"product_id":"fourteen-poems-issue-9","title":"Fourteen Poems Issue 10","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"\"\u003e\u003cmeta charset=\"utf-8\"\u003eTen issues!?! Mind blowing. And we’re just as excited by this one as every single one before.\u003c\/p\u003e\n\u003cp class=\"\"\u003efourteen exciting poets. fourteen different stories. fourteen queer poems.\u003c\/p\u003e\n\u003cp class=\"\"\u003eOur poems from this issue come from The Netherlands, Nigeria, Ireland, the USA, Egypt and, of course, our home right here in London.\u003c\/p\u003e\n\u003cp class=\"\"\u003eThese poems look at gender, love, longing, using a urinal for the first time and sex as self care, among other things. Love is a leather jacket, Beyoncé singing Crazy in Love, defining yourself, horror films, waking up spooning, or your kid dancing in a graveyard.\u003c\/p\u003e\n\u003cp class=\"\"\u003eHere’s your fourteen poem titles.\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003e\u003cem\u003eI Want the Assertiveness of\u003c\/em\u003e by Luke Worthy\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003e\u003cem\u003eUrinals in the Club\u003c\/em\u003e by Jaime Lock\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003e\u003cem\u003etypes of woman i could have been\u003c\/em\u003e by P Hodges Adams\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003e\u003cem\u003eThe Bath Salts\u003c\/em\u003e by David McGovern\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003e\u003cem\u003e50\u003c\/em\u003e by Niven Govinden\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003e\u003cem\u003eAubade\u003c\/em\u003e by Michael McKimm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003e\u003cem\u003ewatching men walk from the library window, thinking about love\u003c\/em\u003e by Jesse Ogbeide\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003e\u003cem\u003eThe Hug\u003c\/em\u003e by SK Grout\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003e\u003cem\u003eMichael Jacket\u003c\/em\u003e by Nour Kamel\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003e\u003cem\u003ePortrait of My Lover as a Leather Jacket\u003c\/em\u003e by Lara Mae Simpson\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003e\u003cem\u003eDance on my Grave\u003c\/em\u003e by Amy Acre\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003e\u003cem\u003esplit\/ting\u003c\/em\u003e by JP Seabright\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003e\u003cem\u003eBaby’s Rosemary\u003c\/em\u003e by Toby Buckley\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003e\u003cem\u003eLucifer\u003c\/em\u003e by Tom Bland\u003c\/span\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Fourteen Poems","offers":[{"title":"Default Title","offer_id":47450452721999,"sku":"PK0260","price":8.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_20230609.jpg?v=1695728092"},{"product_id":"fourteen-poems-issue-11","title":"Fourteen Poems Issue 11","description":"\u003cdiv class=\"product-excerpt\" data-content-field=\"excerpt\" id=\"yui_3_17_2_1_1695388316684_122\"\u003e\n\u003cp class=\"\"\u003eWe’re so thrilled to reveal the cover and line-up for Issue 11, in all its burnt orange glory!\u003c\/p\u003e\n\u003cp class=\"\"\u003eFourteen queer contemporary poets, from Europe, Asia, North and South America and, hilariously, round the corner from our HQ in east London.\u003c\/p\u003e\n\u003cp class=\"\"\u003eAs always, we want each issue to reflect a diversity of ideas and experiences within the LGBTQ+ community and we hope these fourteen do that for you all.\u003c\/p\u003e\n\u003cp class=\"\"\u003eThere’s poems about queer childhood (“\u003cem\u003emango drawing\u003c\/em\u003e” by Gayathiri Kamalakanthan) and urging to push against the boundaries in that childhood (“\u003cem\u003eRed Jumper\u003c\/em\u003e” by Annie Brechin). There’s also Gustav Parker Hibbett’s “\u003cem\u003eHigh Jump as Icarus Story\u003c\/em\u003e”,which packs so many ideas in but at its core is perhaps a look at why queer kids push themselves so hard (spoiler: we all want to be loved).\u003c\/p\u003e\n\u003cp class=\"\"\u003eAnd speaking of love, there’s heartbreak (“\u003cem\u003eBroken\u003c\/em\u003e” by Nathan Evans) and how poetry can be used to vocalise that ache (“\u003cem\u003eStacks\u003c\/em\u003e” by Sarah Donley) – but also a celebration of everyday relationships, whether that be home-haircuts in “\u003cem\u003eA Latin American Sonnet CXXVII\u003c\/em\u003e” by Leo Boix or the safety of co-habiting with your love in A. Shaikh’s “\u003cem\u003eDomesticity\u003c\/em\u003e”.\u003c\/p\u003e\n\u003cp class=\"\"\u003ePoems in Issue 11\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eIf Polari was a kind of Birdsong\u003c\/em\u003e by Kym Deyn\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eRed Jumper\u003c\/em\u003e by Annie Brechin\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003emango drawing\u003c\/em\u003e by\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eGayathiri Kamalakanthan\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003e\u003cem\u003eA Latin American Sonnet CXXVII\u003c\/em\u003e by Leo Boix\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003e\u003cem\u003eStack\u003c\/em\u003e by Sarah Donley\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003e\u003cem\u003eChaturanga\u003c\/em\u003e by Shaun Hill\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003e\u003cem\u003eHigh Jump as Icarus Story\u003c\/em\u003e by Gustav Parker Hibbett\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003e\u003cem\u003eBroken\u003c\/em\u003e by Nathan Evans\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003e\u003cem\u003eDomesticity\u003c\/em\u003e by A. Shaikh\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003e\u003cem\u003eFugue\u003c\/em\u003e by Nico Amador\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003eAlighting at the Beginning and End of the Line by Minying Huang\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003e\u003cem\u003eButter\u003c\/em\u003e by Alex Mepham\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003e\u003cem\u003eSong in Three Voices\u003c\/em\u003e by Freya Jackson\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003e\u003cem\u003eFinal Boy Finding a Husband\u003c\/em\u003e by Stephen S. Mills\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Fourteen Poems","offers":[{"title":"Default Title","offer_id":47450470187343,"sku":"PK0261","price":8.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_20230604.jpg?v=1695728152"},{"product_id":"kevin-killian-argento-series","title":"Kevin Killian, Argento Series","description":"\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eReprinted for the first time in over twenty years, Kevin Killian’s first book of poetry is an audacious, operatic dive into the darkest recesses of the AIDS crisis. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eIn 1991, Killian reported he was “frozen, unable to think of a way to write about AIDS crisis”. A year later, his friend Kathy Acker suggested the “films of Dario Argento as a prism through which to take apart horror of living and dying in AIDS era”. The result is \u003cem\u003eArgento Series\u003c\/em\u003e, framing Killian’s real-life experience of losing his friends and lovers to the disease through the camera lens of Italian horror filmmaker, Dario Argento. Here, AIDS is cast as the horror film monster, wreaking cold, unfeeling chaos and destruction wherever it finds itself. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eBlending a chilling, impersonal observation of death with Killian's typical high camp, tenderness and O'Hara-like wit, the poems use unflinching honesty and gallows humour to devastating effect. In \u003cem\u003eArgento Series\u003c\/em\u003e, Killian finds expression for a crisis, and moment in history, that changed everything, forever.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eKevin Killian (1952-2019) was a San Francisco-based poet, novelist, playwright, and art writer. Recent books include Fascination: Memoirs and the poetry collections Tony Greene Era and Tweaky Village. He is the coauthor of Poet Be Like God: Jack Spicer and the San Francisco Renaissance, the first biography of the important US poet. With Dodie Bellamy, he coedited \u003cem\u003eWriters Who Love Too Much: New Narrative Writing, 1977–1997\u003c\/em\u003e. He died in 2019. \u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003ePraise for \u003cem\u003eArgento Series\u003c\/em\u003e:\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e'Here is Kevin Killian, pounding with bloodied fists on Poetry’s door. My heart swells with pride as I claim his masterpiece for our beleaguered city. \u003cem\u003eArgento Series\u003c\/em\u003e is Kevin’s Lament for the Makers, a monument reaching half-way to the stars for our fallen stars and every big dream of the world lost to AIDS.’ \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e— Robert Glück, author of \u003cem\u003eMargery Kempe\u003c\/em\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e‘Lush, tossed off and incisive, there's no other American poet who lived more vividly on the page of his time and its culture—center, edges all of it. Kevin's \u003cem\u003eArgento Series\u003c\/em\u003e is a treat and a complete fact. Grab this volume, fast.’\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e— Eileen Myles, author of \u003cem\u003eChelsea Girls\u003c\/em\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e‘High weirdness, thorny beauty, cruel loss – it's all here, in Kevin's voice, and always will be. We will never stop needing this book.’\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e— Anne Boyer, author of \u003cem\u003eThe Undying\u003c\/em\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e'At once tender and terrifying, \u003cem\u003eArgento Series\u003c\/em\u003e is a dispatch from the end of the world. Moving through Italian horror, memories of lost friends, and the long shadow of the AIDS crisis, Killian finds a language for the impossible. This collection is as urgent and vital as ever, seeing the light of day after being unobtainable for far too long.'\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e— Sam Moore, author of \u003cem\u003eAll My Teachers Died of AIDS \u003c\/em\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e'What Jackson Pollock said of himself, I will say of Kevin Killian: he is nature. \u003cem\u003eArgento Series\u003c\/em\u003e takes its title and frame from the Italian horror film maker Dario Argento but the effect is 100% Killian. Which is nature itself. Argento Series was written out of the carnage of the AIDS crisis. The poems are haunting, somnambulant, aggressive, plaintive, uncompromising, sullen, hilarious, brilliant, and outraged, creating a dynamic theatre of true horror. \u003cem\u003eArgento Series\u003c\/em\u003e now takes its place alongside the other queer masterworks of San Francisco poetry, including: Robert Duncan’s \u003cem\u003eThe Opening of the Field,\u003c\/em\u003e John Wiener’s \u003cem\u003eThe Hotel Wentley Poems\u003c\/em\u003e, and Jack Spicer’s \u003cem\u003eLanguage.\u003c\/em\u003e It’s important we have this title available again for new readers.'\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e— Peter Gizzi, author of \u003cem\u003eSky Burial\u003c\/em\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e'Through the fake horror of Dario Argento’s giallo movies, legendary writer and editor Kevin Killian captures the true horror of living through the AIDS crisis. ‘The poetry was in the gore,’ Killian writes, and these poems are unsane, trembling, lesioned, possessed; horrorcore whimsy, rotting camp. With all the mordant, adrenal wit of a slasher movie’s final girl, his \u003cem\u003eArgento Series\u003c\/em\u003e is a survivor’s story, vividly retold.’\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e— Diarmuid Hester, author of\u003cem\u003e Nothing Ever Just Disappears\u003c\/em\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eForeword by Derek McCormack\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eCover artwork by Hedi El Kholti\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Pilot Press","offers":[{"title":"Default Title","offer_id":47482194035023,"sku":"PK0276","price":12.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_20231248.jpg?v=1698232237"},{"product_id":"helen-bowell-ed-bi-lines-an-anthology-of-contemporary-bi-poetry","title":"kevanté ac cash, o f f e r i n g s","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\" class=\"\"\u003eWhat people are saying about “o f f e r i n g s”\u003cbr\u003e\u003cbr\u003ePress your ear to the queer conch shell of kevanté ac cash’s “o f f e r i n g s” to hear the Caribbean future. In poems that audaciously, exquisitely trample the rigidities of a sexual binary, cash strives to show speakers in possession of their full, fragmented selves: agonized by familial and societal trauma, yet cleaving to what makes them whole: found community spaces; the vivid beauty of the Bahamian landscape; the molten balm of Black women’s erotic love.\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThis work not only invites your witness; it demands it. These poems are spatial acrobats, creating urgent defiances across the blank page. They take up room, confront your gaze, saying, “we deserve all the world can give us, and love, too”.\u003c\/em\u003e\u003cbr\u003eShivanee Ramlochan\u003cbr\u003e\u003cbr\u003e\u003cem\u003eLiving at the crossroads of lovers, lineage aan (chosen) family, “o f f e r i n g s” is remedy on the page. here, each of kevanté’s poems are a sacrifice. of fear. shame. aan ego. a giving up which brings us as readers what we all long for - connection.\u003c\/em\u003e\u003cbr\u003eTanicia Pratt\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThis is a collection of poems with a strong sense of spirit and honesty - to us and to self -as we move through the trinity of ‘for love’, ‘for self’, and ‘for community’. cash deals with their themes with a style that blends gentleness with tenacity. With Bahamian Creole English accompanying us through it all, we are carried through a conversation around place, identity, and tenderness. It’s beautiful. We become better from reading this.\u003c\/em\u003e\u003cbr\u003eMadelaine Kinsella\u003cbr\u003e\u003cbr\u003ekevanté ac cash’s “o f f e r i n g s” is the debut pamphlet from one of the most exciting contemporary poets around. It’s also the first of our new batch of pamphlets for 2023\/24.\u003cbr\u003e\u003cbr\u003eA collection of poems looking at communities and how vital they are to the queer experience, “o f f e r i n g s” is an example of kevanté’s vivid and exciting poetry. The book comes in three parts: For Love, For Self, and For Community, with poems looking at sex, gender, family and legacies.\u003cbr\u003e\u003cbr\u003eThese poems are radical in their approach to form, with the poems playing with a sense of space on the page. In terms of content, they’re also radical - celebrating self love, confronting colonial repercussions head on, addressing the complexities of a religious upbringing, as well as what it is to be Black, non-binary and queer.\u003cbr\u003e\u003cbr\u003eNew to kevanté’s work? They’re a Bahamaian poet, essayist and bibliophile, who believes in priortising pleasure as an act of resistance. Based in Nassau, they spent time in Manchester, UK where they undertook their MFA in poetry at the Manchester Metropolitan University.\u003cbr\u003e\u003cbr\u003eYou can watch kevanté talk about their work and read “dysphoria”, featured in Issue 7 of fourteen poems.\u003c\/p\u003e","brand":"Fourteen Poems","offers":[{"title":"Default Title","offer_id":47482400014671,"sku":"PK0348","price":8.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_20231024.jpg?v=1697466293"},{"product_id":"helen-bowell-ed-bi-lines-an-anthology-of-contemporary-bi-poetry-1","title":"Helen Bowell (ed.), Bi+ Lines: an anthology of contemporary Bi+ poets","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp data-mce-fragment=\"1\" class=\"\"\u003eThe first-ever anthology of poems written by those who identify under the bi+ umbrella, Bi+ Lines is an engrossing, exciting, and often moving title gathering bi+ poets from across the globe.\u003cbr\u003e\u003cbr\u003eEdited by award winning poet Helen Bowell, the anthology collects new poems by more than 40 poets, ranging from those well-known to brand new voices.\u003cbr\u003e\u003cbr\u003eThemed around the idea of in-betweenness, these poems look at love and acceptance, at biphobia and belonging, at families and trust, and at how we can use poetry to express our desires, fears, and hopes. With new work from poets including Troy Cabida, Jen Campbell, Golnoosh Nourpanah, Shivanee Ramlochan, Jake Wild Hall and more, Bi+ Lines offers an insight into diverse stories that are often erased.\u003cbr\u003e\u003cbr\u003eYour Bi+ Lines poets are:\u003cbr\u003e\u003cbr\u003eFreya Bantiff, Davina Bacon, Jake Wild Hall, Suyin Du Bois, Rory O’Sullivan, Adriano Nobl, Ben Dalitz, Jen Campbell, Yves Olade, Chloe Henney, Nasim Rebecca Asl, Gayathiri Kamalakanthan, Jennifer Wong, Viv Kemp, Grae Tower, Lenni Sanders, Rona Jia Luo, Imogen Wade, Paul S Ukrainets, Fadairo Tesleem, Ilisha Thiru Purcell, Astra Papachristodoulou, Eoin Kelly, Kyla Jamieson, Hetty Cliss, Isaac Ginsberg Miller, Adegboyega Kayowa, Maria Ilona Moore, George Parker, Bebe Ashley, Noah Gower-Jones, Shivanee Ramlochan, Beth Harrison, Troy Cabida, Imogen Osborne, Dan Fitt-Palmer, Fee Griffin, Nnamdi Ndiolo, Carmina Masoliver, Mish Green, Len Lukowski, Ruth Yates, Golnoosh Nour, Holly Moberley, Jane Flett.\u003c\/p\u003e","brand":"Fourteen Poems","offers":[{"title":"Default Title","offer_id":47482422657359,"sku":"PK0349","price":9.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_20231018.jpg?v=1697466337"},{"product_id":"copy-of-various-responses-to-derek-jarmans-blue-1994","title":"Various, Responses to Pale Blue Dot (1990) by Voyager 1","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cem\u003eResponses to Pale Blue Dot by Voyager 1\u003c\/em\u003e is the fifth anthology in a series from Pilot Press that seeks responses to works of art made during the AIDS crisis. In this fifth iteration, responses were sought to the 1990 photograph \u003cem\u003ePale Blue Dot\u003c\/em\u003e by Voyager 1.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eThemes range from grief to masturbation; alien abduction to David Wojnarwoicz; whale song to combination therapy, and late night cruising to the Oracles of Perception.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eContributors\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eIn order of appearance\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\" data-mce-style=\"font-family: Sabon_Roman;\"\u003eJohn Wieners\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\" data-mce-style=\"font-family: Sabon_Roman;\"\u003ePhilip Hoare\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\" data-mce-style=\"font-family: Sabon_Roman;\"\u003eNate Lippens\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\" data-mce-style=\"font-family: Sabon_Roman;\"\u003eJon Rainford\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\" data-mce-style=\"font-family: Sabon_Roman;\"\u003eSig Olson\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\" data-mce-style=\"font-family: Sabon_Roman;\"\u003eNick Blackburn\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\" data-mce-style=\"font-family: Sabon_Roman;\"\u003eRobert Hampson\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\" data-mce-style=\"font-family: Sabon_Roman;\"\u003eArt Allen\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\" data-mce-style=\"font-family: Sabon_Roman;\"\u003eChris Jones\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\" data-mce-style=\"font-family: Sabon_Roman;\"\u003eBenedict Welch\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\" data-mce-style=\"font-family: Sabon_Roman;\"\u003ePaul Coombs\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\" data-mce-style=\"font-family: Sabon_Roman;\"\u003eTodd Meyers\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\" data-mce-style=\"font-family: Sabon_Roman;\"\u003eMatthew Kinlin\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\" data-mce-style=\"font-family: Sabon_Roman;\"\u003eZsuzsanna Ihar\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\" data-mce-style=\"font-family: Sabon_Roman;\"\u003eBrenna O\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\" data-mce-style=\"font-family: Sabon_Roman;\"\u003eRoelof Bakker\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\" data-mce-style=\"font-family: Sabon_Roman;\"\u003eDonna Marcus\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\" data-mce-style=\"font-family: Sabon_Roman;\"\u003eTim Knights\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\" data-mce-style=\"font-family: Sabon_Roman;\"\u003eSam Buchan-Watts\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\" data-mce-style=\"font-family: Sabon_Roman;\"\u003eAodán McCardle\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\" data-mce-style=\"font-family: Sabon_Roman;\"\u003eDonald Butler\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\" data-mce-style=\"font-family: Sabon_Roman;\"\u003eBrooke Palmieri\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\" data-mce-style=\"font-family: Sabon_Roman;\"\u003eAntony John\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\" data-mce-style=\"font-family: Sabon_Roman;\"\u003eObe Alkema\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\" data-mce-style=\"font-family: Sabon_Roman;\"\u003eDavid Leal\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\" data-mce-style=\"font-family: Sabon_Roman;\"\u003eLucy Swan\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\" data-mce-style=\"font-family: Sabon_Roman;\"\u003eElla Duffy\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\" data-mce-style=\"font-family: Sabon_Roman;\"\u003eMary Manning\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\" data-mce-style=\"font-family: Sabon_Roman;\"\u003eDavid Lawrie\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\" data-mce-style=\"font-family: Sabon_Roman;\"\u003eRichard Porter\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\" data-mce-style=\"font-family: Sabon_Roman;\"\u003eTroy Fielder\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\" data-mce-style=\"font-family: Sabon_Roman;\"\u003eAnne Tallentire\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\" data-mce-style=\"font-family: Sabon_Roman;\"\u003eRuby Lawrence\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Pilot Press","offers":[{"title":"Default Title","offer_id":47520144556367,"sku":"PK0058","price":12.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_20231284.jpg?v=1698230967"},{"product_id":"haydee-touitou-no-37-breakfast-food-for-dinner","title":"Haydée Touitou, No.37 Breakfast Food for Dinner","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSome of life’s most satisfying moments pass in an instant. \u003cem\u003eBreakfast Food for Dinner \u003c\/em\u003eby Haydée Touitou is a collection of poems written over the course of several years to catch experiences like these; slowing them down and savouring them, preserving them for future reference. \u003c\/p\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"accroche\" itemprop=\"description\"\u003e\n\u003cdiv class=\"citation\"\u003e\n\u003cdiv class=\"accroche\" itemprop=\"description\"\u003e\n\u003cp data-mce-fragment=\"1\" class=\"p1\"\u003eHaydée Touitou is a writer, translator and poet based in Paris, France. Alongside her poetry, which is also exhibited in galleries and at art fairs, Haydée writes fiction and features, hosts a radio show,\u003cspan\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eReading Poetry\u003c\/i\u003e, and holds workshops around the world.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Hato Press","offers":[{"title":"Default Title","offer_id":47597861536079,"sku":"PK0382","price":9.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_20231410.jpg?v=1698421566"},{"product_id":"modem-no-36-dall-e-2-dreams-of-haikus","title":"Modem, No.36 DALL-E 2 DREAMS OF HAIKUS","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\"\u003eWhen OpenAI unveiled DALL-E 2, an advanced AI system capable of generating images from a text description, Modem tasked it with creating images based on haikus by 17th-century master Matsuo Bashō. The result is \u003c\/span\u003e\u003ci data-mce-fragment=\"1\" style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDALL-E 2 DREAMS OF HAIKUS, \u003c\/span\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\"\u003ea poignant exploration of the expressive abilities of AI, \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\"\u003eand its potential to shift the boundaries of human imagination.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"accroche\" itemprop=\"description\"\u003e\n\u003cdiv class=\"citation\"\u003e\n\u003cdiv class=\"accroche\" itemprop=\"description\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\"\u003eModem is an office for design and innovation based in Amsterdam. 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With a focus on writers who operate on the fringes of literature, ‘revolt’ in a Worms context is vast-ranging. 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Featuring Michelle Tea, Moyra Davey, Lynne Tillman, Johanna Hedva, Jenny Hval, Ellen van Neervan, Caroline Calloway, Julie Enszerl and more.\u003c\/p\u003e\n\u003cdiv id=\"yui_3_17_2_1_1695388316684_121\" data-animation-role=\"content\" data-item-id=\"64b955b417a2af7f97596d85\" class=\"product-quantity-input\"\u003e\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Worms","offers":[{"title":"Default Title","offer_id":47811713794383,"sku":"PK0140","price":15.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_202312022.jpg?v=1722254222"},{"product_id":"worms-issue-4","title":"Worms, Issue 4","description":"\u003cp\u003eWorms #4 \u003cem\u003eThe Flaneuse\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003ereconsiders psychogeography and the Situationists from a non-male perspective, taking flâneuserie and the creative benefits of a good walk as its starting point. This issue features conversations with Eileen Myles, Alison Bechdel, Lauren Elkin, Tilly Lawless, Mckenzie Wark, Therese Estacion and Carmen Winant.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"product-quantity-input\" data-item-id=\"64b955b417a2af7f97596d85\" data-animation-role=\"content\" id=\"yui_3_17_2_1_1695388316684_121\"\u003e\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Worms","offers":[{"title":"Default Title","offer_id":47811737747791,"sku":"PK0141","price":15.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_202304072_f5e815f7-c85e-406f-b342-f0b9c25998cc.jpg?v=1722254297"},{"product_id":"worms-issue-6","title":"Worms Issue 5","description":"\u003cp\u003e\u003cem\u003eWorms #5\u003c\/em\u003e contemplates \u003cem\u003eThe Impure\u003c\/em\u003e in literature, starting with the New Narrative movement and expanding to look at the joys and complexities of using other peoples stories, ideas surrounding appropriation and taking from the archive. There’s lots of gleaning, lots of stealing and lots of hard truths coming from the human body. Featuring Saidiya Hartman, Dodie Bellamy, Camille Roy, Calla Henkel, Lynne Tillman, Jenny Zhang and many more. \u003c\/p\u003e\n\u003cdiv class=\"product-excerpt\" data-content-field=\"excerpt\" id=\"yui_3_17_2_1_1695388316684_122\"\u003e\n\u003cp class=\"\"\u003eFeaturing: CALLA HENKEL, JENNY ZHANG, CAMILLE ROY, DODIE BELLAMY, ESTELLE HOY, SAIDIYA HARTMAN, RHEA DILLON, SAVANNAH KNOOP, TOP STORIES, MADELYNE BECKLES, LAUREN FOURNIER, JOANNA WALSH, LYNNE TILLMAN.\u003c\/p\u003e\n\u003cp class=\"\"\u003eContributors: ZARA JOAN MILLER, HAYDEE TOUITOU, NICOLE DELLA COSTA, CECILIA PAVON, VALENTINA VON KLENCKE, FEYI ADEGBITE, ALICE PLATTI, VICTORIA CAMPA, ALICE BUTLER, CLEMMIE BACHE, CAITLIN MCLOUGHLIN, JACK STUART MILLS, HONOR WEATHERALL, ARCADIA MOLINAS, AIMEE BALLINGER, WES KNOWLER, ELEANOR WANG, KATY DADACZ, OLIVE COURI, RACHEL CATTLE, ISABELLE BUCKLOW, SARAH BODRI, HOPE ROAFL, MAURA SAPPILO, JODIE HILL, JACQUELINE ENNIS COLE, MARY WATT, DELIA RAINEY.\u003c\/p\u003e\n\u003cp class=\"\"\u003eEditor in Chief: CLEM MACLEOD\u003c\/p\u003e\n\u003cp class=\"\"\u003eAssistant Editor: CAITLIN MCLOUGHLIN\u003c\/p\u003e\n\u003cp class=\"\"\u003eFeatures Assistant: ARCADIA MOLINAS\u003c\/p\u003e\n\u003cp class=\"\"\u003eEditorial \u0026amp; Graphic Design: CLEM MACLEOD \u0026amp; CAITLIN MCLOUGHLIN\u003c\/p\u003e\n\u003cp class=\"\"\u003ePrinted by: PAGEMASTERS\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"product-quantity-input\" data-item-id=\"64b955b417a2af7f97596d85\" data-animation-role=\"content\" id=\"yui_3_17_2_1_1695388316684_121\"\u003e\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Worms","offers":[{"title":"Default Title","offer_id":47811749085519,"sku":"PK0142","price":17.5,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_202304152.jpg?v=1718638491"},{"product_id":"worms-issue-7","title":"Worms Issue 6","description":"\u003cp\u003e\u003cem\u003eWorms #6\u003c\/em\u003e delves into themes that are broad and sprawling. We look at humour, collage, and honesty - finding what’s relatable in the literature we love, and uncovering what it tells us about the present moment. Sheena Patel, our cover star, delves into the internet in all its darkness and hilarity, Elvia Wilk discusses the climate crisis and finding truth in fiction, and Chris Kraus and Ann Rower chat about everything from their influences to what a ‘career’ means as a writer. From Cosey Fanni Tutti to Lola Olufemi to Isabel Waidner, there are many more Worms to be found in these pages. \u003c\/p\u003e\n\u003cdiv id=\"yui_3_17_2_1_1695388316684_122\" data-content-field=\"excerpt\" class=\"product-excerpt\"\u003e\n\u003cp class=\"\"\u003eFeaturing: SHEENA PATEL, NADA ALIC, COSEY FANNI TUTTI, ELVIA WILK, ANN ROWER, CHRIS KRAUS, GHISLAINE LEUNG, YELENA MOSKOVICH, LOLA OLUFEMI, SAM MOORE, ISABEL WAIDNER, CECILIA PAVÓN, EAR WORMS X LATE WORKS\u003c\/p\u003e\n\u003cp class=\"\"\u003eContributors: HAYDÉE TOUITOU, NICOLE DELLA COSTA, ZARA JOAN MILLER, ERIN TAYLOR, JESS COLE, ARCADIA MOLINAS, PHOENIX LOSAVIO, HOPE ROALFE, HANNAH PEZZACK, CHRIS CARTER, CLEM MACLEOD, CAITLIN MCLOUGHLIN, ISABEL MACCARTHY, SAMANTHA ROSENWALD, ELVIRA GARCIA, CELESTINE COONEY, BUG SHEPHERD-BARRON, MARY WATT, DELIA RAINEY\u003c\/p\u003e\n\u003cp class=\"\"\u003eFounder \u0026amp; Editor in Chief: CLEM MACLEOD\u003c\/p\u003e\n\u003cp class=\"\"\u003eManaging Editor: CAITLIN MCLOUGHLIN\u003c\/p\u003e\n\u003cp class=\"\"\u003eArt direction and design: CAITLIN MCLOUGHLIN\u003c\/p\u003e\n\u003cp class=\"\"\u003eFeatures Editors: PIERCE ELDRIDGE, ARCADIA MOLINAS\u003c\/p\u003e\n\u003cp class=\"\"\u003eContributing Editor:  VIOLET CONROY\u003c\/p\u003e\n\u003cp class=\"\"\u003ePrinted by: PAGEMASTERS \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"yui_3_17_2_1_1695388316684_121\" data-animation-role=\"content\" data-item-id=\"64b955b417a2af7f97596d85\" class=\"product-quantity-input\"\u003e\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Worms","offers":[{"title":"Default Title","offer_id":47811753476431,"sku":"PK0143","price":17.5,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_202310712.jpg?v=1731673178"},{"product_id":"worms-issue-8","title":"Worms Issue 7","description":"\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eThe \u003cem\u003e‘Artists who Write and Writers who Art’\u003c\/em\u003e Issue. For \u003cem\u003eWorms 7\u003c\/em\u003e we’ve looked to our visual counterparts for some soil nutrients. We’ve wormed our way into the psyche of the artist, to bring you the \u003cem\u003e‘Artists That Write, and Writers That Art’\u003c\/em\u003e issue. Many of our subjects in the past have come into writing via non-traditional routes (filmmaking, curation, art, performance, podcasting, and so on), so it only felt right to cast a spotlight over those who have inspired our experimental literary practices so far. Not only those that use words within their visual practice, but those who use images to inform their writing. The reader, the writer, the artist, the activist, the poet and performer; they’re all here and they’re all worms. \u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"product-excerpt\" data-content-field=\"excerpt\" id=\"yui_3_17_2_1_1695388316684_122\"\u003e\n\u003cp class=\"\"\u003eIn this mega worm (which is fittingly pink, for the first time somehow) you are in for a feast. Clem interview Helen Marten, Martine Syms and Diamond Stingily, Caitlin interviews actual art-writing icon Olivia Laing, Pierce talks to the profound Dr. Joy James, Philippa Snow gives us her thoughts on the act of writing art criticism (spoiler: it’s out her ass), and we have enough Derek Jarman content to keep you going for the rest of the year. We have some hilarious\/insightful\/weird\/wonderful contributions from some of your favourite regulars too; including Jess Cole, Isabelle Bucklow, Sam Moore, Haydée Touitou, Estelle Hoy and many others. \u003c\/p\u003e\n\u003cp\u003eFEATURING:\u003c\/p\u003e\n\u003cp\u003eDIAMOND STINGILY, HELEN MARTEN, NICOLE RUDICK, NIKI DE SAINT PHALLE, MARTINE SYMS, OLIVIA LAING, DR. JOY JAMES, JORDAN WEITZMAN, WU TSANG, DEREK JARMAN, SABINE MIRLESSE, MISHA HONCHARENKO, CHANTAL AKERMAN, JOANNA NOVAK, ANNIE ERNAUX, DAISY SANCHEZ, JENNA SUTELA, ANICKA YI, TUOMAS A. LAITINEN, STEPHANIE COMILANG \u0026amp; SIMON SPEISER, VALERIE SOLANAS\u003c\/p\u003e\n\u003cp\u003eCONTRIBUTORS\u003c\/p\u003e\n\u003cp\u003eHAYDEÉ TOUITOU, L SCULLY \u0026amp; LUCAS RESTIVO, LEE RAE WALSH, JESS COLE, ESTELLE HOY, PHILIPPA SNOW, SAMANTHA ROSENWALD, ISABELLE BUCKLOW, MONA GLASSFIELD, CLEM MACLEOD, SARAH WHITE, CAITLIN MCLOUGHLIN, PAVIELLE GARCIA, IONE SAIZAR, CHANTAL JOFFE, SOPHIE DAVIDSON, PIERCE ELDRIDGE, VIOLET CONROY, ELLE PÉREZ, PAUL MPAGI SEPUYA, JACQUELINE ENNIS-COLE, MARY ADETURINMO, STEPH FRANCIS-SHANAHAN, SAM MOORE, BUG SHEPHERD-BARRON, DONNA MARCUS DUKE, SAM HOLTON BRADLEY, KITTY GRADY, FELIX PILGRIM, CICI PENG, HOLLY MILLS, THEA MCLACHLAN, ERICA GOULD, PAULA DUCAY AND INÉS GARCÍA, ELVIRA GARCIA, INÊS GERALDES CARDOSO, JODIE HILL, JEMIMA SKALA, MAURA SAPPILO, DELIA RAINEY\u003c\/p\u003e\n\u003cp\u003eFounder \u0026amp; Editor in Chief: CLEM MACLEOD\u003c\/p\u003e\n\u003cp\u003eManaging Editor: CAITLIN MCLOUGHLIN\u003c\/p\u003e\n\u003cp\u003eArt direction and design: CAITLIN MCLOUGHLIN\u003c\/p\u003e\n\u003cp\u003eFeatures Editors: PIERCE ELDRIDGE, ARCADIA MOLINAS\u003c\/p\u003e\n\u003cp\u003eContributing Editor:  VIOLET CONROY\u003c\/p\u003e\n\u003cp\u003ePrinted by: PAGEMASTERS \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"product-quantity-input\" data-item-id=\"64b955b417a2af7f97596d85\" data-animation-role=\"content\" id=\"yui_3_17_2_1_1695388316684_121\"\u003e\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br 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{mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Worms","offers":[{"title":"Default Title","offer_id":47811761209679,"sku":"PK0144","price":17.5,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_2023080321.jpg?v=1720799675"},{"product_id":"tilly-lawless-nothing-but-my-body","title":"Tilly Lawless, Nothing But My Body","description":"\u003cp\u003e\u003cem\u003eNothing But My Body \u003c\/em\u003eis an eight-day journey through the mind of a young woman, a queer sex worker in Australia, as she navigates breakups and infatuation across just over a year.\u003c\/p\u003e\n\u003cdiv class=\"product-excerpt\" data-content-field=\"excerpt\" id=\"yui_3_17_2_1_1695388316684_122\"\u003e\n\u003cp class=\"\"\u003eThe unnamed narrator’s voice is both fierce and vulnerable, defiant and tender, as she explores the interplay between her external and internal world, and the fluctuations of her emotions as love affairs intensify and wane. Her loneliness is assuaged by her beloved chosen family-her friends-and by the beauty of the natural world.\u003c\/p\u003e\n\u003cp class=\"\"\u003eSet during the cataclysmic bushfire season of 2019 and into the coronavirus pandemic and lockdown, sex work is the constant backdrop of the story as it moves between Sydney, Berlin, Orange and Bellingen. The beauty of the writing and the moving and deeply engaging sense of compassion that threads through this remarkable novel give true meaning to the concepts of inclusivity and community in surprising and original ways.\u003c\/p\u003e\n\u003cp class=\"\"\u003eThis stunning, unflinching and lyrical debut is both a rejection of romantic love, a euphoric celebration of the queer community and a reckoning with the body as both abject and joyous.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"product-quantity-input\" data-item-id=\"64b955b417a2af7f97596d85\" data-animation-role=\"content\" id=\"yui_3_17_2_1_1695388316684_121\"\u003e\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Worms","offers":[{"title":"Default Title","offer_id":47811766845775,"sku":"PK0146","price":14.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_202308051.jpg?v=1706890635"},{"product_id":"katherine-franco-displays","title":"Katherine Franco, Displays","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cem\u003eDisplays\u003c\/em\u003e has theoretical commitments, even if only to a “birdlike, brained” logic. Katherine Franco’s debut collection attends to sibilants, the system of signs, and sainthood in a kind of half-joke. \u003cem\u003eDisplays\u003c\/em\u003e features a subject who wants to be “good” and for desire to be delivered through a well-formed critique. She likes explication. Then, she doesn’t.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eDeriving its terrain from the classroom and the open road, \u003cem\u003eDisplays\u003c\/em\u003e demonstrates how poetics is a source of knowledge and flight. The collection is dogged for a thesis, but instead finds itself amidst practicums, biopolytechnicaltechniques, and acts of renunciation. “Likeness is like \/ flying,” Franco writes in one of the book's final poems. Flight need not mean an abandonment of politics, pain, or one’s daily life – the collection suggests – but instead the generation of a landscape where play and poetic experimentation reign. There, we can discover the restless epistemology distinct to \u003cem\u003eDisplays.\u003c\/em\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eKatherine Franco is a writer and artist. Her work appears in Prelude, Jacket2, and Juked, among others. She is a PhD student in English at the University of California, Berkeley. \u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Pilot Press","offers":[{"title":"Default Title","offer_id":47811947102543,"sku":"PK0361","price":8.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_20231356.jpg?v=1698332059"},{"product_id":"georgie-henley-amphibian","title":"Georgie Henley, Amphibian","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"\"\u003eWe’re thrilled to be publishing the debut pamphlet from Georgie Henley! \u003cem\u003eAmphibian\u003c\/em\u003e is an incredible collection of poems looking at the body through an excitingly fresh lens.\u003c\/p\u003e\n\u003cp class=\"\"\u003eFrom poems about lust and love, to power and gender touching on both modern and classical references. These poems are sensual, entrancing, feminist and powerful.\u003c\/p\u003e\n\u003cp class=\"\"\u003eHere’s what initial readers have said about \u003cem\u003eAmphibian\u003c\/em\u003e:\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eGeorgie Henley’s poems are intricate, feminist, and embodied. They fill the ear and imagination with a felt-sense of a soundscape and bodyscape, where the human and more-than-human meet, merge and entangle. Georgie creates timeless worlds, alive with multiple species and eros, each poem pulses - opening up and closing shut like a bud.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003eAnna Selby\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eTo read Georgie Henley’s Amphibian is to enter a space of mythic brightness. These are poems which ache on the page, which bare their strength through the visceral lyric. This is a thrilling debut which illuminates fear, shame, sensuality and love through poetry which asserts that ‘time is told through our body’.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003eElla Duffy\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003e\u003cem\u003eGeorgie Henley is a poet with a bent for the embodied and breathlessly sensual. At turns wry and despairing, then full of yearning and thwarted desire, this pamphlet has many faces. Unafraid to be playful and straight up weird, Henley take the reader on many delicious digressions.\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003eVanessa Kisuule\u003c\/span\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Fourteen Poems","offers":[{"title":"Default Title","offer_id":47812085285199,"sku":"PK0408","price":8.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_20231057.jpg?v=1698334869"},{"product_id":"fourteen-poems-issue-2","title":"Fourteen Poems Issue 2","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eEvery issue we celebrate the best new queer poets on the planet. This issue includes poems from Mícheál McCann, Madelaine Kinsella, Akpa Arinzechukwu, Ayoola Solarin, Thomas Stewart, Rhienna Renèe Guedry, Anthony Aguero, Kostya Tsolakis, Ben Strak, Nkateko Masinga, Dominic Leonard, Georgie Henley, Shon Mapp and Evan Williams.\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Fourteen Poems","offers":[{"title":"Default Title","offer_id":47812121264463,"sku":"PK0423","price":8.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_20231062.jpg?v=1698335818"},{"product_id":"fourteen-poems-issue-3","title":"Fourteen Poems Issue 3","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eEvery issue we find the most exciting queer poets on the planet and publish their best poems.\u003c\/p\u003e\n\u003cdiv class=\"product-excerpt\" data-content-field=\"excerpt\" id=\"yui_3_17_2_1_1695388316684_122\"\u003e\n\u003cp class=\"\"\u003eThis issue features the following exciting poets: travis tate, Ella Duffy, Padraig Regan, Juniper Yun, Kendrick Loo, Erin Jin Mei O’Malley, Jade Mutyora, Kevin Bertolero, Brad Beau Cohen, Clayre Benzadòn, Ellora Sutton, Gabrielle Johnson, Dante Micheaux and Kat Payne Ware.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Fourteen Poems","offers":[{"title":"Default Title","offer_id":47812133978447,"sku":"PK0424","price":8.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_20231068.jpg?v=1698335918"},{"product_id":"fourteen-poems-issue-4","title":"Fourteen Poems Issue 4","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eEvery issue we find the most exciting queer poets on the planet and publish their best poems and Issue 4 is no exception. With poems taking on gender, love, sex, anger and joy, we’ve compiled the most exciting work you’ll find out there. And this issue we had some of the finest Guest Contributing Editors: Akpa Arinzechukwu, Madelaine Kinsella, Anthony Aguero, Mícheál McCann and Ayoola Solarin.\u003c\/p\u003e\n\u003cdiv id=\"yui_3_17_2_1_1695388316684_122\" data-content-field=\"excerpt\" class=\"product-excerpt\"\u003e\n\u003cp class=\"\"\u003eSo, drum roll please, here’s your fourteen poems:\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003e“Untitled”\u003c\/em\u003e by Remi Graves\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003e“Erotes”\u003c\/em\u003e by Shia Conlon\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003e“See Three Swans, Think of Techno”\u003c\/em\u003e by Alex Marlow\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003e“I will love a man whose eyes are tempest”\u003c\/em\u003e by Serge Neptune\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003e“Marginalia”\u003c\/em\u003e by Iona Roisin\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003e“June”\u003c\/em\u003e by Jake Weaver\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003e“In the dead of”\u003c\/em\u003e by Travis Chi Wing Lau\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003e“All They Can See”\u003c\/em\u003e by Robert Hamberger\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003e“Blue Core”\u003c\/em\u003e by Derrick Austin\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003e“Sunday with Dolls”\u003c\/em\u003e by Matthew Haigh\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003e“black dorothy”\u003c\/em\u003e by Shanay Neusum James\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003e“Skating”\u003c\/em\u003e by Elizabeth Chadwick Pywell\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003e“Fucking a Man Who Has Been Fisted”\u003c\/em\u003e by Dean Atta\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003e“Watership Down Fugue”\u003c\/em\u003e by Caleb Parkin\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br 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{mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Fourteen Poems","offers":[{"title":"Default Title","offer_id":47812141449551,"sku":"PK0425","price":8.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_20231080.jpg?v=1698336026"},{"product_id":"fourteen-poems-issue-5","title":"Fourteen Poems Issue 5","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eWe can’t wait for you to read our fifth issue, in all its peachy glory. As always, we’ve found the 14 most exciting queer poets in the world. And this issue has - unintentionally - a loose theme of connection. Whether lamenting the dearth of lesbian bars, a longing for lost cruising hook ups during the pandemic or celebrating a citizenship ceremony that brings an international couple together.\u003c\/p\u003e\n\u003cdiv class=\"product-excerpt\" data-content-field=\"excerpt\" id=\"yui_3_17_2_1_1695388316684_122\"\u003e\n\u003cp class=\"\"\u003eAs always, our poets are a mix of new writers and established, including some who are nominees for the Lambda Literary poetry prize, Kenyon Review Prize winners and recipients of the Academy of American Poets Prize. They’ve been published in exciting and mainstream publications, including The Paris Review, The Volta, Stone of Madness, The Rialto, Ambit, Impossible Archteype and Poetry.\u003c\/p\u003e\n\u003cp class=\"\"\u003eThis issue brings the varied and fascinating world of LGBTQ+ to life. We can’t wait for you to read it.\u003c\/p\u003e\n\u003cp class=\"\"\u003eSo, drum roll please, here’s your fourteen poems:\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eInvocation\u003c\/em\u003e by Chad Bennett\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eBlueballs\u003c\/em\u003e by David Nash\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eAn Episode of Planet Earth on the Dying Habitat of Dyke Bars\u003c\/em\u003e by Carson Wolfe\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eInstructions to Get Over Your Ex \u003c\/em\u003eby Oluwaseun Olayiwola\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eelegy for a broken condom \u003c\/em\u003eby Jonathan Kinsman\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eThe Red Onion\u003c\/em\u003e by Maisie Lawrence\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eSuper Blue Blood Moon Valentine \u003c\/em\u003eby Andre Bagoo\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eThe Storm Arrives\u003c\/em\u003e by Jay G Ying\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eSlow Down \u003c\/em\u003eby Ben Kline\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eIcarus Asks \u003c\/em\u003eby Jory Mickelson\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eFor the sake of argument \u003c\/em\u003eby Raye Hendrix\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eOne Night Stand \u003c\/em\u003eby Randall Mann\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003ePostcard from Killarney \u003c\/em\u003eby Rosamund Taylor\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eTiny House \u003c\/em\u003eby Mark Ward\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Fourteen Poems","offers":[{"title":"Default Title","offer_id":47814861652303,"sku":"PK0426","price":8.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_20231087.jpg?v=1698407522"},{"product_id":"fourteen-poems-issue-6","title":"Fourteen Poems Issue 6","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eWe’re thrilled to announce our new issue, alongside our new batch of exciting LGBTQ+ poets. With poems looking at conceiving, coming out, family relationships, partying with friends and even just lusting after your partner in the golden hour sun, we hope this issue will give you an insight into the varied lives of LGBTQ+ people.\u003c\/p\u003e\n\u003cdiv id=\"yui_3_17_2_1_1695388316684_122\" data-content-field=\"excerpt\" class=\"product-excerpt\"\u003e\n\u003cp class=\"\"\u003eHope you love these poems as much as we do! Here’s your latest fourteen poems:\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003ePortrait of a Boy in Gorgeous Display\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eby Ugochukwu Damian Okpara\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eEasy Peelers\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eby Maddy Kinkead\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eThe graffitti tits on the library statue\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eby Scarlett Ward\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eShame’s Stone\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eby James McDermott\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eMoon Salutation\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eby Kit Fan\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eWatchin’ Black Stars Dance When the Party is Over\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eby pyramid jones\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eOne leg hidden in the closet, the other cruising\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eby Akash Ali\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eGolden Hour\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eby Rosa Campbell\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eCally Pool\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eby Reece Lyons\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eHands\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eby Tyler Jones\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eI Have Affixed to Me the Dust and Dirt of Countless Ages. Who Am I to Disturb History?\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eby Sam Sax\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eGreasy Spoon Conception\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eby Erica Gillingham\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eslowed + reverb\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eby Troy Cabida\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eCrisis\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eby Joanna Nissel\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Fourteen Poems","offers":[{"title":"Default Title","offer_id":47814868271439,"sku":"PK0427","price":8.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_20231092.jpg?v=1698407745"}],"url":"https:\/\/publicknowledgebooks.com\/collections\/poetry.oembed?page=8","provider":"Public Knowledge","version":"1.0","type":"link"}