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The book chronicles their farewells as seasons change and years go by, separating black and white photographs from colour photographs. \u003cem\u003eLeaving and Waving\u003c\/em\u003e — which was originally part of a larger body of work entitled \u003cem\u003eRelative Moments\u003c\/em\u003e — is a heartfelt exploration of family, the passage of time and the sadness of leaving.\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Chose Commune","offers":[{"title":"Default Title","offer_id":47423373050191,"sku":"PK0204","price":50.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_20230521.jpg?v=1695653200"},{"product_id":"cecile-poimboeuf-koizumi-stephen-ellcock-jeux-de-mains","title":"Cécile Poimbœuf-Koizumi \u0026 Stephen Ellcock, Jeux de Mains","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eMost artists have, at some point, represented the universal symbol of creation which is the hand. 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These little-known fortifications were built before the Second World War to protect France from Mussolini. But nobody has successfully invaded over the Alps since Napoleon, and things didn’t quite turn out as the French expected…\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp class=\"\"\u003eNow, the bunkers are marooned, forlorn and crumbling, in some of the most beautiful and remote parts of France. They are disappearing into the landscapes they once commanded, stray facts from a future passed, still waiting for an onslaught that never came.\u003c\/p\u003e\n\u003cp class=\"\"\u003eJoin writer Max Leonard and photographer Camille McMillan as they uncover and document these hidden sites…\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Isola","offers":[{"title":"Default Title","offer_id":47425074790735,"sku":"PK0045","price":27.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_20231004.jpg?v=1695999905"},{"product_id":"copy-of-deanna-dikeman-leaving-and-waving","title":"Lesha Berezovskiy, We Stay","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe young photographer Lesha Berezovskiy lives together with his wife Agata in Kyiv. When they woke up on February 24, 2022, they suddenly faced a new reality: the full-scale Russian invasion of Ukraine. How do Lesha’s friends and neighbors, residents of Kyiv and Ukraine, cope with this abrupt break from their \"normal\" daily lives? What happens to people when their own fate is suddenly determined by world politics? In photographs and notes, Lesha has been recording his thoughts for the Swiss online magazine \"Republik.ch\" since February 2022.\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003eUnfiltered, direct and honest, he describes initial feelings of being overwhelmed, the solidarity of the people on the ground, a cautiously hopeful summer, everyday life in the fall accompanied again by the wailing of sirens, and the first cold and dark winter under Russian attack.\u003c\/p\u003e\n\u003cp\u003eThe images and texts in this book document Lesha's impressions from this past year – moments, situations and events – told from a very personal perspective. They’re touching, disturbing, poetic and yet always very direct and true to life.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Sturm and Drang","offers":[{"title":"Default Title","offer_id":47425195147599,"sku":"PK0119","price":53.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/PK0119_We_stay.jpg?v=1695913497"},{"product_id":"copy-of-lesha-berezovskiy-we-stay","title":"Anne Gabriel-Jürgens, Viel Glück zum Muttertag","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eZoe, in Greek, means “life”.\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003eIn this long-term photo project, it`s about the relationship between my stepdaughter and me, growing up, coming of age, - my own memories of it and the question; what is a \"family\"?\u2028\u003c\/p\u003e\n\u003cp\u003eIn 2009 I became the stepmother of a 8-year-old girl, Zoe. When we three moved in together, my life changed in an instance. Emotionally I was held responsible by her little by little, and I suddenly had set dinner times, helped her with homework, attended school festivities, fought over phone ban and was proud of her first shows with her band and her musical progress. Like it or not, I learned who or what was hip or tired, and what Justin Bieber was currently going through. I was allowed to witness the metamorphosis she underwent from child to pubescent young girl, to today, torn between her childlike appearance and her adult attitudes. Puberty and coming of age!\u003c\/p\u003e\n\u003cp\u003eFor this whole time, 10 years have passed, I have been accompanying Zoe and her father with my camera. I have been photographing the slow metamorphosis, everyday situations in our small family, as well as parties and holidays, vacations and funerals, which shaped our life. I have created a portrait of a girl who has been searching and finding her place in and paths through her unusual family configuration, her parents’ conflicts, extended family, friends and me. Zoe has grown to be a meaningful part of my life, her lively being, her self-interest, stubbornness, her fantasy, her yearning for love and attention, her strengths and weaknesses.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Sturm and Drang","offers":[{"title":"Default Title","offer_id":47425400602959,"sku":"PK0120","price":49.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/PK0120_Viel_Gluck.jpg?v=1695913701"},{"product_id":"karlheinz-weinberger-mediterraneo","title":"Karlheinz Weinberger, Mediterraneo","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe photographs presented in this volume carry a special status in the extensive oeuvre of Karlheinz Weinberger. To this day, Weinberger is best known for his photographs of the \u003cem\u003eHalbstarke\u003c\/em\u003e and of \u003cem\u003eRockers\u003c\/em\u003e, as well as for his nudes. A different aspect of Weinberger’s work was already highlighted in the previous volume on \u003cem\u003eSports\u003c\/em\u003e, showcasing photographs of wrestlers, football players, gymnasts, and body builders. This volume offers just as exciting a discovery, assembling the photographs that he took on several trips to the Mediterranean. A few of them are well known–such as the picture of the Esso man, which has reached cult status–but most have never been published before the release of this book. \u003c\/p\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003eMany of the photographs shown were shot in and around Agrigento (Palma di Montechiaro, San Leone). Over the years, Weinberger expanded his travels to include the Lipari Islands and Lampedusa, Lecce and Naples. Twice he visited the other side of the Mediterranean Basin: he went to Tangier in 1963 and 1964.\u003c\/p\u003e\n\u003cp\u003eHis interest was not limited to men and their physiques, however. He also documented the traditional life of the South, in the cities and the country-side, at the ports and the beaches, often imbuing these subjects with a filmic quality reminiscent of Visconti’s\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eLa Terra Trema\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003e(1948) and Pasolini’s\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eAccattone\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003e(1961).\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003eEdition 1000\u003cbr\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Sturm and Drang","offers":[{"title":"Default Title","offer_id":47425479377231,"sku":"PK0121","price":32.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_20230834.jpg?v=1696000391"},{"product_id":"copy-of-karlheinz-weinberger-mediterraneo","title":"René Groebli, London 1949","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eA few days before Christmas 1949, the young Swiss photographer René Groebli arrived at Victoria station in fog-bound, bombed-out London. For two weeks he wandered aimlessly around the city with his rolleiflex camera. The result is compiled in this edition with 65 high-quality black and white images.The second part of the book contains a series of images shot at London's Crystal Palace Park in 1951.LONDON 1949 by René Groebli is presented as a limited edition book. This Edition with 65 black and white plates is limited to 250 copies. René Groebli is a Swiss photographer born 1927 in Zurich.\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\nEdition 250\u003cbr\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Sturm and Drang","offers":[{"title":"Default Title","offer_id":47425500184911,"sku":"PK0122","price":58.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/PK0122_London_1949.jpg?v=1695913788"},{"product_id":"rene-groebli-color-work","title":"René Groebli, Color Work","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eRemarkable in this was his oscillation between applied and free, commission and art, the creative interaction between duty and freedom, which was only possible as the advertising departments of the companies proved – still, one must state – to be open to surprising suggestions and not less stunning solutions.\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp\u003eOnly in this way René Groebli, the advertising man, could remain an artist. While Groebli the artist could enjoy a well-equipped studio that would allow him his time and material intensive experiments. In this way and for such a long time this has not occurred a second time in European photography.\u003c\/p\u003e\n\u003cp\u003eAs a visionary in black-and-white René Groebli has long been part of the history of photography. The “color magician” René Groebli must now be re-discovered.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Sturm and Drang","offers":[{"title":"Default Title","offer_id":47425560871247,"sku":"PK0130","price":60.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/PK0130_Color_work.jpg?v=1695914581"},{"product_id":"copy-of-christian-vogt-skinprints","title":"Peter Hauser, ANGST","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSwiss artist Peter Hauser (b.1981) once again teams up with Sturm \u0026amp; Drang for the publication of his long awaited second monograph, \u003cem\u003eANGST\u003c\/em\u003e, a series of powerful black and white photographs addressing the anxieties of the 21st century world.\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003eIn light of a changing world order we currently face, the publication of \u003cem\u003eANGST\u003c\/em\u003e comes as an awakening. The book acts as a mirror that allows us to assess and reflect on the world we inhabit. Every image, beautiful, harshly ragged, offers an underlying reference to contemporary issues which the artist challenges the individual viewer with. As consumerism, trade, globalisation and travel are all being abruptly disrupted, humanity is being questioned. A global existential crisis faces our species and \u003cem\u003eANGST\u003c\/em\u003e is a visual accompaniment to our common internal struggle, a diagnosis of the political and societal zeitgeist.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe photographs were taken between 2017 and 2020 on black and white negative film with diverse medium format cameras. The genesis of the project came about when Hauser found himself facing an existential crisis on multiple levels; as an artist, as a human being and as an observer of the environment surrounding him. Hauser was increasingly concerned with the effects of climate change, capitalism and the loss of human individuality. This prompted him to explore themes in nature and infrastructure as well as experimenting with composed still lives. Hauser’s oeuvre flows with ease between soft organic lines and meandering shadows, juxtaposed with rough, jagged almost mundane compositions. Throughout, the images are deserted of human protagonists, save for several ghostlike references to their supposed presence. \u003cem\u003eANGST\u003c\/em\u003e is a duel between society’s hunger to consume, to seek novelty, to indulge in material pleasures, to manifest its dominance versus nature’s tireless necessity to regenerate. There is an order to the chaos, a beauty to the pain. \u003cem\u003eANGST\u003c\/em\u003e is Hauser’s own interpretation of the circumstances around him, which he invites the viewer to critique. It is a journey of an artist who is constantly seeking, questioning, not only society, politics and universal dogmas, but also the dark, stirring, unexplored corners of his own being.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eWhile the book is printed on 100% recycled paper, the designer and the artist intentionally chose to encapsulate the book in iridescent PVC film. This represents the ultimate contradiction between the surface and what lies beneath. The book opens with a text by curator, photo critic and Director of the Photoforum Pasquart, Danaé Panchaud.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\nEdition 500\u003cbr\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Sturm and Drang","offers":[{"title":"Default Title","offer_id":47425677525327,"sku":"PK0125","price":44.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/PK0125_Angst.jpg?v=1695914118"},{"product_id":"perry-kretz-perryworld","title":"Perry Kretz, Perryworld","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\"Raw, sexy, unfiltered, touching, brutal, direct – these are the photos by Perry Kretz. He looks into people’s souls, be they victim or perpetrator. He gets at where the perpetrators do not wish to be seen in their perversion.He shows the vulnerability, tenderness and beauty of the weakest, the victims, often children. His pictures are a journey through time, through the conflicts of the last decades and, unfortunately, we can see that not everything used to be better. And when you close the book, the images stay with you.” Clemens Schick, actor\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003ePerry Kretz was born 1933, a war child growing up in the rubble of Cologne. In the 1950s he moved to New York to study journalism. There, he also started hanging out with a Puerto Rican gang, financing his studies with odd jobs, even doing small runs for the Mafia. Then he joined the U.S. Army and got assigned to the Korean War, where he started taking his first photos and found his bliss: reportage photography!\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eBack in New York, he joined the Keystone photo agency, worked with the N.Y.P.D. (New York Police Department) and the New York Post. Shooting crime stories and celeb portraits. In 1969 he started as a photo reporter for „stern“, the legendary German weekly magazine. He made himself a name as daredevil shooting mesmerizing photos under the most difficult circumstances. Being part Dennis Hopper, part Weegee, part Don McCullin. He had a brilliant eye and instinct to shoot at the right moment, often narrowly escaping with his life. He covered it all, wars, dictators, revolutionaries, drug dealers, Mafia bosses, prisons, undercover police, Marilyn Monroe, Mike Tyson, Baby Doc, Kym Phuc… and received some prestigious awards for his outstanding work.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFor this first photo book of Perry Kretz’s oeuvre, creative director Donald Schneider selected over a hundred images from the archive. 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Her image was so ubiquitous that it blended into everyday life. But what Marilyn Monroe represents is not restricted to one city. All over the world, there are women who dress as her, whether as impersonators, tribute artists, or simply fans. For them, Marilyn is more than a storied icon. She represents an important part of their lives, in some cases a lifelong career, in others a focus of deep love and dedication. Her timeless celebrity inspires her admirers to channel, protect and pursue a traditional image of fame.\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp\u003eThese photographs of women who dress as Marilyn Monroe examine the star’s endurance but more importantly, they are a look into these women who channel the classic yet powerful notion of the Hollywood dream that still thrives today.\u003c\/p\u003e\n\u003cp\u003eEmily Berl is a photographer living in Los Angeles. 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The visual contemplation about fishing was compiled with images the photographer has shot over the course of the last 20 years on his various fishing trips.\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Sturm and Drang","offers":[{"title":"Default Title","offer_id":47426964980047,"sku":"PK0133","price":29.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/PK0133_Gone_Fishing.jpg?v=1695914904"},{"product_id":"copy-of-bruno-augsburger-gone-fishing","title":"Karlheinz Weinberger, Halbstarke","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIn 1958, Zürich photographer Karlheinz Weinberger first captured the likeness of \u003cem\u003eHalbstarke\u003c\/em\u003e (rebel) Jimmy Oechslin, an artistic moment which marks the genesis of this collection of images focused on young Swiss teenagers. That particular photographic encounter triggered Weinberger’s life-long fascination with outsiders and nonconformists in the otherwise staid environment of Switzerland. The photographs presented in this first of several volumes about his work offer a rare glimpse into a bygone world that seems almost cute and quaint from a contemporary perspective, but make no mistake: just dressing in jeans, sporting a beehive hairdo and hanging chains around one’s neck was a statement as loud as blasting music by Buddy Holly or Jerry Lee Lewis on a normally quiet Swiss Sunday afternoon in that era.\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp\u003eWeinberger’s work was discovered by the art scene shortly before his death in 2006, and his artistic trove revealed tens of thousands of prints, slides and negatives that have been collected, archived, numbered and indexed over the course of the last decade. Many never-before-seen images were discovered during this process, and thus the idea to publish thematic volumes with a single theme was inspired with a layout that takes its cue from the \"Illustrierten\" of the era, the glossy entertainment magazines with large photo spreads. With \u003cem\u003eHalbstarke\u003c\/em\u003e as Volume #1, Sturm \u0026amp; Drang publishers will follow with more releases that cover topics such as sports, tattoos and insignias, his travels to the South of Italy, and the extensive work he did with biker gangs and rockers in the 1970s and 80s. 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The names read like a \"Who's Who\" of music history: AC\/DC, ABBA, Ramones, Queen, Blondie, The Clash, Bob Marley, David Bowie, The Runaways, The Who, Led Zeppelin, Kraftwerk, Nena, Nina Hagen, Genesis, Roxy Music, Plasmatics, Iggy Pop and Swiss acts like Krokus, Peter Sue \u0026amp; Marc, Stephan Eicher, Dieter Meier and the Swiss punk scene.\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp\u003eBruno Stettler was a witness and documentarist of a time of musical awakening, when the distance from stage to audience was only a few meters. Today the stars are shielded, barricaded in their backstage zones and hotel rooms.\u003cbr\u003eFlash photography was often difficult, so highly sensitive 400 ASA films were essential. He pushed them up to 800-1000 ASA. Photo retouching, as it is so easy to do on screen with a few mouse clicks today, did not exist for the amateur. He worked with negatives, not with slides, because original photo prints in the format 9x13 could be produced economically and sold with a mail-order business. The imperfections of the time translate into authenticity today.\u003c\/p\u003e\n\u003cp\u003eAfter a good four decades of slumber, the negatives were gradually digitized. Many pictures received a real retro vintage effect through storage. Some negatives were even attacked by mould. 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The work neither provides a tidy critique of the extant aristocracy, nor does it blithely venerate the decor, saying “ooooh,” while rolling the brocade curtains between its fingers. Instead, it simply shows and tells, through the disembodied perspective of familial subjectivity. It interrogates history but receives only demure shrugs in response.\u003c\/p\u003e\n\u003cp\u003eThe heart of the project lies in the darkly comedic stories told over dinner by Hely-Hutchinson’s domineeringly charismatic (or is it charismatically domineering?) grandmother, an Austro-Hungarian countess, who ran away with her family’s English foreign exchange student (later known as Grandpa Hugh) at age 16, and now lives a life of ease in the French Riviera, captured with great sensitivity in Hely-Hutchinson’s documentary\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eVacances\u003c\/em\u003e. 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No, people appear to have left the scene. Smoliansky’s depictions of trees are a forestry ranger’s nightmare and at the same time far too vulnerable to please the zealous conservationist. These photographs are about a type of vegetation that may once have been both magnificent and dignified – what remains of growth is both frustrated and defiant. They are not romantic pictures of virgin woods. No, instead they are places that have been consigned to oblivion, pre- or post-profitability. Impediments. Languishing land. Windfallen tree trunks or soon to be windfallen trunks that are nothing but upright poles, trunks that have grown into each other. In these photos we are far from observing from perfect specimens, textbooks and the pleasure of inventing Latin names in the Linnaean spirit. They are mainly trees that remain standing by sheer dint of willpower, knots and twists. Like a neglected case of rheumatism. And yet: in the midst of this solitude, in the midst of this struggle, so difficult to grasp, there is a sense of community among the susceptible.\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp class=\"h6\"\u003eExcerpt from the foreword written by writer and poet Gunnar D. 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It's lucky dip.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eA cathartic explosion of personal reflections on the beauty of delete and the culture of beauty X X X X X\u003c\/p\u003e\n\u003cp\u003eBikramjit Bose, Lucy Bridge, Blaire Catherine, Jake Chapman, Laurence Ellis, Jermaine Francis, Cho Gi-Seok, Gilbert \u0026amp; George, Inge Grognard, Oliver Hadlee Pearch, Sohrab Hura, Kalpesh Lathigra, Rafal Milach and The Archive of Public Protests (A-P-P), Haley Morris-Cafiero, Shirin Neshat, Jackie Nickerson, Way Perry, Lucia Pieroni, Vanessa Reid, Richard Riakporhe, Pa Salieu, Collier Schorr, Casper Sejersen, Ronald Stoops, Anthony Turner, Drew Vickers, Harley Weir.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Beauty Papers","offers":[{"title":"Default Title","offer_id":47451549040975,"sku":"PK0023","price":19.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/PK0023_Beauty_Papers10.jpg?v=1695738952"},{"product_id":"copy-of-cecile-poimboeuf-koizumi-stephen-ellcock-jeux-de-mains","title":"Coco Capitan, If you've seen it all, close your eyes","description":"\u003cp data-mce-fragment=\"1\"\u003e“\u003cem\u003eIf You’ve Seen It All, Close Your Eyes\u003c\/em\u003e” presents extracts from a decade of artist Coco Capitán’s handwritten notebooks. 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In her work, fashion, design and art merged into a life full of extremes. From a country girl, she developed into a New Wave icon and later into an internationally sought-after costume designer. She founded her own fashion label THEMA SELECTION and outfitted film stars such as Catherine Deneuve. Despite her steep professional rise, Ursula Rodel remained true to herself throughout her life. Her biography is unconventional and glamorous.\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp\u003eTo accompany the exhibition at the Landesmuseum in Zurich (until March 31st 2024), which was able to acquire the fashion designer's estate, Sturm \u0026amp; Drang publishes the accompanying book of photographs from her extensive archive. Using Polaroids with portraits of herself and her muses, postcards, notebooks and contact sheets, the narrative delves deep into the 1970s and 80's. Into a world of upheaval, of contrasts, of the fashionable avant-garde and of strong, independent women. 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They documented the political daily business in their own personal visual language and thus created an imaginative tapestry on Swiss democracy from an outsider's perspective. \u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp\u003eThe project is part of a multimedia project (including exhibition and a documentary) that celebrates the 175th anniversary of the Swiss Constitution 2023. \u003c\/p\u003e\n\u003cp\u003eIt contains two essays by authors Roberta Fischli and Tom Kummer.\u003c\/p\u003e\n\u003cp\u003eIn German\/English (essays translated into Italian and French).\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Sturm and Drang","offers":[{"title":"Default Title","offer_id":47482275135823,"sku":"PK0352","price":55.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_20230839.jpg?v=1696005157"},{"product_id":"stephan-crasneanscki-the-encounter","title":"Stéphan Crasneanscki, The Encounter","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cp\u003eThere are no photographs, no testimonies, no recordings of poet Paul Celan’s encounter with philosopher Martin Heidegger in the German village of Todtnauberg in Schwarzwald (Black Forest) in 1967. Only Celan’s poem remains, along with the possibility of an endless narrative. Endless because everything was to prevent from such a meeting between the German philosopher who tied himself to the Nazi party in 1933 and the Jewish poet who was imprisoned in a work camp and made orphan by the war. And yet on July 24th, 1967, they were brought together to give a poetry lecture in Freiburg which was followed by a private invitation of Heidegger to his hut in Todtnauberg.\u003cbr\u003e\u003cbr\u003eThis meeting was the subject of the radio play, The Encounter, created by sound artist and photographer Stéphan Crasneanscki and the late philosopher Jean-Luc Nancy for the public radio channel France Culture. Crasneanscki and Nancy's anthropophonic collaboration extends beyond Strasbourg and the Black Forest, the locations which Stéphan Crasneanscki travels to regularly since childhood. He walked along the paths to nowhere that Celan and Heidegger had first traversed and retraced a topography of their encounter; of distance and wandering, by fixing the immobile silhouettes of the trees. To the absence of voice, Nancy tirelessly responded with his own. A visual and sonic correspondence emerged, which is mirrored and transcribed for the first time in this volume, with commentaries by Pierre Joris and Patti Smith.\u003cbr\u003e\u003cbr\u003e1 Paul Celan (b. 1920, Cernăuți, Kingdom of Romania, now Ukraine, d. 1970, Paris, France — he committed suicide by drowning in the Seine)\u003cbr\u003e2 Martin Heidegger (b. 1889, Meßkirch, Baden, German Empire, d. 1976, Meßkirch, Baden-Württemberg, West Germany)\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eThe book contains a foreword by poet, essayist and anthologist Pierre Joris (b. 1946, French, Luxembourg-American), a preface by Stéphan Crasneanscki (b. 1969, French), a text by musician, author and poet Patti Smith (b. 1946, American) and an excerpt and an essay by philosopher Jean-Luc Nancy (b. 1940, d. 2021, French).\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Libraryman","offers":[{"title":"Default Title","offer_id":47482345324879,"sku":"PK0327","price":52.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_20231167.jpg?v=1698234099"},{"product_id":"1000-words-writer-conversations","title":"1000 Words, Writer Conversations","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem\u003eWriter Conversations \u003c\/em\u003eoffers a lively and engaging analysis of the practice of writing on photography. 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She is Course Leader of MA Photography Arts at the University of Westminster, and is the author of \u003cem\u003eWhy Art Photography?\u003c\/em\u003e (Routledge, 2\u003csup\u003end\u003c\/sup\u003e ed. 2018)\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"1000 Words","offers":[{"title":"Default Title","offer_id":47484012527951,"sku":"PK0001","price":13.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_20230766.jpg?v=1695901909"},{"product_id":"1000-words-curator-conversations","title":"1000 Words, 10 Years 2008 - 2018","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e2018 marks the 10th anniversary of 1000 Words, and what better way to celebrate than to publish a special print annual?\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003eDesigned by Sarah Boris, and printed at Musumeci S.p.A, Italy, the publication takes the form of a beautiful 200-page bookish magazine featuring a host of newly-commissioned content. At its core lies the high-quality reproductions of 10 portfolios from artists who, we believe, have built significant bodies of work and emerged as increasingly influential practitioners in the past decade. Those individuals include José Pedro Cortes, Laia Abril, Edmund Clark, Esther Teichmann and Zanele Muholi to name but a few.\u003c\/p\u003e\n\u003cp\u003eOther highlights include a series of highly-anticipated city guides. From New York to Milan, London to Shanghai, we focus on some of the most engaging gallery spaces showing photography today. The magazine also contains long-read profiles on curators, opinion pieces on the representation of women photographers at leading photo festivals, reflections on British developments in critical race thinking, as well as insights into a decade’s changes in photography among other features. Finally, we delve into our archives and present a selection of memorable and talked-about articles from the 1000 Words back catalogue.\u003c\/p\u003e\n\u003cp\u003eThe production of the 10 year anniversary print edition of 1000 Words has been made possible thanks to 572 backers of a Kickstarter campaign.\u003c\/p\u003e\n\u003cp\u003eSpecial thanks to Gerry Badger, Norman Clark, Frédérique Destribats, David Solo and Duncan Wooldridge for their generous support.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"1000 Words","offers":[{"title":"Default Title","offer_id":47484076884303,"sku":"PK0003","price":25.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_20231533.jpg?v=1708447200"}],"url":"https:\/\/publicknowledgebooks.com\/collections\/photography.oembed?page=17","provider":"Public Knowledge","version":"1.0","type":"link"}