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With a focus on writers who operate on the fringes of literature, ‘revolt’ in a Worms context is vast-ranging. 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Featuring Michelle Tea, Moyra Davey, Lynne Tillman, Johanna Hedva, Jenny Hval, Ellen van Neervan, Caroline Calloway, Julie Enszerl and more.\u003c\/p\u003e\n\u003cdiv id=\"yui_3_17_2_1_1695388316684_121\" data-animation-role=\"content\" data-item-id=\"64b955b417a2af7f97596d85\" class=\"product-quantity-input\"\u003e\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Worms","offers":[{"title":"Default Title","offer_id":47811713794383,"sku":"PK0140","price":15.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_202312022.jpg?v=1722254222"},{"product_id":"worms-issue-4","title":"Worms, Issue 4","description":"\u003cp\u003eWorms #4 \u003cem\u003eThe Flaneuse\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003ereconsiders psychogeography and the Situationists from a non-male perspective, taking flâneuserie and the creative benefits of a good walk as its starting point. This issue features conversations with Eileen Myles, Alison Bechdel, Lauren Elkin, Tilly Lawless, Mckenzie Wark, Therese Estacion and Carmen Winant.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"product-quantity-input\" data-item-id=\"64b955b417a2af7f97596d85\" data-animation-role=\"content\" id=\"yui_3_17_2_1_1695388316684_121\"\u003e\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Worms","offers":[{"title":"Default Title","offer_id":47811737747791,"sku":"PK0141","price":15.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_202304072_f5e815f7-c85e-406f-b342-f0b9c25998cc.jpg?v=1722254297"},{"product_id":"worms-issue-6","title":"Worms Issue 5","description":"\u003cp\u003e\u003cem\u003eWorms #5\u003c\/em\u003e contemplates \u003cem\u003eThe Impure\u003c\/em\u003e in literature, starting with the New Narrative movement and expanding to look at the joys and complexities of using other peoples stories, ideas surrounding appropriation and taking from the archive. There’s lots of gleaning, lots of stealing and lots of hard truths coming from the human body. Featuring Saidiya Hartman, Dodie Bellamy, Camille Roy, Calla Henkel, Lynne Tillman, Jenny Zhang and many more. \u003c\/p\u003e\n\u003cdiv class=\"product-excerpt\" data-content-field=\"excerpt\" id=\"yui_3_17_2_1_1695388316684_122\"\u003e\n\u003cp class=\"\"\u003eFeaturing: CALLA HENKEL, JENNY ZHANG, CAMILLE ROY, DODIE BELLAMY, ESTELLE HOY, SAIDIYA HARTMAN, RHEA DILLON, SAVANNAH KNOOP, TOP STORIES, MADELYNE BECKLES, LAUREN FOURNIER, JOANNA WALSH, LYNNE TILLMAN.\u003c\/p\u003e\n\u003cp class=\"\"\u003eContributors: ZARA JOAN MILLER, HAYDEE TOUITOU, NICOLE DELLA COSTA, CECILIA PAVON, VALENTINA VON KLENCKE, FEYI ADEGBITE, ALICE PLATTI, VICTORIA CAMPA, ALICE BUTLER, CLEMMIE BACHE, CAITLIN MCLOUGHLIN, JACK STUART MILLS, HONOR WEATHERALL, ARCADIA MOLINAS, AIMEE BALLINGER, WES KNOWLER, ELEANOR WANG, KATY DADACZ, OLIVE COURI, RACHEL CATTLE, ISABELLE BUCKLOW, SARAH BODRI, HOPE ROAFL, MAURA SAPPILO, JODIE HILL, JACQUELINE ENNIS COLE, MARY WATT, DELIA RAINEY.\u003c\/p\u003e\n\u003cp class=\"\"\u003eEditor in Chief: CLEM MACLEOD\u003c\/p\u003e\n\u003cp class=\"\"\u003eAssistant Editor: CAITLIN MCLOUGHLIN\u003c\/p\u003e\n\u003cp class=\"\"\u003eFeatures Assistant: ARCADIA MOLINAS\u003c\/p\u003e\n\u003cp class=\"\"\u003eEditorial \u0026amp; Graphic Design: CLEM MACLEOD \u0026amp; CAITLIN MCLOUGHLIN\u003c\/p\u003e\n\u003cp class=\"\"\u003ePrinted by: PAGEMASTERS\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"product-quantity-input\" data-item-id=\"64b955b417a2af7f97596d85\" data-animation-role=\"content\" id=\"yui_3_17_2_1_1695388316684_121\"\u003e\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Worms","offers":[{"title":"Default Title","offer_id":47811749085519,"sku":"PK0142","price":17.5,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_202304152.jpg?v=1718638491"},{"product_id":"worms-issue-7","title":"Worms Issue 6","description":"\u003cp\u003e\u003cem\u003eWorms #6\u003c\/em\u003e delves into themes that are broad and sprawling. We look at humour, collage, and honesty - finding what’s relatable in the literature we love, and uncovering what it tells us about the present moment. Sheena Patel, our cover star, delves into the internet in all its darkness and hilarity, Elvia Wilk discusses the climate crisis and finding truth in fiction, and Chris Kraus and Ann Rower chat about everything from their influences to what a ‘career’ means as a writer. From Cosey Fanni Tutti to Lola Olufemi to Isabel Waidner, there are many more Worms to be found in these pages. \u003c\/p\u003e\n\u003cdiv id=\"yui_3_17_2_1_1695388316684_122\" data-content-field=\"excerpt\" class=\"product-excerpt\"\u003e\n\u003cp class=\"\"\u003eFeaturing: SHEENA PATEL, NADA ALIC, COSEY FANNI TUTTI, ELVIA WILK, ANN ROWER, CHRIS KRAUS, GHISLAINE LEUNG, YELENA MOSKOVICH, LOLA OLUFEMI, SAM MOORE, ISABEL WAIDNER, CECILIA PAVÓN, EAR WORMS X LATE WORKS\u003c\/p\u003e\n\u003cp class=\"\"\u003eContributors: HAYDÉE TOUITOU, NICOLE DELLA COSTA, ZARA JOAN MILLER, ERIN TAYLOR, JESS COLE, ARCADIA MOLINAS, PHOENIX LOSAVIO, HOPE ROALFE, HANNAH PEZZACK, CHRIS CARTER, CLEM MACLEOD, CAITLIN MCLOUGHLIN, ISABEL MACCARTHY, SAMANTHA ROSENWALD, ELVIRA GARCIA, CELESTINE COONEY, BUG SHEPHERD-BARRON, MARY WATT, DELIA RAINEY\u003c\/p\u003e\n\u003cp class=\"\"\u003eFounder \u0026amp; Editor in Chief: CLEM MACLEOD\u003c\/p\u003e\n\u003cp class=\"\"\u003eManaging Editor: CAITLIN MCLOUGHLIN\u003c\/p\u003e\n\u003cp class=\"\"\u003eArt direction and design: CAITLIN MCLOUGHLIN\u003c\/p\u003e\n\u003cp class=\"\"\u003eFeatures Editors: PIERCE ELDRIDGE, ARCADIA MOLINAS\u003c\/p\u003e\n\u003cp class=\"\"\u003eContributing Editor:  VIOLET CONROY\u003c\/p\u003e\n\u003cp class=\"\"\u003ePrinted by: PAGEMASTERS \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"yui_3_17_2_1_1695388316684_121\" data-animation-role=\"content\" data-item-id=\"64b955b417a2af7f97596d85\" class=\"product-quantity-input\"\u003e\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Worms","offers":[{"title":"Default Title","offer_id":47811753476431,"sku":"PK0143","price":17.5,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_202310712.jpg?v=1731673178"},{"product_id":"worms-issue-8","title":"Worms Issue 7","description":"\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eThe \u003cem\u003e‘Artists who Write and Writers who Art’\u003c\/em\u003e Issue. For \u003cem\u003eWorms 7\u003c\/em\u003e we’ve looked to our visual counterparts for some soil nutrients. We’ve wormed our way into the psyche of the artist, to bring you the \u003cem\u003e‘Artists That Write, and Writers That Art’\u003c\/em\u003e issue. Many of our subjects in the past have come into writing via non-traditional routes (filmmaking, curation, art, performance, podcasting, and so on), so it only felt right to cast a spotlight over those who have inspired our experimental literary practices so far. Not only those that use words within their visual practice, but those who use images to inform their writing. The reader, the writer, the artist, the activist, the poet and performer; they’re all here and they’re all worms. \u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"product-excerpt\" data-content-field=\"excerpt\" id=\"yui_3_17_2_1_1695388316684_122\"\u003e\n\u003cp class=\"\"\u003eIn this mega worm (which is fittingly pink, for the first time somehow) you are in for a feast. Clem interview Helen Marten, Martine Syms and Diamond Stingily, Caitlin interviews actual art-writing icon Olivia Laing, Pierce talks to the profound Dr. Joy James, Philippa Snow gives us her thoughts on the act of writing art criticism (spoiler: it’s out her ass), and we have enough Derek Jarman content to keep you going for the rest of the year. We have some hilarious\/insightful\/weird\/wonderful contributions from some of your favourite regulars too; including Jess Cole, Isabelle Bucklow, Sam Moore, Haydée Touitou, Estelle Hoy and many others. \u003c\/p\u003e\n\u003cp\u003eFEATURING:\u003c\/p\u003e\n\u003cp\u003eDIAMOND STINGILY, HELEN MARTEN, NICOLE RUDICK, NIKI DE SAINT PHALLE, MARTINE SYMS, OLIVIA LAING, DR. JOY JAMES, JORDAN WEITZMAN, WU TSANG, DEREK JARMAN, SABINE MIRLESSE, MISHA HONCHARENKO, CHANTAL AKERMAN, JOANNA NOVAK, ANNIE ERNAUX, DAISY SANCHEZ, JENNA SUTELA, ANICKA YI, TUOMAS A. LAITINEN, STEPHANIE COMILANG \u0026amp; SIMON SPEISER, VALERIE SOLANAS\u003c\/p\u003e\n\u003cp\u003eCONTRIBUTORS\u003c\/p\u003e\n\u003cp\u003eHAYDEÉ TOUITOU, L SCULLY \u0026amp; LUCAS RESTIVO, LEE RAE WALSH, JESS COLE, ESTELLE HOY, PHILIPPA SNOW, SAMANTHA ROSENWALD, ISABELLE BUCKLOW, MONA GLASSFIELD, CLEM MACLEOD, SARAH WHITE, CAITLIN MCLOUGHLIN, PAVIELLE GARCIA, IONE SAIZAR, CHANTAL JOFFE, SOPHIE DAVIDSON, PIERCE ELDRIDGE, VIOLET CONROY, ELLE PÉREZ, PAUL MPAGI SEPUYA, JACQUELINE ENNIS-COLE, MARY ADETURINMO, STEPH FRANCIS-SHANAHAN, SAM MOORE, BUG SHEPHERD-BARRON, DONNA MARCUS DUKE, SAM HOLTON BRADLEY, KITTY GRADY, FELIX PILGRIM, CICI PENG, HOLLY MILLS, THEA MCLACHLAN, ERICA GOULD, PAULA DUCAY AND INÉS GARCÍA, ELVIRA GARCIA, INÊS GERALDES CARDOSO, JODIE HILL, JEMIMA SKALA, MAURA SAPPILO, DELIA RAINEY\u003c\/p\u003e\n\u003cp\u003eFounder \u0026amp; Editor in Chief: CLEM MACLEOD\u003c\/p\u003e\n\u003cp\u003eManaging Editor: CAITLIN MCLOUGHLIN\u003c\/p\u003e\n\u003cp\u003eArt direction and design: CAITLIN MCLOUGHLIN\u003c\/p\u003e\n\u003cp\u003eFeatures Editors: PIERCE ELDRIDGE, ARCADIA MOLINAS\u003c\/p\u003e\n\u003cp\u003eContributing Editor:  VIOLET CONROY\u003c\/p\u003e\n\u003cp\u003ePrinted by: PAGEMASTERS \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"product-quantity-input\" data-item-id=\"64b955b417a2af7f97596d85\" data-animation-role=\"content\" id=\"yui_3_17_2_1_1695388316684_121\"\u003e\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br 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{mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Worms","offers":[{"title":"Default Title","offer_id":47811761209679,"sku":"PK0144","price":17.5,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_2023080321.jpg?v=1720799675"},{"product_id":"tilly-lawless-nothing-but-my-body","title":"Tilly Lawless, Nothing But My Body","description":"\u003cp\u003e\u003cem\u003eNothing But My Body \u003c\/em\u003eis an eight-day journey through the mind of a young woman, a queer sex worker in Australia, as she navigates breakups and infatuation across just over a year.\u003c\/p\u003e\n\u003cdiv class=\"product-excerpt\" data-content-field=\"excerpt\" id=\"yui_3_17_2_1_1695388316684_122\"\u003e\n\u003cp class=\"\"\u003eThe unnamed narrator’s voice is both fierce and vulnerable, defiant and tender, as she explores the interplay between her external and internal world, and the fluctuations of her emotions as love affairs intensify and wane. Her loneliness is assuaged by her beloved chosen family-her friends-and by the beauty of the natural world.\u003c\/p\u003e\n\u003cp class=\"\"\u003eSet during the cataclysmic bushfire season of 2019 and into the coronavirus pandemic and lockdown, sex work is the constant backdrop of the story as it moves between Sydney, Berlin, Orange and Bellingen. The beauty of the writing and the moving and deeply engaging sense of compassion that threads through this remarkable novel give true meaning to the concepts of inclusivity and community in surprising and original ways.\u003c\/p\u003e\n\u003cp class=\"\"\u003eThis stunning, unflinching and lyrical debut is both a rejection of romantic love, a euphoric celebration of the queer community and a reckoning with the body as both abject and joyous.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"product-quantity-input\" data-item-id=\"64b955b417a2af7f97596d85\" data-animation-role=\"content\" id=\"yui_3_17_2_1_1695388316684_121\"\u003e\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Worms","offers":[{"title":"Default Title","offer_id":47811766845775,"sku":"PK0146","price":14.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_202308051.jpg?v=1706890635"},{"product_id":"rhea-dillon-catgut-the-opera","title":"Rhea Dillon, Catgut - The Opera","description":"\u003cp\u003eIn 2021, Rhea Dillon presented a performance of \u003cem\u003eCatgut - The Opera\u003c\/em\u003e as part of the Serpentine Gallery’s \u003cem\u003ePark Nights\u003c\/em\u003e series. Dillon’s libretto ruminates on the conditions and capaciousness of Black performance as experienced through the Black operatic. Taking its departure from The Masque of Blackness by Ben Jonson, a masque commissioned in the early 17th century by Queen Anne of Denmark, the queen consort of King James I, \u003cem\u003eCatgut\u003c\/em\u003e convened three orators in classic soapboxing fashion. Throughout the opera’s three acts — the essay, the poem, and the poethic — Dillon denounces the idea that the Black performing artist should or could ever exist in the mundane.\u003c\/p\u003e\n\u003cdiv data-content-field=\"excerpt\" id=\"yui_3_17_2_1_1695388316684_122\"\u003e\n\u003cp\u003eJessica Lynne has written an emotional response in essay form, while Simone White has offered a poem to accompany the libretto. The book includes photographic documentation, and concludes with an extensive conversation between Dillon and Elaine Mitchener discussing the trials of performance as an artistic practice.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"product-quantity-input\" data-item-id=\"64b955b417a2af7f97596d85\" data-animation-role=\"content\" id=\"yui_3_17_2_1_1695388316684_121\"\u003e\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Worms","offers":[{"title":"Default Title","offer_id":47811774939471,"sku":"PK0145","price":30.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/Rhea.jpg?v=1698337393"},{"product_id":"worms-issue-9","title":"Worms, Issue 8, The Elements Issue","description":"\u003cp\u003eIn this special edition, double-cover issue of \u003cem\u003eWorms,\u003c\/em\u003e we bring you not one, but two cover stars. The  indelible Tyson Yunkaporta and the iconic Anne Waldman adorn both sides of\u003cem\u003e Worms 8\u003c\/em\u003e which can also be thought of as ‘\u003cem\u003eThe Elements Issue\u003c\/em\u003e’. It was dreamt up in a dreary and grey August in London, while the rest of the world suffered through the hottest days on record. As we witnessed, and continue to witness, such climate catastrophe, we turned to the literature we love to help us understand, to challenge us, and to offer us some comfort. \u003c\/p\u003e\n\u003cdiv data-content-field=\"excerpt\" class=\"product-excerpt\"\u003e\u003c\/div\u003e\n\u003cdiv data-content-field=\"excerpt\" class=\"product-excerpt\"\u003eThe issue is split into four sections—earth, fire, air and water—but its roots and webs push beyond what we typically think of as ‘the natural’: tales from the kitchen from Rebecca May Johnson and Slutty Cheff, reflections on gardening and colonialism, writer's block and clogged pipes, how to blow up pipelines with Andreas Malm, grief and writing, recovery and nature with Octavia Bright, social mobility with Isabel Waidner, the wide range of issues raised by the underrepresentation of First Nations people in literature with Evelyn Araluen and much, much more. \u003c\/div\u003e\n\u003cdiv data-content-field=\"excerpt\" class=\"product-excerpt\"\u003e\u003c\/div\u003e\n\u003cdiv data-content-field=\"excerpt\" class=\"product-excerpt\"\u003eWe hope that this issue can be a flame of hope, inspiration, or something that simply sustains in such turbulent times.\u003c\/div\u003e\n\u003cdiv data-content-field=\"excerpt\" class=\"product-excerpt\"\u003e\n\u003cbr\u003eFeaturing \u003c\/div\u003e\n\u003cdiv data-content-field=\"excerpt\" class=\"product-excerpt\"\u003eTyson Yunkaporta, Isabel Waidner , Jamaica Kincaid, Melissa Broder , Evelyn Araluen, Bruce Pascoe, Octavia Bright, Nora Treatbaby , Nerea Calvillo , Anne Waldman , Alexis Pauline Gumbs , Léuli Eshrāghi, Madeline Cash , Andreas Malm, Rebecca May Johnson\u003c\/div\u003e\n\u003cdiv data-content-field=\"excerpt\" class=\"product-excerpt\"\u003e\u003c\/div\u003e\n\u003cdiv data-content-field=\"excerpt\" class=\"product-excerpt\"\u003eContributors\u003c\/div\u003e\n\u003cdiv data-content-field=\"excerpt\" class=\"product-excerpt\"\u003eStella Murphy , Ben Redhead, Phoenix Yemi, Sam Moore, Devils Claws, Pierce Eldridge, Manon Mikolaitis, Caitlin McLoughlin, Isabel MacCarthy, Elodie Saint-Louis , Nettle Grellier, Amelia Abraham, Ryan Pfluger, Rose Higham-Stainton , Emma Crabtree, Ignota, Lydia Luke, Chloe Sheppard , Clem MacLeod , Carolyne Loreé Teston , Emma Cohen, Olive Couri, Raheela Suleman , No Land , Jacqueline Ennis-Cole , Sufia Ikbal-Doucet, Rhett Hammerton, Zara Joan Miller , Kate Morgan , Bug Shepherd-Barron, Zoe Freilich , Slutty Cheff , Clemmie Bache , Violet Conroy , Sarah White , Jemima Skala , Stephanie Francis-Shanahan\u003c\/div\u003e\n\u003cdiv id=\"yui_3_17_2_1_1695388316684_121\" data-animation-role=\"content\" data-item-id=\"64b955b417a2af7f97596d85\" class=\"product-quantity-input\"\u003e\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px 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Title","offer_id":47999210422607,"sku":"PK0557","price":17.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_20230306.jpg?v=1702307288"},{"product_id":"pippa-garner-better-living-catalog","title":"Pippa Garner, Better Living Catalog","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003ePippa Garner’s\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eBetter Living Catalog\u003c\/em\u003e, originally published in 1982, takes the form of a mail order catalog featuring clever and whimsical inventions that parody consumer goods while simultaneously critiquing America’s obsession with ingenuity, efficiency, leisure, and comfort. These works, which were made as prototypes and photographed for the publication, take the form of improbable accessories, clothing, footwear, home appliances, and office gadgets.\u003c\/p\u003e\n\u003cp\u003eFor example, the “Reactiononometer,” a portable wristband, instantly measures social success, while the “Digital Diet Loafers” display the wearer’s weight with every step. If the “Munch-o-Matic” reduces deskwork interruptions by flinging a snack right into the user’s mouth, other items promise financial solvency (the controlled cash flow “Autowallet”), sustainable waste management, or mess-free companionship (the “Pet-a-Vision” TV console). The artist asserts that all of the products in the book are “absolute necessities for contemporary survival.”\u003c\/p\u003e\n\u003cp\u003eThe\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eBetter Living Catalog\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ewas a pop hit when it was published, earning Garner spots on nighttime TV talk shows and attention from magazines like\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eVogue\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eRolling Stone\u003c\/em\u003e. In a meme-filled culture, the works still resonate today, finding their analog in widely-circulating consumer products, and—in the case of the “High Heel Skates”—even appearing unattributed in the runway collection of a major luxury fashion brand.\u003c\/p\u003e\n\u003cp\u003eA few years after the\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eBetter Living Catalog\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ewas published, Garner began her gender transition, which she has characterized as an artistic project that draws conceptual parallels to the altered consumer goods she has continued to create since the 1970s. The artist’s practice has always been about hacking—gender hacking, she stated, was “an excellent premise for maverick conceptual art and diametrically opposed to anything I’d ever done.”\u003c\/p\u003e\n\u003cp\u003eMany of the prototypes Garner created for the publication were repurposed or recycled, making this previously rare gem of an artist book one of the artist’s few works to now be widely available.\u003c\/p\u003e\n\u003cp\u003eBorn in 1942 in Evanston, Illinois, Pippa Garner (formerly known as Philip Garner) began her practice in the late sixties as a member of the highly regarded Transportation Design department at ArtCenter, California, with plans to become a car stylist, and was drafted to Vietnam to serve as a combat illustrator. In the mid-80s, Garner began her gender transition, which she considers a conceptual artwork, marking an extension of her practice from twenty years of altering cars, garments, and consumer products to using her own body as raw material. Garner appeared on the Tonight Show Starring Johnny Carson and other talk shows, showcasing her satirical consumer product inventions, and her artwork has been featured in\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eCar \u0026amp; Driver\u003c\/em\u003e,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eRolling Stone\u003c\/em\u003e,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eArts \u0026amp; Architecture\u003c\/em\u003e, and\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eVogue\u003c\/em\u003e, among other publications. In the 1980s, her performance, design, and video work was exhibited in institutions including the Los Angeles Institute of Contemporary Art; Whitney Museum of American Art; and Museum of Contemporary Art, Los Angeles; since 2015, she has had exhibitions at STARS, O-Town House, Redling Fine Art, and Parker gallery in Los Angeles; Jeffrey Stark in New York; JOAN, Los Angeles; Kunstverein München; 49 Nord 6 Est – Frac Lorraine, Metz; Kunsthalle Zurich; and Art Omi, Ghent, New York. She is the author of three other books:\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eUtopia… or Bust! Products for the Perfect World\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(1984),\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eGarner’s Gizmos \u0026amp; Gadgets\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e(1987), and the zine\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eBeauty 2000\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e(1992\/2021).\u003c\/p\u003e","brand":"Primary Information","offers":[{"title":"Default Title","offer_id":48072604287311,"sku":"PK0148","price":16.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_20230086_392f76c1-de6d-4286-933e-f20b0ce8fea7.jpg?v=1702906536"},{"product_id":"copy-of-various-a-documentary-herstory-of-women-artists-in-revolution","title":"Various, A Documentary HerStory of Women Artists in Revolution","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFirst published in 1971, \u003cem\u003eA Documentary HerStory of Women Artists in Revolution\u003c\/em\u003e documents the efforts of a group of women artists, filmmakers, writers, critics, and cultural workers organized around advancing women in the art world.\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003eWomen Artists in Revolution (W.A.R.) was founded as the women’s caucus of the Art Workers’ Coalition and was active from 1969 to 1971. This publication gathers manifestos, statements, and declarations by W.A.R. members; articles and reports about gendered and racialized discrimination in the arts; pro-abortion fliers and protest ephemera; and grant applications and reports detailing the founding of the Women’s Interart Center in spring 1970. Also included are documentation of key actions, including the 1970 Artists’ Strike against Racism, Sexism, Repression, and War; and correspondence with officials at the Whitney Museum of American Art, the Guggenheim Foundation, and the Museum of Modern Art calling for 50 percent gender equity in exhibition programming, increased grant and fellowship support for women, and structural representation at the management and curatorial level, among other demands.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eA Documentary HerStory of Women Artists in Revolution\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003ewas originally printed at the Women’s Media Center in 1971 by Women Artists in Revolution. A second edition, published in 1973 by Women’s Interart Center,  features a preface and addendum with retrospective reflections on the history and activities of W.A.R. and the publication itself, two years after the group’s dissolution. It is this second edition that is reproduced here in facsimile form.\u003c\/p\u003e\n\u003cp\u003eMembers of W.A.R. included Juliette Gordon, Sara Saporta, Therese Schwartz, Muriel Castanis, Cindy Nemser, Dolores Holmes, Betsy Jones, Silvia Goldsmith, Jan McDevitt, Lucy Lippard, Grace Glueck, Poppy Johnson, Brenda Miller, Faith Ringgold, Emily Genauer, Agnes C. Denes, Doloris O’Kane, and Jacqueline Skiles.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Primary Information","offers":[{"title":"Default Title","offer_id":48072607695183,"sku":"PK0169","price":15.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_20230148_f44656af-715f-4572-87d1-fdbe00ed4992.jpg?v=1702906591"},{"product_id":"kirsten-grimstad-and-susan-rennie-the-new-woman-s-survival-catalog","title":"Kirsten Grimstad and Susan Rennie, The New Woman’s Survival Catalog","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003ePublished in 1973,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe New Woman’s Survival Catalog\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis a seminal survey of Second Wave feminist efforts, which, as the editors noted in their introduction, represented an “active attempt to reshape culture through changing values and consciousness.”\u003c\/p\u003e\n\u003cp\u003eAssembled by Kirsten Grimstad and Susan Rennie in only five months,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe New Woman’s Survival Catalog\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003emakes a nod to Stewart Brand’s influential\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eWhole Earth Catalog\u003c\/em\u003e to map a vast network of feminist alternative cultural activity in the 1970s. Grimstad and Rennie set out on a two month road trip in the summer of 1973, meeting and interviewing all the featured organizations and individuals, and gathering information and further references along the way to complete the publication.\u003c\/p\u003e\n\u003cp\u003eFrom arts organizations to bookstores and independent presses, health, parenting, and rape crisis centers, and educational, legal and financial resources, this book provides crucial insight into feminist initiatives and activism nationwide during the Women’s Movement. Styled as a sales catalog,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe New Woman’s Survival Catalog\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003ecomprises listings and organizational descriptions, articles, and extensive illustrations, as well as a “Making the Book” section, detailing the publication’s production.\u003c\/p\u003e\n\u003cp\u003eKirsten Grimstad and Susan Rennie are the co-editors of\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe New Woman’s Survival Catalog\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(Berkeley Publishing Company, 1973) and\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe New Woman’s Survival Sourcebook\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(Knopf, 1975). They went on to co-found\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eChrysalis: A Magazine of Women’s Culture\u003c\/em\u003e, published out of the Woman’s Building in downtown Los Angeles from 1977-1981.\u003c\/p\u003e\n\u003cp\u003eKirsten Grimstad was born in Wauwatosa, Wisconsin, and earned a Ph.D. in Comparative Literature from the Union Institute \u0026amp; University (Cincinnati) after receiving a BA at Barnard College and an MA at Columbia University. She is currently Co-Chair of Undergraduate Studies at Antioch University, Los Angeles, and past Chair of the Getty Villa Council. Her research centers on German literature and public memory about the Holocaust, and she is the author of\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Modern Revival of Gnosticism and Thomas Mann’s Doktor Faustus\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e(Camden House, 2002).\u003c\/p\u003e\n\u003cp\u003eSusan Rennie earned a BA from Barnard College and received a Ph.D. in Political Philosophy from Columbia University. She taught Social Sciences at Union Institute \u0026amp; University, worked as a women’s health activist, and lives in Venice, California. \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Primary Information","offers":[{"title":"Default Title","offer_id":48072612086095,"sku":"PK0174","price":24.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_20230314_c4169c46-708e-4415-b3dd-b3c0b7354f52.jpg?v=1702906675"},{"product_id":"marion-von-osten-in-the-making-in-the-desert-of-modernity-colonial-planning-and-after","title":"Marion von Osten, In the Making In the Desert of Modernity: Colonial Planning and After","description":"\u003cp\u003e\u003cem\u003eIn the Making: In the Desert of Modernity: Colonial Planning and After. 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Aesthetics of the Past, Rebellions for the Future\u003c\/em\u003e (ed. by Tom Avermaete, Serhat Karakayali, Marion von Osten) dedicated to the exhibition itself, which deals with the connection between architecture, urban planning, and colonialism, Marion von Osten's In the Making traces the conceptual and design settings of exhibition making and reveals connections in order to reconnect them where necessary.\u003c\/p\u003e\n\u003cp\u003eAlmost as if incidentally and yet quite centrally, In the Making establishes walking, talking, listening, meeting, relating as essential components of inquiry-not only in a postcolonial context, but especially there. Addressing spatial politics, power relations, and social struggles at the time of colonialism, liberation struggles, and decolonization in North Africa, In the Making welcomes unexpected encounters and opens pathways to parainstitutional and feminist exhibition making.\u003c\/p\u003e","brand":"b_books","offers":[{"title":"Default Title","offer_id":48156481585487,"sku":"PK0519","price":20.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_202310731.jpg?v=1708079219"},{"product_id":"ana-vujanovic-und-livia-andrea-piazza-hg-a-live-gathering-performance-and-politics-in-contemporary-europe","title":"Ana Vujanović and Livia Andrea Piazza (Eds.), A live gathering: Performance and Politics in Contemporary Europe","description":"\u003cp\u003eThe main question we raise with this book is how performance can be political in present day European representative democracy, a system which no longer draws on the live gathering of people. 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With hair, earrings, scrunchies, wall plugs and gallery walls, the series talks about the feminine as a commercially constructed value, as well as the normative female body and its role in (art) history.\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"comp-lbuwu0ut MazNVa rYiAuL\" id=\"comp-lbuwu0ut\"\u003e\n\u003cdiv data-testid=\"linkElement\" class=\"j7pOnl\"\u003e\n\u003cdiv class=\"comp-lbexl3js MazNVa rYiAuL\" id=\"comp-lbexl3js\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv class=\"\"\u003eAlongside the series of sculptures Doris Boerman presents three accompanying texts especially written for this publication: Fashion researcher Femke de Vries wrote an essay about self-design as a mass cultural practice, celebrities as designed surfaces and strategies of disclosure to restore trust in this ‘unreal’ system. The poem by lesbian artist, LGBTQIA+ activist and poet Joëlle Sambi compares the black woman’s skull to a battlefield on which normative and repressive standards are a constant battle to fight against whilst remaining proud and strong. Finally, the essay by visual artist and writer Timmy van Zoelen stages a dance around Doris’ sculptures by way of the curvature of her spinal column; taking the backbone for a spin in a series of playful references. 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Through a collage of verbal photographs, overheard dialogue, sexual encounters, found material, and self identi­fication devices (astrology, the I Ching, palmistry, Tarot), it charts from past to future the changing currents between two women and two men­: a writer, a model\/stockbroker\/maybe dictator, a photographer, and an actor. A lot happens between the lines. Art critic Lucy Lippard wrote this novel in 1970 and became a feminist in the process: “I started writing and realized I was ashamed to be a woman. Then I had to find out why. Then I got very angry. The fragmented visual form came out of contemporary art and the conflicting emotions of 1960s political confrontation; they suggested a new way to put things back together—an open-ended, female way that didn’t pretend conclusions.”\u003c\/p\u003e\n\u003cp\u003eLucy R. Lippard is a writer, activist, and curator. 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I daydreamed so intensely about this experience that in the end, the dream became reality and I met them and they kind of became friends (in as much as a bunch of thirty somethings could be friends with two teenage girls, me and my mate Tabbi). But\u003c\/em\u003e\u003cspan\u003e\u003cem\u003e I sometimes think it happened, it became real because I lived it so many times in my head.” \u003c\/em\u003e\u003c\/span\u003eKate Monro (features editor)\u003c\/p\u003e\n\u003cp class=\"\" id=\"yui_3_17_2_1_1717768444116_595\"\u003e According to Cambridge Dictionary, Daydreaming means the activity of thinking about pleasant things that you would like to do or have happen to you, instead of thinking about what is happening now.\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003e”The world at the moment feels a bit bonkers to be honest. It’s hard to know what one should focus on, and how to help change the perspective. Find a way to cope and help others. I feel lost. 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The editorial work is prepared upstream by a series of experiments, prototypes and workshops that enable us to formalize through the material, the more theoretical theme explored in the printed space of the journal. In this way, the editors and contributors practice of space and design is environmentally conscious, with a feminist approach that takes an interest in material cycles, often working with reused materials, and in slower, gentler, artisanal modes of production that create links and share the know-how we hold dear. The jourtnal draws inspiration from DIY and craft practices, struggle movements and related spaces (knitting, woodworking, carpentry, patchwork, poster-making, occupying public spaces), and takes to heart the need to work with kindness, listening and joy.\u003c\/p\u003e\n\u003cp\u003eWoman Journal Vol 4: \u003cbr\u003eHow can we change things when our efforts seem to be stifled under a violent neoliberal regime? 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Initially reluctant to leave behind her best friend Ellie, she quickly finds herself infatuated with the enigmatic Vanora. It’s only on befriending her, does she discover that like her, Vanora is a girl whose home life is shrouded in a web of secrets. Secrets that relate to her mother.\u003c\/p\u003e\n\u003cp class=\"\"\u003eSet in the verdant Mid North Coast of New South Wales, Australia, \u003cem\u003eThora\u003c\/em\u003e deals with family dysfunction, emancipation through friendship, and how girlhood is affected by the isolation of the country and the solace of nature.\u003c\/p\u003e\n\u003cp class=\"\"\u003eTilly Lawless is a queer, Sydney-based sex worker and writer. 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Join Veronica, Phoebe, and Remy on their absurd adventures to seduce artists, entrap local Proud Boys, and enter a kinky queer horse-play scene. Their FemmePhones, programmed with their personal values, guide them toward the transformative love and professional passions they seek. But what choices will they make when they disagree with their phones and what does this mean about their feminist values? Kamala Puligandla’s heartfelt, humorous novella takes you on a wild ride about queer love, self-knowledge and growth.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSelf-published by Co—Conspirator Press with the support of Feminist Center for Creative Work. Copy edited by Pratishtha Kohli. Illustrations by Phoebe Unter. Designed by MJ Balvanera, Riso-printed by Neko Natalia.\u003c\/p\u003e","brand":"Co- Conspirator Press","offers":[{"title":"Default Title","offer_id":49384717386063,"sku":"PK0589","price":16.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_202311222.jpg?v=1722252342"},{"product_id":"sarah-lyon-maintenance-required-basic-auto-care-workbook-and-resource-guide-1","title":"Sarah Lyon, Maintenance Required: Basic Auto Care Workbook And Resource Guide","description":"\u003cp data-mce-fragment=\"1\"\u003eAn empowering glovebox companion, this illustrated guide covers the basics of what you need to know about maintaining your car.  Like the Basic Auto Care Clinic (the workshop offered at the Feminist Center for Creative Work), Maintenance Required encourages personal resourcefulness and inspires confidence to handle the inevitable issues that present themselves to everyone who travels by automobile. Written and Illustrated by Sarah Lyon.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSelf published by Co—Conspirator Press with the support of Feminist Center for Creative Work. Designed by MJ Balvanera, Riso-printed by Neko Natalia and MJ Balvanera.\u003c\/p\u003e","brand":"Co- Conspirator Press","offers":[{"title":"Default Title","offer_id":49384742551887,"sku":"PK0593","price":21.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_202310112.jpg?v=1722253252"},{"product_id":"speciwomen-issue-5","title":"Speciwomen Issue 5","description":"\u003cp\u003eThis new issue is a curated volume of portfolios, essays and conversations between artists, critics and curators from Cuba and its diaspora. The volume was curated by interdisciplinary artist and writer Coco Fusco. It will be launching at the Los Angeles Art Book Fair in August 2023.\u003c\/p\u003e\n\u003cp class=\"\"\u003eSpeciwomen Issue 5 is a bilingual issue in Spanish and English. Speciwomen Magazine is a self-published annual publication.\u003c\/p\u003e\n\u003c!----\u003e","brand":"Independently Published","offers":[{"title":"Default Title","offer_id":49438209638735,"sku":"PK1125","price":15.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_202313452.jpg?v=1723458963"},{"product_id":"femme-type-a-book-celebrating-women-in-the-type-industry","title":"Femme Type: A book celebrating women in the type industry","description":"\u003cdiv class=\"\"\u003e\n\u003cspan class=\"\"\u003eF\u003c\/span\u003e\u003cspan class=\"\"\u003eEMME TYPE is a platform celebrating type designers who identify as being a woman and are an active member of the type industry and community. Founded by ex-University of Arts London Chelsea attendant Amber Weaver, we aim to encourage women to pursue a career in Type Design and Typography Design creating valuable physical and online content that contribute to inspiring young designers and recognise the current type-talent already out there in the industry.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\u003cspan class=\"\"\u003e\u003cbr class=\"\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\u003cspan class=\"\"\u003eBook info: \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\u003cspan class=\"\"\u003e\u003cbr class=\"\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003cspan class=\"\"\u003eFemme Type\u003c\/span\u003e is an all-women publication conceptualised by ex-University of Arts London Chelsea attendant Amber Weaver aiming to celebrate over 40 skilled, international women in the type industry. \u003cspan class=\"\"\u003eFemme Type’s\u003c\/span\u003e purpose is to create a valuable stage and platform for designers to showcase their brilliant typographic achievements wrapped up in a wonderful printed format.\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Femme Type","offers":[{"title":"Default Title","offer_id":53506961178959,"sku":"PK0868","price":27.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_202326051.jpg?v=1730480615"},{"product_id":"sara-knelman-lady-readers-copy","title":"Sara Knelman, Lady Readers","description":"\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eLady readers contains a selection of archival images of women reading, from the collection of Sara Knelman. The collection includes press prints, early stereoscopes and anonymous snapshots, mostly from the mid twentieth century. The book is designed so that by turning the pages and opening the gatefolds the reader can view the front and back of each of the photographic objects. There are three different colour spines to choose from.\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e‘Though I’ve gathered them together, these images don’t belong to me. They’ve been let loose in the world, unbound from the conditions of their production, and from the people and places that made them. Collecting them is a way of bringing an attentiveness to this narrow photographic theme, and in turn to the symbolic power it might hold. What might these images convey about women as readers (or as writers)—as imaginers of the world? In her essay about reading, “How Should One Read a Book?”, Virginia Woolf describes the special space of reading: “\u003ci\u003eEverywhere else may be bound by laws and conventions,” she writes, but “there we have none.”\u003c\/i\u003e Even when we know how an image may have been used, we can’t know what the readers within them are thinking: Is their attention on the book or letter in hand? What effect are words and ideas having on their perspectives? Or are their minds instead wandering to other thoughts?’ (Excerpt from essay by Sara Knelman)\u003c\/span\u003e\u003c\/p\u003e","brand":"Independently Published","offers":[{"title":"Default Title","offer_id":53549937885519,"sku":"PK1376","price":20.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_202322421.jpg?v=1728912680"},{"product_id":"woman-journal-vol-5-sympa-nice-1","title":"Woman Journal, Vol. 5: Sympa ? \/ Nice ?","description":"\u003cp\u003eDo we always have to be nice, kind and communicate respectfully? Wouldn't it sometimes be better to change our tone, to use force or even violence? We often want to act in a spirit of “care” and benevolence, but how do we know if we're really being altruistic and sympathetic? Vol.5 asks the question: Nice?\u003c\/p\u003e\n\u003cp\u003eWith contributions from :\u003cbr\u003eMuf architecture\/art, Mélanie Mazet, Bui Quy Son, Paul-Antoine Lucas, Armelle Breuil, Annabelle Vaillant, Napsugár Trömböczky, Alessandro Di Egidio,\u003cbr\u003eElsa Muller, Clara Lenoir, Léo Jacqmin, Clem Koren, Pola Noury, Grève cœur and Cassiane C. Pfund\u003c\/p\u003e\n\u003cp\u003eThis publication is edited by the Woman Cave collective founded by Leticia Chanliau and Chloé Macary-Carney.\u003c\/p\u003e\n\u003cp\u003e318 black \u0026amp; white pages, brown cover\u003cbr\u003eMicro edition of 700, printed in Aubervilliers by Isiprint.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Editions Situé","offers":[{"title":"Default Title","offer_id":53784313758031,"sku":"PK1443","price":16.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_20233136.jpg?v=1732892791"},{"product_id":"our-daily-lives-have-to-be-a-satisfaction-in-themselves-40-years-of-bloodroot-1","title":"Our daily lives have to be a satisfaction in themselves: 40 years of Bloodroot","description":"\u003cp\u003eA new trade edition of the award-winning book documenting 40 years of Bloodroot, the legendary feminist vegetarian restaurant and bookstore in Bridgeport, CT. Comprising personal-political essays by founders Selma Miriam and Noel Furie and photographs by Noel, this book is for you if you’re interested in:\u003c\/p\u003e\n\u003cp\u003esecond wave feminism, radical lesbian feminism, vegetarianism, work collectives, fiber arts, the 1970s, seasonal eating, female-centered spirituality, autobiography, growing food, the 1980s, independent bookstores, worker-owned restaurants, veganism, feminist businesses, the 1990s, global cooking, feminist theory, utopian movements, personal-political essays, the 2000s, debunking health fads, radical suburbia, mother \u0026amp; daughter relationships, photographs by women of women, the 2010s. The footnotes on nearly every page comprise a suggested reading list for many (if perhaps not all) of these topics.\u003c\/p\u003e\n\u003cp\u003eThis book may also be of interest if you like: books made from archives; books designed with contemporary typefaces, books printed entirely in the color burgundy, books originally edited, designed, printed, and hand-bound by the artist-publisher; Bridgeport books; Connecticut books; books with pictures of cats in them; books that have won fancy design awards.\u003c\/p\u003e\n\u003cp\u003ePlus over 70 of Noel Furie’s original photographs of Bloodroot and friends, including feminist luminaries Audre Lorde, Adrienne Rich, Mary Daly, Billie Potts.\u003c\/p\u003e\n\u003c!----\u003e","brand":"Alder \u0026 Frankia","offers":[{"title":"Default Title","offer_id":54029814759759,"sku":"PK1203","price":15.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_202328411.jpg?v=1731682108"},{"product_id":"efemmera-reissue-7-cassandra-radical-feminist-nurses-network-1","title":"Efemmera Reissue #7: Cassandra Radical Feminist Nurses Network","description":"\u003cp\u003eA reissue of the 1982 inaugural Cassandra Radical Feminist Nurses Newsletter: founding members explain their interests, intentions, and goals, and invite other nurses to join them. 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While she is best known for her pioneering work as an art writer and activist, Lippard’s fiction helps frame her broader impact on contemporary culture.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eHeadwaters\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eanthologizes over fifty short works, many previously unpublished. These often experimental vignettes showcase the range of her literary voice while also challenging our understanding of her oeuvre. Sometimes speculative or fragmented, yet always compelling, these pieces range from short-form narrative stories and conceptual fiction to visual essays and political prose.\u003c\/p\u003e\n\u003cp\u003eIncluded are excerpts from two never-released novels, as well as collaborations with artists Robert Barry, Sol LeWitt, and Jerry Kearns.\u003c\/p\u003e\n\u003cp\u003eLucy Lippard is author of thirty books on contemporary art and cultural criticism. She has curated some fifty exhibitions in the United States, Europe, and Latin America.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"New Documents","offers":[{"title":"Default Title","offer_id":54177028997455,"sku":"PK1481","price":25.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_202302352.jpg?v=1736517584"},{"product_id":"emily-larned-thinking-what-we-are-doing-1-sewing-books-by-hand-1","title":"Emily Larned, Thinking What We Are Doing #1: Sewing Books by Hand","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eA small book not on how to sew books, but rather about the observations, thoughts, and feelings that arise in the process of this patient and meditative labor. A reflective essay written while binding a large hand-sewn edition of the Alder \u0026amp; Frankia book \u003c\/span\u003e\u003cem\u003eOur daily lives have to be a satisfaction in themselves.\u003c\/em\u003e\u003cspan\u003e An earlier version of this essay was published on the CBAA Book Art Theory Blog.\u003c\/span\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"Alder \u0026 Frankia","offers":[{"title":"Default Title","offer_id":54177111998799,"sku":"PK1218","price":10.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_202301773.jpg?v=1736518000"},{"product_id":"efemmera-reissue-4-police-others-as-you-would-have-others-police-you-sacred-cow-1","title":"Efemmera Reissue #4: Police Others As You Would Have Others Police You + Sacred Cow)","description":"\u003cp\u003eFrom 1992 to 2008, lifelong activist and feminist theater director K.D. Codish directed the New Haven Police Academy. 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Codish and Emily Larned are collaborating on a book.\u003c\/p\u003e\n\u003cp\u003e\"Sacred Cow\" was originally reissued for artist-publisher Emily Larned's installation\u003cspan\u003e \u003c\/span\u003e\u003cem\u003ePolice Others As You Would Have Others Police You\u003c\/em\u003e, installed as part of the W\u003cem\u003eho Governs?\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eexhibition curated by Frank Mitchell, Artspace New Haven, Fall 2020.\u003c\/p\u003e\n\u003c!----\u003e","brand":"Alder \u0026 Frankia","offers":[{"title":"Default Title","offer_id":54177426637135,"sku":"PK1217","price":12.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_202302262.jpg?v=1736519492"},{"product_id":"emily-larned-thinking-what-we-are-doing-2-manifesting-the-making-the-ilssa-manifesto-project-1","title":"Emily Larned, Thinking What We Are Doing #2: Manifesting the Making (the ILSSA Manifesto Project)","description":"\u003cp\u003eImpractical Labor in Service of the Speculative Arts (ILSSA) is a union for reflective creative practice. Established in 2008 as a collaboration between Bridget Elmer and Emily Larned, ILSSA was born out of friendship, feminism, and the engagement of obsolete technology as a personal, political, conceptual, social, and aesthetic strategy.\u003c\/p\u003e\n\u003cp\u003eIn 2015, ILSSA published an open call for member manifestos. The project, involving 10 collaborating artists and 9 years, is documented in this reflective contextual essay. Also available are complete sets of\u003ca href=\"https:\/\/emilylarned.square.site\/product\/ilssa-manifestos-manifested-2015-2024-\/17?cs=true\u0026amp;cst=custom\" rel=\"noopener noreferrer\" target=\"\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/a\u003e\u003cem\u003eILSSA Manifestos Manifested\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(containing all 10 manifestos, the original open call, and this essay).\u003c\/p\u003e\n\u003c!----\u003e","brand":"Alder \u0026 Frankia","offers":[{"title":"Default Title","offer_id":54177536606543,"sku":"PK1219","price":8.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_202302173.jpg?v=1736520207"},{"product_id":"susanna-davies-crook-les-mains-negatives-1","title":"Susanna Davies-Crook, Les Mains Négatives","description":"\u003cdiv class=\"ProductDescription_paragraph__I6UyF\"\u003e\n\u003cdiv class=\"SanityBlockContent_wrapper__kPtgB undefined\"\u003e\n\u003cdiv class=\"ProductDescription_paragraph__I6UyF\"\u003e\n\u003cdiv class=\"SanityBlockContent_wrapper__kPtgB undefined\"\u003e\n\u003cp class=\"bodyLarge\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIn Les Mains Négatives\u003c\/em\u003e\u003cspan\u003e by Susanna Davies-Crook, a woman goes on an erotic journey through her past, present and future.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ProductDescription_paragraph__I6UyF\"\u003e\n\u003cdiv class=\"SanityBlockContent_wrapper__kPtgB undefined\"\u003e\n\u003cp class=\"bodyLarge\"\u003eThe erotic works of Anaïs Nin started out as a freelance job. To support their bohemian lifestyles, Nin and her writer friends earned a dollar a page writing pornography for an anonymous client. The writers hated The Collector, as they called him, for his repeated instructions to “Concentrate on sex. Leave out the poetry”.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ProductDescription_paragraph__I6UyF\"\u003e\n\u003cdiv class=\"SanityBlockContent_wrapper__kPtgB undefined\"\u003e\n\u003cp class=\"bodyLarge\"\u003e\u003cspan\u003eThe Collector\u003c\/span\u003e, a new series of short stories published by\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"smallCaps\"\u003ejouissance\u003c\/span\u003e, seeks to pay homage to writers, like Nin, who explored the erotic, the taboo and the connection between jouissance and the creative process. It also honours their chosen, but much maligned, genre. By commissioning some of our favourite female writers to compose erotic short stories, we begin what we hope will be an ever-growing collection of compelling and provocative fiction that will inspire conversation, debate and further creative expression.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ProductDescription_paragraph__I6UyF\"\u003e\n\u003cdiv class=\"SanityBlockContent_wrapper__kPtgB undefined\"\u003e\n\u003cp class=\"bodyLarge\"\u003eMunken Pure 80gsm paper publication with red Singer Sewn binding. Featuring an illustration by Emma Rose Schwartz. 138 x 85 mm.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Jouissance","offers":[{"title":"Default Title","offer_id":54342260818255,"sku":"PK1561","price":10.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_202307483.jpg?v=1738342283"},{"product_id":"natasha-stagg-the-rebound-1","title":"Natasha Stagg, The Rebound","description":"\u003cdiv class=\"ProductDescription_paragraph__I6UyF\"\u003e\n\u003cdiv class=\"SanityBlockContent_wrapper__kPtgB undefined\"\u003e\n\u003cp class=\"bodyLarge\"\u003eIn\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eThe Rebound\u003c\/span\u003e, a short story by author Natasha Stagg (\u003cspan\u003eSurveys\u003c\/span\u003e,\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eArtless\u003c\/span\u003e), a young woman takes a work trip in the wake of a humiliating break-up, and agrees to be set up on a blind date...\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ProductDescription_paragraph__I6UyF\"\u003e\n\u003cdiv class=\"SanityBlockContent_wrapper__kPtgB undefined\"\u003e\n\u003cp class=\"bodyLarge\"\u003eThe erotic works of Anaïs Nin started out as a freelance job. To support their bohemian lifestyles, Nin and her writer friends earned a dollar a page writing pornography for an anonymous client. The writers hated The Collector, as they called him, for his repeated instructions to “Concentrate on sex. Leave out the poetry”.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ProductDescription_paragraph__I6UyF\"\u003e\n\u003cdiv class=\"SanityBlockContent_wrapper__kPtgB undefined\"\u003e\n\u003cp class=\"bodyLarge\"\u003e\u003cspan\u003eThe Collector\u003c\/span\u003e, a new series of short stories published by\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"smallCaps\"\u003ejouissance,\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003eseeks to pay homage to writers, like Nin, who explored the erotic, the taboo and the connection between jouissance and the creative process. It also honours their chosen, but much maligned, genre. By commissioning some of our favourite female writers to compose erotic short stories, we begin what we hope will be an ever-growing collection of compelling and provocative fiction that will inspire conversation, debate and further creative expression.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ProductDescription_paragraph__I6UyF\"\u003e\n\u003cdiv class=\"SanityBlockContent_wrapper__kPtgB undefined\"\u003e\n\u003cp class=\"bodyLarge\"\u003eMunken Pure 80gsm paper publication with red Singer Sewn binding. Featuring an illustration by Emma Rose Schwartz. 138 x 85 mm.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Jouissance","offers":[{"title":"Default Title","offer_id":54342284738895,"sku":"PK1558","price":10.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_202307443.jpg?v=1738342419"},{"product_id":"julia-armfield-holds-1","title":"Julia Armfield, Holds","description":"\u003cdiv class=\"ProductDescription_paragraph__I6UyF\"\u003e\n\u003cdiv class=\"SanityBlockContent_wrapper__kPtgB undefined\"\u003e\n\u003cdiv class=\"ProductDescription_paragraph__I6UyF\"\u003e\n\u003cdiv class=\"SanityBlockContent_wrapper__kPtgB undefined\"\u003e\n\u003cp class=\"bodyLarge\"\u003eIn\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eHolds\u003c\/span\u003e, a short story by author Julia Armfield (\u003cspan\u003esalt slow\u003c\/span\u003e,\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003ePrivate Rites\u003c\/span\u003e), a woman engages in a fantasy at her local climbing wall...\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ProductDescription_paragraph__I6UyF\"\u003e\n\u003cdiv class=\"SanityBlockContent_wrapper__kPtgB undefined\"\u003e\n\u003cp class=\"bodyLarge\"\u003eThe erotic works of Anaïs Nin started out as a freelance job. To support their bohemian lifestyles, Nin and her writer friends earned a dollar a page writing pornography for an anonymous client. The writers hated The Collector, as they called him, for his repeated instructions to “Concentrate on sex. Leave out the poetry”.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ProductDescription_paragraph__I6UyF\"\u003e\n\u003cdiv class=\"SanityBlockContent_wrapper__kPtgB undefined\"\u003e\n\u003cp class=\"bodyLarge\"\u003e\u003cspan\u003eThe Collector\u003c\/span\u003e, a new series of short stories published by\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"smallCaps\"\u003ejouissance\u003c\/span\u003e, seeks to pay homage to writers, like Nin, who explored the erotic, the taboo and the connection between jouissance and the creative process. It also honours their chosen, but much maligned, genre. By commissioning some of our favourite female writers to compose erotic short stories, we begin what we hope will be an ever-growing collection of compelling and provocative fiction that will inspire conversation, debate and further creative expression.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ProductDescription_paragraph__I6UyF\"\u003e\n\u003cdiv class=\"SanityBlockContent_wrapper__kPtgB undefined\"\u003e\n\u003cp class=\"bodyLarge\"\u003eMunken Pure 80gsm paper publication with red Singer Sewn binding. Featuring an illustration by Emma Rose Schwartz. 138 x 85 mm.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Jouissance","offers":[{"title":"Default Title","offer_id":54342299451727,"sku":"PK1559","price":10.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_202307463.jpg?v=1738342584"},{"product_id":"emily-wells-house-of-the-sleeping-beauty-1","title":"Emily Wells, House of the Sleeping Beauty","description":"\u003cdiv class=\"ProductDescription_paragraph__I6UyF\"\u003e\n\u003cdiv class=\"SanityBlockContent_wrapper__kPtgB undefined\"\u003e\n\u003cdiv class=\"ProductDescription_paragraph__I6UyF\"\u003e\n\u003cdiv class=\"SanityBlockContent_wrapper__kPtgB undefined\"\u003e\n\u003cp class=\"bodyLarge\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIn \u003c\/span\u003e\u003cspan\u003eHouse of the Sleeping Beauty\u003c\/span\u003e\u003cspan\u003e, a short story by Emily Wells (\u003c\/span\u003e\u003cspan\u003eA Matter of Appearance\u003c\/span\u003e\u003cspan\u003e), a young woman reflects on the experiences that led to her fetish for unconsciousness...\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ProductDescription_paragraph__I6UyF\"\u003e\n\u003cdiv class=\"SanityBlockContent_wrapper__kPtgB undefined\"\u003e\n\u003cp class=\"bodyLarge\"\u003eThe erotic works of Anaïs Nin started out as a freelance job. To support their bohemian lifestyles, Nin and her writer friends earned a dollar a page writing pornography for an anonymous client. The writers hated The Collector, as they called him, for his repeated instructions to “Concentrate on sex. Leave out the poetry”.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ProductDescription_paragraph__I6UyF\"\u003e\n\u003cdiv class=\"SanityBlockContent_wrapper__kPtgB undefined\"\u003e\n\u003cp class=\"bodyLarge\"\u003e\u003cspan\u003eThe Collector\u003c\/span\u003e, a new series of short stories published by\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"smallCaps\"\u003ejouissance\u003c\/span\u003e, seeks to pay homage to writers, like Nin, who explored the erotic, the taboo and the connection between jouissance and the creative process. It also honours their chosen, but much maligned, genre. By commissioning some of our favourite female writers to compose erotic short stories, we begin what we hope will be an ever-growing collection of compelling and provocative fiction that will inspire conversation, debate and further creative expression.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ProductDescription_paragraph__I6UyF\"\u003e\n\u003cdiv class=\"SanityBlockContent_wrapper__kPtgB undefined\"\u003e\n\u003cp class=\"bodyLarge\"\u003eMunken Pure 80gsm paper publication with red Singer Sewn binding. Featuring an illustration by Emma Rose Schwartz. 138 x 85 mm.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Jouissance","offers":[{"title":"Default Title","offer_id":54342311608655,"sku":"PK1560","price":10.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_202307413.jpg?v=1738342698"},{"product_id":"disgrace-feminism-and-the-political-right-1","title":"Disgrace: Feminism and the Political Right","description":"\u003cp\u003e\u003cem\u003eDISGRACE: Feminism and the Political Right\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eexplores the history of conservative feminism in the UK from the Edwardian period to today. Expanding on Hannah Quinlan and Rosie Hastings’ research for\u003cspan\u003e \u003c\/span\u003etheir eponymous exhibition, the book aims to provide contextual information for the viewer, both as a resource on the history of feminism on the political right and to provide a deeper historical and political insight into the works within the exhibition.\u003c\/p\u003e\n\u003cp\u003eThe book centres around a timeline created by 12 etchings, with three essays covering what the artists have identified as three significant time periods, mapping the connections between the various historical manifestations of conservative feminism that lead to the current moment. An essay by Akanksha Mehta, a lecturer in Gender, Sexuality, and Cultural Studies and the co-director of the Centre for Feminist Research at Goldsmiths, considers the nature of the women’s suffrage movement, focusing on the relationship between the suffragettes and eugenics discourse. A polemical text by Lola Olufemi, a black feminist writer and organiser with the London Feminist Library, questions the women’s liberation movement and ‘sex wars’ of the mid 20th century. In the final essay – alongside etchings exploring ‘free-market feminism’, Theresa May’s ‘Women2Win’ campaign and the proliferation of transphobic rhetoric – writer, filmmaker and journalist Juliet Jacques uses Caryl Churchill’s innovative 1982 play ‘Top Girls’ to trace the trajectory of women in power, from Thatcher into the future of feminism.\u003c\/p\u003e","brand":"Arcadia Missa","offers":[{"title":"Default Title","offer_id":54452061307215,"sku":"PK1583","price":10.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_202309843.jpg?v=1739552253"},{"product_id":"tilly-du-buisson-needlework-from-domestic-oppression-to-artistic-expression","title":"Tilly Du Buisson, Needlework: From Domestic Oppression to Artistic Expression","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThis book explores whether feminist artists can reclaim needlework, historically linked to women's oppression, as a tool for empowerment. By tracing the historical shift of needlework from a male-dominated craft to a feminised domestic practice, it highlights how this art became undervalued. Drawing on feminist theorists like Simone de Beauvoir, Judith Butler, and Amelia Jones, the essay examines how artists such as Tracey Emin and Louise Bourgeois use needlework to challenge traditional gender norms, blending feminine practices with symbols of strength. It discusses the complex nature of reclaiming practices that were once oppressive, considering whether engaging in needlework today perpetuates or transforms gender stereotypes. Ultimately, it argues that needlework, as a subversive medium, can be a space for resistance and connection, offering a platform to address broader issues like labour conditions and gender fluidity.\u003c\/span\u003e\u003c\/p\u003e","brand":"Independently Published","offers":[{"title":"Default Title","offer_id":54548008239439,"sku":"PK1562","price":12.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_202310653.jpg?v=1740743393"}],"url":"https:\/\/publicknowledgebooks.com\/collections\/feminist.oembed?page=4","provider":"Public Knowledge","version":"1.0","type":"link"}