{"title":"Asia","description":"","products":[{"product_id":"copy-of-constance-dejong-reader-10","title":"Solitary Pleasure: Selected Poems, Journals and Ephemera of John Wieners","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cem\u003eSolitary Pleasure\u003c\/em\u003e is a new collection of poetry, journal entries, letters and ephemera by the American poet John Wieners, edited by \u003c\/span\u003eRichard Porter with an introduction by Nat Raha.\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cdiv\u003eJohn Wieners (1934-2002) was a poet, a Black Mountain College alumnus and an antiwar, gay rights \u0026amp; mental health activist. \u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e‘John Wieners has been described as both ‘the greatest poet of emotion’ (by Robert Creeley) and ‘the poet laureate of gay liberation’ (within the Gay Liberation press). \u003cem\u003eSolitary Pleasure\u003c\/em\u003e delivers us this poet raw with mid-century queer feelings. Here, we encounter a writer preoccupied with the power and magic of poetics to profoundly render love, loss and survival in the face of destruction.’\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e— Nat Raha, from the introduction\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e'\u003cem\u003eSolitary Pleasure \u003c\/em\u003eis a selected collection of Wieners’ poems, appended with letters and journal entries. An introduction, written by contemporary poet Nat Raha, makes a powerful case for reading Wieners’ work as art born from “the heart of struggle”. The poems themselves are offhand and diaristic. Sometimes, they deploy childlike rhymes that purposely steer close to nonsense, successfully generating a sense of wonder (“If I had a canoe \/ I’d fill it with you \/ Then what would you do”). The Wieners of \u003cem\u003eSolitary Pleasure\u003c\/em\u003e is a poet eager to vocalise queer desire. “The beauty of men never disappears,” he writes, later portraying desire as something that must be “choked” out of him. Occupying nearly a third of \u003cem\u003eSolitary Pleasure\u003c\/em\u003e are his “Asylum Poems”, which Wieners wrote in 1969 – the summer of the Stonewall riots – while in a psychiatric institution. These poems spotlight the connection between art and affliction, but challenge us to consider creative expression as a very real mode of survival and salvation, and not merely, as current wellness discourses suggest, a potential curative or preventive to mental ill-health.'\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e— Ralf Webb for The Guardian\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e'Any \"selected poems\" is going to reveal the tastes of its editor, especially when those poems are selected from among an extensive body of work like the one John Wieners left us. Richard Porter's taste is exquisite, and his selection covers great ground, from the torch song poems of Wieners' early career to the rich, tessellated works of his beautiful and anguished late-sixties period. If I wanted a friend to fall in love with John Wieners, I'd give them this book.'\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e— Michael Seth Stewart, editor of \u003cem\u003eStars Seen in Person: Selected Journals of John Wieners\u003c\/em\u003e (City Lights)\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e'This book is a great love held on paper, groaning out of Black Mountain and Boston. You are hit accurately by the poet flying around you as a reincarnated bow and arrow cherub. John Wieners is a fever dream where the poems forever maintain their mystery, releasing a flood of spontaneity in the reader's imagination. Let's get in the magic with both feet; let's do it now!'\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e— CAConrad, author of \u003cem\u003eAmanda Paradise\u003c\/em\u003e and \u003cem\u003eWhile Standing in Line for Death\u003c\/em\u003e (Wave Books)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eCover photograph: John Wieners by Leni Sinclair \u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Pilot Press","offers":[{"title":"Default Title","offer_id":47421398778191,"sku":"PK0050","price":12.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_20231289.jpg?v=1698139530"},{"product_id":"copy-of-solitary-pleasure-selected-poems-journals-and-ephemera-of-john-wieners","title":"Kate Morgan, Ingress","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cem\u003eIngress\u003c\/em\u003e is an unwieldy body of writing that attends to intimacies between selves and others, objects and sites, considering how a difference of position, pronoun and voice might render these in unique ways. \u003c\/span\u003eIn doing so, Morgan's work speaks to a particular state of being in the world, of materiality, of loss, of gendered experience, of cultivation and of the act of writing itself. An experiment in form as argument, \u003cem\u003eIngress \u003c\/em\u003ewas written over the course of two years from a tenement flat with a garden in Glasgow.\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e‘I loved this strange, accomplished book and its account of porosity and seepage on many planes. It’s tender, sexy, sly and dextrous, moving relentlessly along deep channels, emerging unexpectedly into sweet air, alert to language at every step.’\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e— Olivia Laing, author of \u003cem\u003eEverybody: A Book About Freedom\u003c\/em\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e‘Kate Morgan’s \u003cem\u003eIngress\u003c\/em\u003e is a startling, many-headed meditation on language, art, and the natural world, opening you up to sensations and collapsing interior and exterior. A garden becomes a text becomes a body. The personal and the analytic mingle and slyly astonish. Morgan is one of those magicians who suspends reality through precision and excavation, digging deeper into experience, and also one of those metaphysicians who finds meaning at-hand in the daily and then disperses it all to be gathered again. This result is potent, moving, and mysterious.’\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e— Nate Lippens, author of \u003cem\u003eMy Dead Book: A Novel \u003c\/em\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e‘It doesn't matter what genre this book is (essay, personal diary, notebook), nor what its subject matter is (a garden, a sculpture, the plumbing system underlying a house, love), because in some mysterious way, it manages to transform the material part of the world into poetic intensity and affect whoever holds it in their hands, as if it were a flood, overwhelming and reassuring at the same time. In this sense, the omnipresent water in this truly lyrical exploration of reality seems to take over the words and transform this text into an organism with a life of its own.’\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan face=\"Sabon_Roman\"\u003e— Cecilia \u003c\/span\u003e\u003cspan face=\"Sabon_Roman\"\u003ePavòn, author of \u003cem\u003eLittle Joy: Selected Stories \u003c\/em\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan face=\"Sabon_Roman\"\u003e‘\u003cem\u003eIngress \u003c\/em\u003eis a text that enacts its own name, a shining thing seeping into the reader––which is the same \u003c\/span\u003eact as the drawing out of relation, the intimacy of attention paid at the shifting edges of things. Morgan’s writing is softly piercing, unpeeling sameness to separate out the difference of different things, but where difference is always just the slight refraction of the other. \u003cem\u003eIngress\u003c\/em\u003e is both the container and the fluid contained, the brim and its brimming–– the fact of a boundary makes possible its breach.’\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e— Evelyn Wh-ell, author of \u003cem\u003eMemoirs of a Child Plot Hole\u003c\/em\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan face=\"Sabon_Roman\"\u003eKate Morgan is a writer and artist from London, living in Glasgow. \u003c\/span\u003eTheir writing has been published by Sticky Fingers, Nothing Personal, MAP, Worms, and in anthologies by Pilot Press.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Pilot Press","offers":[{"title":"Default Title","offer_id":47421523067215,"sku":"PK0051","price":12.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_20230658.jpg?v=1695888528"},{"product_id":"copy-of-kate-morgan-ingress","title":"Jack Spicer, A Book of Music (1958)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eA new edition of the posthumously published collection\u003cem\u003e 'A Book of Music'\u003c\/em\u003e by the American poet Jack Spicer (1925-1965).\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eWhile little known outside a circle of friends and poets in his lifetime, Spicer is widely considered one of the major figures of twentieth century American poetry. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eAfter being removed from a teaching position at Berkeley in 1950 for refusing to pledge allegiance to the United States, he became a founder of the radical and counter-cultural San Francisco Renaissance movement of poets in an age when homosexuality was illegal. \u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan face=\"Sabon_Roman\"\u003eHe believed that the poet was a “radio” able to collect transmissions from an “invisible world,” as opposed to the idea that poetry was driven by a poet’s voice and will. In \u003c\/span\u003ethis sense he believed that his poems were dictated from a spirit world and saw poetry as a form of magic, most potent when spoken aloud. \u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan face=\"Sabon_Roman\"\u003eHe died at the age of 40 in the poverty ward of San Francisco General Hospital, from acute alcohol poisoning. \u003c\/span\u003eOne of his last coherent sentences was, “My vocabulary did this to me.”\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eThis new edition of \u003cem\u003eA Book of Music,\u003c\/em\u003e published 65 years after its original was composed, is risograph printed on Munken Lynx paper and saddle-stitched by Earthbound Press. \u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Pilot Press","offers":[{"title":"Default Title","offer_id":47421565862223,"sku":"PK0052","price":8.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_20231253.jpg?v=1698139757"},{"product_id":"copy-of-copy-of-jack-spicer-a-book-of-music-1958","title":"Various, Responses to Untitled (eye with comet) (c.1985) by Paul Thek","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003eFor this volume, responses were sought to the painting \u003cem\u003eUntitled (eye with comet)\u003c\/em\u003e by Paul Thek. The work was found in his storage after his death from AIDS in 1988. \u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan face=\"Sabon_Roman\"\u003eList of contributors \u003c\/span\u003e\u003cspan face=\"Sabon_Roman\"\u003ei\u003c\/span\u003en order of appearance:\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eE.R. De Siqueira\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eBen Estes\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eJoão Motta Guedes\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eLucy Swan\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eJon Rainford\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eLouis Shankar\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eAmy Evans Bauer\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eHattie Morrison\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eSammy Paloma\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eAN Grace\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eJames Horton\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eNick Wood\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eSophie Paul\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eJae Vail\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eElizabeth Zvonar\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eLars Meijer\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eClay AD\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eMichel Kessler\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003ePablo Miguel Martínez\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eEmma Harris\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eDylan McNulty-Holmes\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eKitya Mark\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eKatherine Franco\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eAinslie Templeton\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eAlistair McCartney\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eJohn Brooks\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eJesse Howarth\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003ejimmy cooper\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eFelix Pilgrim\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eNicholas Chittenden Morgan\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eMurphy O’Neir\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eRachel Cattle\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eIsabel Nolan\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eSusan Finlay\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eTed Simonds\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eBrooke Palmieri\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eKate Morgan\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eAshleigh A. Allen\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eDiogo Gama\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eJP Seabright\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eHugo Hagger\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eAmanda Kraley\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eBrendan Cook\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eMatt Bailey\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eCharlotte Flint\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eRodney Schreiner\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eLucy Price\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eMorgan Melhuish\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eJordan Weitzman\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eJaakko Pallasvuo\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eAlex Fiorentino\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eHarald Smart\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eMarguerite Carson\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eloll jung\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eRichard Porter\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eNicholas Kalinoski\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eHedi El Kholti\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eEdmund Francis English\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eTed Bonin\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Pilot Press","offers":[{"title":"Default Title","offer_id":47421578248527,"sku":"PK0053","price":15.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_20231279.jpg?v=1698230918"},{"product_id":"copy-of-jack-spicer-a-book-of-music-1959","title":"Joshua Jones, Diametric Fist Tender","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem\u003eDiametric Fist Tender\u003c\/em\u003e is a collection of linked but distinct lyric poems exploring themes such as ghosts, gender, desire, hope, despair, time, tenderness and riots.\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e'I feel like, more successfully than I could ever hope to achieve, \u003cem\u003eDiametric Fist Tender\u003c\/em\u003e expresses and configures the contradictions between an abstract hope which is somewhere else, somebody else, in the future, and the constraint of messy embodied life.' \u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e— Laurel Uziell\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eJoshua Jones studies and teaches literature at the University of California, Santa Cruz. They currently live in Portland. \u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eCover artwork by Johann Lester\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Pilot Press","offers":[{"title":"Default Title","offer_id":47421635232079,"sku":"PK0054","price":6.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_20230641.jpg?v=1695887854"},{"product_id":"copy-of-jack-spicer-a-book-of-music-1960","title":"Aaron Fagan, Pretty Soon","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e‘Aaron Fagan's colloquial voice--by turns mordant, enlightening, despairing, but always witty--not only describes a deeply compelling, interior emotional atmosphere, but a world we've made together, and how best to live in it. An astonishing collection.’\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e— Hilton Als\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan face=\"Sabon_Roman\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e‘Tight, heady, and beautiful: Aaron Fagan’s sonnets obey an invisible procedure that lends his lines a sculptural, haunted equilibrium. Reading these finely wrought poems, I felt like I was being massaged inside a hall of mirrors, and the masseurs, many-handed, were legendary poets of the past. Pretty Soon is wisdom literature, comfort food, night school, Socratic candy, and high-wire elegance.’\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e— Wayne Koestenbaum \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e‘What most distinguishes Aaron Fagan's poetry is its range and capacity for surprise, as well as its velocity. From careening, free-form meditations, to homage, to Algren-esque realism, sometimes a blending of all of the above, it makes for invigorating reading. A highly individual American voice.’\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e— August Kleinzahler\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e‘The sonnets in Pretty Soon dance in beauty like the light: compression, abstraction, impossible ideas lucidly expressed, political and personal truths lucidly slipped out as if in somebody else’s dream, woven through the even-seeming but subliminally jagged surface of the words. Reflections reflect metamorphic awareness, words slide into different words, phrases arouse recollections of other voices. All gathered in, turned to ethical account. Measured and forceful, ‘casual but final’, these poems stand by their words, and in them.’\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e— Ian Patterson\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eAaron Fagan was born in Rochester, New York, in 1973, and is the author of Garage (Salt, 2007), Echo Train (Salt, 2010), and A Better Place Is Hard to Find (The Song Cave, 2020).\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eCover artwork: ‘Fieldnote 2’ (gouache and pencil on paper, 2021) by Richard Porter\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Pilot Press","offers":[{"title":"Default Title","offer_id":47421658988879,"sku":"PK0055","price":8.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_20230645.jpg?v=1695887906"},{"product_id":"copy-of-aaron-fagan-pretty-soon","title":"Misha Honcharenko, Skin of Nocturnal Apple","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e‘Love, longing, desire, and death. Misha Honcharenko wraps these eternal subjects around a raw nerve, delivering poems so visceral, anguished, honest, and imaginatively rich, each work possesses its own atmosphere. Although these poems were written before the invasion of Ukraine, they rush into the blank spaces in our minds between front-line updates and casualty reports. Rarely is a poetry collection so hungry for life.’ \u003c\/p\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e— Christopher Bollen\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e‘The worlds that unfold in Misha Honcharenko's poems are at once tender and brutal, precise and capacious, exquisitely sensual even in the face of desolation. Such tonal shifts signal the book's pre-eminent quality, which is an insistence on freedom—freedom of thought, of image, of movement. This is a collection of uncommon urgency and beauty.’\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e— Jason McBride\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e‘There is an ecstasy in these poems, a turning toward the sublime even when they grow dark, a beautiful pulsing. Reading them, I felt like I was walking in a garden, the plants shining in the moonlight.’  \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e— Amina Cain\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e‘As the days of the Russian invasion of Ukraine continue, which at the time of this writing is ongoing, Misha Honcharenko has mindfully and meaningfully arranged a span of years preceding the war that are struck like tinder: elegiac odes to lusts of everyday beauty in its transience. I feel fortunate for the witness he has been.’ \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e— Douglas A. Martin\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e‘Opening the pages of Misha Honcharenko’s book is instantly satisfying. A calm sets in. My eyes dive into the words. And then he puts his finger on something in a way I can recognise like no picture can do.’  \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e— Wolfgang Tillmans\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cem\u003eSkin of Nocturnal Apple\u003c\/em\u003e is the debut collection of Ukrainian artist and poet Misha Honcharenko. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan face=\"Sabon_Roman\"\u003eWritten in the years prior to Russia's invasion in 2022, \u003c\/span\u003e\u003cem\u003eSkin of Nocturnal Apple\u003c\/em\u003e offers a window into the life of a young queer man living and working in the future war-ravaged country. \u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eThe collection is accompanied with an afterword by psychoanalyst and writer Nick Blackburn (\u003cem\u003eThe Reactor\u003c\/em\u003e, Faber 2022)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eCover artwork by the author\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Pilot Press","offers":[{"title":"Default Title","offer_id":47421748314447,"sku":"PK0056","price":12.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_20230638.jpg?v=1695887946"},{"product_id":"copy-of-misha-honcharenko-skin-of-nocturnal-apple","title":"Various, Consciousness Energy Grid","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eA pocket-sized zine containing the CIA's entire '\u003cem\u003eGateway Process\u003c\/em\u003e' document, a report written in 1983, and declassified in 2003, about using a series of exercises to produce states of expanded human consciousness such as astral projection, outer body experiments, and other altered states of mind.\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Pilot Press","offers":[{"title":"Default Title","offer_id":47421756637519,"sku":"PK0057","price":5.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_20230654.jpg?v=1695887976"},{"product_id":"copy-of-various-responses-to-untitled-eye-with-comet-c-1985-by-paul-thek","title":"Various, Responses to Love's Work (1995) by Gillian Rose","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cem\u003eResponses to Love's Work by Gillian Rose\u003c\/em\u003e is the fourth publication in a series of anthologies that seek responses to works of art made during the AIDS crisis.\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan face=\"Sabon_Roman\"\u003e \u003c\/span\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eIn this fourth iteration, responses were sought to the 1995 philosophical memoir \u003cem\u003eLove's Work\u003c\/em\u003e by Gillian Rose.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eContributors\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eIn order of appearance\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eCookie Mueller\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eIan Patterson\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eDodie Bellamy\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eKatherine Franco\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eJames McDermott\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eLotte Crawford\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eMoss Pepe\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eJames Main\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eNick Blackburn\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eThea Petrou\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eJosiah Moktar \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eRoelof Bakker\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eChristopher Madden\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eKashif Sharma-Patel\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eMadeleine Pulman-Jones\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eLucy Swan\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eLou Collins\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eTed Simonds\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eMolly Gough\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eEdward Thomasson\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eRichard Porter\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eAlexandra Symons Sutcliffe\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eCecilia Pavón\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eKate Morgan\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eOlivia Laing\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eAshleigh A. Allen\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eReverend Joyce McDonald\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Pilot Press","offers":[{"title":"Default Title","offer_id":47421785178447,"sku":"PK0060","price":15.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_20230677.jpg?v=1695888047"},{"product_id":"copy-of-various-responses-to-loves-work-1995-by-gillian-rose","title":"Various, Responses to Derek Jarman's Blue (1993)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eResponses to Derek Jarman's \u003cem\u003eBlue\u003c\/em\u003e is the third publication in a series of anthologies from Pilot Press seeking contemporary responses to works of art made during the AIDS crisis.\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cspan face=\"Sabon_Roman\"\u003e \u003c\/span\u003e\u003cspan face=\"Sabon_Roman\"\u003eIn this third iteration, responses were sought to the 1993 film \u003cem\u003eBlue\u003c\/em\u003e by the multidisciplinary artist Derek Jarman.  \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eContributors\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eIn order of appearance \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eRoelof Bakker\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eJared Davis\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eBecca Albee\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eLinda Kemp \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eAshleigh A. Allen\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eDavid Nash\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eSam Moore\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eAnton Stuebner\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eGonçalo Lamas\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eOlivia Laing\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eNate Lippens\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eJason Lipeles \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eJP Seabright\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eAndrew Cummings\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eSig Olson\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eMaria Sledmere\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eCleo Henry\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eJessie McClaughlin\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eLars Meijer\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eScott Treleaven \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eDeclan Wiffen\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eCaitlin Merrett King\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eHarry Agius\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eAntónio Manso Preto\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eAdriana Lazarova\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eBrooke Palmieri \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eD Mortimer\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eMary Manning\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eAaron James Murphy\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Pilot Press","offers":[{"title":"Default Title","offer_id":47421850812751,"sku":"PK0064","price":15.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_20230698.jpg?v=1695888185"},{"product_id":"copy-of-aaron-fagan-pretty-soon-1","title":"Nate Lippens (Ed.), Truant","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem\u003eTruant \u003c\/em\u003efeatures writing and art that addresses queer self-exile: the stories of dropouts, throwaways and runaways; 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One for our immuno-suppressed comrades, shit theorists, pink salt throwers, and their lovers and friends, that is, I hope, everyone.' \u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e— Isabel Waidner, author of \u003cem\u003eSterling Karat Gold\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e'Clay AD’s poetry is for arseholes… \u0026amp; kneecaps, for belly buttons and sweaty crotches, for perforated ear drums and rubbish immune systems. This book is a vessel with feelings for vessels with feelings, transcribed into a trans crip language that I have been waiting for.'\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e— D Mortimer, author of \u003cem\u003eLast Night a Beef Jerk Saved My Life\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eClay AD is a somatic bodyworker, artist and writer living in Glasgow.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eCover artwork and original drawings by Clay AD\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Pilot Press","offers":[{"title":"Default Title","offer_id":47421925818703,"sku":"PK0061","price":12.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_20230681.jpg?v=1695888078"},{"product_id":"copy-of-clay-ad-holy-bodies","title":"Jason Lipeles, Letters to M.","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e'\u003cem\u003eLetters to M.\u003c\/em\u003e reveals the tender truth that all letters to lovers are written first to ourselves. Lipeles’ elegant and urgent prose brilliantly collapses the space between literary and romantic longing, luxuriating in the knowledge that there is no desire without projection. This imagistic slideshow of a book saturates us with the devouring gaze of youthful passion and maturity’s cool stare—a uniquely compelling double consciousness, and one rarely encountered. \u003cem\u003eLetters to M.\u003c\/em\u003e is a moving testament to both the eros of influence and the intellect of desire. A poignant reminder that when traversing the forest of others in search of love, we continually and unexpectedly encounter the self.' - Nicholas Muellner \u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eIn Lipeles's \u003cem\u003eLetters to M.\u003c\/em\u003e, the narrator writes letters addressed to an ex-partner, M. The letters begin as a way to process the disintegration of the relationship and grow into a series of lyric essays, poems, and photographs, which bring his love for M. into conversation with writers' and photographers’ work he admires. The narrator slips between his feelings for M. and his love for writers and photographers such as David Wojnarowicz, Renee Gladman, Frank O'Hara and Carrie Mae Weems in order to foreground intimacy and to begin to close the gap between reader and writer, lover and critic.  \u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eJason Lipeles is a Los-Angeles-based writer and artist. His first chapbook, \u003cem\u003eLetters to M\u003c\/em\u003e., was a finalist for the inaugural Chautauqua Janus Prize. His work has appeared in the Black Warrior Review Online, Yalobusha Review, and the first issue of The Racial Imaginary Institute. He is an alumnus of the AJU Institute for Jewish Creativity's Inquiry Fellowship and Asylum Arts' Reciprocity Artist Retreat. He graduated with a Master of Fine Arts in Image + Text from Ithaca College in 2018.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Pilot Press","offers":[{"title":"Default Title","offer_id":47421933322575,"sku":"PK0062","price":12.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_20230691.jpg?v=1695888114"},{"product_id":"copy-of-jason-lipeles-letters-to-m","title":"Nate Lippens, My Dead Book: A Novel","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eShortlisted for the Republic of Consciousness Prize 2023\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cem\u003eMy Dead Book\u003c\/em\u003e is a novel composed of nonlinear vignettes and fragments about a queer man approaching his fiftieth birthday who is haunted by insomnia and his past. In the dead of night, he remembers his friends who died in the late 1980s and 1990s, his years as a teenage throwaway and sex worker, and ruminates on working class survival, queer aging, AIDS, and whether he has outlived his place in the world.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e“What a blistering book—with \u003cem\u003eMy Dead Book\u003c\/em\u003e, Nate Lippens has created something truly fucking great. It's as if the storied stars of Lou Reed's 'Walk on the Wild Side' overshot Manhattan and wound up in Wisconsin, broke and blue with cold and depressed beyond belief by the thought that this nowhere is now home. It's a bitter pill, but I love bitterness, and who doesn't love pills?”\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e— Derek McCormack, author of \u003cem\u003eCastle Faggot\u003c\/em\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e“There’s no doubt to this book. You’d think that was a flaw but it’s been burned away. \u003cem\u003eMy Dead Book\u003c\/em\u003e is not short though it is brief. It’s loving, bittersweet, and actually courageous because it tells a story that is slightly unbearable because it’s all secret, awful hard bad secrets and funny as hell. Nate’s balancing act works because the heart of it (this novel) is true even though it’s often heartless. It’s simple. He knows what things are worth. When you need the sea or a bird they’re there like they never were before.”\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e— Eileen Myles, author of \u003cem\u003eAfterglow\u003c\/em\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e“This book by Nate Lippens is really moving and beautifully written. Not one superfluous sentence. It’s razor tight. The phantom limbs of what has been excised remains. But still there is so much love and sadness and all the randomness of what makes a life, and who you meet along the way. My ghosts are summoned by his ghosts.” \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e— Hedi El Kholti, editor at Semiotext(e)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e“\u003cem\u003eMy Dead Book\u003c\/em\u003e by Nate Lippens is the most electrifying thing I’ve read in a long time, a poetic, compressed novella about queer loss and addiction that reminded me of Gary Indiana and William Burroughs.”\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e — Olivia Laing, author of \u003cem\u003eCrudo \u003c\/em\u003eand \u003cem\u003eThe Lonely City\u003c\/em\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan face=\"Sabon_Roman\"\u003eCover image by Jimmy DeSana, courtesy Jimmy DeSana Trust\u003c\/span\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Pilot Press","offers":[{"title":"Default Title","offer_id":47421943808335,"sku":"PK0063","price":14.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_20230648.jpg?v=1695888145"},{"product_id":"copy-of-nate-lippens-my-dead-book-a-novel","title":"Derek McCormack, Judy Blame's Obituary: Writings on Fashion and Death","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eDerek McCormack is the author of fashion-inflected novels that cast luminaries such as Elsa Schiaparelli and Balenciaga as characters. This collection brings together for the first time McCormack's fashion journalism. He writes about and interviews fashion figures that fascinate him, tracing the ways they inspire and inhabit his novels. The result is a sort of memoir in essays: as he writes, \"My tribute to [Judy] Blame is about him and about me—there are lots of my own tales woven in with the topics I touch on. The writing here is a sort of autobiography, a life seen through a scrim, or a life as a scrim—my moire mémoire.\"\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cem\u003eJudy Blame's Obituary\u003c\/em\u003e contains twenty years' worth of reminiscences, reviews of fashion shows and books, interviews with writers about fashion, and interviews with fashion designers about writing. He talks to Nicolas Ghesquière about perfume, and to Edmund White about which perfume he wore as a young fag in New York City. He inspects the clothes that Kathy Acker left behind when she died, and he summons the spirit of Margiela in a literary seance. He traces the history of sequins, then recounts the cursed story of Vera West, the costume designer who dressed the Bride of Frankenstein. These pieces were all previously published, some in Artforum, some in The Believer, and some in underground publications like Werewolf Express—what binds them together is a sense that though fashion victimizes us, this victimization is sometimes a sort of salvation.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eAbout the author\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eDerek McCormack is a Canadian writer. His most recent novels are \u003cem\u003eThe Well-Dressed Wound \u003c\/em\u003eand \u003cem\u003eCastle Faggot\u003c\/em\u003e, both published by Semiotext(e). Of \u003cem\u003eCastle Faggot\u003c\/em\u003e, Dennis Cooper said: \"It is really just one of the best books ever, and maybe the greatest novel ever written.\"\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003ePraise for \u003cem\u003eJudy Blame's Obituary\u003c\/em\u003e:\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e‘Derek McCormack, Canada's most famous author as yet unsullied by Nobel Prize or television adaptation, hides in plain sight as a fashion journalist. Parallel to his writing incantatory, scatological fiction, he has reviewed collections and interviewed the great and good of “la mode”. His divagations are often darkly hilarious and always exquisitely tailored. The sublime and the ridiculous coexist in his prose, as they do in life. Fashion victims, ignore his insights at your peril.' — William E. Jones\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan face=\"Sabon_Roman\"\u003e'Derek McCormack is one of my first and most enduring literary heroes. He only writes about what he loves, and has the lover’s rare gift of giving every stray object a proper home. You couldn’t mistake his aesthetic for anyone else’s—even if you were standing as far away as the moon.' \u003c\/span\u003e— Sheila Heti\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan face=\"Sabon_Roman\"\u003e'I am charmed, amused and somewhat obsessed by ‘\u003cem\u003eJudy Blame's Obituary\u003c\/em\u003e’. Derek McCormack observes fashion and art and all its quirks with a sense of factual fabularity and camp mundanity. Stories captured like falling stars and written down like fan facts.’ \u003c\/span\u003e— Princess Julia\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Pilot Press","offers":[{"title":"Default Title","offer_id":47422002364751,"sku":"PK0065","price":15.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_202306661.jpg?v=1695888217"},{"product_id":"copy-of-aaron-fagan-pretty-soon-2","title":"D Mortimer, Last Night A Beef Jerk Saved My Life","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e'Mortimer is one of the most talented writers of our generation and their debut collection proves this. Part essay, part poem, part memoir and part SOS, \u003cem\u003eLast Night a Beef Jerk Saved My Life\u003c\/em\u003e navigates its thematic scope—ranging from transness, queerness and naming to loving and losing—with sensitivity, insight, humour and bravado. Best thing I read this year.' \u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e- Isabel Waidner\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e'Last Night a Beef Jerk Saved My Life is a wonderful and thoughtful reflection on love and beauty and bodies and music and memories, and on the constellations of small things that make up modern queer life.' \u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e- Huw Lemmey\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eD Mortimer is a writer from London focussed on trans crip narratives. Their work (essays, poetry, prose, creative-criticism) has appeared in Granta and been performed at the Institute of Contemporary Art in London (Queers Read This, The Kathy Acker Reading Group). Their short story \u003cem\u003e‘Supermarket Revelations’\u003c\/em\u003e was published in \u003cem\u003eLiberating the Canon: An Anthology of Innovative Fiction\u003c\/em\u003e (ed. Waidner, Dostoyevsky Wannabe: 2018) and a poem-essay, '\u003cem\u003eHow To Draw Hands\u003c\/em\u003e', was published by Warm Yourself by My Trash Fire in 2020. \u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Pilot Press","offers":[{"title":"Default Title","offer_id":47422011736399,"sku":"PK0068","price":12.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_20230685.jpg?v=1695888274"},{"product_id":"copy-of-d-mortimer-last-night-a-beef-jerk-saved-my-life","title":"Sam Moore, All my teachers died of AIDS","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e'Sam Moore addresses what it feels like growing up queer and British in the 1990s when most of your teachers are either dead, and-or American. An important and evocative personal essay on archival absences and erasures, and, in Moore's own words, refusing to die of ignorance even though that's what so many wanted.' \u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e- Isabel Waidner\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eMoving through time and across oceans, writer Sam Moore takes us on a poetic journey of self-discovery through queer history, pop culture and (auto)biography in this deeply personal encounter with queer identity a generation after the AIDS crisis. \u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eExamining the violent political legacy of right-wing governments, the search for liberation through art and the endless quest for self-discovery, \u003cem\u003eAll My Teachers Died of AIDS\u003c\/em\u003e serves as both eulogy and rallying cry, asking us to mourn the dead while lighting a torch to help guide us through grief towards a brighter queer future. \u003cspan\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Pilot Press","offers":[{"title":"Default Title","offer_id":47422027727183,"sku":"PK0069","price":6.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_20230695.jpg?v=1695888303"},{"product_id":"copy-of-copy-of-d-mortimer-last-night-a-beef-jerk-saved-my-life","title":"Various, a queer anthology of wilderness","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eContributions by \u003cbr\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eHarry Agius\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNick Blackburn\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003ePatrick Carew \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eHamish Chapman\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eSimon Costin\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eThe Estate of Jimmy DeSana\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eJames St Findlay \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eClare Fisher\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eDaniel Givens \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eChristopher Hartmann\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eAlex Howe\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eEleanor Jenyns \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003ePrincess Julia\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eKaren Kenst \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eOlivia Laing\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eZoe Leonard\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eSiobhan Liddell\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eAnt M Lobo \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eMary Manning\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eJade Mars\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eLinden Katherine McMahon\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eRebekah Morgan \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eJulia Morgan \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eThe Museum of Witchcraft and Magic\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eEileen Myles\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eJoseph Noonan-Galley\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eRichard Porter\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eLux Pyre\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eGuy Rugeroni \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003ePeter Scalpello\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eOlivia Scott-Berry\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eKelsey Sucena\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eTimothy Thornton\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eUrara Tsuchiya\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNathan Walker\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eFrances Whorrall-Campbell\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003eCover artwork by Tabboo!\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Pilot Press","offers":[{"title":"Default Title","offer_id":47422080778575,"sku":"PK0071","price":15.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_20230704.jpg?v=1695888367"},{"product_id":"copy-of-various-a-queer-anthology-of-wilderness","title":"Various, a queer anthology of healing","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e‘Richard Porter’s Queer Anthology of Healing is a subtle, devastating mix of cuteness and embarrassment, beauty and confession, magic tricks and pain. The artworks and writings in this collection suggest that healing can be achieved through revelation, invocation, observation and disclosure. It’s a much-needed gift right now.’ \u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e— Chris Kraus (author of \u003ci\u003eI Love Dick\u003c\/i\u003e \/ \u003ci\u003eAfter Kathy Acker\u003c\/i\u003e) \u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eContributions by \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"lh-1 font-size-16\"\u003eClay AD\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"lh-1 font-size-16\"\u003eHarry Agius\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"lh-1 font-size-16\"\u003eBarney Ashton-Bullock\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"lh-1 font-size-16\"\u003eDodie Bellamy\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"lh-1 font-size-16\"\u003eJack Bigglestone\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"lh-1 font-size-16\"\u003eNick Blackburn\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"lh-1 font-size-16\"\u003eHelen Cammock\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"lh-1 font-size-16\"\u003eCharity Coleman\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"lh-1 font-size-16\"\u003eSwithun Cooper\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"lh-1 font-size-16\"\u003ePaul Gabrielli\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"lh-1 font-size-16\"\u003eEvan Garza\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"lh-1 font-size-16\"\u003eErica Gillingham\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"lh-1 font-size-16\"\u003eDaniel Givens\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"lh-1 font-size-16\"\u003ePete Hammond\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"lh-1 font-size-16\"\u003eBenedict Hawkins\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"lh-1 font-size-16\"\u003eGeorgie Henley\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"lh-1 font-size-16\"\u003eLubaina Himid\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"lh-1 font-size-16\"\u003eFanny Howe\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"lh-1 font-size-16\"\u003eJasmine Johnson\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"lh-1 font-size-16\"\u003eG.B. Jones\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"lh-1 font-size-16\"\u003eKevin Killian\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"lh-1 font-size-16\"\u003eWayne Koestenbaum\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"lh-1 font-size-16\"\u003eNic Lachance\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"lh-1 font-size-16\"\u003eOlivia Laing\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"lh-1 font-size-16\"\u003eBenedict Leader\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"lh-1 font-size-16\"\u003ePaul Lee\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"lh-1 font-size-16\"\u003eMary Manning\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"lh-1 font-size-16\"\u003eBen Miller\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"lh-1 font-size-16\"\u003eD. Mortimer\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"lh-1 font-size-16\"\u003eMonique Mouton\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"lh-1 font-size-16\"\u003eAnnie Murrells\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"lh-1 font-size-16\"\u003eChuck Nanney\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"lh-1 font-size-16\"\u003eDavid Nash\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"lh-1 font-size-16\"\u003e\u003cspan\u003eIsobel \u003c\/span\u003e\u003cspan\u003eNeviazsky\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"lh-1 font-size-16\"\u003ePaul P. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"lh-1 font-size-16\"\u003eRichard Porter\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"lh-1 font-size-16\"\u003ePeter Scalpello\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"lh-1 font-size-16\"\u003e\u003cspan\u003eHyacinth \u003c\/span\u003e\u003cspan\u003eSchuss\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"lh-1 font-size-16\"\u003eRyan Skelton\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"lh-1 font-size-16\"\u003eVerity Spott\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"lh-1 font-size-16\"\u003eEdward Thomasson\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"lh-1 font-size-16\"\u003eTimothy Thornton\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"lh-1 font-size-16\"\u003eDeclan Wiffen\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"lh-1 font-size-16\"\u003eIan Wooldridge\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003eCover artwork by Richard Porter\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Pilot Press","offers":[{"title":"Default Title","offer_id":47422115086671,"sku":"PK0070","price":15.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_20231121.jpg?v=1698231030"},{"product_id":"copy-of-various-responses-to-derek-jarmans-blue-1993","title":"Various, The Moon and The Echo: Responses to The Moon and The Melodies (1986) by Harold Budd and Cocteau Twins","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cem\u003eThe Moon and The Echo \u003c\/em\u003eis the first in a new series of anthologies from London-based publisher Pilot Press seeking contemporary responses to works of art made during the AIDS crisis.\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"font-size-14 lh-1\"\u003e\u003cspan class=\"font-size-16 lh-1\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"font-size-14 lh-1\"\u003e\u003cspan class=\"font-size-16 lh-1\"\u003eIn the first iteration, responses were sought to the 1986 collaborative studio album\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eThe Moon and The Melodies\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eby the late composer Harold Budd (1936-2020) and the Scottish dream pop band Cocteau Twins. \u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"font-size-16 lh-1\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"font-size-16 lh-1\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cspan class=\"font-size-16 lh-1\"\u003eContributors \u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cspan class=\"font-size-16 lh-1\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cspan class=\"font-size-16 lh-1\"\u003e\u003ci\u003eIn order of appearance\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cspan class=\"font-size-16 lh-1\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cspan class=\"font-size-16 lh-1\"\u003eMichelle Hannah\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cspan class=\"font-size-16 lh-1\"\u003eDavid Nash\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cspan class=\"font-size-16 lh-1\"\u003eEllen Dillon\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cspan class=\"font-size-16 lh-1\"\u003eGabriel Ross\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cspan class=\"font-size-16 lh-1\"\u003eMaria Sledmere\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cspan class=\"font-size-16 lh-1\"\u003eJack Jacques\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cspan class=\"font-size-16 lh-1\"\u003eNick Blackburn\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cspan class=\"font-size-16 lh-1\"\u003eHarry Agius\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cspan class=\"font-size-16 lh-1\"\u003eLauren de Sá Naylor\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cspan class=\"font-size-16 lh-1\"\u003eFemke Zwiep\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cspan class=\"font-size-16 lh-1\"\u003eOndo Fudd\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cspan class=\"font-size-16 lh-1\"\u003eRichard Porter\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cspan class=\"font-size-16 lh-1\"\u003eFreya Johnson Ross\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cspan class=\"font-size-16 lh-1\"\u003ePaul Lee\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cspan class=\"font-size-16 lh-1\"\u003eNina Ines Ward\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cspan class=\"font-size-16 lh-1\"\u003eJames Dearlove\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cspan class=\"font-size-16 lh-1\"\u003eJames Rance\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cspan class=\"font-size-16 lh-1\"\u003eFred Carter\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cspan class=\"font-size-16 lh-1\"\u003eJane Cope\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cspan class=\"font-size-16 lh-1\"\u003eTom Benford\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cspan class=\"font-size-16 lh-1\"\u003eMary Manning\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cspan class=\"font-size-16 lh-1\"\u003eSimon Moretti\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cspan class=\"font-size-16 lh-1\"\u003eRosa Jones\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cspan class=\"font-size-16 lh-1\"\u003eIshika Ball\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cspan class=\"font-size-16 lh-1\"\u003eOliver Ridings\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cspan class=\"font-size-16 lh-1\"\u003eNat Raha\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cspan class=\"font-size-16 lh-1\"\u003eKevin McAleese\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Pilot Press","offers":[{"title":"Default Title","offer_id":47422143660367,"sku":"PK0067","price":12.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_20230678.jpg?v=1695888246"},{"product_id":"viscosetrans","title":"Viscose Issue 4 TRANS","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis special issue of \u003cem\u003eViscose\u003c\/em\u003e critically explores the numerous relationships between transness and fashion. The issue sets out to ask two ambivalent questions: what is a fashion theory of transness, and what might a trans theory of fashion be? Co-edited with scholars Alex Esculapio and Che Gossett, \u003cem\u003eViscose 04\u003c\/em\u003e productively confronts fashion studies with trans aesthetics and trans studies, and attempts to excavate the largely invisible archives of trans history that form the underside of fashion itself.\u003c\/p\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003eThe issue, co-published with Leslie Lohman Museum in New York, features new contributions by a global cast of trans and queer writers, artists, and creatives, responding to the porous notion of “trans cultural production” as a genre full of potentiality. The issue features a wealth of archival and contemporary moments of trans fashion production spanning 50 years. The cover, designed by NYC-based designer and bookmaker Rissa Hochberger, celebrates histories of independent queer publishing, and doubles as a detachable poster.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Viscose","offers":[{"title":"Default Title","offer_id":47424555581775,"sku":"PK0137","price":25.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_20230817.jpg?v=1696000969"},{"product_id":"copy-of-slanted-37-ai","title":"FUKT, #19 The Storylines Issue","description":"\u003cmeta charset=\"utf-8\"\u003eFUKT Magazine, one of the world’s leading, engaging and inspiring drawing magazine returns for its 19th edition. This new release, created during the COVID-19 pandemic looks at the art of narration in drawing.\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cbr\u003eInside, you can expect to see a myriad of illuminating stories unfold both through drawings and interviews. Contributions from established artists Chris Ware, Toyin Ojih Odutola and Brian Rea as well as emerging artists Maria Paz and Xiyu Tomorrow among others make up this issue. \u003cbr\u003e\u003cbr\u003eFounded in 1999 by artist Bjørn Hegardt, FUKT, which translates to “moist” or “damp” in Norwegian and Swedish, is an annual magazine for contemporary drawing based in Berlin and Oslo. Each issue comes with a unique cover by Ariane Spanier who also co-edits and designs the magazine. From issue 16 onwards, the FUKT team began organising each edition thematically: from The Sex Issue on Dirty Drawings to The Words Issue and Fukt The System Issue.  \u003cbr\u003e\u003cbr\u003eSpeaking of the current issue, Hegardt says: “In times of global threats — from the pandemic to climate change, senseless politics, and periods confined to our homes — we may long for stories more than ever. Stories that let us see the world through the eyes of others and help us to make sense of it all, allowing us to remember and to imagine, to understand the unfamiliar, the strange and unknown.” \u003cbr\u003e\u003cbr\u003eThe storyline has been interrogated in a number of ways throughout the edition, taking the reader on a journey from the mythical, to the sequential and the storyboard. For Hegardt, the thread that unites all of the featured artists is that “above all, they are people who create drawings with beautiful, surprising, funny or sad stories. Like always in our magazine, everything revolves around our beloved practice of drawing.” \u003cbr\u003e\u003cbr\u003eFUKT has won multiple awards including D\u0026amp;AD Graphite Pencil 2020, D\u0026amp;AD Wood Pencil 2019 and was awarded cover of the year at Stack Awards in 2019. It has previously been featured on It’s Nice That, magCulture and Stack Magazines.\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"FUKT","offers":[{"title":"Default Title","offer_id":47424574685519,"sku":"PK0041","price":16.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_20231294.jpg?v=1698139423"},{"product_id":"copy-of-fukt-19-the-storylines-issue","title":"FUKT, #20 The Faces Issue","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFUKT Magazine, one of the world’s leading, engaging and inspiring drawing magazine returns for its 20th edition. This new anniversary release looks at the art of portraits in drawing.\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp class=\"\"\u003eWhile creating portraits is as old as humanity, what does that mean today, especially in the age of selfies and social media? After 2 years of a global pandemic and people hidden behind masks FUKT Issue #20 explores and celebrates the human face. Featuring drawings by 34 contemporary artists, we delve into the world of portraiture and the face in contemporary art. Inside the magazine, you’ll discover a range of perspectives and topics, from face blindness, courtroom drawings and lockdown portraits to facial recognition – a selection of drawing positions that present a unique take on the face.\u003c\/p\u003e\n\u003cp class=\"\"\u003eThe cover comes in variations of 24 different printed faces, all of which have a tear-off cover revealing an empty face template on which you can draw any face you want. You can scribble, draw a portrait, simple or elaborate, anything is possible. \u003c\/p\u003e\n\u003cp class=\"\"\u003eFounded in 1999 in Norway by the artist\u003cstrong\u003e \u003c\/strong\u003e\u003cstrong\u003eBjørn Hegardt\u003c\/strong\u003e, FUKT, which translates to “moist” or “damp” in Norwegian and Swedish, the magazine is now based in Berlin and Oslo. Each issue comes with a unique cover by \u003cstrong\u003eAriane Spanier\u003c\/strong\u003e who also co-edits and designs the magazine. From issue 16 onwards, the FUKT team began organising each edition thematically: from \u003cem\u003eThe Sex Issue\u003c\/em\u003e on Dirty Drawings to \u003cem\u003eThe Words Issue\u003c\/em\u003e and \u003cem\u003eFukt The System Issue\u003c\/em\u003e. \u003c\/p\u003e\n\u003cp class=\"\"\u003eFUKT has won multiple awards including Art Director's Club Germany 2021, The ADC Annual Awards 2021 - Silver Cube for publication design, D\u0026amp;AD Graphite Pencil 2020, D\u0026amp;AD Wood Pencil 2019 and was awarded cover of the year at Stack Awards in 2019. It has previously been featured on \u003cem\u003eIt’s Nice That\u003c\/em\u003e, \u003cem\u003emagCulture, Stack Magazines\u003c\/em\u003e and more.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"FUKT","offers":[{"title":"Default Title","offer_id":47424627900751,"sku":"PK0040","price":16.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_20230761.jpg?v=1695902006"},{"product_id":"fukt-21-the-unknown-issue","title":"FUKT, #21 The Unknown Issue","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFUKT Issue #21 returns for another issue to venture into the realms of the Unknown. Featuring drawings by 29 contemporary artists from 18 countries around the world, we explore the uncertainties that inundate our everyday lives, the mysteries that are lurking in the shadows, and the vast potential of life beyond our own universe. The unknown encompasses us, concealed in the past, present, and future - veiled behind the facades of cities and within the depths of our own minds. The question of tomorrow brings both anticipation and a hint of nervousness as we navigate this ever-changing world. In this new edition, we delve into unfamiliar territories and the queries they raise. Our goal is not to shed light on the unknown but rather to blur the lines even further between what we believe we know and what we can imagine.\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp class=\"\"\u003eFounded in Norway by the artist Bjørn Hegardt, FUKT, which translates to “moist” or “damp” in Scandinavian languages, the magazine is now based in Berlin and Oslo. Each issue comes with a unique cover by Ariane Spanier who also co-edits and designs the magazine. From issue 16 onwards, the FUKT team began organising each edition thematically: from The Sex Issue on Dirty Drawings, The Words Issue to Fukt The System Issue and The Faces Issue.\u003c\/p\u003e\n\u003cp class=\"\"\u003eFUKT has won multiple awards including Art Director's Club Germany 2021, The ADC Annual Awards 2021 - Silver Cube for publication design, D\u0026amp;AD Graphite Pencil 2020, D\u0026amp;AD Wood Pencil 2019 and was awarded cover of the year at Stack Awards in 2019. It has previously been featured on It’s Nice That, magCulture, Stack Magazines and more.\u003c\/p\u003e\n\u003cp class=\"\"\u003eArtists:\u003c\/p\u003e\n\u003cp class=\"\"\u003eH.R.Giger, Ellen Gallagher, Amy Cutler, Rithika Merchant, Sanou Oumar, Épi Florifère, Olga Lisowska, Sissel Fredriksen, Hipkiss, Isabell Schulte, Jim Holyoak, Protey Temen, Hsuan-wei Chen, John Kenn Mortensen, Ingrid Koenig, Emma Kunz, Hanna Hennenkemper, Thomas Ravens. Zela Odessa Palmer, Daria Chernyshova, Yuichiro Ukai, Annie Pootoogook, Dede Cipon, Larissa Fassler, Julia Hasting, Andreas Seltzer, Vannessa Baird, Ionel Talpazan, Péter Gallov\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"FUKT","offers":[{"title":"Default Title","offer_id":47424646250831,"sku":"PK0039","price":17.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_20230756.jpg?v=1695901959"},{"product_id":"max-leonard-vintage-alpine-postcards","title":"Max Leonard, Vintage Alpine Postcards","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cp\u003eFeaturing almost a hundred years of dispatches from the Alps, \u003cem\u003eVINTAGE ALPINE POSTCARDS\u003c\/em\u003e celebrates Europe’s great mountain range. It takes us from men in bowler hats with stout ropes nonchalantly crawling over crevasses, through the gilded age of grand hotels and sleigh rides, to the modernist concrete infrastructure of mountaintop restaurants and cable-car stations.\u003c\/p\u003e\n\u003cp class=\"\"\u003eThese postcards frame the changing way we’ve experienced landscape and leisure over more than a hundred years – from the intrepid to the banal, sublime to ridiculous and brutalist to kitsch. And postcards travel through time as well as space, and they arrive with messages from our former selves. Underlying the\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eAlpenkitsch\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003eis a serious exposé of our relationship to nature and how we have carelessly misused the beauties of the natural world.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Isola","offers":[{"title":"Default Title","offer_id":47424730005839,"sku":"PK0042","price":22.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_20231009.jpg?v=1695999819"},{"product_id":"isola-press-further-adventures-in-rough-stuff","title":"Isola Press, Further Adventures in Rough Stuff","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe Rough-Stuff Fellowship Archive volume 2\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp class=\"\"\u003eA second volume of photos and stories from the archive of the oldest off-road cycling club in the world. The original members of the RSF, founded in 1955, were the godfathers and godmothers of off-road cycling as we know it today – mountain bikes, gravel and bikepacking all follow in their tyre tracks.\u003c\/p\u003e\n\u003cp class=\"\"\u003eSince we published\u003cspan\u003e \u003c\/span\u003ethe first book, more that 25,000 new and unseen slides have come into the archive, dating from the 1920s to the 21st century. Volume 2 has more photographers, more photos, more stories… and more bikes where bikes don’t normally go.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Isola","offers":[{"title":"Default Title","offer_id":47425011482959,"sku":"PK0043","price":28.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_20230980.jpg?v=1695999847"},{"product_id":"copy-of-isola-press-further-adventures-in-rough-stuff","title":"Isola Press, The Rio Tape\/Slide Archive","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem\u003eThe Rio Tape\/Slide Newsgroup\u003c\/em\u003e was a community project in the 1980s that met in the basement of the Rio Cinema in Dalston, east London. It taught unemployed local young people photography and sound-recording skills and then sent them out to report on Hackney life. The resulting ‘newsreels’ were then shown on screen at the Rio before the main feature.\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp class=\"\"\u003eThe slides were rediscovered in a battered filing cabinet in the Rio basement during renovation work in 2016. They are a treasure trove of radical community photography depicting protests and activism, street scenes, work, play and 80s Dalston style.\u003c\/p\u003e\n\u003cp class=\"\"\u003eIn addition to the slides, the book features oral histories from more than 25 people connected with the RTSNG, the Rio, or who appear in the photos. It is a treasure trove of stunning images and a time capsule from the radical past with a strong message about the value of community and protest.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Isola","offers":[{"title":"Default Title","offer_id":47425024262479,"sku":"PK0044","price":26.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_20230986.jpg?v=1695999878"},{"product_id":"copy-of-isola-press-the-rio-tape-slide-archive","title":"Max Leonard, Bunker Research","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIn southern France, high above the villas and the pleasure palaces of the Côte d’Azur, there is the Alpine Extension of the Maginot Line. These little-known fortifications were built before the Second World War to protect France from Mussolini. But nobody has successfully invaded over the Alps since Napoleon, and things didn’t quite turn out as the French expected…\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp class=\"\"\u003eNow, the bunkers are marooned, forlorn and crumbling, in some of the most beautiful and remote parts of France. They are disappearing into the landscapes they once commanded, stray facts from a future passed, still waiting for an onslaught that never came.\u003c\/p\u003e\n\u003cp class=\"\"\u003eJoin writer Max Leonard and photographer Camille McMillan as they uncover and document these hidden sites…\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Isola","offers":[{"title":"Default Title","offer_id":47425074790735,"sku":"PK0045","price":27.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_20231004.jpg?v=1695999905"},{"product_id":"thomas-stewart-based-on-a-true-story","title":"Thomas Stewart, Based on a True Story","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eThomas Stewart’s splendid, cinematic poems distil the detritus of late desire—thievery, stain remover, Grindr, a wild oak, satire—into one universal quandary: “to fuck or fight.” Knowingly, dryly, he reveals the bloodless truth. This is the right book for our transactional age.\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRandall Mann\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eAt the heart of this compelling pamphlet lies a sequence of Grindr poems which linger in the mind long after reading due to their vulnerability and crystalline clarity. Here are intelligent and deeply felt poems which continually surprise.\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRichard Scott\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eBrave and brilliant: Thomas Stewart is a name to watch.\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eClaire Askew\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eTaking his cue from pop culture titans and classics - Death Becomes Her, First Wive’s Club, Friends to name a few - Thomas Stewart writes poems that look at the complexities of modern queer lives and how cinema and TV can help heal, empower or, in some cases, shame. Pop culture, Stewart argues, is formative to our identities.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eBased on a True Story also include Stewart’s Grindr poems, which take a nuanced look at sex in the modern transactional age, exploring desire, lust, the need for validation through an authentic lens devoid of judgement.\u003c\/p\u003e","brand":"Fourteen Poems","offers":[{"title":"Default Title","offer_id":47449296077135,"sku":"PK0253","price":8.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_20231274.jpg?v=1698232068"},{"product_id":"remi-graves-with-your-chest","title":"Remi Graves, with your chest","description":"\u003cp class=\"\"\u003e\u003cem\u003ePulling at the cords of gender's curtains, watchful of the slippages of our performative masks, With Your Chest is a luminously generous and vulnerable debut from Remi Graves. Their poems do justice to the failures and violences of category and yet — thirsting for more than this — are courageous enough to refuse to rest there. In a spirit of playfulness, of childhood, of starlings, Graves' poems glance towards the edges from which we leap, attentive not to where we might land, but to how we might take flight.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003eVictoria Adukwei Bulley\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eReading With Your Chest, I'm most dazzled by Remi Graves's restless, inventive imagination. Through linguistic and formal transformations, we follow a speaker wrestling with the mind's capacity for harm and consolation. Graves understands the pleasure and power of fantasizing, summoning boxers and cockapoos, Spiderman and Lisa Bonet in these meditations on desire, race, and the body. Pick up this pamphlet, you too will feel the fantasy.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003eDerrick Austin\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e‘where do you go \/ to write a body’ sets forth the speaker at the beginning of Remi Graves’ beautifully crafted series of poems. What follows is a mesmeric exploration of betweenness and queer longing; a candid mode of pondering upon the embodied experience of trans navigation with the world, of conditioned adaptation to the threat of existing – ‘I hear them ask almost through gritted teeth \/ are we men?’ A facet of what makes Graves’ lines so impactful is their kaleidoscopic observation towards the potential of an actualised self; of the speaker, the animals and individuals they witness; and its limitations in practice – ‘but you don’t \/ know not to look at a ghost \/ unless you can see it’. I really related to and loved this pamphlet, which so assuredly announced Graves as a vital voice in poetry. Their astute reflections on gender, race and the attractions that move us will stay with me.\u003c\/p\u003e\n\u003cp class=\"\"\u003ePeter Scalpello\u003c\/p\u003e\n\u003cp class=\"\"\u003eThe hotly anticipated debut pamphlet from Remi Graves will be landing on September 26th and you can pre-order now!\u003c\/p\u003e\n\u003cp class=\"\"\u003eRemi’s collection of poems looks at race, gender, childhood and relationships. There’s poems about bodies, sex, injustice and love. We can’t wait for you to fall in love with them.\u003c\/p\u003e\n\u003cp class=\"\"\u003eRemi Graves has been published in our anthology (Unwritten opened Issue 4).\u003c\/p\u003e\n\u003cp class=\"\"\u003eA former Barbican Young Poet, Remi’s work has been featured on BBC Radio 4, at St Paul’s Cathedral and elsewhere. Recent commissions include ‘\u003cem\u003edon’t text me, i’m dreaming\u003c\/em\u003e’ for Apples and Snakes and \u003cem\u003e‘On Breathing’\u003c\/em\u003e for Barbican Centre. Remi has taught courses at The Poetry School and delivers workshops in schools and libraries across London and UK. Remi was a 2017 National Poetry Day Ambassador and has performed at Cheltenham Literature Festival, Tate Modern and more.\u003c\/p\u003e","brand":"Fourteen Poems","offers":[{"title":"Default Title","offer_id":47449315737935,"sku":"PK0254","price":8.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_20230590.jpg?v=1695728462"},{"product_id":"david-nash-the-islands-of-chile","title":"David Nash, The Islands of Chile","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003e\u003cem\u003eMelancholia and tangible absence are threaded through these absorbing and delicate poems in which the Chilean islands are lovingly catalogued and characterised by Nash and even given voice – a voice which erupts from the haunted shorelines and archipelagos with a deft and surprising lyric power.\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003eRichard Scott\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003e\u003cem\u003eIn The Islands of Chile, David Nash offers up an entirely new way of relating to the world through a poetry whose aim is ‘not to confine you to words but to write you back into yourself.’\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003e\u003cem\u003eNash riffs on the variousness of Chile’s islands to articulate shifting relations between self, world and other, as we labour under the ‘henpeck we call “breath”’.\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\" id=\"yui_3_17_2_1_1695386869570_325\"\u003e\u003cspan id=\"yui_3_17_2_1_1695386869570_324\"\u003e\u003cem id=\"yui_3_17_2_1_1695386869570_323\"\u003eThis is ecologically minded work, exquisitely tuned to the world’s conditional fragility and ablaze with its own truths and a fierce eros in which ‘to be touched \/ is to be proven.’\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003e\u003cem\u003eAlways aware of the fallibilities and slippage of language where ‘you are not quite your name’ these poems are singular, tender and often breathtaking. Nash wrests with the stuff of language, and lets the reader in on the act, seeking lived truths, stalking love, capturing the strangeness and beauty of sentience.\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003e\u003cstrong\u003eThe Islands of Chile\u003c\/strong\u003e\u003cem\u003e is a dazzling, curious and indefinably brilliant debut. Read it and come alive.\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eSarah Westcott\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003e\u003cem\u003eUsing a variety of experimental approaches and with a singular originality, David Nash constructs a compelling debut publication that grows in power through each section.\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003e\u003cem\u003ePlace, the naming of place and the author’s relationship with it, the natural world, addresses to loved ones and a consideration of the self, all are seamlessly braided together, occasionally seasoned by an awareness of broader culture and more demotic notes. The undercurrent throughout is queer love, presented here with original flair, the eroticism often surfacing from surprising angles.\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003e\u003cem\u003eThe narrative arc develops and grows in intensity, culminating in a final section powerfully focused on mortality and presented in prose form. It is as if the poetry itself has broken into islands, an effect lightly presaged in the prologue which is a slender poem with barely any lines or words.\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003e\u003cem\u003eNash doesn’t merely inhabit the islands of Chile; they inhabit him. This pamphlet is more than ‘promising’, conveying the accomplishment of a first book. More please.\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eEva Salzman\u003c\/p\u003e\n\u003cp class=\"\"\u003e \u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eWe’re thrilled to publish \u003cem\u003eThe Islands of Chile,\u003c\/em\u003e a pamphlet of poems from Irish-born, Chile-based poet David Nash.\u003c\/p\u003e\n\u003cp class=\"\"\u003eThe pamphlet is a collection of poems that try to reimagine islands in the context of queer love, each poem\/island singing to the mainland as they track the course of a relationship. These islands watch and long for connection, their isolation forming deep wells of emotion within them, as they often catalogue their given names and location.\u003c\/p\u003e\n\u003cp class=\"\"\u003eDavid has been published in Issue 5 of our anthology with his poem \u003cem\u003eBlueballs\u003c\/em\u003e, as well as The White Review, Pilot Press’s Queer Poetry anthology, The Stinging Fly and the Dedalus Press anthology \u003cem\u003eLocal Wonders\u003c\/em\u003e.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Fourteen Poems","offers":[{"title":"Default Title","offer_id":47450299105615,"sku":"PK0255","price":8.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_20230580.jpg?v=1695728538"},{"product_id":"micheal-mccann-keeper","title":"Mícheál McCann, Keeper","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem\u003eThe poems in Keeper are by turns sunlit and rain-drenched, tender and elemental, bracing and embracing. Each poem sparkles on the flood of time, blissing in sudden spiritual moments, worked with a playful vision of beauty. Mícheál McCann is a poet of wise, exalting attention: his is a fresh and refreshing new voice in queer poetry.\u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp class=\"\"\u003eSeán Hewitt, author of \u003cem\u003eTongues of Fire and All Down Darkness Wide\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eMícheál McCann writes some of the most beautiful imagery I have come across in poetry. I was bowled over by the generosity of these poems, felt a physical response towards McCann’s poetics of longing, acceptance, and ultimately of safety in Keeper’s act of both individual humanity and togetherness. These poems are slyly laced with humour and sexuality, beckoning you to wade into them, smiling. The occasion of new work from Mícheál McCann is naturally a cause for celebration, and Keeper is exactly that – poems to carry inside you.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003ePeter Scalpello, author of \u003cem\u003eLimbic\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eI felt the charm and magic of Keeper, its gentle enquiry, its tenderness. Felt every line. Full of admiration for Mícheál McCann’s quietly life-affirming work.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eNiven Govinden, \u003cem\u003eauthor of Diary of a Film\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eMcCann is a tender, observant rememberer in whose work togetherness tangles with distance. Togetherness wins. From outset to ouch, this gentle, well-wrought book accompanies us through little things; yet has the courage to come face to face with the sudden immensities that stripe the everyday with surreality. A muddy field gasps with eroticism. A father is helpless foreseeing pain he cannot prevent. Sleep is close to death, but also to lovers and neighbours. The wordcraft of these strong, amused, and tender poems will hold you the way an otter holds its favourite pebble to its heart, lying on its furred and musky back, and playing as if the stream of the present were forever, playing hard while loss whisks just around the corner.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eVahni Anthony Capildeo\u003cem\u003e, author of Like a Tree, Walking\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eWe’re so excited to release Mícheál McCann’s new pamphlet. Keeper is a collection of poems to treasure; loss, love, longing thread through as he tackles the big issues of queerness, family, grief and relationships.\u003c\/p\u003e\n\u003cp class=\"\"\u003eMícheál McCann is from Derry, Northern Ireland and the author of the poetry pamphlet Safe Home (Green Bottle Press, 2020).\u003c\/p\u003e\n\u003cp class=\"\"\u003eHis poems have appeared or are forthcoming in\u003cspan\u003e \u003c\/span\u003ePoetry Ireland Review, Queering the Green, The Manchester Review, Banshee Lit, Ambit, The Tangerine,\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe New Frontier: Contemporary Writing From \u0026amp; About the Irish Border.​\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eMícheál was also featured in Issue 2 of our fourteen poems anthology.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Fourteen Poems","offers":[{"title":"Default Title","offer_id":47450315391311,"sku":"PK0256","price":8.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_20230596.jpg?v=1695728361"},{"product_id":"cleo-henry-the-last-lesbian-bar-in-the-midlands","title":"Cleo Henry, The Last Lesbian Bar in the Midlands","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAn arresting cinema of a book. Vivid, playful and adventurous, The Last Lesbian Bar in the Midlands is a moment, an idea, a sense of future that binds us to the best of each other. Brilliant.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eJoelle Taylor, author of \u003cem\u003eC+nto\u003c\/em\u003e \u0026amp; \u003cem\u003eOthered Poems\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eCleo Henry’s The Last Lesbian Bar in the Midlands opens the door between the body and the landscape of myth: they locate the worlds of ancestry in pissing on Hampstead Health, in Helen of Troy and Cynthia Nixon, in “your hard dyke hands blurring inside a ribcage”, and in the “pit with all of New York”. Cleo has written a remarkable pamphlet.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eTom Bland, author of \u003cem\u003eThe Death of a Clown\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eIntelligent and academic without showing off, discover Cleo Henry and watch them burn a litany of visual-invocations of being sexy without falling on lazy tropes.\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e\u003cem\u003eBite into this collection immediately - and taste it burst.\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eKirsty Allison, editor of Ambit\u003c\/p\u003e\n\u003cp class=\"\"\u003eWe’re launching our 2022 pamphlet season with the thrilling debut pamphlet from Cleo Henry. \u003cem\u003eThe Last Lesbian Bar in the Midlands\u003c\/em\u003e fuses the classics with lesbian culture, fizzing with excitement and wordplay.\u003c\/p\u003e\n\u003cp class=\"\"\u003eWith references to Achilles, Lea De Laria, Carson McCullers, Helen of Troy and Cynthia Nixon, the poems in this pamphlet mesh pop cultural references with mythology while delving into love, sex and modern queer communities.\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Fourteen Poems","offers":[{"title":"Default Title","offer_id":47450376110415,"sku":"PK0257","price":8.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_20230600.jpg?v=1695728310"},{"product_id":"fourteen-poems-issue-7","title":"Fourteen Poems Issue 7","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"\"\u003eIssue 7 is here and we can’t wait for you to read our latest batch of poets.\u003c\/p\u003e\n\u003cp class=\"\"\u003eThis issue covers so much LGBTQ+ ground. Whether it’s toxic masculinity, sex, playing with gender identities or trying to distract yourself from your ex, we hope there’s something for everyone.\u003c\/p\u003e\n\u003cp class=\"\"\u003eAnd our poets are as diverse as ever, from award-winning household names to never-before-published new writers. We hope you fall in love with all of their work.\u003c\/p\u003e\n\u003cp class=\"\"\u003eSo drumroll for your next 14 (or actually 15….)\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eLengths \u003c\/em\u003eby Andrew McMillan\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eLittle Animals\u003c\/em\u003e by lisa luxx\/Ollie O’Neill\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003edysphoria\u003c\/em\u003e by kevanté a c cash\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eObject \u003c\/em\u003eby Helen Bowell\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eUpon Seeing a Pack of Shirtless Men Run Past Me at Golden Hour\u003c\/em\u003e by Joshua Garcia\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eBowl\u003c\/em\u003e by Theophina Gabriel\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eBended\u003c\/em\u003e by Keith Jarrett\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eCremation\u003c\/em\u003e by Brian Sonia-Wallace\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003edrips in a bucket\u003c\/em\u003e by Kat Dixon\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003efissure\u003c\/em\u003e by Day Mattar\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eArgelés-sur-Mer\u003c\/em\u003e by Jim Whiteside\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eBloom\u003c\/em\u003e by Caleb Nichols\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eElegy for Your Southern Twang\u003c\/em\u003e by Steven Sanchez\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eOde to the Drift Glass Necklace My Friend Gave Me\u003c\/em\u003e by Kelly Weber\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Fourteen Poems","offers":[{"title":"Default Title","offer_id":47450383941967,"sku":"PK0258","price":8.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_20231269.jpg?v=1698232144"},{"product_id":"fourteen-poems-issue-8","title":"Fourteen Poems Issue 8","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"\"\u003eIssue 8 is here!\u003c\/p\u003e\n\u003cp class=\"\"\u003eThis hot pink stunner is here and we can’t wait for you to fall in love with these fourteen poems. This time around, we’ve got poets from the UK, US, Ireland, Trinidad, India, Germany and Mexico covering everything from gender, love, legacy, HIV discrimination, sex and more.\u003c\/p\u003e\n\u003cp class=\"\"\u003eAs always, some of our poets are award winning while others are brand new, never-before been published. There’s experimental work alongside more traditional forms; poems written about lived experience matched with more imagined moments. Of course, all fourteen deal with different aspects of modern queer life. We hope you love them all.\u003c\/p\u003e\n\u003cp class=\"\"\u003eDrum roll please - here’s your fourteen poems:\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eman\u003c\/em\u003e by Sanah Ahsan\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eNé\u003c\/em\u003e by James Davis\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003ePoem for Rotting Fruit\u003c\/em\u003e by Umang Kalra\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eDesire Path\u003c\/em\u003e by Jack Cooper\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eI Still Sleep with the Man Who Asks if I’m Clean\u003c\/em\u003e by Dare Williams\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eTusk\u003c\/em\u003e by Joseph Monaghan\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eIs My Body Mine\u003c\/em\u003e by Piero Toto\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eGem\u003c\/em\u003e by Kathryn O’Driscoll\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003elocal\u003c\/em\u003e by Deborah Finding\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eincision\u003c\/em\u003e by Raphael Koranda\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003enotes from (just over) the edge\u003c\/em\u003e by Elizabeth Train-Brown\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eWhy I Will Not Get Out of Bed\u003c\/em\u003e by Andrés N Ordorica\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003ein which the closet is the shell\u003c\/em\u003e by Tonya Johnson\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eDictionary For Love\u003c\/em\u003e by Ashish Kumar Singh\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Fourteen Poems","offers":[{"title":"Default Title","offer_id":47450417693007,"sku":"PK0259","price":8.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_20230614.jpg?v=1695728043"},{"product_id":"fourteen-poems-issue-9","title":"Fourteen Poems Issue 10","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"\"\u003e\u003cmeta charset=\"utf-8\"\u003eTen issues!?! Mind blowing. And we’re just as excited by this one as every single one before.\u003c\/p\u003e\n\u003cp class=\"\"\u003efourteen exciting poets. fourteen different stories. fourteen queer poems.\u003c\/p\u003e\n\u003cp class=\"\"\u003eOur poems from this issue come from The Netherlands, Nigeria, Ireland, the USA, Egypt and, of course, our home right here in London.\u003c\/p\u003e\n\u003cp class=\"\"\u003eThese poems look at gender, love, longing, using a urinal for the first time and sex as self care, among other things. Love is a leather jacket, Beyoncé singing Crazy in Love, defining yourself, horror films, waking up spooning, or your kid dancing in a graveyard.\u003c\/p\u003e\n\u003cp class=\"\"\u003eHere’s your fourteen poem titles.\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003e\u003cem\u003eI Want the Assertiveness of\u003c\/em\u003e by Luke Worthy\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003e\u003cem\u003eUrinals in the Club\u003c\/em\u003e by Jaime Lock\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003e\u003cem\u003etypes of woman i could have been\u003c\/em\u003e by P Hodges Adams\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003e\u003cem\u003eThe Bath Salts\u003c\/em\u003e by David McGovern\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003e\u003cem\u003e50\u003c\/em\u003e by Niven Govinden\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003e\u003cem\u003eAubade\u003c\/em\u003e by Michael McKimm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003e\u003cem\u003ewatching men walk from the library window, thinking about love\u003c\/em\u003e by Jesse Ogbeide\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003e\u003cem\u003eThe Hug\u003c\/em\u003e by SK Grout\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003e\u003cem\u003eMichael Jacket\u003c\/em\u003e by Nour Kamel\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003e\u003cem\u003ePortrait of My Lover as a Leather Jacket\u003c\/em\u003e by Lara Mae Simpson\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003e\u003cem\u003eDance on my Grave\u003c\/em\u003e by Amy Acre\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003e\u003cem\u003esplit\/ting\u003c\/em\u003e by JP Seabright\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003e\u003cem\u003eBaby’s Rosemary\u003c\/em\u003e by Toby Buckley\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003e\u003cem\u003eLucifer\u003c\/em\u003e by Tom Bland\u003c\/span\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Fourteen Poems","offers":[{"title":"Default Title","offer_id":47450452721999,"sku":"PK0260","price":8.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_20230609.jpg?v=1695728092"},{"product_id":"fourteen-poems-issue-11","title":"Fourteen Poems Issue 11","description":"\u003cdiv class=\"product-excerpt\" data-content-field=\"excerpt\" id=\"yui_3_17_2_1_1695388316684_122\"\u003e\n\u003cp class=\"\"\u003eWe’re so thrilled to reveal the cover and line-up for Issue 11, in all its burnt orange glory!\u003c\/p\u003e\n\u003cp class=\"\"\u003eFourteen queer contemporary poets, from Europe, Asia, North and South America and, hilariously, round the corner from our HQ in east London.\u003c\/p\u003e\n\u003cp class=\"\"\u003eAs always, we want each issue to reflect a diversity of ideas and experiences within the LGBTQ+ community and we hope these fourteen do that for you all.\u003c\/p\u003e\n\u003cp class=\"\"\u003eThere’s poems about queer childhood (“\u003cem\u003emango drawing\u003c\/em\u003e” by Gayathiri Kamalakanthan) and urging to push against the boundaries in that childhood (“\u003cem\u003eRed Jumper\u003c\/em\u003e” by Annie Brechin). There’s also Gustav Parker Hibbett’s “\u003cem\u003eHigh Jump as Icarus Story\u003c\/em\u003e”,which packs so many ideas in but at its core is perhaps a look at why queer kids push themselves so hard (spoiler: we all want to be loved).\u003c\/p\u003e\n\u003cp class=\"\"\u003eAnd speaking of love, there’s heartbreak (“\u003cem\u003eBroken\u003c\/em\u003e” by Nathan Evans) and how poetry can be used to vocalise that ache (“\u003cem\u003eStacks\u003c\/em\u003e” by Sarah Donley) – but also a celebration of everyday relationships, whether that be home-haircuts in “\u003cem\u003eA Latin American Sonnet CXXVII\u003c\/em\u003e” by Leo Boix or the safety of co-habiting with your love in A. Shaikh’s “\u003cem\u003eDomesticity\u003c\/em\u003e”.\u003c\/p\u003e\n\u003cp class=\"\"\u003ePoems in Issue 11\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eIf Polari was a kind of Birdsong\u003c\/em\u003e by Kym Deyn\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eRed Jumper\u003c\/em\u003e by Annie Brechin\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003emango drawing\u003c\/em\u003e by\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eGayathiri Kamalakanthan\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003e\u003cem\u003eA Latin American Sonnet CXXVII\u003c\/em\u003e by Leo Boix\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003e\u003cem\u003eStack\u003c\/em\u003e by Sarah Donley\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003e\u003cem\u003eChaturanga\u003c\/em\u003e by Shaun Hill\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003e\u003cem\u003eHigh Jump as Icarus Story\u003c\/em\u003e by Gustav Parker Hibbett\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003e\u003cem\u003eBroken\u003c\/em\u003e by Nathan Evans\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003e\u003cem\u003eDomesticity\u003c\/em\u003e by A. Shaikh\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003e\u003cem\u003eFugue\u003c\/em\u003e by Nico Amador\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003eAlighting at the Beginning and End of the Line by Minying Huang\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003e\u003cem\u003eButter\u003c\/em\u003e by Alex Mepham\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003e\u003cem\u003eSong in Three Voices\u003c\/em\u003e by Freya Jackson\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003e\u003cem\u003eFinal Boy Finding a Husband\u003c\/em\u003e by Stephen S. Mills\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Fourteen Poems","offers":[{"title":"Default Title","offer_id":47450470187343,"sku":"PK0261","price":8.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_20230604.jpg?v=1695728152"},{"product_id":"gustave-kahn-the-solar-circus","title":"Gustave Kahn, The Solar Circus","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e“Have I understood the philosophy of\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Solar Circus\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ecorrectly? One must savor life in a few fevered grasps, as one might squeeze all of the juice and all of the beauty from a fruit, before casting aside its useless skin.” — Albert Mockel\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e“Henceforth,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Solar Circus\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eshall be one of the two or three novels that I savor during the quiet hours of dream and melancholy, when the soul surrenders to the painful nostalgia of infinity and the beyond.” — Filippo Tommaso Marinetti\u003c\/p\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cem data-mce-fragment=\"1\"\u003eThe Solar Circus \u003c\/em\u003eis the great forgotten masterpiece of French Symbolist literature. Written by Gustave Kahn—the man whom Stéphane Mallarmé and Jules Laforgue credited as inventing free verse poetry—the novel drips in decadent images of pastoral vistas, exotic gemstones, merfolk, and a phantasmagoric menagerie. Inverting day for night and reality for a dazzling dream, \u003cem data-mce-fragment=\"1\"\u003eThe Solar Circus\u003c\/em\u003e tells the story of a solipsistic, isolated Bavarian count who falls in love with the star of a traveling circus. Their relationship, in both love and jealousy, dramatizes that great tension between the inner life of contemplation and the dynamic beauty of the external world. And as they set out from the count’s castle, the couple examines this duality while encountering a world in transformation: peasants in rebellion, the bright lights of London’s Orpheum theater, and even an ether-swilling Jack the Ripper who analyzes humanity through a fog of opium.\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003eBest known as a poet and member of the Symbolist movement,\u003cspan\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eThe Solar Circus\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eshowcases Kahn’s talents as a narrative writer and bears the hallmarks of many of the poetic endeavors unique to late 19th century. Indeed, in the same way that the novel’s circus coaxes the count out of oppressive isolation, so too does Kahn’s prose lead the reader in new and fantastic directions.\u003cspan\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eThe Solar Circus\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003eis a text unlike any other, one that vacillates effortlessly between imagistic poetry and obliquely philosophical prose, prefiguring those seminal 20th century works of Modernist literature which would appear more than two decades later.\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003eThis publication marks not only the novel’s first appearance in English but also its first independent reissue since it was published in 1898.\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Solar Circus\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ehas been newly translated by Sam Kunkel, a scholar of 19th century Symbolist literature. Kunkel has also provided translations for the First To Knock collection \u003cem data-mce-fragment=\"1\"\u003eEchoes of a Natural World—Tales of the Strange \u0026amp; Estranged\u003c\/em\u003e (2020) as well as \u003cem data-mce-fragment=\"1\"\u003eA Beam of Sunlight in the Deep Forest—Mystical Prose Works by Édouard Schuré\u003c\/em\u003e (2021).\u003c\/div\u003e\n\u003cp\u003e“It is a tale that is lucid, transparent, crystalline, but also enveloped in, and thick with, legend and dream. Is it an adventure or a daydream?... [A] blend of novel and legend, of poetry and prose: this transient world, dotted with figures who are painted with disarming clarity and soft style give to\u003cspan\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eThe Solar Circus\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eits enigmatic and persistent charm. This novel is a true dream, drained and exhausted by the vigor of logic and thought.” — Léon Blum\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e“[With\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Solar Circus\u003c\/em\u003e,] Kahn is perhaps the only Symbolist to have successfully composed a novel free from the Naturalist mindset still perceptible in\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eAgainst Nature\u003c\/em\u003e.” — Sophie Basch, professor of 19th century French literature at the Sorbonne\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"First To Knock","offers":[{"title":"Default Title","offer_id":47451189707087,"sku":"PK0024","price":15.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_2023059511.jpg?v=1705663116"},{"product_id":"edouard-schure-a-beam-of-sunlight-in-the-deep-forest-mystical-prose-works","title":"Reagan M. Sova, Wildcat Dreams in the Death Light","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"pagingInfo\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e“…[a] beautiful multi-colored, multi-vocal, multi-sentimented tapestry… This is a very, very special book… It’s incredible that any human was able to pull off something like this in 2022. Do not deprive yourself of the experience of\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eWildcat Dreams in the Death Light\u003c\/em\u003e.” —\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eLeaf by Leaf\u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cem\u003eWildcat Dreams in the Death Light\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis an incantatory work of narrative poetry. Infused with hobo melancholy, Jewish lore, bloodshed, and hilarity, this epic poem is nothing short of a contemporary masterpiece.\u003c\/div\u003e\n\u003cdiv\u003eSet in 1910s America,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eWildcat Dreams in the Death Light\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003etraces young Mort Sloman’s odyssey to honor his jockey uncle—the only dead man ever to have won a horse race. But before Mort can organize a worthy funeral, he must acquire “the Locksmith keys”—a form of esoteric knowledge beyond the understanding of even graybeard rabbis.\u003c\/div\u003e\n\u003cdiv\u003eUndeterred, Mort sets out across the United States with a tree knife and a guitar in order to uncover this mystical secret. In the process, he joins a circus and falls in love with an acrobat. He navigates the dream-world. He witnesses the birth of cinema and the outbreak of World War I. He hops trains and dodges con men. With the help of Big Bill Haywood and the Wobblies, Mort unionizes his adopted family against an oppressive ringleader and his private detectives. And he sings his way out of danger more than once—always holding on to the promise of revelation and peace.\u003c\/div\u003e\n\u003cdiv\u003eRelentless in its pace and cornpone in its sensibility,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eWildcat Dreams in the Death Light\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003edepicts the complexity of America with a passion only possible through poetry. This is a work that begs regular rereadings and years of contemplation.\u003c\/div\u003e\n\u003cdiv\u003e“\u003cem\u003eWildcat Dreams\u003c\/em\u003e\u003cem\u003e in the Death Light\u003c\/em\u003e is a magical romp around a tumbledown version of America. Sova’s imagination twirls and furls boisterous tales triggered by a ride on a stallion nicknamed 'Sweet Kiss of Death.' [This poem] is not made for the faint of heart.” —Bob Nastanovich, Pavement and Silver Jews\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e“Epic, strange, wildly creative, and masterfully told.” — John Yohe, author of \u003cem data-mce-fragment=\"1\"\u003eCafé Schilling\u003c\/em\u003e and \u003cem data-mce-fragment=\"1\"\u003eWhat Nothing Reveals\u003c\/em\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cem data-mce-fragment=\"1\"\u003e\u003c\/em\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003eAbout the Poet:\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003eReagan M. Sova is an American living in Belgium. His writing career began when he was orphaned at the age of 16. At that time, Sova developed an idiosyncratic gambling method in the casinos of northern Michigan. These bets financed a flight to Paris where, at 20, he first discovered the power of literature. Since then, Sova has produced poetry and prose that have been featured in Ghost City Review, Common Dreams, and Expat Press. He also authored Tiger Island (Harvard Square Press, 2017), an alternate history novel about water privatization, soccer, anarchosyndicalism, and WikiLeaks. In addition to writing poetry and fiction, Sova serves as a writer and editor at The European Institute for Animal Law \u0026amp; Policy, a Brussels-based think tank that seeks to advance the interests of animals in European law and policy.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"First To Knock","offers":[{"title":"Default Title","offer_id":47451378876751,"sku":"PK0028","price":14.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/PK0028_Wildcat_Dreams.jpg?v=1695897708"},{"product_id":"beauty-papers-issue-9","title":"Beauty Papers Issue #9","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003ePlease note that this issue has multiple cover variations. We will be unable to select specific covers and you may not receive the one pictured. It's lucky dip.\u003c\/p\u003e\n\u003cp\u003eBeauty Papers Issue 9. With: Maggi Hambling, Jackie Nickerson, Glen Luchford, Yadim, Nick Sethi, Zanele Muholi, Sunil Gupta, Harley Weir, Dominick Sheldon, Lea Colombo, Lucy Bridge, Piczo, Bibi Borthwick, Simon Emmett, Paul Kooiker.\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Beauty Papers","offers":[{"title":"Default Title","offer_id":47451541111119,"sku":"PK0022","price":19.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/PK0022_Beauty_Papers9.jpg?v=1695738801"},{"product_id":"copy-of-beauty-papers-issue-10","title":"Beauty Papers Issue #10","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"pagingInfo\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003ePlease note that this issue has multiple cover variations. We will be unable to select specific covers and you may not receive the one pictured. It's lucky dip.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eA cathartic explosion of personal reflections on the beauty of delete and the culture of beauty X X X X X\u003c\/p\u003e\n\u003cp\u003eBikramjit Bose, Lucy Bridge, Blaire Catherine, Jake Chapman, Laurence Ellis, Jermaine Francis, Cho Gi-Seok, Gilbert \u0026amp; George, Inge Grognard, Oliver Hadlee Pearch, Sohrab Hura, Kalpesh Lathigra, Rafal Milach and The Archive of Public Protests (A-P-P), Haley Morris-Cafiero, Shirin Neshat, Jackie Nickerson, Way Perry, Lucia Pieroni, Vanessa Reid, Richard Riakporhe, Pa Salieu, Collier Schorr, Casper Sejersen, Ronald Stoops, Anthony Turner, Drew Vickers, Harley Weir.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Beauty Papers","offers":[{"title":"Default Title","offer_id":47451549040975,"sku":"PK0023","price":19.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/PK0023_Beauty_Papers10.jpg?v=1695738952"},{"product_id":"bobby-bluejacket-the-tribe-the-joint-the-tulsa-underworld","title":"Michael P. Daley, Bobby BlueJacket: The Tribe, The Joint, The Tulsa Underworld","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e“Insightful, angry, straightforward, reminiscent of the subterranean classic, \u003cem\u003eYou Can’t Win\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eby Jack Black—Daley’s\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eBlueJacket\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003epulls no punches describing a long life as fascinating as it is heartbreaking in its details.”—Jack Womack, \u003cem\u003eRandom Acts of Senseless Violence\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cspan data-mce-fragment=\"1\" class=\"readable\" id=\"reviewTextContainer3516490340\"\u003e\u003cspan data-mce-fragment=\"1\" id=\"freeText13338382151294355339\"\u003eBrilliant book...\u003cspan data-mce-fragment=\"1\" id=\"freeText1641636906969043259\"\u003e\u003cspan\u003e \u003c\/span\u003ea book of history that suggests that in the right hands anyone could be plucked from the crowd and in the proper hands and mind written into an iconic figure in a wide-ranging book of history and sociology, and, inevitably psychology.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\"—Rick Harsch,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Manifold Destiny of Eddie Vegas\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/strong\u003e“This book is not only a fascinating and richly detailed biography of a wily child of the Great Depression who at an early age drifted into a life of serious crime and serious punishment, it is also an intimate portrait of his complex emotional and intellectual life. Bobby BlueJacket. The story is as good as the sound of his beautiful name.”—Ron Padgett, \u003cem\u003eBean Spasms\u003c\/em\u003e and \u003cem\u003eOklahoma Tough: My Father, King of the Tulsa Bootleggers\u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cem\u003eBobby BlueJacket\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eilluminates a neglected history of American crime, identity, and politics in the 20th century. This is the extraordinary true story of a man who went from career thief and convicted killer to celebrated prison journalist\u003cspan\u003e—\u003c\/span\u003eultimately becoming a respected Eastern Shawnee activist and orator. \u003ci\u003eBobby BlueJacket\u003c\/i\u003e draws upon 5 years of interviews with the subject, long-buried law enforcement and trial records, prison archives, news accounts, and interviews with others such as photographer Larry Clark and veteran reporters of Tulsa's crime beat.\u003c\/div\u003e\n\u003cdiv\u003eBorn in 1930, BlueJacket came of age as a Native American in white Oklahoma—passing through teenage rumbles, scheming pool halls, and Midwest safecracker crews. While incarcerated, he remade himself as a prison journalist. By the 1970s, he would act as a political impresario, used tire salesman, prison rodeo emcee, and later as a venerable tribal elder. At each turn, BlueJacket sought out success and self-definition by any means necessary. More than just an underworld tale—\u003cem\u003eBobby BlueJacket\u003c\/em\u003e is an in-depth exploration of one man’s experience in a brutal post-war world.\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cem\u003eBobby BlueJacket\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ehas been featured in Los Angeles Review of Books, Tulsa World, Weird History, Bustle, This Land Press, and Public Radio Tulsa\/NPR. The book was nominated for best non-fiction work for the 30th annual Oklahoma Book Awards.\u003c\/div\u003e\n\u003cp\u003e“It’s a compelling read, full of violence and heart.”—Joshua Kline, \u003cem\u003eThis Land Press\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“An amazing cultural history as much as it is a story of Bobby BlueJacket.”—Rich Fisher, Public Radio Tulsa\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"First To Knock","offers":[{"title":"Default Title","offer_id":47481894142287,"sku":"PK0025","price":15.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/PK0025_Bobby_Blue.jpg?v=1695897413"},{"product_id":"edouard-schure-a-beam-of-sunlight-in-the-deep-forest-mystical-prose-works-1","title":"Édouard Schuré, A Beam of Sunlight in the Deep Forest—Mystical Prose Works","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e“[Schuré is], in our time, the sole man of persuasion for whom the few Mysteries which haunt some of us are natural and part of a magnificent birthright.” — Stéphane Mallarmé\u003c\/p\u003e\n\u003cdiv title=\"Page 1\" data-mce-fragment=\"1\"\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eÉdouard Schuré was a 19th century French author and occultist who spent his life attempting to translate the ineffable realm of spiritual knowledge into literature. Prolific and enigmatic, Schuré navigated many of the seminal movements of his time, developing friendships with prominent figures such as Friedrich Nietzsche, Stéphane Mallarmé, and Richard Wagner. Yet, despite these affinities, Schuré refused to adhere to any one group or dogma. Perhaps due to his singular persona, he has since lived in a netherworld of historical neglect.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eA Beam of Sunlight in the Deep Forest\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis a landmark collection of Schuré’s prose works, offering a robust introduction to the forgotten figure. Among the texts included are the never-before-translated\u003cspan\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eProses mystiques\u003c\/em\u003e, short pieces invoking disembodied voices, philosophical anguish, and dark woods haunted by a virgin cloaked in a panther pelt. Central to the collection is\u003cspan\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eThe Angel and the Sphinx\u003c\/em\u003e, Schuré’s hallucinatory novel of sexual possession and spiritual longing set against a Germany of fog‐enshrouded mountaintops infused with black magic. Also included is \"Aeolian Harps,\" a never-before-translated reminiscence of a boyhood mystical experience at the Baden spa, as well as an examination of notable correspondence with Nietzsche, Mallarmé, and Wagner. Taken together, these texts offer truths about the artistic process and the spiritual development of humanity in the face of an ever more industrialized, and secularized, world.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAll texts in\u003cspan\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eA Beam of Sunlight in the Deep Forest\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eare newly translated and presented with an introduction by Sam Kunkel, a scholar of 19th century religious literature. Kunkel has also provided translations for the First To Knock collection\u003cspan\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eEchoes of a Natural World—Tales of the Strange \u0026amp; Estranged\u003c\/em\u003e.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"First To Knock","offers":[{"title":"Default Title","offer_id":47481906561359,"sku":"PK0026","price":15.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_202304711.jpg?v=1705311868"},{"product_id":"pennies-in-a-stream-great-moments-in-printed-advertising-1918-1984","title":"Pennies in a Stream: Great Moments in Printed Advertising 1918 – 1984","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"css-901oao css-16my406 r-1qd0xha r-ad9z0x r-bcqeeo r-qvutc0\"\u003e\"If you, like me are a fan of humankind’s collective ephemeral detritus, I highly recommend Michael P. Daley's \u003c\/span\u003elatest triumph\u003cspan\u003e \u003c\/span\u003e\u003cem\u003ePennies in a Stream\u003c\/em\u003e. Supper Clubs, Dinner Theatre, Nudie Bars, you name it. Catch you later for dinner and dancing in The Ripple Room?\" —Simeon Lipman, \u003cem\u003eAntiques Roadshow\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe secret history of mid-century America might've been just another Saturday night after all.\u003cspan\u003e \u003c\/span\u003e\u003cem\u003ePennies in a Stream\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ehaphazardly documents the nation's surreal suburbanesque diversions through an illogical dreamscape of 20th century newspaper advertisements—some might call it accidental backpage genius. Blatant ballyhoo from cocktail lounges, 60s strip clubs, evangelical churches, appliance warehouses, b-movie theaters, and chop suey joints of yore.  It is commercial America at its most sublime, boorish, and cosmically mundane—a verifiable discount rack memento mori. This is the expanded second edition offering even more mesmerizing eyebleed action.\u003c\/p\u003e\n\u003cp\u003e\"Among much else the book illustrates how for about forty years every motel nationwide once had its own lounge singer or combo, until suddenly they didn’t.\"—Jack Womack, \u003cem\u003eLet's Put the Future Behind Us\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eand \u003cem\u003eElvissey\u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv\u003eSecond Edition. Edited and with a preface by Michael P. Daley. \"An open invitation\" by Edward Lasala.\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"First To Knock","offers":[{"title":"Default Title","offer_id":47481956467023,"sku":"PK0027","price":17.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_20230805.jpg?v=1695999598"},{"product_id":"kevin-killian-argento-series","title":"Kevin Killian, Argento Series","description":"\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eReprinted for the first time in over twenty years, Kevin Killian’s first book of poetry is an audacious, operatic dive into the darkest recesses of the AIDS crisis. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eIn 1991, Killian reported he was “frozen, unable to think of a way to write about AIDS crisis”. A year later, his friend Kathy Acker suggested the “films of Dario Argento as a prism through which to take apart horror of living and dying in AIDS era”. The result is \u003cem\u003eArgento Series\u003c\/em\u003e, framing Killian’s real-life experience of losing his friends and lovers to the disease through the camera lens of Italian horror filmmaker, Dario Argento. Here, AIDS is cast as the horror film monster, wreaking cold, unfeeling chaos and destruction wherever it finds itself. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eBlending a chilling, impersonal observation of death with Killian's typical high camp, tenderness and O'Hara-like wit, the poems use unflinching honesty and gallows humour to devastating effect. In \u003cem\u003eArgento Series\u003c\/em\u003e, Killian finds expression for a crisis, and moment in history, that changed everything, forever.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eKevin Killian (1952-2019) was a San Francisco-based poet, novelist, playwright, and art writer. Recent books include Fascination: Memoirs and the poetry collections Tony Greene Era and Tweaky Village. He is the coauthor of Poet Be Like God: Jack Spicer and the San Francisco Renaissance, the first biography of the important US poet. With Dodie Bellamy, he coedited \u003cem\u003eWriters Who Love Too Much: New Narrative Writing, 1977–1997\u003c\/em\u003e. He died in 2019. \u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003ePraise for \u003cem\u003eArgento Series\u003c\/em\u003e:\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e'Here is Kevin Killian, pounding with bloodied fists on Poetry’s door. My heart swells with pride as I claim his masterpiece for our beleaguered city. \u003cem\u003eArgento Series\u003c\/em\u003e is Kevin’s Lament for the Makers, a monument reaching half-way to the stars for our fallen stars and every big dream of the world lost to AIDS.’ \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e— Robert Glück, author of \u003cem\u003eMargery Kempe\u003c\/em\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e‘Lush, tossed off and incisive, there's no other American poet who lived more vividly on the page of his time and its culture—center, edges all of it. Kevin's \u003cem\u003eArgento Series\u003c\/em\u003e is a treat and a complete fact. Grab this volume, fast.’\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e— Eileen Myles, author of \u003cem\u003eChelsea Girls\u003c\/em\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e‘High weirdness, thorny beauty, cruel loss – it's all here, in Kevin's voice, and always will be. We will never stop needing this book.’\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e— Anne Boyer, author of \u003cem\u003eThe Undying\u003c\/em\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e'At once tender and terrifying, \u003cem\u003eArgento Series\u003c\/em\u003e is a dispatch from the end of the world. Moving through Italian horror, memories of lost friends, and the long shadow of the AIDS crisis, Killian finds a language for the impossible. This collection is as urgent and vital as ever, seeing the light of day after being unobtainable for far too long.'\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e— Sam Moore, author of \u003cem\u003eAll My Teachers Died of AIDS \u003c\/em\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e'What Jackson Pollock said of himself, I will say of Kevin Killian: he is nature. \u003cem\u003eArgento Series\u003c\/em\u003e takes its title and frame from the Italian horror film maker Dario Argento but the effect is 100% Killian. Which is nature itself. Argento Series was written out of the carnage of the AIDS crisis. The poems are haunting, somnambulant, aggressive, plaintive, uncompromising, sullen, hilarious, brilliant, and outraged, creating a dynamic theatre of true horror. \u003cem\u003eArgento Series\u003c\/em\u003e now takes its place alongside the other queer masterworks of San Francisco poetry, including: Robert Duncan’s \u003cem\u003eThe Opening of the Field,\u003c\/em\u003e John Wiener’s \u003cem\u003eThe Hotel Wentley Poems\u003c\/em\u003e, and Jack Spicer’s \u003cem\u003eLanguage.\u003c\/em\u003e It’s important we have this title available again for new readers.'\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e— Peter Gizzi, author of \u003cem\u003eSky Burial\u003c\/em\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e'Through the fake horror of Dario Argento’s giallo movies, legendary writer and editor Kevin Killian captures the true horror of living through the AIDS crisis. ‘The poetry was in the gore,’ Killian writes, and these poems are unsane, trembling, lesioned, possessed; horrorcore whimsy, rotting camp. With all the mordant, adrenal wit of a slasher movie’s final girl, his \u003cem\u003eArgento Series\u003c\/em\u003e is a survivor’s story, vividly retold.’\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e— Diarmuid Hester, author of\u003cem\u003e Nothing Ever Just Disappears\u003c\/em\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eForeword by Derek McCormack\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\"\u003eCover artwork by Hedi El Kholti\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Pilot Press","offers":[{"title":"Default Title","offer_id":47482194035023,"sku":"PK0276","price":12.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_20231248.jpg?v=1698232237"},{"product_id":"helen-bowell-ed-bi-lines-an-anthology-of-contemporary-bi-poetry","title":"kevanté ac cash, o f f e r i n g s","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\" class=\"\"\u003eWhat people are saying about “o f f e r i n g s”\u003cbr\u003e\u003cbr\u003ePress your ear to the queer conch shell of kevanté ac cash’s “o f f e r i n g s” to hear the Caribbean future. In poems that audaciously, exquisitely trample the rigidities of a sexual binary, cash strives to show speakers in possession of their full, fragmented selves: agonized by familial and societal trauma, yet cleaving to what makes them whole: found community spaces; the vivid beauty of the Bahamian landscape; the molten balm of Black women’s erotic love.\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThis work not only invites your witness; it demands it. These poems are spatial acrobats, creating urgent defiances across the blank page. They take up room, confront your gaze, saying, “we deserve all the world can give us, and love, too”.\u003c\/em\u003e\u003cbr\u003eShivanee Ramlochan\u003cbr\u003e\u003cbr\u003e\u003cem\u003eLiving at the crossroads of lovers, lineage aan (chosen) family, “o f f e r i n g s” is remedy on the page. here, each of kevanté’s poems are a sacrifice. of fear. shame. aan ego. a giving up which brings us as readers what we all long for - connection.\u003c\/em\u003e\u003cbr\u003eTanicia Pratt\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThis is a collection of poems with a strong sense of spirit and honesty - to us and to self -as we move through the trinity of ‘for love’, ‘for self’, and ‘for community’. cash deals with their themes with a style that blends gentleness with tenacity. With Bahamian Creole English accompanying us through it all, we are carried through a conversation around place, identity, and tenderness. It’s beautiful. We become better from reading this.\u003c\/em\u003e\u003cbr\u003eMadelaine Kinsella\u003cbr\u003e\u003cbr\u003ekevanté ac cash’s “o f f e r i n g s” is the debut pamphlet from one of the most exciting contemporary poets around. It’s also the first of our new batch of pamphlets for 2023\/24.\u003cbr\u003e\u003cbr\u003eA collection of poems looking at communities and how vital they are to the queer experience, “o f f e r i n g s” is an example of kevanté’s vivid and exciting poetry. The book comes in three parts: For Love, For Self, and For Community, with poems looking at sex, gender, family and legacies.\u003cbr\u003e\u003cbr\u003eThese poems are radical in their approach to form, with the poems playing with a sense of space on the page. 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McCardle\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\" data-mce-style=\"font-family: Sabon_Roman;\"\u003eDonald Butler\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\" data-mce-style=\"font-family: Sabon_Roman;\"\u003eBrooke Palmieri\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\" data-mce-style=\"font-family: Sabon_Roman;\"\u003eAntony John\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\" data-mce-style=\"font-family: Sabon_Roman;\"\u003eObe Alkema\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\" data-mce-style=\"font-family: Sabon_Roman;\"\u003eDavid Leal\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\" data-mce-style=\"font-family: Sabon_Roman;\"\u003eLucy Swan\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\" data-mce-style=\"font-family: Sabon_Roman;\"\u003eElla Duffy\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\" data-mce-style=\"font-family: Sabon_Roman;\"\u003eMary Manning\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\" data-mce-style=\"font-family: Sabon_Roman;\"\u003eDavid Lawrie\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\" data-mce-style=\"font-family: Sabon_Roman;\"\u003eRichard Porter\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\" data-mce-style=\"font-family: Sabon_Roman;\"\u003eTroy Fielder\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\" data-mce-style=\"font-family: Sabon_Roman;\"\u003eAnne Tallentire\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Sabon_Roman\" data-mce-style=\"font-family: Sabon_Roman;\"\u003eRuby 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{mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Pilot Press","offers":[{"title":"Default Title","offer_id":47520144556367,"sku":"PK0058","price":12.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0774\/3068\/6031\/files\/18_09_20231284.jpg?v=1698230967"}],"url":"https:\/\/publicknowledgebooks.com\/collections\/asia.oembed?page=40","provider":"Public Knowledge","version":"1.0","type":"link"}