{"title":"Magazines","description":"","products":[{"product_id":"copy-of-florian-budke-ar-kate-mannheim","title":"Slanted, Special Issue: Bavaria","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eOK … Bavaria stands for: Men in Lederhosen and women in Dirndls (traditional dresses), beer, Schweinshaxen (pork knuckles), Knödel (dumplings), Brezeln and Weißwürste, Oktoberfest, FC Bayern Munich, BMW (75.000 employees), Audi, Allianz, Adidas, Siemens, Alps, Allgäu, Munich, Nuremberg, Augsburg, Dachau, Altötting, Chiemsee, Starnberger See, and all the other lakes, Schloss Neuschwanstein (logo template Disney), Kraus-Maffei Wegmann, Airbus and MTU (most German arms exports come from Bavaria), Deutsches Museum, Pinakotheken, Neue Sammlung, Münchner Kammerspiele, Bayerische Oper, Wagner-Festspiele, Karl Valentin, Gerhard Polt, Lothar Matthäus (“I hope we have a little bit lucky”) … Stop. In the case of Bavaria, the list of clichés can be extended indefinitely.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp class=\"p1\"\u003eUntil the 1950s, many still considered Bavaria to be an agricultural state—an image that even then stood for only one side of the Free State. In 1972, the Olympic Games in Munich presented the world with a civilian Federal Republic that had shed the dull gray of the post-war years and was openly looking to the future. The Weltstadt mit Herz (World City with Heart) was proclaimed. Though “The games must go on.”—Avery Brundage, then president of the International Olympic Committee (IOC), declared at the funeral service for the eleven members of the Israeli team killed the day before …\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eWith the help of\u003cspan\u003e \u003c\/span\u003ebayern design, we tracked down designers, artists, photographers, illustrators, and crafters—all people who love their region (almost a third of the Bavarian population prefers to spend their vacations in their own state) and are passionate about what they do. Clearly, Bavaria is rich. Rich in creativity, diversity, and intelligence. Our research uncovered so many findings that this issue could easily have been many times more extensive. It’s a typically Bavarian dilemma we have to face: Immer etwas zu viel des Guten! (There’s always more good stuff than you can enjoy). And we think that’s really good! Because life is really good here. Servus!\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Slanted","offers":[{"title":"Default Title","offer_id":47413300592975,"sku":"PK0099","price":13.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_20230267.jpg?v=1695632819"},{"product_id":"copy-of-slanted-special-issue-bavaria","title":"Slanted, #39—Stockholm","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIf you just think of IKEA, Greta, Abba, Sylvia, and Björn Borg or red wooden horses when you think of Sweden, you're far off. In the summer of 2021, the Slanted team travelled to Stockholm to take a close look at the contemporary design scene.\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eSlanted meets internationally renowned legends, including Stockholm graphic designer Björn Kusoffsky of Stockholm Design Lab, David Eriksson, founder of teenage engineering, Magnus Gustafsson, founder of Paul \u0026amp; friends, and award winning architect Andreas Martin-Löf and graphic designer Maja Kölqvist. In its 39th issue, Slanted gathers a selection of Stockholm’s most brilliant minds and provides deep insights into their work and values in numerous video interviews, which are available online for free. Illustrations, interviews, essays, and an extensive appendix with many useful tips and an overview with the best Swedish writings complete the issue thematically.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eIn addition, a\u003cspan\u003e \u003c\/span\u003especial limited edition\u003cspan\u003e \u003c\/span\u003ehas been published: We’ve teamed up with fashion brand Reell again to produce a stylish bucket hat that's perfect for summer.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Slanted","offers":[{"title":"Default Title","offer_id":47413316780367,"sku":"PK0101","price":25.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_20230376.jpg?v=1695301096"},{"product_id":"copy-of-slanted-39-stockholm","title":"Slanted, #37—AI","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eArtificial Intelligence (A.I.) has become—besides being an over-hyped buzzword across industries (that the design world is no exception to)—a reality. We debate about the impacts of A.I. and its subsets, machine and deep learning, and consider everything from virtual to augmented realities, and how these technologies may change our lives, jobs, and social relationships altogether. \u003c\/p\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp class=\"p1\"\u003eWe live in times where decisions about what we want are no longer under our control. While we believe to be free (at least in our western world), algorithms dictate our lives, hopes, and dreams. We are the parents and children, gods and slaves of the technology we invented: although it’s a masterpiece, there is a great dependence. If “algorithms will liberate themselves entirely from us,” Peter Weibel proposes, dystopian science fictions may help us clarify what we desire and do not want.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eAt Slanted, we are “hands on.” We love the human spark, provoke happy accidents (scratches and glitches), explore edges, and consistently enter unknown terrain. So yes, although this is a printed issue, it could very well have been transported to a neural chip. And we definitely figured out some ways to bring the issue to another dimension: A unique motif by\u003cspan\u003e \u003c\/span\u003eCROSSLUCID\u003cspan\u003e \u003c\/span\u003ehas been printed for each cover of the entire edition—the aesthetics between portrait, still life, and expressionist topography, alien to our comprehension of what is human, natural, artificial, and digital.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eMore than ever this issue made us adventurers: looking with doubtful eyes at this new world of computation, numbers, and transhumanism, where (OMG!) machines are in many areas smarter than us and, occasionally, even encoded with higher ethical and moral standards than we will ever have.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eAlongside the issue, a limited\u003cspan\u003e \u003c\/span\u003eSpecial Edition\u003cspan\u003e \u003c\/span\u003ehas been released, a high-quality and 100% recycled bag by LOQI with a design by artist Sofia Crespo.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe impact of Artificial Intelligence on design and how these technologies can change our lives in one comprehensive publication!\u003c\/p\u003e\n\u003cp\u003e“\u003cem\u003eSlanted\u003c\/em\u003e maintains a critical edge—both by addressing subjects such as AI in the first place, by adding written essays that provide insight, and then notes alongside each piece of work that help contextualise it.”\u003cbr\u003eMAGCULTURE.COM, Jeremy Leslie\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Slanted","offers":[{"title":"Default Title","offer_id":47413369405775,"sku":"PK0112","price":25.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_20230414.jpg?v=1695300753"},{"product_id":"copy-of-slanted-39-stockholm-1","title":"Slanted,  #41—Amsterdam","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe Slanted team went to Amsterdam to check out the design scene and fell for the charm of the city’s century-old “bruine kroegen” (brown cafes). Seeking refuge after bike rides to design studios, they were quickly won over by the cozy ambiance, dark wood, old-fashioned decor, and the aroma of fried croquettes.\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003eColor and form play an important role in Amsterdam’s design, which is egalitarian and serves the masses. Design is ubiquitous in Amsterdam, from the bike path to the police cars and even the city crest. The maze of canals and the upcoming neighborhoods are characterized by muted tones, dominated by black cobblestones, and dark brick. Behind the facades it rattles. The Dutch have always let it rip. The orange is more intense, the red more luminous, the black more brutal. Design is radical, it crashes, it vibrates.\u003c\/p\u003e\n\u003cp\u003eThere are few places where color and form play such an important role. Design is innovative, modern, functional, and spiced with a pinch of humor. Design is about egalitarianism, not reserved for the wealthy elite. Design serves the masses. And so it happens that everything is professionally designed. The bike path, the kebab stand, the tax return form, the police cars, the park benches and trash cans, the vegetables.\u003c\/p\u003e\n\u003cp\u003eIn its 41st issue, Slanted gathers a selection of Amsterdam’s most brilliant minds and provides deep insights into their work and values in the magazine and in the numerous\u003cspan\u003e \u003c\/span\u003evideo interviews. Illustrations, interviews, essays, and an extensive appendix with many useful tips and an overview with the best Dutch writings complete the issue thematically.\u003c\/p\u003e\n\u003cp\u003eFeatured contributors: 75B, Athenaeum Boekhandel \u0026amp; Nieuwscentrum, Maarten Baptist, Blast Foundry, BNO, Irma Boom, Brût Homeware, Building Fictions, Mélanie Corre, Vanessa van Dam, DBXL, De Designpolitie, De Vorm, Javier Rodríguez Fernández, FreelingWaters, fw:books, Graypants, Hansje van Halem, Haller Brun, Olivier Heiligers, Juna Horstmans, Jeremy Jansen, Elisa van Joolen, Annabel Keijzer, KesselsKramer, Elisabeth Klement, Kooij, Lesley Moore, MacGuffin, MainStudio, martens and martens, Mass-Driver, Moniker, Michelangelo Nigra, nouch, Novo Typo, NXS WORLD, Moriz Oberberger, Our Polite Society, Revised, Charlotte Rohde, Rush Hour Music, Vera van de Seyp, Studio Jord Noorbeek, studioHendriksen, Sunne, Jolana Sýkorová, Terry Bleu, The Rodina, thonik, Kai Udema, Underwear, untold-stories, VANTOT, Jasper de Waard, Edgar Walthert, Julian Williams.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Slanted","offers":[{"title":"Default Title","offer_id":47413639119183,"sku":"PK0117","price":25.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_20230422.jpg?v=1695300707"},{"product_id":"viscosetrans","title":"Viscose Issue 4 TRANS","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis special issue of \u003cem\u003eViscose\u003c\/em\u003e critically explores the numerous relationships between transness and fashion. The issue sets out to ask two ambivalent questions: what is a fashion theory of transness, and what might a trans theory of fashion be? Co-edited with scholars Alex Esculapio and Che Gossett, \u003cem\u003eViscose 04\u003c\/em\u003e productively confronts fashion studies with trans aesthetics and trans studies, and attempts to excavate the largely invisible archives of trans history that form the underside of fashion itself.\u003c\/p\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003eThe issue, co-published with Leslie Lohman Museum in New York, features new contributions by a global cast of trans and queer writers, artists, and creatives, responding to the porous notion of “trans cultural production” as a genre full of potentiality. The issue features a wealth of archival and contemporary moments of trans fashion production spanning 50 years. The cover, designed by NYC-based designer and bookmaker Rissa Hochberger, celebrates histories of independent queer publishing, and doubles as a detachable poster.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Viscose","offers":[{"title":"Default Title","offer_id":47424555581775,"sku":"PK0137","price":25.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_20230817.jpg?v=1696000969"},{"product_id":"copy-of-slanted-37-ai","title":"FUKT, #19 The Storylines Issue","description":"\u003cmeta charset=\"utf-8\"\u003eFUKT Magazine, one of the world’s leading, engaging and inspiring drawing magazine returns for its 19th edition. This new release, created during the COVID-19 pandemic looks at the art of narration in drawing.\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cbr\u003eInside, you can expect to see a myriad of illuminating stories unfold both through drawings and interviews. Contributions from established artists Chris Ware, Toyin Ojih Odutola and Brian Rea as well as emerging artists Maria Paz and Xiyu Tomorrow among others make up this issue. \u003cbr\u003e\u003cbr\u003eFounded in 1999 by artist Bjørn Hegardt, FUKT, which translates to “moist” or “damp” in Norwegian and Swedish, is an annual magazine for contemporary drawing based in Berlin and Oslo. Each issue comes with a unique cover by Ariane Spanier who also co-edits and designs the magazine. From issue 16 onwards, the FUKT team began organising each edition thematically: from The Sex Issue on Dirty Drawings to The Words Issue and Fukt The System Issue.  \u003cbr\u003e\u003cbr\u003eSpeaking of the current issue, Hegardt says: “In times of global threats — from the pandemic to climate change, senseless politics, and periods confined to our homes — we may long for stories more than ever. Stories that let us see the world through the eyes of others and help us to make sense of it all, allowing us to remember and to imagine, to understand the unfamiliar, the strange and unknown.” \u003cbr\u003e\u003cbr\u003eThe storyline has been interrogated in a number of ways throughout the edition, taking the reader on a journey from the mythical, to the sequential and the storyboard. For Hegardt, the thread that unites all of the featured artists is that “above all, they are people who create drawings with beautiful, surprising, funny or sad stories. Like always in our magazine, everything revolves around our beloved practice of drawing.” \u003cbr\u003e\u003cbr\u003eFUKT has won multiple awards including D\u0026amp;AD Graphite Pencil 2020, D\u0026amp;AD Wood Pencil 2019 and was awarded cover of the year at Stack Awards in 2019. It has previously been featured on It’s Nice That, magCulture and Stack Magazines.\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"FUKT","offers":[{"title":"Default Title","offer_id":47424574685519,"sku":"PK0041","price":16.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_20231294.jpg?v=1698139423"},{"product_id":"copy-of-fukt-19-the-storylines-issue","title":"FUKT, #20 The Faces Issue","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFUKT Magazine, one of the world’s leading, engaging and inspiring drawing magazine returns for its 20th edition. This new anniversary release looks at the art of portraits in drawing.\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp class=\"\"\u003eWhile creating portraits is as old as humanity, what does that mean today, especially in the age of selfies and social media? After 2 years of a global pandemic and people hidden behind masks FUKT Issue #20 explores and celebrates the human face. Featuring drawings by 34 contemporary artists, we delve into the world of portraiture and the face in contemporary art. Inside the magazine, you’ll discover a range of perspectives and topics, from face blindness, courtroom drawings and lockdown portraits to facial recognition – a selection of drawing positions that present a unique take on the face.\u003c\/p\u003e\n\u003cp class=\"\"\u003eThe cover comes in variations of 24 different printed faces, all of which have a tear-off cover revealing an empty face template on which you can draw any face you want. You can scribble, draw a portrait, simple or elaborate, anything is possible. \u003c\/p\u003e\n\u003cp class=\"\"\u003eFounded in 1999 in Norway by the artist\u003cstrong\u003e \u003c\/strong\u003e\u003cstrong\u003eBjørn Hegardt\u003c\/strong\u003e, FUKT, which translates to “moist” or “damp” in Norwegian and Swedish, the magazine is now based in Berlin and Oslo. Each issue comes with a unique cover by \u003cstrong\u003eAriane Spanier\u003c\/strong\u003e who also co-edits and designs the magazine. From issue 16 onwards, the FUKT team began organising each edition thematically: from \u003cem\u003eThe Sex Issue\u003c\/em\u003e on Dirty Drawings to \u003cem\u003eThe Words Issue\u003c\/em\u003e and \u003cem\u003eFukt The System Issue\u003c\/em\u003e. \u003c\/p\u003e\n\u003cp class=\"\"\u003eFUKT has won multiple awards including Art Director's Club Germany 2021, The ADC Annual Awards 2021 - Silver Cube for publication design, D\u0026amp;AD Graphite Pencil 2020, D\u0026amp;AD Wood Pencil 2019 and was awarded cover of the year at Stack Awards in 2019. It has previously been featured on \u003cem\u003eIt’s Nice That\u003c\/em\u003e, \u003cem\u003emagCulture, Stack Magazines\u003c\/em\u003e and more.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"FUKT","offers":[{"title":"Default Title","offer_id":47424627900751,"sku":"PK0040","price":16.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_20230761.jpg?v=1695902006"},{"product_id":"fukt-21-the-unknown-issue","title":"FUKT, #21 The Unknown Issue","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFUKT Issue #21 returns for another issue to venture into the realms of the Unknown. Featuring drawings by 29 contemporary artists from 18 countries around the world, we explore the uncertainties that inundate our everyday lives, the mysteries that are lurking in the shadows, and the vast potential of life beyond our own universe. The unknown encompasses us, concealed in the past, present, and future - veiled behind the facades of cities and within the depths of our own minds. The question of tomorrow brings both anticipation and a hint of nervousness as we navigate this ever-changing world. In this new edition, we delve into unfamiliar territories and the queries they raise. Our goal is not to shed light on the unknown but rather to blur the lines even further between what we believe we know and what we can imagine.\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp class=\"\"\u003eFounded in Norway by the artist Bjørn Hegardt, FUKT, which translates to “moist” or “damp” in Scandinavian languages, the magazine is now based in Berlin and Oslo. Each issue comes with a unique cover by Ariane Spanier who also co-edits and designs the magazine. From issue 16 onwards, the FUKT team began organising each edition thematically: from The Sex Issue on Dirty Drawings, The Words Issue to Fukt The System Issue and The Faces Issue.\u003c\/p\u003e\n\u003cp class=\"\"\u003eFUKT has won multiple awards including Art Director's Club Germany 2021, The ADC Annual Awards 2021 - Silver Cube for publication design, D\u0026amp;AD Graphite Pencil 2020, D\u0026amp;AD Wood Pencil 2019 and was awarded cover of the year at Stack Awards in 2019. It has previously been featured on It’s Nice That, magCulture, Stack Magazines and more.\u003c\/p\u003e\n\u003cp class=\"\"\u003eArtists:\u003c\/p\u003e\n\u003cp class=\"\"\u003eH.R.Giger, Ellen Gallagher, Amy Cutler, Rithika Merchant, Sanou Oumar, Épi Florifère, Olga Lisowska, Sissel Fredriksen, Hipkiss, Isabell Schulte, Jim Holyoak, Protey Temen, Hsuan-wei Chen, John Kenn Mortensen, Ingrid Koenig, Emma Kunz, Hanna Hennenkemper, Thomas Ravens. Zela Odessa Palmer, Daria Chernyshova, Yuichiro Ukai, Annie Pootoogook, Dede Cipon, Larissa Fassler, Julia Hasting, Andreas Seltzer, Vannessa Baird, Ionel Talpazan, Péter Gallov\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"FUKT","offers":[{"title":"Default Title","offer_id":47424646250831,"sku":"PK0039","price":17.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_20230756.jpg?v=1695901959"},{"product_id":"fourteen-poems-issue-7","title":"Fourteen Poems Issue 7","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"\"\u003eIssue 7 is here and we can’t wait for you to read our latest batch of poets.\u003c\/p\u003e\n\u003cp class=\"\"\u003eThis issue covers so much LGBTQ+ ground. Whether it’s toxic masculinity, sex, playing with gender identities or trying to distract yourself from your ex, we hope there’s something for everyone.\u003c\/p\u003e\n\u003cp class=\"\"\u003eAnd our poets are as diverse as ever, from award-winning household names to never-before-published new writers. We hope you fall in love with all of their work.\u003c\/p\u003e\n\u003cp class=\"\"\u003eSo drumroll for your next 14 (or actually 15….)\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eLengths \u003c\/em\u003eby Andrew McMillan\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eLittle Animals\u003c\/em\u003e by lisa luxx\/Ollie O’Neill\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003edysphoria\u003c\/em\u003e by kevanté a c cash\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eObject \u003c\/em\u003eby Helen Bowell\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eUpon Seeing a Pack of Shirtless Men Run Past Me at Golden Hour\u003c\/em\u003e by Joshua Garcia\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eBowl\u003c\/em\u003e by Theophina Gabriel\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eBended\u003c\/em\u003e by Keith Jarrett\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eCremation\u003c\/em\u003e by Brian Sonia-Wallace\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003edrips in a bucket\u003c\/em\u003e by Kat Dixon\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003efissure\u003c\/em\u003e by Day Mattar\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eArgelés-sur-Mer\u003c\/em\u003e by Jim Whiteside\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eBloom\u003c\/em\u003e by Caleb Nichols\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eElegy for Your Southern Twang\u003c\/em\u003e by Steven Sanchez\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eOde to the Drift Glass Necklace My Friend Gave Me\u003c\/em\u003e by Kelly Weber\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Fourteen Poems","offers":[{"title":"Default Title","offer_id":47450383941967,"sku":"PK0258","price":8.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_20231269.jpg?v=1698232144"},{"product_id":"fourteen-poems-issue-8","title":"Fourteen Poems Issue 8","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"\"\u003eIssue 8 is here!\u003c\/p\u003e\n\u003cp class=\"\"\u003eThis hot pink stunner is here and we can’t wait for you to fall in love with these fourteen poems. This time around, we’ve got poets from the UK, US, Ireland, Trinidad, India, Germany and Mexico covering everything from gender, love, legacy, HIV discrimination, sex and more.\u003c\/p\u003e\n\u003cp class=\"\"\u003eAs always, some of our poets are award winning while others are brand new, never-before been published. There’s experimental work alongside more traditional forms; poems written about lived experience matched with more imagined moments. Of course, all fourteen deal with different aspects of modern queer life. We hope you love them all.\u003c\/p\u003e\n\u003cp class=\"\"\u003eDrum roll please - here’s your fourteen poems:\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eman\u003c\/em\u003e by Sanah Ahsan\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eNé\u003c\/em\u003e by James Davis\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003ePoem for Rotting Fruit\u003c\/em\u003e by Umang Kalra\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eDesire Path\u003c\/em\u003e by Jack Cooper\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eI Still Sleep with the Man Who Asks if I’m Clean\u003c\/em\u003e by Dare Williams\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eTusk\u003c\/em\u003e by Joseph Monaghan\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eIs My Body Mine\u003c\/em\u003e by Piero Toto\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eGem\u003c\/em\u003e by Kathryn O’Driscoll\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003elocal\u003c\/em\u003e by Deborah Finding\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eincision\u003c\/em\u003e by Raphael Koranda\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003enotes from (just over) the edge\u003c\/em\u003e by Elizabeth Train-Brown\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eWhy I Will Not Get Out of Bed\u003c\/em\u003e by Andrés N Ordorica\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003ein which the closet is the shell\u003c\/em\u003e by Tonya Johnson\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eDictionary For Love\u003c\/em\u003e by Ashish Kumar Singh\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Fourteen Poems","offers":[{"title":"Default Title","offer_id":47450417693007,"sku":"PK0259","price":8.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_20230614.jpg?v=1695728043"},{"product_id":"fourteen-poems-issue-9","title":"Fourteen Poems Issue 10","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"\"\u003e\u003cmeta charset=\"utf-8\"\u003eTen issues!?! Mind blowing. And we’re just as excited by this one as every single one before.\u003c\/p\u003e\n\u003cp class=\"\"\u003efourteen exciting poets. fourteen different stories. fourteen queer poems.\u003c\/p\u003e\n\u003cp class=\"\"\u003eOur poems from this issue come from The Netherlands, Nigeria, Ireland, the USA, Egypt and, of course, our home right here in London.\u003c\/p\u003e\n\u003cp class=\"\"\u003eThese poems look at gender, love, longing, using a urinal for the first time and sex as self care, among other things. Love is a leather jacket, Beyoncé singing Crazy in Love, defining yourself, horror films, waking up spooning, or your kid dancing in a graveyard.\u003c\/p\u003e\n\u003cp class=\"\"\u003eHere’s your fourteen poem titles.\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003e\u003cem\u003eI Want the Assertiveness of\u003c\/em\u003e by Luke Worthy\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003e\u003cem\u003eUrinals in the Club\u003c\/em\u003e by Jaime Lock\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003e\u003cem\u003etypes of woman i could have been\u003c\/em\u003e by P Hodges Adams\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003e\u003cem\u003eThe Bath Salts\u003c\/em\u003e by David McGovern\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003e\u003cem\u003e50\u003c\/em\u003e by Niven Govinden\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003e\u003cem\u003eAubade\u003c\/em\u003e by Michael McKimm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003e\u003cem\u003ewatching men walk from the library window, thinking about love\u003c\/em\u003e by Jesse Ogbeide\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003e\u003cem\u003eThe Hug\u003c\/em\u003e by SK Grout\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003e\u003cem\u003eMichael Jacket\u003c\/em\u003e by Nour Kamel\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003e\u003cem\u003ePortrait of My Lover as a Leather Jacket\u003c\/em\u003e by Lara Mae Simpson\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003e\u003cem\u003eDance on my Grave\u003c\/em\u003e by Amy Acre\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003e\u003cem\u003esplit\/ting\u003c\/em\u003e by JP Seabright\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003e\u003cem\u003eBaby’s Rosemary\u003c\/em\u003e by Toby Buckley\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003e\u003cem\u003eLucifer\u003c\/em\u003e by Tom Bland\u003c\/span\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Fourteen Poems","offers":[{"title":"Default Title","offer_id":47450452721999,"sku":"PK0260","price":8.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_20230609.jpg?v=1695728092"},{"product_id":"fourteen-poems-issue-11","title":"Fourteen Poems Issue 11","description":"\u003cdiv class=\"product-excerpt\" data-content-field=\"excerpt\" id=\"yui_3_17_2_1_1695388316684_122\"\u003e\n\u003cp class=\"\"\u003eWe’re so thrilled to reveal the cover and line-up for Issue 11, in all its burnt orange glory!\u003c\/p\u003e\n\u003cp class=\"\"\u003eFourteen queer contemporary poets, from Europe, Asia, North and South America and, hilariously, round the corner from our HQ in east London.\u003c\/p\u003e\n\u003cp class=\"\"\u003eAs always, we want each issue to reflect a diversity of ideas and experiences within the LGBTQ+ community and we hope these fourteen do that for you all.\u003c\/p\u003e\n\u003cp class=\"\"\u003eThere’s poems about queer childhood (“\u003cem\u003emango drawing\u003c\/em\u003e” by Gayathiri Kamalakanthan) and urging to push against the boundaries in that childhood (“\u003cem\u003eRed Jumper\u003c\/em\u003e” by Annie Brechin). There’s also Gustav Parker Hibbett’s “\u003cem\u003eHigh Jump as Icarus Story\u003c\/em\u003e”,which packs so many ideas in but at its core is perhaps a look at why queer kids push themselves so hard (spoiler: we all want to be loved).\u003c\/p\u003e\n\u003cp class=\"\"\u003eAnd speaking of love, there’s heartbreak (“\u003cem\u003eBroken\u003c\/em\u003e” by Nathan Evans) and how poetry can be used to vocalise that ache (“\u003cem\u003eStacks\u003c\/em\u003e” by Sarah Donley) – but also a celebration of everyday relationships, whether that be home-haircuts in “\u003cem\u003eA Latin American Sonnet CXXVII\u003c\/em\u003e” by Leo Boix or the safety of co-habiting with your love in A. Shaikh’s “\u003cem\u003eDomesticity\u003c\/em\u003e”.\u003c\/p\u003e\n\u003cp class=\"\"\u003ePoems in Issue 11\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eIf Polari was a kind of Birdsong\u003c\/em\u003e by Kym Deyn\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eRed Jumper\u003c\/em\u003e by Annie Brechin\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003emango drawing\u003c\/em\u003e by\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eGayathiri Kamalakanthan\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003e\u003cem\u003eA Latin American Sonnet CXXVII\u003c\/em\u003e by Leo Boix\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003e\u003cem\u003eStack\u003c\/em\u003e by Sarah Donley\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003e\u003cem\u003eChaturanga\u003c\/em\u003e by Shaun Hill\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003e\u003cem\u003eHigh Jump as Icarus Story\u003c\/em\u003e by Gustav Parker Hibbett\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003e\u003cem\u003eBroken\u003c\/em\u003e by Nathan Evans\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003e\u003cem\u003eDomesticity\u003c\/em\u003e by A. Shaikh\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003e\u003cem\u003eFugue\u003c\/em\u003e by Nico Amador\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003eAlighting at the Beginning and End of the Line by Minying Huang\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003e\u003cem\u003eButter\u003c\/em\u003e by Alex Mepham\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003e\u003cem\u003eSong in Three Voices\u003c\/em\u003e by Freya Jackson\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003e\u003cem\u003eFinal Boy Finding a Husband\u003c\/em\u003e by Stephen S. Mills\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Fourteen Poems","offers":[{"title":"Default Title","offer_id":47450470187343,"sku":"PK0261","price":8.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_20230604.jpg?v=1695728152"},{"product_id":"beauty-papers-issue-9","title":"Beauty Papers Issue #9","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003ePlease note that this issue has multiple cover variations. We will be unable to select specific covers and you may not receive the one pictured. It's lucky dip.\u003c\/p\u003e\n\u003cp\u003eBeauty Papers Issue 9. With: Maggi Hambling, Jackie Nickerson, Glen Luchford, Yadim, Nick Sethi, Zanele Muholi, Sunil Gupta, Harley Weir, Dominick Sheldon, Lea Colombo, Lucy Bridge, Piczo, Bibi Borthwick, Simon Emmett, Paul Kooiker.\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Beauty Papers","offers":[{"title":"Default Title","offer_id":47451541111119,"sku":"PK0022","price":19.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/PK0022_Beauty_Papers9.jpg?v=1695738801"},{"product_id":"copy-of-beauty-papers-issue-10","title":"Beauty Papers Issue #10","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"pagingInfo\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003ePlease note that this issue has multiple cover variations. We will be unable to select specific covers and you may not receive the one pictured. It's lucky dip.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eA cathartic explosion of personal reflections on the beauty of delete and the culture of beauty X X X X X\u003c\/p\u003e\n\u003cp\u003eBikramjit Bose, Lucy Bridge, Blaire Catherine, Jake Chapman, Laurence Ellis, Jermaine Francis, Cho Gi-Seok, Gilbert \u0026amp; George, Inge Grognard, Oliver Hadlee Pearch, Sohrab Hura, Kalpesh Lathigra, Rafal Milach and The Archive of Public Protests (A-P-P), Haley Morris-Cafiero, Shirin Neshat, Jackie Nickerson, Way Perry, Lucia Pieroni, Vanessa Reid, Richard Riakporhe, Pa Salieu, Collier Schorr, Casper Sejersen, Ronald Stoops, Anthony Turner, Drew Vickers, Harley Weir.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Beauty Papers","offers":[{"title":"Default Title","offer_id":47451549040975,"sku":"PK0023","price":19.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/PK0023_Beauty_Papers10.jpg?v=1695738952"},{"product_id":"fortytwomagazine-5-space","title":"FORTYTWOMAGAZINE, #5—space","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eUK\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp class=\"p1\"\u003eWhere does the universe begin, where does it end? Imagining these dimensions is no easy task. However, the\u003cspan\u003e \u003c\/span\u003e\u003ci\u003efortytwomagazine\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e#5 tries to figure that out, because the universe does not only offer place for speculations about extraterrestrial life or romantic dreams with the view into the starlit sky. Even if it feels far away, it has a direct influence on our lives. As in every issue, they also illuminate ten different disciplines and thus ten perspectives.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eAmong other things, the magazine deals with the problem of space debris, the role of government space agencies and the question of what it is like to live some 400 kilometers above the earth and to master everyday life in the International Space Station ISS in the most confined space. The works of the artist\u003cspan\u003e \u003c\/span\u003eProtey Temen\u003cspan\u003e \u003c\/span\u003eform an exciting interplay with the interesting interviews.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eFor this fifth issue, the\u003cspan\u003e \u003c\/span\u003efortytwo-team\u003cspan\u003e \u003c\/span\u003ehas not only ventured into space in terms of content, but has also broken new ground here on Earth:\u003cspan\u003e \u003c\/span\u003e\u003ci\u003efortytwomagazine\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eis now distributed by Slanted Publishers, an internationally oriented publishing house based in Germany, which is also responsible for the issue’s new design.\u003c\/p\u003e\n\u003cp\u003eThe interview magazine for those who wonder!\u003c\/p\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e176 pages\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e16 x 24 cm\u003cbr\u003ePaperback\u003cbr\u003eDecember 2020\u003cbr\u003eISBN: 9783948440183\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Slanted","offers":[{"title":"Default Title","offer_id":47494002770255,"sku":"PK0115","price":10.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/PK0115_Fortytwo_5.jpg?v=1695719353"},{"product_id":"copy-of-beauty-papers-issue-11","title":"Beauty Papers Issue #11","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003ePlease note that this issue has multiple cover variations. We will be unable to select specific covers and you may not receive the one pictured. It's lucky dip.\u003c\/p\u003e\n\u003cdiv class=\"pagingInfo\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"pagingInfo\"\u003eTHE TRIP ISSUE \u003c\/div\u003e\n\u003cdiv class=\"pagingInfo\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"pagingInfo\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eTrip — Issue 11 trips out on talent from the fashion, beauty and art world presenting a wave of colour and beauty that takes you into the uncharted territories of the wild of the imagination.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"pagingInfo\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"pagingInfo\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Beauty Papers","offers":[{"title":"Default Title","offer_id":47596922896719,"sku":"PK0386","price":25.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_20231343.jpg?v=1698252094"},{"product_id":"fortytwomagazine-6-beliefs","title":"FORTYTWOMAGAZINE, #6—beliefs","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eUK\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp class=\"p1\"\u003eIt’s impossible not to believe. We all have a view of the world that is reflected in our beliefs. “I believe that” is what we say when we express our opinion. And when someone expresses views that are too far removed from our own values and worldview, we don't believe them. But that doesn’t mean that beliefs are immutable. Our point of view can change. And similarly, a belief can change us. Did you know that a belief can affect how we perceive pain and that we believe different things depending on whether we are speaking our native language or a foreign language?\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe 6th issue of\u003cspan\u003e \u003c\/span\u003e\u003ci\u003efortytwomagazine\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eis on the topic of belief and presents ten scientific perspectives and one artistic angle—this time coming from the artist Daria Chernyshova.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003eThe Interview Magazine for Those Who Wonder!\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e152 pages\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e16 x 24 cm\u003cbr\u003ePaperback\u003cbr\u003eSeptember 2023\u003cbr\u003eISBN: \u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003e9783948440510\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Slanted","offers":[{"title":"Default Title","offer_id":47649071366479,"sku":"PK0401","price":21.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/fortytwo_42.jpg?v=1696860039"},{"product_id":"slanted-40-experimental-type-2-0","title":"Slanted, #40—Experimental Type 2.0","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSince \u003cem\u003eSlanted Magazine #40—Experimental Type\u003c\/em\u003e sold out in a very short time and a lot of people continued asking if Slanted Publishers had issues left, they decided to reprint the publication—roughly the same, but different. Meaning all pages all black and white this time further some additional work.\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cem\u003eExperimental Type\u003c\/em\u003e deals with experimental design strategies in typography and graphic design. The issue presents projects incorporating the accident into the design process, works based on mistakes and inaccuracy, fonts that derive from a concept or a system—in the end work that experiment or goes unconventional ways in design. The publication showcases cutting edge approaches as well as new experimental procedures, from processing to ai-generated typefaces or variable fonts.\u003c\/p\u003e\n\u003cp\u003eThe different works offer glimpses into spaces that were explored by pushing conventions, limitations, and thoughts to the next level. 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It continues to form a major part of our lives, and expands right across the design industry, leaving no stone unturned.\u003c\/p\u003e\n\u003cp\u003eFor TYPEONE magazine issue 07, we consider code through two primary lenses. Function, first and foremost, and the artistic possibilities that it creates coming in close behind. Within these two areas, we go even deeper, exploring the exciting, thrilling forms of creative expression, with code. From exploring how design studios are using it as a tool to create their creative solutions, fused with the art of creative coding in building interactive, unconventional websites with Korean-born designer Yehwan Song, and algorithmic, data-driven brand identities with ex-Pentagram designer, and now head of her own agency, Talia Cotton, this issue has so much more in store!\u003c\/p\u003e\n\u003cp\u003eIssue #07 Cover Design\u003c\/p\u003e\n\u003cp\u003eIssue 07 features a creative-code-inspired design by Outlander’s Design Director, Tameem Sankari — a creative who pushes the boundaries of traditional art forms and explores new avenues of creative expression using code.\u003c\/p\u003e\n144 pages 22 x 30 cm\u003cbr\u003ePaperback\u003cbr\u003e2023\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"TYPEONE","offers":[{"title":"Default Title","offer_id":47718672957775,"sku":"PK0342","price":17.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_202300921.jpg?v=1700241558"},{"product_id":"epoch-issue-02","title":"Epoch, Issue 02","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"pagingInfo\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003ePlease note that this issue has multiple cover variations. We will be unable to select specific covers and you may not receive the one pictured. It's lucky dip.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eThe issue 2 of \u003cem\u003eEPOCH\u003c\/em\u003e is loosely themed around METAMORPHOSIS, providing an opportunity to highlight the possibilities opened up by transformation.\u003c\/p\u003e\n\u003cp\u003eThe issue features interviews and exclusive projects from ARTHUR JAFA, SAMPHA, HARLEY WEIR, ELAINE CONSTANTINE, LIZ JOHNSON ARTUR, ADAM CURTIS AND HANS ULRICH OBRIST, ALESSIO BOLZONI, DAVID ZILBER, TYLER MITCHELL, CALI THONHILL DEWITT, and many more.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cem\u003eEPOCH\u003c\/em\u003e is a new publication placing the now in dialogue with history. The independent publication presents a fresh take on human rituals, aesthetics, objects and ideas. 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There’s lots of gleaning, lots of stealing and lots of hard truths coming from the human body. Featuring Saidiya Hartman, Dodie Bellamy, Camille Roy, Calla Henkel, Lynne Tillman, Jenny Zhang and many more. \u003c\/p\u003e\n\u003cdiv class=\"product-excerpt\" data-content-field=\"excerpt\" id=\"yui_3_17_2_1_1695388316684_122\"\u003e\n\u003cp class=\"\"\u003eFeaturing: CALLA HENKEL, JENNY ZHANG, CAMILLE ROY, DODIE BELLAMY, ESTELLE HOY, SAIDIYA HARTMAN, RHEA DILLON, SAVANNAH KNOOP, TOP STORIES, MADELYNE BECKLES, LAUREN FOURNIER, JOANNA WALSH, LYNNE TILLMAN.\u003c\/p\u003e\n\u003cp class=\"\"\u003eContributors: ZARA JOAN MILLER, HAYDEE TOUITOU, NICOLE DELLA COSTA, CECILIA PAVON, VALENTINA VON KLENCKE, FEYI ADEGBITE, ALICE PLATTI, VICTORIA CAMPA, ALICE BUTLER, CLEMMIE BACHE, CAITLIN MCLOUGHLIN, JACK STUART MILLS, HONOR WEATHERALL, ARCADIA MOLINAS, AIMEE BALLINGER, WES KNOWLER, ELEANOR WANG, KATY DADACZ, OLIVE COURI, RACHEL CATTLE, ISABELLE BUCKLOW, SARAH BODRI, HOPE ROAFL, MAURA SAPPILO, JODIE HILL, JACQUELINE ENNIS COLE, MARY WATT, DELIA RAINEY.\u003c\/p\u003e\n\u003cp class=\"\"\u003eEditor in Chief: CLEM MACLEOD\u003c\/p\u003e\n\u003cp class=\"\"\u003eAssistant Editor: CAITLIN MCLOUGHLIN\u003c\/p\u003e\n\u003cp class=\"\"\u003eFeatures Assistant: ARCADIA MOLINAS\u003c\/p\u003e\n\u003cp class=\"\"\u003eEditorial \u0026amp; Graphic Design: CLEM MACLEOD \u0026amp; CAITLIN MCLOUGHLIN\u003c\/p\u003e\n\u003cp class=\"\"\u003ePrinted by: PAGEMASTERS\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"product-quantity-input\" data-item-id=\"64b955b417a2af7f97596d85\" data-animation-role=\"content\" id=\"yui_3_17_2_1_1695388316684_121\"\u003e\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Worms","offers":[{"title":"Default Title","offer_id":47811749085519,"sku":"PK0142","price":17.5,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_202304152.jpg?v=1718638491"},{"product_id":"worms-issue-7","title":"Worms Issue 6","description":"\u003cp\u003e\u003cem\u003eWorms #6\u003c\/em\u003e delves into themes that are broad and sprawling. We look at humour, collage, and honesty - finding what’s relatable in the literature we love, and uncovering what it tells us about the present moment. Sheena Patel, our cover star, delves into the internet in all its darkness and hilarity, Elvia Wilk discusses the climate crisis and finding truth in fiction, and Chris Kraus and Ann Rower chat about everything from their influences to what a ‘career’ means as a writer. From Cosey Fanni Tutti to Lola Olufemi to Isabel Waidner, there are many more Worms to be found in these pages. \u003c\/p\u003e\n\u003cdiv id=\"yui_3_17_2_1_1695388316684_122\" data-content-field=\"excerpt\" class=\"product-excerpt\"\u003e\n\u003cp class=\"\"\u003eFeaturing: SHEENA PATEL, NADA ALIC, COSEY FANNI TUTTI, ELVIA WILK, ANN ROWER, CHRIS KRAUS, GHISLAINE LEUNG, YELENA MOSKOVICH, LOLA OLUFEMI, SAM MOORE, ISABEL WAIDNER, CECILIA PAVÓN, EAR WORMS X LATE WORKS\u003c\/p\u003e\n\u003cp class=\"\"\u003eContributors: HAYDÉE TOUITOU, NICOLE DELLA COSTA, ZARA JOAN MILLER, ERIN TAYLOR, JESS COLE, ARCADIA MOLINAS, PHOENIX LOSAVIO, HOPE ROALFE, HANNAH PEZZACK, CHRIS CARTER, CLEM MACLEOD, CAITLIN MCLOUGHLIN, ISABEL MACCARTHY, SAMANTHA ROSENWALD, ELVIRA GARCIA, CELESTINE COONEY, BUG SHEPHERD-BARRON, MARY WATT, DELIA RAINEY\u003c\/p\u003e\n\u003cp class=\"\"\u003eFounder \u0026amp; Editor in Chief: CLEM MACLEOD\u003c\/p\u003e\n\u003cp class=\"\"\u003eManaging Editor: CAITLIN MCLOUGHLIN\u003c\/p\u003e\n\u003cp class=\"\"\u003eArt direction and design: CAITLIN MCLOUGHLIN\u003c\/p\u003e\n\u003cp class=\"\"\u003eFeatures Editors: PIERCE ELDRIDGE, ARCADIA MOLINAS\u003c\/p\u003e\n\u003cp class=\"\"\u003eContributing Editor:  VIOLET CONROY\u003c\/p\u003e\n\u003cp class=\"\"\u003ePrinted by: PAGEMASTERS \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"yui_3_17_2_1_1695388316684_121\" data-animation-role=\"content\" data-item-id=\"64b955b417a2af7f97596d85\" class=\"product-quantity-input\"\u003e\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Worms","offers":[{"title":"Default Title","offer_id":47811753476431,"sku":"PK0143","price":17.5,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_202310712.jpg?v=1731673178"},{"product_id":"worms-issue-8","title":"Worms Issue 7","description":"\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eThe \u003cem\u003e‘Artists who Write and Writers who Art’\u003c\/em\u003e Issue. For \u003cem\u003eWorms 7\u003c\/em\u003e we’ve looked to our visual counterparts for some soil nutrients. We’ve wormed our way into the psyche of the artist, to bring you the \u003cem\u003e‘Artists That Write, and Writers That Art’\u003c\/em\u003e issue. Many of our subjects in the past have come into writing via non-traditional routes (filmmaking, curation, art, performance, podcasting, and so on), so it only felt right to cast a spotlight over those who have inspired our experimental literary practices so far. Not only those that use words within their visual practice, but those who use images to inform their writing. The reader, the writer, the artist, the activist, the poet and performer; they’re all here and they’re all worms. \u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"product-excerpt\" data-content-field=\"excerpt\" id=\"yui_3_17_2_1_1695388316684_122\"\u003e\n\u003cp class=\"\"\u003eIn this mega worm (which is fittingly pink, for the first time somehow) you are in for a feast. Clem interview Helen Marten, Martine Syms and Diamond Stingily, Caitlin interviews actual art-writing icon Olivia Laing, Pierce talks to the profound Dr. Joy James, Philippa Snow gives us her thoughts on the act of writing art criticism (spoiler: it’s out her ass), and we have enough Derek Jarman content to keep you going for the rest of the year. We have some hilarious\/insightful\/weird\/wonderful contributions from some of your favourite regulars too; including Jess Cole, Isabelle Bucklow, Sam Moore, Haydée Touitou, Estelle Hoy and many others. \u003c\/p\u003e\n\u003cp\u003eFEATURING:\u003c\/p\u003e\n\u003cp\u003eDIAMOND STINGILY, HELEN MARTEN, NICOLE RUDICK, NIKI DE SAINT PHALLE, MARTINE SYMS, OLIVIA LAING, DR. JOY JAMES, JORDAN WEITZMAN, WU TSANG, DEREK JARMAN, SABINE MIRLESSE, MISHA HONCHARENKO, CHANTAL AKERMAN, JOANNA NOVAK, ANNIE ERNAUX, DAISY SANCHEZ, JENNA SUTELA, ANICKA YI, TUOMAS A. LAITINEN, STEPHANIE COMILANG \u0026amp; SIMON SPEISER, VALERIE SOLANAS\u003c\/p\u003e\n\u003cp\u003eCONTRIBUTORS\u003c\/p\u003e\n\u003cp\u003eHAYDEÉ TOUITOU, L SCULLY \u0026amp; LUCAS RESTIVO, LEE RAE WALSH, JESS COLE, ESTELLE HOY, PHILIPPA SNOW, SAMANTHA ROSENWALD, ISABELLE BUCKLOW, MONA GLASSFIELD, CLEM MACLEOD, SARAH WHITE, CAITLIN MCLOUGHLIN, PAVIELLE GARCIA, IONE SAIZAR, CHANTAL JOFFE, SOPHIE DAVIDSON, PIERCE ELDRIDGE, VIOLET CONROY, ELLE PÉREZ, PAUL MPAGI SEPUYA, JACQUELINE ENNIS-COLE, MARY ADETURINMO, STEPH FRANCIS-SHANAHAN, SAM MOORE, BUG SHEPHERD-BARRON, DONNA MARCUS DUKE, SAM HOLTON BRADLEY, KITTY GRADY, FELIX PILGRIM, CICI PENG, HOLLY MILLS, THEA MCLACHLAN, ERICA GOULD, PAULA DUCAY AND INÉS GARCÍA, ELVIRA GARCIA, INÊS GERALDES CARDOSO, JODIE HILL, JEMIMA SKALA, MAURA SAPPILO, DELIA RAINEY\u003c\/p\u003e\n\u003cp\u003eFounder \u0026amp; Editor in Chief: CLEM MACLEOD\u003c\/p\u003e\n\u003cp\u003eManaging Editor: CAITLIN MCLOUGHLIN\u003c\/p\u003e\n\u003cp\u003eArt direction and design: CAITLIN MCLOUGHLIN\u003c\/p\u003e\n\u003cp\u003eFeatures Editors: PIERCE ELDRIDGE, ARCADIA MOLINAS\u003c\/p\u003e\n\u003cp\u003eContributing Editor:  VIOLET CONROY\u003c\/p\u003e\n\u003cp\u003ePrinted by: PAGEMASTERS \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"product-quantity-input\" data-item-id=\"64b955b417a2af7f97596d85\" data-animation-role=\"content\" id=\"yui_3_17_2_1_1695388316684_121\"\u003e\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Worms","offers":[{"title":"Default Title","offer_id":47811761209679,"sku":"PK0144","price":17.5,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_2023080321.jpg?v=1720799675"},{"product_id":"we-jazz-issue-01-summer21-world-galaxy","title":"We Jazz Issue 01 Summer'21 World Galaxy","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eThis is the first issue of the new We Jazz Magazine. 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Petter Eldh by Peter Margasak, Oren Ambarchi by Daryl Worthington, Sven Wunder by Markus Karlqvist, Robyn Steward by Dave Waller, Jason Moran by Rui Miguel Abreu, Darius Jones by Stewart Smith, Carlos Garnett by Andy Thomas, Discaholic column by Mats Gustafsson, Black Fire by Danny Veekens, reviews, plus more.\u003c\/p\u003e\n\u003cdiv class=\"product-quantity-input\" data-item-id=\"64b955b417a2af7f97596d85\" data-animation-role=\"content\" id=\"yui_3_17_2_1_1695388316684_121\"\u003e\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"We Jazz","offers":[{"title":"Default Title","offer_id":47811931996495,"sku":"PK0442","price":18.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/We_Jazz9.jpg?v=1698339738"},{"product_id":"fourteen-poems-issue-2","title":"Fourteen Poems Issue 2","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eEvery issue we celebrate the best new queer poets on the planet. This issue includes poems from Mícheál McCann, Madelaine Kinsella, Akpa Arinzechukwu, Ayoola Solarin, Thomas Stewart, Rhienna Renèe Guedry, Anthony Aguero, Kostya Tsolakis, Ben Strak, Nkateko Masinga, Dominic Leonard, Georgie Henley, Shon Mapp and Evan Williams.\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Fourteen Poems","offers":[{"title":"Default Title","offer_id":47812121264463,"sku":"PK0423","price":8.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_20231062.jpg?v=1698335818"},{"product_id":"fourteen-poems-issue-3","title":"Fourteen Poems Issue 3","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eEvery issue we find the most exciting queer poets on the planet and publish their best poems.\u003c\/p\u003e\n\u003cdiv class=\"product-excerpt\" data-content-field=\"excerpt\" id=\"yui_3_17_2_1_1695388316684_122\"\u003e\n\u003cp class=\"\"\u003eThis issue features the following exciting poets: travis tate, Ella Duffy, Padraig Regan, Juniper Yun, Kendrick Loo, Erin Jin Mei O’Malley, Jade Mutyora, Kevin Bertolero, Brad Beau Cohen, Clayre Benzadòn, Ellora Sutton, Gabrielle Johnson, Dante Micheaux and Kat Payne Ware.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Fourteen Poems","offers":[{"title":"Default Title","offer_id":47812133978447,"sku":"PK0424","price":8.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_20231068.jpg?v=1698335918"},{"product_id":"fourteen-poems-issue-4","title":"Fourteen Poems Issue 4","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eEvery issue we find the most exciting queer poets on the planet and publish their best poems and Issue 4 is no exception. With poems taking on gender, love, sex, anger and joy, we’ve compiled the most exciting work you’ll find out there. And this issue we had some of the finest Guest Contributing Editors: Akpa Arinzechukwu, Madelaine Kinsella, Anthony Aguero, Mícheál McCann and Ayoola Solarin.\u003c\/p\u003e\n\u003cdiv id=\"yui_3_17_2_1_1695388316684_122\" data-content-field=\"excerpt\" class=\"product-excerpt\"\u003e\n\u003cp class=\"\"\u003eSo, drum roll please, here’s your fourteen poems:\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003e“Untitled”\u003c\/em\u003e by Remi Graves\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003e“Erotes”\u003c\/em\u003e by Shia Conlon\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003e“See Three Swans, Think of Techno”\u003c\/em\u003e by Alex Marlow\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003e“I will love a man whose eyes are tempest”\u003c\/em\u003e by Serge Neptune\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003e“Marginalia”\u003c\/em\u003e by Iona Roisin\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003e“June”\u003c\/em\u003e by Jake Weaver\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003e“In the dead of”\u003c\/em\u003e by Travis Chi Wing Lau\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003e“All They Can See”\u003c\/em\u003e by Robert Hamberger\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003e“Blue Core”\u003c\/em\u003e by Derrick Austin\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003e“Sunday with Dolls”\u003c\/em\u003e by Matthew Haigh\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003e“black dorothy”\u003c\/em\u003e by Shanay Neusum James\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003e“Skating”\u003c\/em\u003e by Elizabeth Chadwick Pywell\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003e“Fucking a Man Who Has Been Fisted”\u003c\/em\u003e by Dean Atta\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003e“Watership Down Fugue”\u003c\/em\u003e by Caleb Parkin\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Fourteen Poems","offers":[{"title":"Default Title","offer_id":47812141449551,"sku":"PK0425","price":8.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_20231080.jpg?v=1698336026"},{"product_id":"fourteen-poems-issue-5","title":"Fourteen Poems Issue 5","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eWe can’t wait for you to read our fifth issue, in all its peachy glory. As always, we’ve found the 14 most exciting queer poets in the world. And this issue has - unintentionally - a loose theme of connection. Whether lamenting the dearth of lesbian bars, a longing for lost cruising hook ups during the pandemic or celebrating a citizenship ceremony that brings an international couple together.\u003c\/p\u003e\n\u003cdiv class=\"product-excerpt\" data-content-field=\"excerpt\" id=\"yui_3_17_2_1_1695388316684_122\"\u003e\n\u003cp class=\"\"\u003eAs always, our poets are a mix of new writers and established, including some who are nominees for the Lambda Literary poetry prize, Kenyon Review Prize winners and recipients of the Academy of American Poets Prize. They’ve been published in exciting and mainstream publications, including The Paris Review, The Volta, Stone of Madness, The Rialto, Ambit, Impossible Archteype and Poetry.\u003c\/p\u003e\n\u003cp class=\"\"\u003eThis issue brings the varied and fascinating world of LGBTQ+ to life. We can’t wait for you to read it.\u003c\/p\u003e\n\u003cp class=\"\"\u003eSo, drum roll please, here’s your fourteen poems:\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eInvocation\u003c\/em\u003e by Chad Bennett\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eBlueballs\u003c\/em\u003e by David Nash\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eAn Episode of Planet Earth on the Dying Habitat of Dyke Bars\u003c\/em\u003e by Carson Wolfe\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eInstructions to Get Over Your Ex \u003c\/em\u003eby Oluwaseun Olayiwola\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eelegy for a broken condom \u003c\/em\u003eby Jonathan Kinsman\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eThe Red Onion\u003c\/em\u003e by Maisie Lawrence\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eSuper Blue Blood Moon Valentine \u003c\/em\u003eby Andre Bagoo\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eThe Storm Arrives\u003c\/em\u003e by Jay G Ying\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eSlow Down \u003c\/em\u003eby Ben Kline\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eIcarus Asks \u003c\/em\u003eby Jory Mickelson\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eFor the sake of argument \u003c\/em\u003eby Raye Hendrix\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eOne Night Stand \u003c\/em\u003eby Randall Mann\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003ePostcard from Killarney \u003c\/em\u003eby Rosamund Taylor\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eTiny House \u003c\/em\u003eby Mark Ward\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Fourteen Poems","offers":[{"title":"Default Title","offer_id":47814861652303,"sku":"PK0426","price":8.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_20231087.jpg?v=1698407522"},{"product_id":"fourteen-poems-issue-6","title":"Fourteen Poems Issue 6","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eWe’re thrilled to announce our new issue, alongside our new batch of exciting LGBTQ+ poets. With poems looking at conceiving, coming out, family relationships, partying with friends and even just lusting after your partner in the golden hour sun, we hope this issue will give you an insight into the varied lives of LGBTQ+ people.\u003c\/p\u003e\n\u003cdiv id=\"yui_3_17_2_1_1695388316684_122\" data-content-field=\"excerpt\" class=\"product-excerpt\"\u003e\n\u003cp class=\"\"\u003eHope you love these poems as much as we do! Here’s your latest fourteen poems:\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003ePortrait of a Boy in Gorgeous Display\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eby Ugochukwu Damian Okpara\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eEasy Peelers\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eby Maddy Kinkead\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eThe graffitti tits on the library statue\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eby Scarlett Ward\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eShame’s Stone\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eby James McDermott\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eMoon Salutation\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eby Kit Fan\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eWatchin’ Black Stars Dance When the Party is Over\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eby pyramid jones\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eOne leg hidden in the closet, the other cruising\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eby Akash Ali\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eGolden Hour\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eby Rosa Campbell\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eCally Pool\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eby Reece Lyons\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eHands\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eby Tyler Jones\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eI Have Affixed to Me the Dust and Dirt of Countless Ages. Who Am I to Disturb History?\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eby Sam Sax\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eGreasy Spoon Conception\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eby Erica Gillingham\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eslowed + reverb\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eby Troy Cabida\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eCrisis\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eby Joanna Nissel\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Fourteen Poems","offers":[{"title":"Default Title","offer_id":47814868271439,"sku":"PK0427","price":8.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_20231092.jpg?v=1698407745"},{"product_id":"fourteen-poems-issue-10","title":"Fourteen Poems Issue 9","description":"\u003cdiv class=\"product-excerpt\" data-content-field=\"excerpt\" id=\"yui_3_17_2_1_1695388316684_122\"\u003e\n\u003cp class=\"\"\u003e14 poems.\u003c\/p\u003e\n\u003cp class=\"\"\u003e14 contemporary poets.\u003c\/p\u003e\n\u003cp class=\"\"\u003e14 queer stories.\u003c\/p\u003e\n\u003cp class=\"\"\u003eThis issue features critically acclaimed poets alongside emerging talent. We have poems about loss and unrequited love, poems about childhood and family connections, poems about masculinity, poems about dancing. Plus a guide on how to cope when Nicole Kidman doesn’t love you.\u003c\/p\u003e\n\u003cp class=\"\"\u003eHere’s your fourteen poems:\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eImmram\u003c\/em\u003e by Seán Hewitt\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eWhat To Do When Nicole Kidman Doesn’t Love You\u003c\/em\u003e by Holly Moberley\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eChinese Beer (A Love Poem for Kitty Tsui)\u003c\/em\u003e by Lady Red Ego\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eFathoms\u003c\/em\u003e by Sam Ross\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eStanislavski’s Dog\u003c\/em\u003e by Spencer Wood\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eTrace\u003c\/em\u003e by Rupinder Kaur\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eErin\u003c\/em\u003e by Zara Meadows\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eAnxiety Disorder\u003c\/em\u003e by AE Hines\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eGabriel in The Pose of Pregnant Virgin\u003c\/em\u003e by Jinhao Xie\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eCouples Therapy\u003c\/em\u003e by Alice Frecknall\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003ethe [absence] of you\u003c\/em\u003e by Dior J. Stephens\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eonce again: romanticising cowboys\u003c\/em\u003e by Adriano Noble\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eafter therapy I go on walks\u003c\/em\u003e by Chris Lloyd\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eWhy flaunt it?\u003c\/em\u003e by Jay Whittaker\u003c\/p\u003e\n\u003cp class=\"\"\u003eCan’t wait for you to read these poems!\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Fourteen Poems","offers":[{"title":"Default Title","offer_id":47814879445327,"sku":"PK0428","price":8.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_20231098.jpg?v=1698407898"},{"product_id":"fatboy-zine-issue-2","title":"FatBoy Zine Issue 2","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eWe’re proud to announce the release of FBZ #2. This issue focusses on a specific location; the Philippines. Continuing our documentation of Asian food culture, we look at the rich diversity of Filipino food, highlighting the subtlety and chaos through 8 recipes made of opposing flavours (fatty \u0026amp; acidic, sweet \u0026amp; tart). The zine explores how this food culture can be under-represented, but definitely not undervalued.\u003c\/p\u003e\n\u003cdiv class=\"product-excerpt\" data-content-field=\"excerpt\" id=\"yui_3_17_2_1_1695388316684_122\"\u003e\n\u003cp\u003eRecipes in this issue include the classics Halo-Halo, Lumpia, Leche Flan \u0026amp; Ube Ice Cream.\u003c\/p\u003e\n\u003cp\u003eFatBoyZine.com\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"FatBoy Zine","offers":[{"title":"Default Title","offer_id":47814889636175,"sku":"PK0410","price":9.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_20231106.jpg?v=1698408120"},{"product_id":"fatboy-zine-issue-3","title":"FatBoy Zine Issue 3","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eFatBoy Zine Issue 3 'Palette \u0026amp; Politics'\u003c\/p\u003e\n\u003cdiv class=\"product-excerpt\" data-content-field=\"excerpt\" id=\"yui_3_17_2_1_1695388316684_122\"\u003e\n\u003cp\u003eThis issue looks at the food and identity of Hong Kong, whose food culture is an amazing story of adoption, adaption and growth. Here we focus on communal dishes set against the backdrop of the current fight for democracy. This is FBZs largest issue, with writing from Cynthia Chou, Illustrations from Jacco Bunt, Film and photography from Kenneth Lam, Photography from Xavier Manhing and food photography from Emily Leonard.\u003c\/p\u003e\n\u003cp\u003eFatBoyZine.com\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"FatBoy Zine","offers":[{"title":"Default Title","offer_id":47814893928783,"sku":"PK0411","price":9.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_20231111.jpg?v=1698408280"},{"product_id":"fatboy-zine-issue-4","title":"FatBoy Zine Issue 4","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eFatBoy Zine issue 4 \"Everywhere at Once\" is focused on the Asian diaspora, specifically, how do we choose to represent where we've come from? In this issue, we interview four incredibly talented chefs and creatives on representing Asia outside of Asia on their terms. We discuss themes around representation, process, responsibility, and creative expression.\u003c\/p\u003e\n\u003cdiv class=\"product-excerpt\" data-content-field=\"excerpt\" id=\"yui_3_17_2_1_1695388316684_122\"\u003e\n\u003cp\u003eFeaturing, Rahel Stephanie aka Eat With Spoons, Erchen Chang \u0026amp; Shing Tat Chung of BAO and Lucas Sin of Junzi kitchen and Eat Nice Day.\u003c\/p\u003e\n\u003cp\u003eProduced with Photographer Ken Lam, Emily Leonard, and Em Reid\u003c\/p\u003e\n\u003cp\u003eFatBoyZine.com\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"FatBoy Zine","offers":[{"title":"Default Title","offer_id":47814898483535,"sku":"PK0412","price":9.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_20231116.jpg?v=1698408346"},{"product_id":"hotshoe-issue-210-todd-hido","title":"Hotshoe, Issue 210: Todd Hido","description":"\u003cdiv class=\"pagingInfo\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eHotshoe Issue 210 is dedicated to the work of Todd Hido, well known for his atmospheric nighttime photographs of suburban America that tap into our collective memory, and communicate human experience.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFeaturing an extended interview between Todd Hido and Darius Himes, International Head of Photographs at Christie’s; as well as never before published images from Hido’s newly released photobook,\u003cspan\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eThe End Sends Advance Warning\u003c\/em\u003e; and a story by Jane Slavin, in response to some of Hido’s early black and white photos, in Crude Metaphors.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"pagingInfo\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Hotshoe","offers":[{"title":"Default Title","offer_id":47847039861071,"sku":"PK0443","price":20.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_20230061.jpg?v=1700235555"},{"product_id":"somesuch-stories-issue-07-bone","title":"Somesuch Stories, Issue 07 BONE","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"pagingInfo\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eUK\/EU\/USA\/ASIA\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003eThemed BONE – Somesuch Stories latest annual journal sees the organic substance that forms our skeletons, and is symbolic of both life and death, explored by some of the most exciting names working in literature, art, poetry, and photography today.\u003cbr\u003eIssue 7’s cover features a still from Lydia Garnett’s new muscle queer portrait series: “Guns Out”. And further contributions across visual and written art forms have been specially created by:\u003cbr\u003eJinwoo Chong | Julianknxx | Dior J Stephens | K Patrick | Moïra Fowley | Denisse Ariana Pérez | Rosalind Jana | Vincent Haycock | Jackson Whitefield | Priya Guns | Eli Goldstone | Kaliane Bradley | Sheida Soleimani | Kimberly Campanello | Jessica Andrews | Razelle | Jenkin van Zyl \u0026amp; Brittany Newell\u003c\/p\u003e\n\u003cdiv class=\"pagingInfo\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"pagingInfo\"\u003e23.5 x 17 cm\u003c\/div\u003e\n\u003cdiv class=\"pagingInfo\"\u003e232 pages\u003c\/div\u003e\n\u003cdiv class=\"pagingInfo\"\u003e2023\u003c\/div\u003e\n\u003cdiv class=\"pagingInfo\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"pagingInfo\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"SOMESUCH EDITIONS","offers":[{"title":"Default Title","offer_id":47851443323215,"sku":"PK0459","price":20.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_202300561.jpg?v=1700235875"},{"product_id":"nice-outfit-issue-2","title":"Nice Outfit, Issue 2","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong\u003eUK\/EU\/US\/ASIA\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eNice Outfit is an exhibition catalogue and theoretical journal. Issue 2 archives Knock Knock an exhibition of fashion and textiles curated by Felix Choong at Season Gallery in London, December 2022. The show took Peter Galassi’s seminal exhibition Pleasures and Terrors of Domestic Comfort held at MoMA, New York in 1991 as its starting point that used photography to explore the home, its affluent surfaces and the undertones of disquiet and tension as its starting point and localised its own exploration through garments. The exhibition themes become the framework for the accompanying written commissions. \u003cbr\u003e\u003cbr\u003ePhilippa Snow explores Andrej Zulawski’s Possession and Ari Aster’s Hereditary naturalistic depictions of marital conflict in the home and the ensuing hysteria when these are pushed to the precipice of no return. \u003cspan color=\"#241f21\" data-mce-fragment=\"1\"\u003eExperimental fiction is penned by Charlie Fox and Ethan Price. Fox’s from the perspective of a girl’s dress, and Price’s where a love and loathing for England motivates a girl’s hedonism, delusion and decline in her seaside bedsit. \u003c\/span\u003eLiara Roux reflects on her experiences as a sex worker in the upper echelons of society, creating comfort by emulating her client’s mothers. Asa Seresin explores the biblical act of cutting up clothes from antiquity into the present day rendering pain in three dimensions. The artist Sin Wai Kin provides preliminary writing and materials to their art practice whose knack for world-building uses speculative fiction to dissolve reality and fantasy. \u003cspan color=\"#241f21\" data-mce-fragment=\"1\"\u003eElise By Olsen reflects on the opening of the International Library of Fashion Research in Oslo and her relationship with seed donor and long-term mentor Steven Mark Klein, alongside scans of designer’s domestic spaces and branded interior accessories from the library’s permanent collection. \u003c\/span\u003eArtworks by Julien Ceccaldi, which grace the front and back covers are profiled whose vision of the world is one of hyperbole, pumped-up or withered down, where every character is at the edge of (unrequited) love and utter breakdown. Zach Langley Chi Chi has provided excerpts from his diary that revel in the sublime anguish of love and lust. Lastly, an interview with auctioneer and vintage fashion, fine antique costume and textiles specialist Kerry Taylor discussing the emotional history of clothing and estate sales.\u003cbr\u003e\u003cbr\u003e150 pages\u003cbr\u003e24.5 x 17cm \u003cbr\u003ePaperback\u003cbr\u003e2023\u003cbr\u003eISBN: 9781739978815\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Nice Outfit","offers":[{"title":"Default Title","offer_id":47947809751375,"sku":"PK0445","price":18.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_202302611.jpg?v=1701696377"},{"product_id":"roots-to-fruits-nº1-ghanaian-highlife","title":"Roots to Fruits Nº1 Ghanaian Highlife","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003eRoots to Fruits is a magazine about music; its migration and origins, and its role against oppression. 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